Novation Ultranova, Руководство пользователя

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Pressing the MODULATION button [17] opens the Modulation Menu, which is a single
page. The menu may be visualised as a system for connecting controlling sources to a
speciic area of the synth. Each such connection assignment is termed a ‘slot’, and there
are 20 such slots, accessed by
RE1 (see below). Each slot deines how one or two control
sources are routed to a controlled parameter. The routing possibilities available in each of
the 20 slots are identical, and the control description below is applicable to all of them.
The Modulation Matrix is both variable and additive. What do we mean by a
‘variable’ and ‘additive’ matrix?
By ‘variable’, we mean that it is not just the routing of a controlling source to a controlled
parameter which is deined in each slot, but also the “magnitude” of the control. Thus the
‘amount’ of control – or control ‘range’ – used is up to you.
By ‘additive’ we mean that a parameter may be varied by more than one source, if wished.
Each slot allows for two sources to be routed to a parameter, and their effects are
multiplied together. This means that if either of them is at zero, there will be no modula-
tion. However, there is no reason why you can’t have further slots routing these or other
sources to the same parameter. In this case, the control signals from different slots “add” to
produce the overall effect.
Mod Wheel Position
You need to be careful when setting up patches like this to ensure that the com-
bined effect of all the controllers acting simultaneously still creates the sound
that you want.
In addition, the Modulation Menu lets you assign the touch-sensitive knobs on any of the
eight rotary encoders as additional controllers, so as long as the Animate Touch mode is
enabled (see page 26).
Modulation Matrix Menu
RE1: Patch number
Displayed as:
Number
Initial value: 1
Range of adjustment: 1 to 20
The Modulation Matrix has 20 ‘slots’, each deining a routing assignment of one (or two)
sources to a destination. All the patches have the same selection of sources and destina-
tions and any or all can be used. The same source can control multiple destinations, and
one destination can be controlled by multiple sources.
LFO 1 parameters (Page 2)
RE1: LFO 1 Delay
Displayed as:
L1Delay
Initial value: 0
Range of adjustment: 0 to 127
LFO Delay is a time parameter whose function is determined by L1InOut ( RE3 ).
RE2: LFO 1 Delay Sync
Displayed as:
L1DSync
Initial value: Off
Range of adjustment: See table at page 40.
When this parameter is set to Off, the LFO delay is controlled by the Delay parameter
( RE1 ). At all other settings RE1 becomes inoperative, and the LFO delay is derived from
the internal/external MIDI clock.
RE3: LFO 1 Fade In/Fade Out
Displayed as:
L1InOut
Initial value: FadeIn
Range of adjustment: FadeIn, FadeOut, GateIn, GateOut
The function of the four possible settings of Intro are as follows:
FadeIn - the LFO’s modulation is gradually increased over the time period set by the Delay
parameter ( RE1 ).
GateIn – the onset of the LFO’s modulation is delayed by the time period set by the LFO
Delay parameter, and then starts immediately at full level.
FadeOut – the LFO’s modulation is gradually decreased over the time period set by the
Delay parameter ( RE1 ), leaving the note with no LFO modulation.
GateOut – the note is fully modulated by the LFO for the time period set by the Delay
parameter ( RE1 ). At this time, the modulation stops abruptly.
RE4: LFO1 Delay Trigger
Displayed as:
L1DTrig
Initial value: Legato
Range of adjustment: Legato or Re-Trig
This parameter works in conjunction with the Fade In / Fade Out function set by RE3 . In
Re-Trig mode, every note played has its own delay time, as set by the Delay parameter (or
MIDI clock if L1Dsync is active). In Legato mode, it is only the irst note of a legato-style
passage which determines the Delay time – i.e. second and subsequent notes do not re-
trigger the Delay function. For the Legato setting of Delay Trigger to be operative, mono
voicing must be selected – it will not work with polyphonic voicing. See page 18.
See page 21 for more details about Legato style.
RE5-RE8: Not used
the moDulatIon matrIx
The heart of a versatile synthesizer lies in the ability to interconnect the various controllers,
sound generators and processing blocks such that one is controlling – or “modulating” -
another, in as many ways as possible. UltraNova provides tremendous lexibility of control
routing, and there is a dedicated menu for this, the Modulation Menu.
OSCILLATORS O1Semi O1Cents O1VSync O1Wave O1PW/Idx O1Hard O1Dense O1DnsDtn
0 0 0 Sawtooth 0 127 0 0
O1PtchWh O1WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O2Semi O2Cents O2VSync O2Wave O2PW/Idx O2Hard O2Dense O2DnsDtn
0 0 0 Sawtooth 0 127 0 0
O2PtchWh O2WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O3Semi O3Cents O3VSync O3Wave O3PW/Idx O3Hard O3Dense O3DnsDtn
0 0 0 Sawtooth 0 127 0 0
O3PtchWh O3WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
FILTERS F1Freq F1Res F1Env2 F1Track F1Type F1DAmnt F1DType F1QNorm
127 0
0
127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
F2Freq F2Res F2Env2 F2Track F2Type F2DAmnt F2DType F2QNorm
127 0
0
127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
ENVELOPES AmpAtt AmpDec AmpSus AmpRel AmpVeloc AmpRept AmpTTrig AmpMTrig
2 90 127 40 0 0 OFF Re-Trig
AmpAtSlp AmpDcSlp AmpAttTk AmpDecTk AmpSusRt AmpSusTm AmpLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
FltAtt FltDec FltSus FltRel FltVeloc FltRept FltTTrig FltMTrig
2 75 35 45 0 0 OFF Re-Trig
FltAtSlp FltDcSlp FltAttTk FltDecTk FltSusRt FltSusTm FltLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
E3-E6 E3Att E3Dec E3Sus E3Rel E3Delay E3Repeat E3TTrig E3MTrig
10 70 64 40 0 0 OFF Re-Trig
E3AtSlp E3DcSlp E3AttTk E3DecTk E3SusRat E3SusTim E3LvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
MIXER O1Level O2Level O3Level RM1*3Lvl RM2*3Lvl NoiseLvl PreFXLvl PstFXLvl
127 0 0 0 0 0 0dB 0dB
O1Solo O2Solo O3Solo NoisSolo RM13Solo RM23Solo
Off Off Off Off Off Off
VOICE PortTime PortMode PreGlide PolyMode Unison UnDetune
Off Expo 0 Poly1 Off 25
LFO L1Rate L1RSync L1Wave L1Phase L1Slew L1KSync L1Comn L1OneSht
1-3 68 Off Sine 0 0 Off Off Off
L1Delay L1DSync L1InOut L1DTrig
0 Off FadeIn Legato
VOCODER On/Off Balance Width SibLevel SibType
Off v67 m 0 127 40 HighPass
ARP EDIT ArpSync ArpMode ArpPatt ArpGTime ArpOctve ArpKsync ArpVel ClockBPM
16th Up 1 64 1 Off Off 120
CHORD EDIT Transpose ^^ ^^ Bass I1 I2 I3 I4 I5 I6 I7 I8 I9
0 START ACCEPT - - - - - - - - - -
MODULATION MATRIXNumber Source1 Source2 TouchSel Destin Depth
1 Direct Direct Off O123Ptch 0
FX-PAN PAN PanPosn PanRate PanSync PanDepth
0 40 Off 0
FX- ROUTING Routing Slot1FX Slot2FX Slot3FX Slot4FX Slot5FX
1>(2+3+4+5) Bypass Bypass Bypass Bypass Bypass
FX - AMOUNTS FXWetDry FX1Amnt FX2Amnt FX3Amnt FX4Amnt FX5Amnt FXFedbck
0 64 64 64 64 64 0
SOURCE 1
NUMBER 1
NUMBER 20
TOUCH SELECT
DEPTH
DESTINATION
SOURCE 2
+
-
SOU RCE 1: LFO
SOURCE 2: MOD WHEEL
SOURCE 1: LFO
MOD SLOT NO 1
MOD SLOT NO 1
MOD SLOT NO 1
MOD SLOT NO 1
MOD SLOT NO 2
MOD SLOT NO 2
SOURCE 2: MOD WHEEL
SOURCE 1: MOD WHEEL
SOURCE 2:
SOURCE 1: LFO
SOURCE 2:
SOURCE 1: MOD WHEEL
SOURCE 2:
SOURCE 1: LFO
SOURCE 2: