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units of degrees. Therefore, when you talk to the light, you tell it to pan so many
degrees:
Forty-five degrees is forty-five degrees. This makes controlling a rig that is made
up of different types of lights easy to communicate with and easy to understand.
Since Natural Language Control doesn't figure out DMX values until the very last
second, it can also alter the way in which the conversion is done at run-time,
producing new and exciting methods of transition during the fade from cue to
cue. Various attributes, such as position and color lend themselves very nicely to
working in different ways. Color Space is described in detail below, but let's
examine how we can move from one place to another on stage given two stored
end places.
Summary of Contents for choreo
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