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●
If “ scne1 ” is selected and KbdMo de is set to
“ chrd&no rm” , yo u can play arpeg g io s with Scene
1 to the left o f the Split Po int, and play no rmally
with Scene 2 to the rig ht.
●
If “ scne2 ” is selected and KbdMo de is set to
“ chrd&no rm” , yo u can play arpeg g io s with Scene
2 and no rmal cho rds with Scene 1 to the left o f the
Split Po int, and play no rmally with Scene 2 to the
rig ht.
La y er m ode = SIN GLE
●
If KbdMo de is set to “ chrd” , yo u can play
arpeg g io s with the selected [SCEN E] switch o nly
(o r Scene Co ntro l so und) acro ss the entire
keybo ard.
●
If KbdMo de is set to “ chrd&no rm” , yo u can play
arpeg g io s with the so und o f the selected [SCEN E]
switch o nly (o r Scene Co ntro l so und) to the left o f
the Split Po int and no rmal cho rds with the so und o f
the selected [SCEN E] switch o nly (o r Scene Co ntro l
so und) to the rig ht.
“ b o t h”
W hen the Scene Switch is set to “ bo th” , bo th Scenes
will play as fo llo ws:
La y er m ode = DUAL
●
If KbdMo de is set to “ chrd” , yo u can play
arpeg g io s with Scene 1 and Scene 2 acro ss the
entire keybo ard.
●
If KbdMo de is set to “ chrd&no rm” , yo u can play
arpeg g io s with Scene 1 and Scene 2 to the left o f
the Split Po int, and play no rmally with Scene 1 and
Scene 2 to the rig ht.
Arpeggiator
Scene 1:
Scene 1 only
Bass sound
Scene 2:
Solo sound
La y er m ode = SPLIT
●
If KbdMo de is set to “ chrd” , yo u can play
arpeg g io s with Scene 1 to the left o f the Split Po int,
and play no rmally with Scene 2 to the rig ht.
●
If KbdMo de is set to “ chrd&no rm” , yo u can play
arpeg g io s with Scene 1 to the left o f the Split Po int
and no rmal cho rds to the rig ht.
When SceneSw “ both” is set in SPLIT mode, depending on selected arpeggio
Type, as well as Split Point setting and the position at which you play the keys,
certain notes of the arpeggiated chords may cross the Split Point, i.e., lower notes
will play Scene 1 and higher notes will play Scene 2 .
La y er m ode = SIN GLE
(Same as fo r “ scne1 ” o r “ scne2 ” , pag e 3 5 .)
Arpeggio Pa ttern Length
The leng th o f an AN 1 x arpeg g io pattern is determined by
three facto rs which wo rk to g ether simultaneo usly: Arpeg g io
Type, Arpeg g io Subdivide setting , and the to tal number o f
no tes yo u play fo r an arpeg g iated cho rd.
Fo r example, say yo u play an arpeg g iated pattern with a
fo ur-no te cho rd, such as a C majo r triad with an o ctave in
the ro o t. If Subdivide is set to “ 1 / 8 ” , the Arpeg g iato r breaks
do wn the cho rd into 8 ths, and then arpeg g iates it based o n
the Type setting . If Type is set to “ UpO ct2 ” the arpeg g io will
climb o ver two o ctaves, and will repeat after fo ur beats.
Then, if yo u chang e Subdivide to “ 1 / 1 6 ” , the arpeg g io will
repeat after 2 beats. Furthermo re, if yo u then chang e Type to
“ UpO ct1 ” , the arpeg g io will repeat after o nly o ne beat.
Because the number o f no tes yo u play in the cho rd has a
direct relatio nship o n the pattern leng th based o n Subdivide
reso lutio n, so metimes unwanted synco patio ns may be
g enerated. As a g eneral rule, yo u can avo id this by cho o sing
an even number o f cho rd no tes fo r even-numbered subdivide
reso lutio ns (1 / 4 , 1 / 8 , 1 / 1 6 and 1 / 3 2 ) and an o dd number
o f no tes (e.g ., three-no te o r five-no te cho rds) with o dd-
numbered reso lutio ns (1 / 6 , 1 / 1 2 , 1 / 2 4 ).
Ho wever, this do esn’ t apply fo r do tted no te rhythms (3 / 8 ,
3 / 1 6 and 3 / 3 2 ). These reso lutio ns are particularly
interesting fo r o dd-numbered beats (e.g ., 3 / 8 o r 6 / 8 ), so
yo u will need to play cho rds with an even number o f no tes to
co rrectly play back these three-part rhythms.
As an example, set Type to “ UpO ct2 ” and Subdivide to
“ 3 / 8 ” reso lutio n. Playing a triad will place the ro o t no te o n
the first beat in the 4 th bar, g enerating irreg ular cycles. A
fo ur-no te cho rd, ho wever, g enerates symmetrical 4 bar
cycles. The ro o t no te will be repeated after the first cycle o n
bar 3 , after the seco nd cycle o n bar 5 and after the third
cycle o n bar 7 , and so o n, always landing o n the first beat.
In the case o f the special Arpeg g iato r Types (1 6 -3 0 ), yo u will
no tice that these aren’ t particularly effective with triplet
rhythms. Best results are achieved with a 4 / 4 beat and a
Subdivide reso lutio n o f “ 1 / 1 6 ” , “ 1 / 8 ” o r “ 1 / 3 2 ” .
