83
Effects List
This applies a 3D effect to the delay sound. The delay sound will be
positioned 90 degrees left and 90 degrees right.
fig.MFX-52
A stereo delay in which the delay time can be varied smoothly.
fig.MFX-53
A delay in which the delay time can be varied smoothly, and allowing
an extended delay to be produced.
fig.MFX-54
52:
3D DELAY
Parameter
Value
Explanation
Delay Left
0–2600 msec, note
Adjusts the delay time from the
direct sound until the delay
sound is heard.
Delay Right
Delay Center
Center
Feedback #
-98–+98%
Adjusts the proportion of the
delay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
HF Damp
200–8000 Hz, BYPASS
Adjusts the frequency above
which sound fed back to the
effect will be cut. If you do not
want to cut the high frequencies,
set this parameter to BYPASS.
Left Level
0–127
Output level of the delay sound
Right Level
Center Level
Output Mode
SPEAKER, PHONES
Adjusts the method that will be
used to hear the sound that is
output to the OUTPUT jacks. The
optimal 3D effect will be achieved
if you select
SPEAKER
when using
speakers, or
PHONES
when using
headphones.
Low Gain
-15–+15 dB
Gain of the low range
High Gain
-15–+15 dB
Gain of the high range
Balance #
D100:0W–D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level
0–127
Output Level
53:
ANALOG DELAY
Parameter
Value
Explanation
Delay Time #
0–1300 msec, note
Adjusts the time until the delay is
heard.
Acceleration
0–15
Adjusts the speed which the Delay Time
changes from the current setting to a
specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch change.
L
R
3D Delay L
3D Delay R
3D Delay C
Level
Feedback
2-Band
EQ
2-Band
EQ
L out
R out
R in
R out
L in
L out
Feedback
Feedback
Pan L
Pan R
Time Ctrl Delay
Time Ctrl Delay
2-Band EQ
2-Band EQ
Feedback #
-98–+98%
Adjusts the amount of the delay
that’s fed back into the effect.
Negative (-) settings invert the
phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is
filtered out. If you do not want to
filter out any high frequencies, set
this parameter to BYPASS.
Low Gain
-15–+15 dB
Gain of the low frequency range
High Gain
-15–+15 dB
Gain of the high frequency range
Balance #
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level
0–127
Output level
54:
ANALOG LONG DELAY
Parameter
Value
Explanation
Delay Time #
0–2600 msec,
note
Adjusts the time until the delay is heard.
Acceleration
0–15
Adjusts the speed which the Delay Time
changes from the current setting to a
specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch change.
Feedback #
-98–+98%
Adjusts the amount of the delay that’s fed
back into the effect. Negative (-) settings
invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which sound
fed back to the effect is filtered out. If you do
not want to filter out any high frequencies,
set this parameter to BYPASS.
Pan #
L64–63R
Stereo location of the delay
Low Gain
-15–+15 dB
Gain of the low frequency range
High Gain
-15–+15 dB
Gain of the high frequency range
Balance #
D100:0W–
D0:100W
Volume balance between the direct sound
(D) and the delay sound (W)
Level
0–127
Output level
Parameter
Value
Explanation
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
