PRESONUS studiolive III series, Руководство пользователя

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102
。
500
赫兹和
2
千赫之间的范围，中音乐器（吉他、小鼓、萨克斯风等）变得
"
很糙
"
，而
1
千赫兹和
2
千赫之间，太多的提升会使你的混音听起来很薄或
"
尖
"
。
High Mids (2 kHz to 4 kHz). The attack portion of percussive and rhythm
instruments occurs in this range. High mids are also responsible for the projection of
midrange instruments.
在这个范围内，会有打击乐和节奏性乐器的
Attack
部分。高中音也负责中音乐
器的投射。
Presence (4 kHz to 6 kHz). This frequency range is partly responsible for the clarity
of a mix and provides a measure of control over the perception of distance. If you
boost this frequency range, the mix will be perceived as closer to the listener.
Attenuating around 5 kHz will make the mix sound further away but also more
transparent.
这个频率范围，对混音的清晰度负有部分责任，并提供了对距离感的控制措
施。如果你提高这个频率范围，混音更接近听众。衰减
5kHz
左右，会使混音
听起来更远，但更清澈。
Brilliance (6 kHz to 16 kHz).
While this range controls the brilliance and clarity of
your mix, boosting it too much can cause some clipping so keep an eye on your main
meter.
虽然这个范围控制着你的混音的清晰度，但提升太多可能会导致一些
削波，所以要注意你的主表。