![DigiDesign Pro Tools Скачать руководство пользователя страница 151](http://html.mh-extra.com/html/digidesign/pro-tools/pro-tools_reference-manual_2497177151.webp)
Chapter 10: Tracks
137
Freeing up Voices on a Track
You can also adjust the relative priority of tracks
by freeing up the voices of individual tracks,
making them available to other tracks in the ses-
sion.
To free up the voice of a track, do one of the
following:
■
Click the Voice selector of the track and set it
to Off. See “Setting Voice Assignment” on
page 137.
■
Deactivate the track by Control-Start-clicking
(Windows) or Command-Control-clicking
(Mac) its track type icon in the Mix window.
■
Make sure the track does not have an output
or send assignment.
■
With Pro Tools HD, you can temporarily free a
track’s voice during playback by muting it (see
“Mute Frees Assigned Voice” on page 145).
Setting Voice Assignment
A track’s voice assignment can be turned off or
set to be dynamically allocated, and with
Pro Tools HD, can also be assigned to a specific
voice number.
On all Pro Tools systems, you can use Dynami-
cally Allocated Voicing to automatically take
care of voice management in the background,
assigning voices not in use by other tracks.
With Pro Tools HD, tracks assigned to a specific
voice number take priority over dynamically al-
located tracks and support voice borrowing (see
“Voice Borrowing” on page 139). To ensure a
track is heard, or that it is available for Quick-
Punch, TrackPunch, or DestructivePunch re-
cording, assign a voice number to that track.
For stereo and multichannel tracks, voices ap-
pear in pairs and multichannel groups. Voices
already assigned to another track appear in bold
in the Voice selector pop-up menu.
To set the voice assignment for a track:
■
Click the Voice selector and set the track to
Dyn, Off, or select a voice number (Pro Tools HD
only).
Pro Tools LE supports Dynamically Allo-
cated Voicing only; it does not support indi-
vidual voice assignments.
With Pro Tools HD,
QuickPunch, Track-
Punch, and DestructivePunch require addi-
tional voices. For more information, see
Chapter 17, “Advanced Punch Recording.”
With Pro Tools HD, the initial insert of an
RTAS plug-in uses additional voices in cer-
tain situations. See
Latency for RTAS Plug-ins” on page 665
Voice selector for stereo audio track (Pro Tools HD
shown)
Содержание Pro Tools
Страница 1: ...Pro Tools Reference Guide Version 7 3 ...
Страница 15: ...1 Part I Introduction ...
Страница 16: ...2 ...
Страница 33: ...19 Part II System Configuration ...
Страница 34: ...20 ...
Страница 44: ...Pro Tools Reference Guide 30 ...
Страница 94: ...Pro Tools Reference Guide 80 ...
Страница 95: ...81 Part III Sessions Tracks ...
Страница 96: ...82 ...
Страница 108: ...Pro Tools Reference Guide 94 ...
Страница 130: ...Pro Tools Reference Guide 116 ...
Страница 269: ...255 Part IV Recording ...
Страница 270: ...256 ...
Страница 310: ...Pro Tools Reference Guide 296 ...
Страница 345: ...331 Part V Editing ...
Страница 346: ...332 ...
Страница 402: ...Pro Tools Reference Guide 388 ...
Страница 496: ...Pro Tools Reference Guide 482 ...
Страница 548: ...Pro Tools Reference Guide 534 ...
Страница 571: ...557 Part VI MIDI Editing ...
Страница 572: ...558 ...
Страница 596: ...Pro Tools Reference Guide 582 ...
Страница 637: ...623 Part VII Mixing ...
Страница 638: ...624 ...
Страница 702: ...Pro Tools Reference Guide 688 ...
Страница 771: ...757 Part VIII Video Sync Surround ...
Страница 772: ...758 ...
Страница 792: ...Pro Tools Reference Guide 778 ...
Страница 806: ...Pro Tools Reference Guide 792 ...
Страница 856: ...Pro Tools Reference Guide 842 ...