API Audio Accessories 7-22-10, Руководство оператора

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The illustration on the previous page shows the 1068L with a brief description of each control.
This serves as a quick reference guide. A more detailed description of each control follows.
3.5.1 Equalizer Assignment Controls
In order for the EQ to be heard, the following conditions must be met:
• Must be assigned to the desired path
• The EQ switch on the Equalizer itself must be engaged (ON)
• Must be not be in Bypass (BYP Off)
The EQ will be assigned to Fader 1 by default.
NOTE: The EQ switch on the Equalizer is not part of the automation or recall systems.
The Equalizer Assignment controls function as follows:
3.5.2 Auxiliary Sends
The Vision console provides a powerful Auxiliary Send system that provides a
comprehensive set of options for Cue and Effects Sends.
There are ten (10) Auxiliary Sends:
• Six (6) Mono (1-6)
• Two (2) Stereo (7/8 and 9/10)
Aux Sends 1-6 are primarily used as Effects Sends during recording and mixing, but may be
also be used as Cue Sends during recording if needed.
Aux Sends 7/8 and 9/10 are intended for use as Cue Sends during recording and as stereo
Effects Sends during mixing.
When used as Cue Sends following sources may be added to the 7/8 and 9/10 Auxiliary
Busses at the 227M Cue Master module:
• Grand Master output
• Lt Rt Fold Down Matrix output
Each of the Auxiliary Sends feed their respective Auxiliary Summing Bus. The output of
each of these Busses is fed to the corresponding 227L module in the Center Section. There,
an External Input source may be selected and Talk Back may be added. On/Off, Output
Level, Solo controls and a meter are also included on the 227L module. Refer to the 8.2.1
227L section of this manual for further information.
Stereo Aux Sends 9/10 can be routed to feed the Multitrack Summing Busses 1-8.
NOTE: When Aux Sends 9/10 are routed to the Multitrack Summing Busses, the feed to
Auxiliary Bus 9/10 from that channel is defeated.
The Equalizer (EQ) provides the following features:
• The EQ (and its Patch Points) can be assigned to either the
Fader 1 or Fader 2 audio path (not both at once)
• The EQ can also be bypassed entirely (completely removed
from the audio path). This is a hard-wired bypass when
engaged.
• The EQ routing and bypass is logic controlled
EQ BYP (Bypass): Engages a hardwire bypass of the EQ routing
• Bypass applies to both paths
• Automation
• A green LED indicator illuminates when engaged
EQ FDR2 (Fader 2): Assigns the EQ to Fader 2
• EQ is assigned to Fader 1 when FDR2 is not engaged
• Recall
• A green LED indicator illuminates when engaged