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Pro 3 User’s Guide
Filters
Filter Envelope
The Pro 3 filter has a dedicated, 5-stage envelope generator (attack,
decay, sustain, release, plus delay). The Filter Envelope is used to shape
the harmonic characteristics of a synthesized sound by giving you filter-
ing control with these stages.
This is one of the most important aspects of a synthesized sound. Without
an envelope, the filters would be static and unchanging. They would stay
open or closed by a fixed amount that wouldn’t change over the duration
of a sound. That’s not very expressive or interesting to listen to — and
it’s not how most real-world instruments behave.
In general, sounds produced by an acoustic instrument are brighter at
their beginning (the attack stage) and grow mellower as they die out (the
decay and release stages). In other words, their harmonic content changes
over time. This is exactly what the filter envelope is designed to emulate.
VELOCITY
ATTACK
DECAY
SUSTAIN
RELEASE
AMOUNT
ATTACK
DECAY
SUSTAIN
RELEASE
AUX ENV
AMOUNT
VELOCITY
ATTACK
DECAY
SUSTAIN
RELEASE
AMOUNT
1
2
ENVELOPES
AMP
FILTER
AUX
Filter Envelope
attack
decay
sustain
release
amplitude
time
note off
note on
delay
A typical 5-stage DADSR envelope
Summary of Contents for PRO 3
Page 1: ...Multi filter Mono Paraphonic Synthesizer PRO 3 ...
Page 2: ......
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Page 163: ...151 Pro 3 User s Guide Appendix F MIDI Implementation ...
Page 164: ...152 Appendix F MIDI Implementation Sequential ...
Page 165: ...153 Pro 3 User s Guide Appendix F MIDI Implementation ...
Page 166: ...154 Appendix F MIDI Implementation Sequential ...
Page 167: ...155 Pro 3 User s Guide Appendix F MIDI Implementation ...