PRESONUS studiolive III series, Руководство пользователя

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13 Resources StudioLive™ Series III
13.7 Using Output Delay Owner’s Manual
1 To begin, press the Solo edit button.
要想开始，请按下
Solo edit
按钮。
2 On the , select Solo In Place and Latching Solo Mode.
选择
Touch Display
上的
Solo In Place
和
Latching Solo Mode
模式。
3. Solo both the Direct Input channel and the microphone channel.
Direct Input channel
通道和麦克风通道都要独奏。
4. Set the pan position of both channels to the center. This will sum both
signals mono and allow you to better hear the phase differences
between the channels.
将两个通道的
pan
位置设置为中心。这将使两个信号都是单声道，并
使你能更好地听到各通道之间的相位差异。
5. Press the Direct Input Channel’s Select button.
按
Direct Input Channe
通道的
"
Select
"
按钮。
6. Press the Input Button in the Fat Channel.
按
Fat Channel
的
"
Input
"
按钮。
7. Increase the delay time on the Direct Input channel. This is the easiest way
to hear the change in phase between the two signals. Listen to both till you
find a happy medium between the combined signals.
增加
Direct Input channel
的延迟时间。这是最容易听到两个信号之间相
位变化的方法。听听这两个信号，直到你找到组合信号之间的一个满
意的方法。
Power User Tip: The final result may not be perfectly in time but this is not necessarily
your goal. Adjusting the phase relationship between the direct and mic’d signals can help
to create space in a mix and keep the sounds coherent.
Power User Tip:
最后的结果可能不是完美的时间，但这不一定是你的目标。调整
直达信号和麦克风信号之间的相位关系，可以帮助在混音中创造空间，并保持声
音的一致性。
13.7 Using Output Delay
使用输出延迟
When one of the output buses is selected, you can set an output delay up to 170 ms
in 0.1 ms increments. When speakers are placed apart from one another, listeners
will hear the sound from the closest source before they will hear it from the furthest.
This is because electricity travels much faster to each loudspeaker than the acoustic
waves travel from each loudspeaker to the listener. This can also be an issue when
the acoustic level of an instrument or amplifier on stage can be heard over the same
instrument or amplifier being reproduced by a loudspeaker. This can dampen the
attack and intelligibility of the sound and create an unpleasant phasing effect. To
compensate, you need to delay the signal going to the speakers closest to
the listener.
当选择了其中一个输出总线时，你可以设置一个输出延迟，以
0.1
毫秒为增量，
最高可达
170
毫秒。当扬声器彼此分开放置时，听众会先听到最近的声源的声
音，然后才会听到最远的。因为电流到每个扬声器的速度，比声波从每个扬声
器到听众的速度快得多。当舞台上的乐器或放大器的声学水平，可以在扬声器
再现的同一乐器或放大器上听到时，有可能是一个问题。这会抑制声音的
attack
和清晰度，并产生令人不快的相位效应。为了弥补这一点，你需要延迟
进入最接近听众的扬声器的信号。