146
Doc Q7.0
NOISEGATE OFFSET
(+/- 40.00 dB)
Different environments (e.g. studios, stages) and different guitars create different levels
of noise interference. This parameter allows you to
globally
raise or lower the
THRESHOLD
of the
Noise Gate
(p. 126). Note that if the
THRESHOLD
for a given preset is
set to “OFF” the Global Offset will have no effect.
AMP GAIN
(+/- 12.00 dB)
This control pr/- 12 dB of relative gain for all amp blocks and can be used to
adjust the gain of all presets to compensate for the differences between guitars.
IR CAPTURE MODE
Determines whether the Impulse Response Capture utility operates in UltraRes™ or
Standard Resolution (2048).
Output Parameters
8.2
The OUT1 and OUT2 pages of the GLOBAL menu provide tone and level control tools for the two main outputs.
PARAMETER
Description
BANDS 1–10
(+/- 12 dB)
Output 1 and Output 2 are individually equipped with 10-band graphic equalizers for
fine-tuning of the tone across all presets. The outermost bands are shelf type filters.
These come in handy when using the Axe-Fx II in different acoustical environments, or
when you change amps/speakers with no opportunity to adjust your presets.
Output 1 settings apply to
all
instances
of the Output 1 mix signal including the
Headphone jack, the OUT1 balanced jacks, the OUT1 unbalanced jacks, and signal
which may be routed to USB or DIGITAL OUTS.
One exception to note: when
OUTPUT 2 ECHO
is set to “OUTPUT 1” in the I/O:AUDIO
menu, the global Graphic EQ setting for OUT1 is NOT copied to Output 2; Output 2 is
processed by its own global graphic equalizer in the usual way.
Output 2 settings apply to
all
instances
of the Output 2 mix signal including the
Output 2 unbalanced jacks (FX send) and the Output 2 signal, which can be routed to
the DIGITAL OUTS. (See I/O:AUDIO on p.
for more on routing).
GAIN
(+/- 12 dB)
The GAIN slider to the right of the graphic equalizer can adjust the output signal at
the selected output by +/- 12 dB. This level adjustment happens in the digital domain,
and a boost can cause output clipping if not used judiciously. Conversely, a reduction
made here can provide a good temporary remedy until you have time to address a
multi-preset clipping problem.
8.3