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RE5: Filter Velocity
Displayed as:
FltVeloc
Initial value: 0
Range of adjustment: -64 to +63
As Amplitude Velocity adds touch sensitivity to volume, so Filter Velocity can be set to
make ilter action touch sensitive. With positive parameter values, the harder you play the
keys, the greater will be the effect of the ilter. With
Filter Velocity set to zero, the sound’s
characteristics are the same regardless of how the keys are played. Note that negative
values have the inverse effect.
RE6: Filter Repeat
Displayed as:
FltRept
Initial value: 0
Range of adjustment: 0 to 126, Ininity
When Filter Repeat is set to a value other than zero, the Attack and Decay phases of the
envelope are repeated before the Sustain phase is initiated. This has a similar effect to
Amplitude Repeat and use of either both repeat parameters can create some be quite
striking sounds.
RE7: Filter Touch Trigger
Displayed as:
FltTTrig
Initial value: Off
Range of adjustment: Off, T1ReTrig to T8ReTrig, T1Trig to T8Trig, T1Enable to T8Enable
Unlike Amplitude Touch Trigge r, Filter Touch Trigger has three options per touch-
sensitive control: Trigger , Re-trigger and Enable . However, as with Amplitude Touch
Trigger , it is necessary to enable the Animate Touch mode by pressing the TOUCH
button [22] in order to use the function.
Re-Trigger – acts in a similar way to Amplitude Re-Trigger , except that it is the ilter ac-
tion which is re-triggered by touching the selected encoder knob. The note plays as normal
when the key is pressed, touching the knob re-triggers the entire envelope. Re-Trigger
mode is conirmed on Page 1 of the Animate Touch menu by the letter ‘
R ’ in the appropriate
position.
Trigger - in this mode, the envelope-triggered ilter action is not initiated by pressing a
key, and the note will initially sound with no envelope acting on the ilter. Touching the knob
(while the key is pressed) will trigger the ilter envelope.
Trigger mode is conirmed on
Page 1 of the Animate Touch menu by the letter ‘ T ’ in the appropriate position.
Enable – in this mode, the envelope-triggered ilter action is initiated by the keyboard, but
only while the knob is being touched. Thus you can very easily lip between the sound with
and without the action of the envelope on the ilter.
Enable mode is conirmed on Page 1 of
the Animate Touch menu by the letter ‘ E ’ in the appropriate position.
RE8: Filter Multi-trigger
Displayed as:
FltMTrig
Initial value: Re-Trig
Range of adjustment: Legato or Re-Trig
This operates in a very similar way to Amplitude Multi-trigger . When set to Re-Trig ,
each note played will trigger its full ADSR envelope, even if other keys are held down.
With the envelope applied to the ilter section, this means that the effect of any envelope-
triggered iltering will be heard on every note. When set to
Legato , only the irst key to be
pressed will produce a note with the full envelope and thus produce any iltering effect. All
subsequent notes will lack any dynamic iltering. Remember that for the
Legato mode to be
operative, mono voicing must be selected – it will not work with polyphonic voicing. See page 18.
See page 20for more details about Legato style.
Envelope 2 (Filter) parameters (Page 2)
RE1: Filter Attack Slope
Displayed as:
FltAtSlp
Initial value: 0
Range of adjustment: 0 to 127
This parameter controls the “shape” of the attack characteristic as applied to the ilters.
With a value of 0, any iltering effect applied to the Attack phase increases linearly – that is
to say, increases by equal amounts in equal time intervals. A non-linear attack characteristic
may be selected as an alternative, where the ilter effect increases more rapidly at irst.
RE2: Filter Decay Slope
Displayed as:
FltDcSlp
Initial value: 127
Range of adjustment: 0 to 127
This corresponds to Filter Attack Slope in the same manner that Amplitude Decay
Slope corresponds to Amplitude Attack Slope . Thus the linearity of the reaction of the
ilter section during the Decay phase of the envelope can be varied, from linear to a more
exponential slope, where any ilter effect is more pronounced during the irst part of the Decay
phase.
RE3: Filter Attack Track
Displayed as:
FltAttTk
Initial value: 0
Range of adjustment: -64 to +63
Like Amplitude Attack Track , this parameter relates a note’s attack time to its position on
the keyboard. When Filter Attack Track has a positive value, the iltering effect during the
Attack phase of a note is shortened as you go up the keyboard. Conversely, lower notes
have their attack time increased. When a negative value is applied, the relationships are
reversed.
RE4: Filter Decay Track
Displayed as:
FltDecTk
Initial value: 0
Range of adjustment: -64 to +63
This parameter works in exactly the same way as Attack Track , except that it is the ilter
effect during the Decay phase of a note that becomes dependent on its keyboard position.
RE5: Filter Sustain Rate
Displayed as:
FltSusRt
Initial value: Flat
Range of adjustment: -64 to Flat to +63
With a value of Flat, ilter frequency remains constant during the Sustain phase of the note.
If
Filter Sustain Rate is given a positive value, the ilter frequency continues to increase
during the Sustain phase, thus the character of the note continues altering audibly for
longer. With low values of
Filter Sustain Rate , the change is slow, and increases in rapid-
ity as the value is increased. With negative values, the ilter frequency decreases during the
Sustain phase. See page 21 for an illustration.
RE6: Filter Sustain Time
Displayed as:
FltSusTm
Initial value: 127
Range of adjustment: 0 to 126, Keyoff
This parameter also applies to the Sustain phase, and sets how long any envelope-trig-
gered iltering remains active. When set to
Keyoff , the iltering remains applied continu-
ously until the key is released. Any lower value of Sustain Time will cause the iltering
effect to suddenly stop before the note ends, and you will be left with release phase of the
envelope. This does, of course, only occur if the
Amplitude Sustain Time is longer than
the Filter Sustain Time , otherwise the note will stop sounding altogether before the ilter
has cut off.
RE7: Filter Level Track
Displayed as:
FltLvlTk
Initial value: 0
Range of adjustment: -64 to +63
This parameter works in a similar way to the other “tracking” parameters, but it is the depth
with which the envelope is applied to the ilter which alters, in relation to the interval be-
tween the note played and the
Track Note set by RE8 . With a positive value, the envelope-
triggered iltering effect becomes progressively more pronounced for notes higher than
the
Track Note the further from the Track Note they are, and vice-versa. With a negative
value, notes higher than the Track Note undergo progressively less iltering the further
from the Track Note they are, and again, vice-versa.
Common Envelope Parameter
See page 21. The Track Reference Note parameter is available at RE8 on Page 2 of the
menu for every Envelope.
Envelopes 3 to 6 parameters (Page 1)
In addition to dedicated Amplitude and Filter envelopes, the UltraNova is equipped with
four further assignable envelopes, Envelopes 3 to 6. Control of these can be selected with
the
SELECT button [10]. These envelopes have virtually the same set of parameters as the
OSCILLATORS O1Semi O1Cents O1VSync O1Wave O1PW/Idx O1Hard O1Dense O1DnsDtn
0 0 0 Sawtooth 0 127 0 0
O1PtchWh O1WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O2Semi O2Cents O2VSync O2Wave O2PW/Idx O2Hard O2Dense O2DnsDtn
0 0 0 Sawtooth 0 127 0 0
O2PtchWh O2WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O3Semi O3Cents O3VSync O3Wave O3PW/Idx O3Hard O3Dense O3DnsDtn
0 0 0 Sawtooth 0 127 0 0
O3PtchWh O3WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
FILTERS F1Freq F1Res F1Env2 F1Track F1Type F1DAmnt F1DType F1QNorm
127 0 0 127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
F2Freq F2Res F2Env2 F2Track F2Type F2DAmnt F2DType F2QNorm
127 0 0 127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
ENVELOPES AmpAtt AmpDec AmpSus AmpRel AmpVeloc AmpRept AmpTTrig AmpMTrig
2 90 127 40 0 0 OFF Re-Trig
AmpAtSlp AmpDcSlp AmpAttTk AmpDecTk AmpSusRt AmpSusTm AmpLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
FltAtt FltDec FltSus FltRel FltVeloc FltRept FltTTrig FltMTrig
2 75 35 45 0 0 OFF Re-Trig
FltAtSlp FltDcSlp FltAttTk FltDecTk FltSusRt FltSusTm FltLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
E3-E6 E3Att E3Dec E3Sus E3Rel E3Delay E3Repeat E3TTrig E3MTrig
10 70 64 40 0 0 OFF Re-Trig
E3AtSlp E3DcSlp E3AttTk E3DecTk E3SusRat E3SusTim E3LvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
OSCILLATORS O1Semi O1Cents O1VSync O1Wave O1PW/Idx O1Hard O1Dense O1DnsDtn
0 0 0 Sawtooth 0 127 0 0
O1PtchWh O1WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O2Semi O2Cents O2VSync O2Wave O2PW/Idx O2Hard O2Dense O2DnsDtn
0 0 0 Sawtooth 0 127 0 0
O2PtchWh O2WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O3Semi O3Cents O3VSync O3Wave O3PW/Idx O3Hard O3Dense O3DnsDtn
0 0 0 Sawtooth 0 127 0 0
O3PtchWh O3WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
FILTERS F1Freq F1Res F1Env2 F1Track F1Type F1DAmnt F1DType F1QNorm
127 0
0
127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
F2Freq F2Res F2Env2 F2Track F2Type F2DAmnt F2DType F2QNorm
127 0
0
127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
ENVELOPES AmpAtt AmpDec AmpSus AmpRel AmpVeloc AmpRept AmpTTrig AmpMTrig
2 90 127 40 0 0 OFF Re-Trig
AmpAtSlp AmpDcSlp AmpAttTk AmpDecTk AmpSusRt AmpSusTm AmpLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
FltAtt FltDec FltSus FltRel FltVeloc FltRept FltTTrig FltMTrig
2 75 35 45 0 0 OFF Re-Trig
FltAtSlp FltDcSlp FltAttTk FltDecTk FltSusRt FltSusTm FltLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
E3-E6 E3Att E3Dec E3Sus E3Rel E3Delay E3Repeat E3TTrig E3MTrig
10 70 64 40 0 0 OFF Re-Trig
E3AtSlp E3DcSlp E3AttTk E3DecTk E3SusRat E3SusTim E3LvlTk LvlTkNte
0 127 0 0 0 127 0 C 3