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UltraProteus Operation Manual
F249
El Pick It
Designed for electric guitar. Assign Ctrl A to Morph (in the Note-On
Controllers) to control pick placement. Assign velocity to Transform 2 for
dynamics, and key number to Freq. Track for balance across the guitar’s
range.
Morph:
Controls filter Q.
Freq. Tracking:
Tunes the filter.
Transform 2:
Gentle lowpass; higher values open the filter.
F250
ElGuit Cube
Designed like the Breath Control cubes to give a complete cutoff of sound
in the base position. Transform 2 gives an overbright response for loud
playing. Ideal for constructing brass envelopes with the Function Genera-
tor or Aux. Envelopes.
Set-Up Instructions:
Set Ctrl A/Pedal to Morph in Realtime Controllers.
Set Velocity or Controller to Transform 2 in Note-On Controllers for
overbrightness. Filter Freq. Track must be used for best effect.
Morph:
Moves between no-sound to bright.
Freq. Tracking:
Maintains cutoff frequency just above fundamental.
Transform 2:
Adds overbrightness.
F251
ElGuit Pick
Designed for use with electric guitar, this filter mimics the effect of pick
position on timbre. All 8 filters in this cube are scaled for Keyboard Center
C1. Filter Freq. Track is used to track the filter.
Minimum Morph, Min Transform 2:
Represent the pick position very close
to the bridge with the bridge position pickup used. Timbre is sharp
and trebly, with very little body in the tone.
Maximum Morph, Min. Transform 2:
Represent the pick position far up
the neck (over the fretboard). Timbre is both bassy and trebly, but
there is very little body in the overall tone; sounds as though neck
position pickup is being used.
Minimum Morph, Max. Transform 2:
Represent the pick position midway
between the bridge and the neck. Tone is more even and has more
body; sounds as though bridge position pickup is being used.
Maximum Morph, Max. Transform 2:
Represent the pick position nearer
the base of the neck. Tone has body, but also has some high-end
“singing.” Determines neck position pickup used.
Z-PLANE FILTER DESCRIPTIONS
Summary of Contents for Ultraproteus
Page 1: ......
Page 11: ...Chapter 1 Basic Setup 1 UltraProteus INTRO BASIC SETUP ...
Page 12: ...UltraProteus Operation Manual 2 ...
Page 20: ...UltraProteus Operation Manual 10 ...
Page 21: ...11 Chapter 2 Basic Operation UltraProteus BASIC OPERATION ...
Page 27: ...27 Chapter 4 Midimap Menu UltraProteus MIDIMAP MENU ...
Page 28: ...28 UltraProteus Operation Manual ...
Page 37: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Page 38: ...38 UltraProteus Operation Manual ...
Page 57: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Page 58: ...38 UltraProteus Operation Manual ...
Page 77: ...57 Chapter 6 Hyperpreset Menu UltraProteus HYPERPRESET MENU ...
Page 78: ...58 UltraProteus Operation Manual ...
Page 87: ...83 Chapter 7 Preset Programming PRESET PROGRAMMING ...
Page 103: ...67 Chapter 7 Preset Programming PRESET PROGRAMMING UltraProteus PRESET PROGRAMMING ...
Page 104: ...68 UltraProteus Operation Manual PRESET PROGRAMMING ...
Page 120: ...99 Chapter 8 Preset Menu UltraProteus PRESET MENU ...
Page 121: ...100 UltraProteus Operation Manual ...
Page 149: ...128 UltraProteus Operation Manual ...
Page 150: ...129 Chapter 9 Copy Menu COPY MENU UltraProteus COPY MENU ...
Page 151: ...130 UltraProteus Operation Manual COPY MENU ...
Page 158: ...137 Chapter 10 Step by Step STEP BY STEP UltraProteus STEP BY STEP ...
Page 159: ...138 UltraProteus Operation Manual STEP BY STEP ...