Parameter
Modulation Destination
Start
Start
parameter of the
PITCH / GATE
section on the
Pitch / Envelope
page (page 2). Positive values shift the Sample start position later in
time as you play harder, negative values shift it closer to the
beginning of the Sample as you play harder.
Tip: a typical example for this parameter is setting it so that the
initial attack transient of a snare drum is heard only at high velocity
values. This makes it sound “snappier” when you play hard, and
“muffled” or muted when you play softly.
Decay
Decay
parameter of the
AMPLITUDE ENVELOPE
section on the
Pitch / Envelope
page (page 2).
Cutoff
Cutoff
parameter of the
FILTER
section (with filter types
LP2
,
HP2
,
BP2
only) on the
FX / Filter
page (page 3).
Volume
This allows you to modulate the volume, which is what velocity
normally is used for.
MODWHEEL DESTINATION
Here you can determine how incoming MIDI data sent by the Modulation Wheel affects various
parameters.
Parameter
Modulation Destination
Start
Start
parameter of the
PITCH / GATE
section on the
Pitch / Envelope
page (page 2).
Cutoff
Cutoff
parameter of the
FILTER
section (with filter types
LP2
,
HP2
,
BP2
only) on the
FX / Filter
page (page 3).
LFO Depth
Use this knob to adjust how much the Modulation Wheel affects the
depth of the LFO modulation (for all targets) defined on the
LFO
page (page 5).
Pan
Pan
parameter on the
Audio
page of the Sound’s Output properties
7.1.2, Configuring the Main Output of Sounds and Groups
more information).
Working with Plug-ins
The Sampler Plug-in
MASCHINE 2 - Manual - 209