16
TD-000472-00-B
Setup Tab
Name the Aux Output:
Touch to enter a new name for the output. (not available on Main output) to name the output.
Linking:
Available only on Auxes 1-8 (TouchMix-16), and 1-4 (TouchMix-8). This Links odd-to-even pairs of auxiliary mixes to create a stereo mix.
Delay:
Delay is most commonly used for remote fill speakers. The objective is to set the delay so that the sound from the primary system arrives at the
listeners ears just slightly (20 – 30 msec) ahead of the sound from the fill system. When done correctly, the listeners perceive the sound as coming
from the primary system even though most of what they hear is from the fill speakers.
In venues with very deep stages, the engineer will sometimes delay the house system so that it time aligns with the back-line. In other words, set up
the system so that the sound from the actual kick drum and the reinforced kick drum arrive at the listeners’ ears at the same time.
You can also drive your drummer nuts by delaying his monitor just a bit – but that wouldn’t be very nice, would it?
The delay provides a read out in msecs. (up to 100), meters (up to 34.3) and feet (up to 113).
Speaker Settings:
Refer to
"Level-Match Your QSC Speakers" on page 12
for details.
GXD Amp Settings:
Refer to
"Output Channel – QSC GXD Amplifier Settings" on page 45
Aux Pick-off
Available for the Aux mixes only, these buttons determine where the point from which the signal is taken is before or after the channel fader. For most
monitor mixing applications, this should be set to Pre.
Assignments
And you didn’t think there would be any assignments. But these aren’t the kind of assignments that require homework. These buttons assign the
output to a Mute Group or a DCA Group. Mute Groups and DCA Groups are discussed previously.
Type new name
Link
Delay In
Speaker Settings
GXD Amp Settings
Pre All
Pre Dyn
Pre Fader
Post Fader
DCA 3
Mute 1