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FAS Brootalz
Created by Fractal Audio
This model brings teh brootalz.
FAS Brown
“The Brown Sound”
The original BROWN model from the Axe-Fx Ultra.
FAS Class-A
Created by Fractal Audio
A “Blackface” preamp into a cathodebiased 6L6 power amp with no negative feedback.
FAS Crunch
Created by Fractal Audio
Our take on the ultimate British-sounding amp. More dynamic/open plus more gain.
FAS Hot Rod
Created by Fractal Audio
Based on nothing that we know by now.
FAS Lead 1
Created by Fractal Audio
Neutral high-gain lead with a tight midrange.
FAS Lead 2
Created by Fractal Audio
Hot-rodded British lead sound with a tonestack by Custom Audio Electronics.
FAS Modern II
Created by Fractal Audio
Tighter version with a 5153-style bass boost in the tone stack.
FAS Modern III
Created by Fractal Audio
Similar to a Recto but with tighter bass and a cathode-biased power amp.
FAS Modern
Created by Fractal Audio
A high-gain hybrid. Equally well-suited to modern rhythm and lead work.
FAS Rhythm
Created by Fractal Audio
Combines the best features of the British and USA crunch models.
FAS Wreck
Trainwreck™ Express
The original WRECKER 1 model from the Axe-Fx Ultra.
Fox ODS Deep
Fuchs® Overdrive Supreme 50
Same model with the "MID" switch OFF.
Fox ODS
Fuchs® Overdrive Supreme 50
Based on an amp that's based on an amp ;-)
Friedman BE V1
Friedman Brown Eye "Marsha"
New Friedman BE model based on a newer Friedman BE. Voice switch toggled right.
Friedman BE V2
Friedman Brown Eye "Marsha"
New Friedman BE model based on a newer Friedman BE. Voice switch toggled left.
Friedman BE
Friedman Brown Eye "Marsha"
What many call “the ultimate modded Plexi” by Dave Friedman of Rack Systems.
Friedman HBE V1
Hairy Brown Eye “Marsha”
New Friedman HBE model based on a newer Friedman HBE. Voice switch toggled right.
Friedman HBE V2
Hairy Brown Eye “Marsha”
New Friedman HBE model based on a newer Friedman HBE. Voice switch toggled left.
Friedman HBE
Hairy Brown Eye “Marsha”
The BE amp’s alternate voicing with a gain boost. A killer hi-gain tone in your arsenal.
Friedman SM Box
Friedman Smallbox
Based on the amp by Dave Friedman of Rack Systems. 50W, EL34.
Fryette D60 L
Fryette D60®
Based on the Fryette Amplification D60 in the “Less” mode.
Fryette D60 M
Fryette D60®
Based on the Fryette Amplification D60 in the “More” mode.
Gibtone Scout
Gibson® Scout
If you love vintage clean tones, this 17-watter has got ‘em!
Herbie Ch2+
Diezel® Herbert
Based on an amp called “looser” and “more “familiar” than the VH4®
Herbie Ch2-
Diezel® Herbert
Channel 2+ of the same.
Herbie Ch3
Diezel® Herbert
Channel three of the same.
Hipower Brillnt
Hiwatt® DR103 (Brilliant)
Amp with a unique tone-stack and a brilliant “chimey” tone.
Hipower Jumped
Hiwatt® DR103 (Both)
Both Brilliant and Normal channels as when “jumpering the inputs” of this amp.
Hipower Normal
Hiwatt® DR103 (Normal)
Medium-gain, full sound normal channel of this amp.
Hot Kitty
Bad Cat® Hot Cat
Based on an amp voted by Guitar Player as “the second best combo of all time.”
Jazz 120
Roland® JC-120®
The only solid-state-based model in our collection; a quintessential clean tone.
JMPre-1 OD1 BS
Marshall® JMP-1
Based on a Marshall JMP-1 rack preamp OD1 channel with Bass Shift engaged.
JMPre-1 OD1
Marshall® JMP-1
Based on a Marshall JMP-1 rack preamp OD1 channel with Bass Shift off.
JMPre-1 OD2 BS
Marshall® JMP-1
Based on a Marshall JMP-1 rack preamp OD2 channel with Bass Shift engaged.
JMPre-1 OD2
Marshall® JMP-1
Based on a Marshall JMP-1 rack preamp OD2 channel with Bass Shift off.
Jr Blues Fat
Fender® Blues Jr.®
The same as the Jr Blues model but with the “Fat” switch engaged
Jr Blues
Fender® Blues Jr.®
A gutsy little classic with dual EL84s.
JS410 Crunch Or
Marshall® JVM410HJS
Based on a Marshall JVM410HJS, Joe Satriani's 4-channel 100w signature amp. Crunch OR mode.
JS410 Crunch Rd
Marshall® JVM410HJS
Same, Crunch RD mode, based on a modded JCM 2203.
JS410 Lead Or
Marshall® JVM410HJS
Same, more gain.
JS410 Lead Rd
Marshall® JVM410HJS
Same, even more gain.
Legato 100
Carvin Legacy VL100
Based on a certain famous Carvin Legacy 100. 100 watts, EL34 tubes.
Matchbox D-30
Matchless DC-30
Based on this first of all Matchless Amps.
Mr Z Hwy 66
Dr. Z Route 66
Based on this new approach of a classical design.
Mr Z Mz-8
Dr. Z Maz-8
Based on a versatile single-ended Class-A amp.
Mr Z Mz-38
Dr. Z Maz 38 SR®
Based on an amp popular with country and roots players.
Nuclear-Tone
Swart Atomic Spacetone
Based on a cool little, gritty, stylishly retro all-tube combo. Use with Bias Trem!
ODS-100 Clean
Dumble™ OD Special®
Based on the Clean channel of a ODS-100 serial number 213, an “HRM” version.
ODS-100 Ford 1
Dumble™ OD Special®
This is a "non-HRM" version of the ODS-100 Lead.
ODS-100 Ford 2
Dumble™ OD Special®
A "non-HRM" version of the ODS-100 Lead with the Preamp Bypass switch off.
ODS-100 Ford Md
Dumble™ OD Special®
Same as ODS-100 Ford 1 but with the Mid switch engaged
ODS-100 HRM Mid
Dumble™ OD Special®
Same with the “Mid” (sometimes called "Deep") switch engaged.
ODS-100 HRM
Dumble™ OD Special®
The OD channel of the same.
Plexi 50W 6550
Marshall® Super Lead®
Based on the High input of a 1972 50W Marshall “Plexi” with 6550 power tubes.
Plexi 50W Hi 1
Marshall® Super Lead®
Based on the “High Treble” channel of the 50W Plexi.
Plexi 50W Hi 2
Marshall® Super Lead®
Same with a 0.68uF cathode bypass capacitor in the second triode stage. Slightly brighter tone.
Plexi 50W Jump
Marshall® Super Lead®
Both Treble and Normal channels as when “jumpering the inputs” on a 4-hole amp.
Plexi 50W Nrml
Marshall® Super Lead®
Based on the “Normal” channel of the 50W Plexi.
Plexi 100W 1970
Marshall® Super Lead® 1970
Based on a 1970 Marshall 1959SLP 100 which has a darker, smoother sound than earlier Plexis.
Plexi 100W High
Marshall® Super Lead® 1959
Based on the 100W version of the legendary "original Plexi"
Plexi 100W Jump
Marshall® Super Lead® 1960
Both High and Normal channels as when “jumpering the inputs” of the amp.
Plexi 100W Nrml
Marshall® Super Lead® 1961
Normal channel of the same.
Prince Tone NR
Fender® AA964 Princeton®
Based on an early CBS “Silverface” but still using pre-CBS design and components.
Prince Tone Rev
Fender® Princeton® Reverb
Based on a 1966 Fender® Princeton® Reverb.
Prince Tone
Fender® Princeton® Tweed
Based on a compact amp with a single-ended power section.
PVH 6160 Block
Peavey® EVH® 5150™
Based on the high- input lead channel of an amp named after the criminally insane.
PVH 6160+ LD
Peavey® 6505+®
Based on an amp that's called the new standard for "brutality and aggression."
PVH 6160+ Rhy B
Peavey® 6505+®
Based on channel 1 with the Crunch and Bright switches depressed.
PVH 6160+ Rhy
Peavey® 6505+®
Based on Channel 1 of a Peavey 6505+ with the Crunch switch depressed and Bright switch out.
Recto1 Org Mdrn
Boogie™ 2 Ch. Dual Rectifier®
Based on an original Mesa Boogie 2-channel Dual Rectifier. Orange channel, "Modern" Mode.
Recto1 Org Norm
Boogie™ 2 Ch. Dual Rectifier®
Based on an original Mesa Boogie 2-channel Dual Rectifier. Orange channel, "Normal" Mode.
Recto1 Red Mdrn
Boogie™ 2 Ch. Dual Rectifier®
Based on an original Mesa Boogie 2-channel Dual Rectifier. Red channel, "Modern" Mode.
Recto2 Org Mdrn
Boogie™ 3-Ch. Dual Rectifier®
Based on the modern, more aggressive version of the Dual Rectifier amp.
Recto2 Org Vntg
Boogie™ 2 Ch. Dual Rectifier®
Based on the original Mesa Boogie 2-channel Dual Rectifier. Orange channel.
