Novation Ultranova, Руководство пользователя

Страница: 24 / 135

23
Amplitude and Filter envelopes, but they can be assigned at will to control many other synth
functions, including most oscillator parameters, ilters, EQ and panning among others.
The assignment of Envelopes 3 to 6 to other synth parameters is performed in the Modula-
tion Menu (see page 25 for full details). In order to audition their effects, you must irst
open the Modulation Menu and set Modulation Patch 1’s
Source to Env3 and the
Destination to a parameter of your choice (e.g. Global Oscillator Pitch – 0123Ptch ).
The arrangement of parameters for Envelopes 3 to 6 is identical, and the arrangement
closely follows that of Envelopes 1 and 2 (Amplitude and Filters). Although denoted as
Envelope 3, the parameter summaries below apply equally to Envelopes 3, 4, 5 & 6, so are
not repeated.
The actual function of Envelopes 3 to 6 will obviously depend on what they are routed
to control in the Modulation Menu. However, the derivation of the envelope parameters
themselves follow those already described for the Amplitude and Filter envelopes, with the
exception of the
Delay parameter (Page 1, RE5 ), whose function is described below.
RE1: Envelope 3 Attack Time
Displayed as:
E3Att
Initial value: 10
Range of adjustment: 0 to 127
RE2: Envelope 3 Decay Time
Displayed as:
E3Dec
Initial value: 70
Range of adjustment: 0 to 127
RE3: Envelope 3 Sustain Level
Displayed as:
E3Sus
Initial value: 64
Range of adjustment: 0 to 127
RE4: Envelope 3 Release Time
Displayed as:
E3Rel
Initial value: 40
Range of adjustment: 0 to 127
RE5: Envelope 3 Delay
Displayed as:
E3Delay
Initial value: 0
Range of adjustment: 0 to 127
This parameter delays the start of the entire envelope. When a key is pressed, its note
sounds normally, with Envelopes 1 and 2 acting as they are programmed. But any further
modulation effects triggered by Envelopes 3 to 6 will be delayed by a time set by the
Delay
parameter. The maximum value of 127 represents a delay of 10 seconds, while a value of
about 60~70 represents a delay of approximately 1 second.
RE6: Envelope 3 Repeat
Displayed as:
E3Repeat
Initial value: 0
Range of adjustment: 0 to 127
RE7: Envelope 3 Touch Trigger
Displayed as:
E3TTrig
Initial value: Off
Range of adjustment: Off, T1ReTrig to T8ReTrig, T1Trig to T8Trig, T1Enable to T8Enable
RE8: Envelope 3 Multi-trigger
Displayed as:
E3MTrig
Initial value: Re-Trig
Range of adjustment: Legato or Re-Trig
Envelope 3 parameters (Page 2)
RE1: Envelope 3 Attack Slope
Displayed as:
E3AtSlp
Initial value: 0
Range of adjustment: 0 to 127
RE2: Envelope 3 Decay Slope
Displayed as:
E3DcSlp
Initial value: 0
Range of adjustment: 0 to 127
RE3: Envelope 3 Attack Track
Displayed as:
E3AttTk
Initial value: 0
Range of adjustment: -64 to +63
RE4: Envelope 3 Decay Track
Displayed as:
E3DecTk
Initial value: 0
Range of adjustment: -64 to +63
RE5: Envelope 3 Sustain Rate
Displayed as:
E3SusRat
Initial value: 0
Range of adjustment: -64 to +63
RE6: Envelope 3 Sustain Time
Displayed as:
E3SusTim
Initial value: 127
Range of adjustment: 0 to 127
RE7: Envelope 3 Level Track
Displayed as:
E3LvlTk
Initial value: 0
Range of adjustment: -64 to +63
Common Envelope Parameter
See page 21. The Track Reference Note parameter is available at RE8 on Page 2 of the
menu for every Envelope.
lfo
S
The UltraNova has three separate Low Frequency Oscillators (LFOs). These are desig-
nated LFO1, 2 and 3, are identical in terms of features, and can be used freely to modify
many other synth parameters, such as oscillator pitch or level, ilters, panning, etc.
The assignment of LFOs 1 to 3 to other synth parameters is performed in the Modulation
Menu (see page 25 for full details). In order to audition their effects, you should irst open
the Modulation Menu and set Modulation Patch 1’s
Source to Lfo1+/- or Lfo1+
*
and the
Destination to a parameter of your choice. Note also that the Depth control on this menu
( RE6 ) determines the amount of LFO modulation applied to the Destination parameter,
and increasing this value will have a different effect depending on what the Destination pa-
rameter is, but can generally be taken to mean “more effect”. The interpretation of negative
values of
Depth will also depend on the chosen Destination parameter.
The LFO section has its own set of three LEDs, one per LFO. These monitor the output of each
LFO to provide a convenient visual reference as to their frequency, waveform and phase.
Pressing the LFO button [16] opens the LFO Menu, which has two pages for each LFO.
One of the SELECT buttons and one of the PAGE buttons will be illuminated, indicating
that more than one LFO is available to be controlled and that further menu pages are avail-
able. A total of 12 parameters per LFO is displayed for adjustment, eight on Page 1 and
four on Page 2. Because the three LFOs’ parameters are identical, only the functions of
LFO1 are described.
*
Selecting Lfo1+ as the source makes the LFO vary the controlled parameter in a
positive sense (i.e. increasing) only. Selecting it as Lfo1+/- varies it in both a positive and
a negative sense. These options, and others related to them, are discussed in greater detail
at page 25.
LFO 1 parameters (Page 1)
RE1: LFO 1 Rate
Displayed as:
L1Rate
Initial value: 68
Range of adjustment: 0 to 127
Rate is the oscillator’s frequency. A value of 0 disables the LFO, and most musical effects
OSCILLATORS O1Semi O1Cents O1VSync O1Wave O1PW/Idx O1Hard O1Dense O1DnsDtn
0 0 0 Sawtooth 0 127 0 0
O1PtchWh O1WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O2Semi O2Cents O2VSync O2Wave O2PW/Idx O2Hard O2Dense O2DnsDtn
0 0 0 Sawtooth 0 127 0 0
O2PtchWh O2WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
O3Semi O3Cents O3VSync O3Wave O3PW/Idx O3Hard O3Dense O3DnsDtn
0 0 0 Sawtooth 0 127 0 0
O3PtchWh O3WTInt FixNote ModVib MVibRate OscDrift OscPhase NoiseTyp
+12 127 Off 0 65 0 0deg White
FILTERS F1Freq F1Res F1Env2 F1Track F1Type F1DAmnt F1DType F1QNorm
127 0
0
127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
F2Freq F2Res F2Env2 F2Track F2Type F2DAmnt F2DType F2QNorm
127 0
0
127 LP24 0 Diode 64
FBalance FRouting FreqLink ResLink
-64 Parallel Off Off
ENVELOPES AmpAtt AmpDec AmpSus AmpRel AmpVeloc AmpRept AmpTTrig AmpMTrig
2 90 127 40 0 0 OFF Re-Trig
AmpAtSlp AmpDcSlp AmpAttTk AmpDecTk AmpSusRt AmpSusTm AmpLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
FltAtt FltDec FltSus FltRel FltVeloc FltRept FltTTrig FltMTrig
2 75 35 45 0 0 OFF Re-Trig
FltAtSlp FltDcSlp FltAttTk FltDecTk FltSusRt FltSusTm FltLvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
E3-E6 E3Att E3Dec E3Sus E3Rel E3Delay E3Repeat E3TTrig E3MTrig
10 70 64 40 0 0 OFF Re-Trig
E3AtSlp E3DcSlp E3AttTk E3DecTk E3SusRat E3SusTim E3LvlTk LvlTkNte
0 127 0 0 0 127 0 C 3
MIXER O1Level O2Level O3Level RM1*3Lvl RM2*3Lvl NoiseLvl PreFXLvl PstFXLvl
127 0 0 0 0 0 0dB 0dB
O1Solo O2Solo O3Solo NoisSolo RM13Solo RM23Solo
Off Off Off Off Off Off
VOICE PortTime PortMode PreGlide PolyMode Unison UnDetune
Off Expo 0 Poly1 Off 25
LFO L1Rate L1RSync L1Wave L1Phase L1Slew L1KSync L1Comn L1OneSht
1-3 68 Off Sine 0 0 Off Off Off
L1Delay L1DSync L1InOut L1DTrig
0 Off FadeIn Legato
VOCODER On/Off Balance Width SibLevel SibType
Off v67 m 0 127 40 HighPass
ARP EDIT ArpSync ArpMode ArpPatt ArpGTime ArpOctve ArpKsync ArpVel ClockBPM
16th
Up 1 64 1 Off Off 120
CHORD EDIT Transpose ^^ ^^ Bass I1 I2 I3 I4 I5 I6 I7 I8 I9
0 START ACCEPT - - - - - - - - - -
MODULATION MATRIXNumber Source1 Source2 TouchSel Destin Depth
1 Direct Direct Off O123Ptch 0
FX-PAN PAN PanPosn PanRate PanSync PanDepth
0 40 Off 0
FX- ROUTING Routing Slot1FX Slot2FX Slot3FX Slot4FX Slot5FX
1>(2+3+4+5) Bypass Bypass Bypass Bypass Bypass
FX - AMOUNTS FXWetDry FX1Amnt FX2Amnt FX3Amnt FX4Amnt FX5Amnt FXFedbck
0 64 64 64 64 64 0