PRESONUS studiolive III series, Руководство пользователя

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102
11 Graphic EQ StudioLive™ Series III
10.1 Solo Controls Owner’s Manual
11 Graphic EQ
图形均衡器
Your StudioLive comes packed with 31-band graphic EQ processors that can be freely
assigned to the Main mix, or your choice of FlexMixes. These can be used for system
tuning, subtle tweaks, or wherever you find them useful. StudioLive 64S mixers are
equipped with 16 graphic EQs while all other models are equipped with eight.
StudioLive
配备了
31-band
图形均衡器，可以自由分配给主混音或你选择的
FlexMixes
。这些可以用于系统调整，微调整，或任何你认为有用的地方。
StudioLive 64S
调音台配备了
16
个
graphic EQs
图形均衡器，而所有其他的型号都
配备了
8
个。
Graphic EQs are generally used to fine-tune the overall mix for a particular room. For
instance, if you are mixing in a“dead” room, you may want to boost high frequencies
and roll off some of the lows. If you are mixing in a“live” room, you might need to
lower the high-midrange and highest frequencies. In general, you should not make
drastic amplitude adjustments to any particular frequency band. Instead, make
smaller, incremental adjustments over a wider spectrum to round out your final
mix. To assist you with these adjustments, here is an overview of the way different
frequency ranges affect sound characteristics:
图形均衡器，通常用于对特定房间的整体混音进行微调。例如，如果你在一个
"dead "
的房间里混音，你可能想提高高频并滚掉一些低频。如果你是在一个
"live"
的房间里混音，你可能需要降低高中频和最高频率。一般来说，不应该对
任何特定的频段，进行大幅度的振幅调整。相反，在更大的频谱范围内，进行
较小的、渐进的调整，使最终的混音更加完美。为了帮助你进行这些调整，这
里概述了不同频率范围影响声音特性的方式。
Sub-Bass (16 Hz to 60 Hz). The lowest of these bass frequencies are felt, rather than
heard, as with freeway rumbling or an earthquake. These frequencies give your mix a
sense of power, even when they only occur occasionally. However, overemphasizing
frequencies in this range will result in a muddy mix.
这些低音频率的最低点是可以感觉到的，而不是听到的，就像高速公路上的隆
隆声或地震。这些频率给你的混音带来一种力量感，即使它们只是偶尔出现。
然而，过分强调这个范围的频率，会导致混响的浑浊。
Bass (60 Hz to 250 Hz). Because this range contains the fundamental notes of the
rhythm section, any EQ changes will affect the balance of your mix, making it fat or
thin. Too much emphasis will make for a boomy mix.
因为这个范围，包含了节奏部分的基本音符，任何
EQ
的变化，都会影响你的
混音的平衡，使其变得厚或窄。太过强调会使混音变得粗犷。
Low Mids (250 Hz to 2 kHz). In general, you will want to emphasize the lower
portion of this range and de-emphasize the upper portion. Boosting the range
from 250 Hz to 500 Hz will accent ambience in the studio and will add clarity to bass
and lower frequency instruments. The range between 500 Hz and 2 kHz can make
midrange instruments (guitar, snare, saxophone, etc.)“honky,”and too much boost
between 1 kHz and 2 kHz can make your mix sound thin or“tinny.”
一般来说，你要强调这个范围的低频部分，不强调高频部分。提升
250
赫兹到
500
赫兹的范围，可以突出演播室的氛围，并能增加低音和低频乐器的清晰度