30
RE3 to RE7: Effect Amount
Displayed as:
FxnAmnt
(where n=1 to 5)
Initial value:
64
Range of adjustment:
0 to 127
The precise function of this parameter depends on which FX device is loaded into the slot.
See the table below for a summary. The ive controls are identical, and there is one for each
slot. If the slot is bypassed, the encoder for that slot doesn’t do anything.
FX TYPE
ADJUSTED PARAMETER
Compressor
Level
EQ
Level
Distortion
Amount or bit/sample rate reduction
Delay
Send and Return levels
Chorus
Level
Reverb
Send and Return levels
Gator
Level
RE8: FX Level
Displayed as:
FXWetLvl
Initial value:
127
Range of adjustment:
0 to 127
This adjusts the overall level of the processed signal (which is then mixed with the unproc-
essed signal). Note that the individual contributions of the processor in each FX Slot can
be adjusted with
RE3
to
RE7
(see below).
FX Menu Page 4 – FX parameters
The menu which appears as Page 4 is determined by the
SELECT
buttons [10], which can
be pressed to scroll up or down through the ive FX slots. A slot which has no FX device
loaded will display the following message:
Each FX device has its own menu; these are described in turn below.
EQ Menu
One equaliser device is available. It can be loaded into any FX slot.
The equaliser is a three-band ‘swept’ type, with cut/boost and frequency controls for each
band. The LF and HF sections are second-order (slope of 12 dB/octave) shelving ilters,
and the MF section is a bell-response ilter.
Note that
FXAmount
parameter should be set to 127 for the full gain range of
RE2
,
RE3
and
RE4
to be available.
RE1:
Not used.
RE2: LF Cut/Boost
Displayed as:
EQBasLvl
Initial value:
0
Range of adjustment:
-64 to +63
This parameter controls the LF response of the equaliser; a value of 0 gives a lat response
in the LF region, positive values will give a rise in the LF response – i.e., more bass, and
negative values will have the opposite effect. The range of adjustment is ±12 dB (with
FXAmount
set to 127).
RE3: MF Cut/Boost
Displayed as:
EQMidLvl
Initial value:
0
Range of adjustment:
-64 to +63
This parameter controls the MF response of the equaliser; a value of 0 gives a lat response
in the MF region, positive values will give a rise in the MF response – i.e., more mid-
frequencies (the voice region of the audio spectrum), and negative values will accordingly
reduce the MF response. The range of adjustment is ±12 dB (with
FXAmount
set to 127).
RE4: HF Cut/Boost
Displayed as:
EQTrbLvl
Initial value:
0
Range of adjustment:
-64 to +63
This parameter controls the HF response of the equaliser; a value of 0 gives a lat response
in the HF region, positive values will give a rise in the HF response – i.e., more treble, and
negative values less treble. The range of adjustment is ±12 dB (with
FXAmount
set to 127).
RE5: LF Frequency
Displayed as:
EQBasFrq
Initial value:
64
Range of adjustment:
0 to 127
The equaliser is a “swept” type, which means that in addition to being able to increase or
decrease the treble, mid or bass, you can also control the frequency band over which the
Cut/Boost controls are effective – i.e., just what is meant by “bass”, “mid” and “treble”.
This gives you much more accurate control over the frequency response. Increasing the
value of
EQBasFrq
increases the frequency below which the LF cut/boost control (
RE2
)
is effective, so in general,
RE2
will have more effect on the sound the higher the value of
EQBasFrq
. Decreasing the value of
EQBasFrq
will lower the frequency below which
the cut/boost control is effective with a value of 0 corresponding to approx. 140 Hz . The
maximum value of 127 corresponds to about 880 Hz and the default value of
64
to about
500 Hz.
RE6: MF Frequency
Displayed as:
EQMidFrq
Initial value:
64
Range of adjustment:
0 to 127
Increasing the value of this parameter increases the “centre” frequency of the MF re-
sponse. The centre frequency is the one that gets the maximum amount of cut or boost as
you adjust
RE3
, and this control will have a proportionately decreasing effect on frequen-
cies above and below the centre frequency. The range of adjustment is from 440 Hz
(value =
0
) to 2.2 kHz (value =
127
). The default value of
64
corresponds to
approximately 1.2 kHz.
RE7: HF Frequency
Displayed as:
EQTrbFrq
Initial value:
64
Range of adjustment:
0 to 127
Decreasing the value of
EQTrbFrq
decreases the frequency above which the HF cut/boost
control (
RE3
) is effective, so in general,
RE3
will have more effect on the sound the lower
the value of
EQTrbFrq
. Increasing the value of
EQTrbFrq
will raise the frequency above
which the cut/boost control is effective, with a value of
127
corresponding to about 4.4 kHz.
A value of
0
corresponds to about 650 Hz and the default value of
64
to about 2 kHz.
RE8:
Not used.
Compressor Menu
Two compressor devices are available. These can be loaded into any two FX slots. Their
facilities are identical; the example below illustrates Compressor 1.
The compressors can be used to reduce the dynamic range of the synth sound/Input
audio, which gives the effect of “thickening” the sound and/or giving it more “punch” or
impact. They are particularly effective on sounds with a strong percussive content.
This FX Slot is bypassed or inactive
FX - EQ
EQ
EQBasLvl
EQMidLvl
EQTrbLvl
EQBasFrq
EQMidFrq
EQTrbFrq
0
0
0
64
64
64
FX - DELAY 1/2 DELAY1
Dly1Time
Dly1Sync
Dly1Fbck
Dly1L/R
Dly1Wdth
DLy1Slew
64
Off
64
1/1
127
127
FX - CHORUS 1-4CHORUS1
Ch1Type
Ch1Rate
Ch1Sync
Ch1Fbck
Ch1Depth
Ch1Delay
Chorus
20
Off
+10
64
64
FX- GATOR
GATOR
GtOn/Off
GtLatch
GtRSync
GtKSync
GtSlew
GtDecay
GtL/Rdel
On
Off
16th
On
16
64
0
GATOR
GtMode
EditGroup EEEE----
--------
❚❚❚ ❚ ❚
❚ ❚ ❚ ❚
Mono16
1
--------
--------
❚ ❚❚❚
❚❚ ❚❚
SYNTH
Patch
Name
A000
Init Program
PATCH BROWSE
Patch
Name
Find By
Category
Genre
A000
Init Program
A000-D127
All
All
PATCH SAVE
PATCHSAVE
Posng
*-------
--------
Upper
Lower
Number
Punctuate
A
o
Init Program
A
a
0
space
PATCHSAVE
Bank
Patch
Destination
SaveCatg SaveGenre
Dest+C&G
A
0
Init Program
None
None
TWEAK
Tweak1
Tweak2
Tweak3
Tweak4
Tweak5
Tweak6
Tweak7
Tweak8
----
----
----
----
----
----
----
----
----
----
----
----
----
----
----
----
TOUCH
M 123456
M 123456
M 123456
M 123456
M 123456
M 123456
M 123456
M 123456
0 ------
0 ------
0 ------
0 ------
0 ------
0 ------
0 ------
0 ------
NmbrMods
NmbrMods
NmbrMods
NmbrMods
NmbrMods
NmbrMods
NmbrMods
NmbrMods
0
0
0
0
0
0
0
0
E123456
E123456
E123456
E123456
E123456
E123456
E123456
E123456
-----
-----
-----
-----
-----
-----
-----
-----
M 123456
M 123456
M 123456
M 123456
M 123456
M 123456
M 123456
M 123456
0 R-----
0 ------
0 ------
0 ------
0 ------
0 ------
0 ------
0 ------
FX - COMPRESS 1/2
COMPRES1
C1Ratio
C1Thrsh
C1Attack
C1Rel
C1Hold
C1Gain
2.0
-20
0
64
32
127
FX - DISTORT 1/2
DISTORT1
Dst1Type
Dst1Comp
Dst1Lvl
Diode
100
0
FX - REVERB 1/2REVERB1
Rvb1Type
Rvb1Dec
LrgHall
90
GLOBAL
Protect
Local
MidiChan
MidiOut
Touch/Filter
Off
On
1
Off
Set by Patch
TuneCent
Transpse
KbdVel
VelResp
DfltRate
FootSwth
Whlights
0
0
Curve 4
Medium
48KHz
Auto
On
ClockSource
Clock}
120 BPM
Auto
Status}
Internal Clock
DUMP to
Bank
Patch
Name
Current
OnePatch
OneBank
AllBanks
USBport
A
0
Init Program
DUMP to
^^
USBport
GLOBALS & AUDIO
Calibrate
BendWhl
ModWhl
Aftouch
SetAftouch
Current O/S Transmit ^^
Current O/S Version 1.0.00
Startup O/S Version 1.0.00
AUDIO
In12Link
In1Gain
In2Gain
In1 -60 |--------|
0dB
In1
FX
In2
FX
Indept
Off
Off
In2 -60 |--------|
0dB
0
0
HeadPhones Level Control
Level
Balance
1+2/3+4
Follow master volume (1+2 only)
127
0
OUTPUTS
Synth
Input1
Input2
RECORD Mode
1+2
127
0
0
Synth
OUTPUTS
Synth
Input1
Input2
Level
Balance (Host3+4/Synth+Inps)
3+4
0
127
0
127
0
Off
Novation UltraNova
SPDIF