Oberheim Matrix-6R Owner'S Manual Download | Manualshive

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• MATRIX MODU LATION

• MASTER EDIT

SOURCES

DESTINATIONS

MIDI

00

DELETE MODULATION

00

DELETE MODULATION

17

ENV

1

AM PLITUDE

00

BASIC CHANNEL

1 3

SPILL OVER

20

STORE ALL

01

ENVELOPE

1

01

DCO

1

FREQUENCY

18

ENV

2

DELAY

01

OMNI MODE

1 4

ACTIVE SENSE

21

CHECK ALL

02

ENVELOPE

2

02

DCO

1

PULSE WIDTH

19

ENV

2

ATTACK

02

CONTROLLERS

15

PATCH MAP

22

LOAD ALL

03

ENVELOPE

3

03

DCO

1

WAVE SHAPE

20

ENV

2

DECAY

03

PATCH CHANGES

16

PATCH MAP EDIT

23

SELECTIVE LOAD

04

LFO

1

04

DCO

2

FREQUENCY

21

ENV

2

RELEASE

04

SYSTEM EXCLUSIVE

05

LFO

2

05

DCO

2

PULSE WIDTH

22

ENV

2

AMPLITUDE

05

LOCAL CONTROL

VIBRATO

06

VIBRATO

06

DCO

2

WAVE SHAPE

23

ENV

3

DELAY

06

PEDAL

1

SELECT

30

SPEED

50 EDIT RECALL

07

RAM P

1

07

DCO

1

- DCO

2

M IX

24

ENV

3

ATTACK

07

PEDAL

2

SELECT

31

WAVEFORM

51

PATCH INITIALIZE

08

RAMP

2

08

VCF FM BY DCO

1

25

ENV

3

DECAY

08

LEVER

2

SELECT

32

AMPLITUDE

52

CALIBRATE

09

KEYBOARD

09

VCF FREQUENCY

26

ENV

3

RELEASE

09

LEVER

3

SELECT

33

SPEED MOD SOURCE

53

DISPLAY BRIGHTN ESS

10

PORTAM ENTO

10

VCF RESONANCE

27

ENV

3

AM PLITUDE

10

SEND PATCH

34

SPEED MOD AMOUNT

54

SOFTWARE VERSION

1 1

TRACKING GENERATOR

1 1

VCA

1

VOLU ME

28

LFO

1

SPEED

11

SEND ALL

35

AMP MOD SOURCE

55

MASTER TU NE

12

KEYBOARD GATE

12

VCA

2

VOLUME

29

LFO

1

AM PLITUDE

12

MIDI ECHO

36 AMP MOD AMOUNT

56

STEREO OUTPUT

13

VELOCITY

1 3

ENV

1

DELAY

30

LFO

2

SPEED

57

SWITCH QUICK

14

RELEASE VELOCITY

14

ENV

1

ATTACK

31

LFO

2

AM PLITUDE

15

PRESSURE

15

ENV

1

DECAY

32

PORTAMENTO RATE

• SPLIT EDIT

16

PEDAL

1

16

ENV

1

RELEASE

17

PEDAL

2

18

LEVER

1

19

LEVER

2

20

LEVER

3

=

LEVER

2

REVERSE

• PATCH EDIT

DCO

1

DCO

2

00

FREQUENCY

10

FREQUENCY

01

FREQ MOD BY LFO

1

1 1

FREQ MOD BY LFO

1

02

SYNC

12

DETUNE

03

PULSE WI DTH

13

PULSE WIDTH

04 PW

MOD BY LFO

2

14 PW

MOD BY LFO

2

05

WAVE SHAPE

15

WAVE SHAPE

06

WAVE SELECT

16

WAVE SELECT

07

LEVERS

17

LEVERS

08

KEYBOARD/ PORTAMENTO

18

KEYBOARD/ PORTAMENTO

09

KEY CLICK

19

KEY CLICK

ENV

1

ENV

2

50 DELAY

60

DELAY

51

ATTACK

61

ATTACK

52

DECAY

62

DECAY

53

SUSTAIN

63

SUSTAIN

54

RELEASE

64

RELEASE

55

AMPLITUDE

65

AMPLITUDE

56

AMP MOD BY VELOCITY

66 AMP MOD BY VELOCITY

57

TRIGGER MODE

67

TRIGGER MODE

58

ENVELOPE MODE

68

ENVELOPE MODE

59

LFO

1

TRIGGER

69

LFO

1

TRIGGER

VCF/VCA

20

BALANCE

21

FREQUENCY

0

LEFT UPPER LIMIT

4

RIGHT TRANSPOSE

1

LEFT TRANSPOSE

5

RIGHT M IDI OUTPUT

2

LEFT MIDI OUTPUT

6

LEFT-RIGHT BALANCE

3

RIGHT LOWER LIMIT

7

VOICE/ZONE SELECT

FM/TRACK

RAMP/PORTAMENTO

30

VCF FM AMOUNT

40 RAMP

1

RATE

31

FM MOD BY ENV

3 .

41

RAMP

1

TRIGGER

22

FREQ MOD BY ENV

1

32

FM MOD BY PRESSURE

42

RAMP

2

RATE

23

FREQ MOD BY PRESSURE

33

TRACK IN PUT

43

RAMP

2

TRIGGER

24

RESONANCE

34

TRACK POINT

1

44

PORTAM ENTO RATE

25

LEVERS

35

TRACK POINT

2

45

PORT MOD BY VELOCITY

26

KEYBOARD/PORTAMENTO

36 TRACK POINT

3

46

PORTAMENTO MODE

27

VCA

1

VOLUME

37

TRACK POINT

4

47

LEGATO PORTAMENTO

28

VCA

1

MOD BY VELOCITY

38

TRACK POINT

5

48

KEYBOARD MODE

29

VCA

2

MOD BY ENV

2

ENV

3

LFO

1

LFO

2

70

DELAY

80

SPEED

90

SPEED

71

ATTACK

81

SPEED MOD BY PRESSURE

91

SPEED MOD BY KEYBOARD

72

DECAY

82

WAVEFORM

92

WAVEFORM

73

SUSTAIN

83

RETRIGGER POINT

93

RETRIGGER POINT

74

RELEASE

84

AMPLITUDE

94

AM PLITUDE

75

AMPLITUDE

85

AMP MOD BY RAMP

1

95

AMP MOD BY RAM P

2

76

AMP MOD BY VELOCITY

86 TRIGGER MODE

96

TRIGGER MODE

77

TRIGGER MODE

87

LAG

97

LAG

78

ENVELOPE MODE

88

SAMPLE INPUT

98

SAMPLE IN PUT

79

LFO

1

TRIGGER

«
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Summary of Contents for Matrix-6R

Page 1: ...OWNER S MANUAL Obe _ ___ rh _ elDI _ _ ___ g_ A Division of ECC Development Corporation...

Page 2: ...I I I I I I I I I I State L LJ Zip I I I I I I I I I I I I I I I I I I I I I I I I I State L LJ Zip I OP TIONAL INFORMATION FOR OUR MARKETING AND RESEARCH DEPARTMENT How long have you owned Oberheim...

Page 3: ...LUDING BUT NOT LIMITED TO THE IMPLIED WARRANTY OF MERCHANTABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY HEREIN OBERHEIM HEREBY EXCLUDES INCIDENTAL AND CONSEQUENTIAL DAMAGES INCLUDING BUT...

Page 4: ...ECT PATCH SELECT REMOTE PARAMETER QUICK COMPARE VALUE PATCH EDIT PATCHES NUMBER SOURCE AMOUNT DESTINATION MATRIX MOO VOLUME NUMBER NAME LOWER UPPER SPLITSELECT PARAMETER QUICK COMPARE VALUE SPLIT EDIT...

Page 5: ...to radio communications Operation of this equipment in a residential area is likely to cause interference in which case the user at his own expense will be required to take what ever measures may be r...

Page 6: ...tect 1 4 AC Power Receptacle 1 4 What Cables Should I Use 1 5 Part 2 KEYPAD I MODE SELECT Sections 1 5 Using the KEYPAD 1 5 0 9 Buttons 1 6 Store 1 6 Key 1 6 Reverse I Advance Arrows 1 6 NO I OFF YESI...

Page 7: ...F YOU HAVE A PROBLEM 4 57 Using MATRIX MODULATION 59 MASTER EDIT Page 59 MIDI 76 Cassette 82 Vibrato 83 Misc 87 SPLIT EDIT Page 95 Part 4 CREATING A PATCH 1 05 Part 5 WARRANTY Matrix GR Owner s Manual...

Page 8: ...sely articulate the sound of each patch You will also find that the MATRIX GR has one ofthe most elaborate and useful MIDI Interfacing systems of any polyphonic synthesizer available today Standard MI...

Page 9: ...he PATCH SELECT light should go on If not press the blue PATCHES button afewtimes as the lights will loop around the three headings When PATCH SELECT is lit up you can select any one of the MATRIX GR...

Page 10: ...oreach patchthatyou want to alterpermanently To program your edits press and hold the bright red STORE button andwhile you are holding it down type in the 2 digit program Number on the Keypad This wil...

Page 11: ...RU 0 0 MtMlUM HM MIDI Sequencer c icc ci CJCCJCI MIDI OUT MIDI IN CCDCDO c J IJDIJDIJO g g caaaao B 0 Matrix 6R mIiim mmum mmm mm EJ IEJmfl RIGHT Matrix 6R Q lbl rrlln D rnm 1111111 MODE SELECT IJ q n...

Page 12: ...ot necessaryforthe MATRIX GR to be rack mounted to work properly The synthesizer will operate normally if placed on any level surface That s why we also included four rubberfeet These feet by the way...

Page 13: ...id and luke warm water Spray type window cleaners are acceptable but do not spray the synthesizer directly spray the clothfirstthen cleanthe MATRIX GR Do not use harsh or abrasive detergents or solven...

Page 14: ...he waydown the control is at its minimum setting no volume or silence When the knob is pushed all the way up the control is at its maximum setting In the MASTER EDIT Page MISC Parameter 5G STEREO dete...

Page 15: ...features printed on it and is arranged in groups of related functions or parameters as they are called This master list of operating parameters is used as a reference guide when programming what spec...

Page 16: ...patches in their digital form called DATA on standard cassette tape You can then begin to program a second setof patches offload themonto cassette do a third set and so on until you have built up a li...

Page 17: ...ionthat is programmable foreach patch If MEMORY PROTECT is OFF on the backpanel you can store patches into any patch numberexceptfor the patchesthat have been individually Protected MIDI Memory Protec...

Page 18: ...ssion on the Keypad Now select Patch 58 by pressing just the 5 button by itself Notice that 5 is displayed on the left and O flashes as the MATRIX GR will wait foryou to press another button Press the...

Page 19: ...F in the Destination Patchfor this to occur This handy little button enables quick changes to t hose parameters t hat can be used eitherpositive or negative A good example is an ENVELOPE amount value...

Page 20: ...ght half of the front panel t here are a lot of functions under your control For simplicity and speed we have arranged t hese parameters into sections of related functions These three main sections th...

Page 21: ...new sounds c hanging existing sounds orjustfinding out what settings were used to make up the patches t hat are in there now And t he Display will always s how you where you are Terminology In explain...

Page 22: ...ns are not active in this mode Once you have selected t he desired character pressing the grey button above NAME again once advances the display one characterto t he rig ht so t hat it will flash You...

Page 23: ...abled switched OFF To do this press the grey button above PROTECT and its LED will go out disabling the Patch PROTECT feature Switch the MEMORY PROTECT on the back panel to its OFF position You can no...

Page 24: ...notes fromtheMaster controller allows you to hearthe patchin its original state Switching to another mode in PATCH EDIT either PARAMETER QUICK or VALUE returns the patchto its edited state You may CO...

Page 25: ...Most Parameters withoutput types have four choices of outputst hat you can select althoug hthis variesfrom parameterto parameter DCO 2 1 6 WAVE SELECT for example has t he same four choices as DCO 1 p...

Page 26: ...e 20 modulation SOURCES numbered 01 through 20 If you are creating a new patch from PATCH INITIALIZE the first fourcombinations will be set up foryou they can be edited or erased and the remaining six...

Page 27: ...st as the name SPLIT implies you can put one of these patches on the leftpart of the Mastercontroller s keyboard called LOWER and the other patch on the right part of the Master s keyboard called UPPE...

Page 28: ...pearon the display as the right numberof the two PATCH numbers and is now assigned to the UPPER part of the Mastercontroller s keyboard Modes of the SPLIT EDIT Page The SPLIT EDITMode is where you pro...

Page 29: ...on VALUE in PATCH EDIT you will see that we categorized VALUE as being numerical type or status In SPLIT EDIT the VALUEs used are numerical for parameters 0 1 3 4 G ON OFF for 2 and 5 and type for 7...

Page 30: ...y reads TUNING You should make sure that the footpedal connected to the PEDAL 1 jack on the back panel is set to its maximum OFF position While in TUNE mode the computer inside the MATRIX GR is perfor...

Page 31: ...rate Page MATRIX MODULATION is used to program modulation for special purposes The PATCH EDIT Page contains 1O Sub Pages each dealing with a specific part of the final sound that you hear In this sect...

Page 32: ...ounts of detune as each higher number is used 03 13 PULSE WIDTH If PULSE is selected as the DCO s waveform see 06 1 6 WAVE SELECT this control sets the pulse s width output VALUE range is from O to 63...

Page 33: ...nerator produces a pitchless rushing sound suitable forwind and thunder effects as well as adding breath inflections to flute brass andwoodwind sounds If BOTH is selected a Pulse and a Wave are output...

Page 34: ...The VCFI VCA section of the MATRIX GR is where the sound generated by the DCOs is tailored by you to determine what the patch will finally sound like This section performs importantfunctions such as...

Page 35: ...dentity It is the amount and structure of harmonicsthat allow our earsto differentiate between sounds The structure of the harmonics in the MATRIX GR is determined by the waveformyou selected with the...

Page 36: ...he Master s keyboard and pressing into the keys This assumes that the Mastercontrollerthat you are using has PRESSURE or After Touch If it does not this parameter will not work Range is from G3 to 63...

Page 37: ...o effect on the VCF FREQUENCY and the Master controllerwill not track the Filter The VCF FREQUENCY will remain as you set it in Parameter 21 If OFF is selected you will need to increase the Filter FRE...

Page 38: ...or no effect ifyou give it a positive Value This is because at a Value of 63 VCA1 is set as loud as it will go and Velocity cannot make tt any louder Also if VCA1 is given low Values positive Velocity...

Page 39: ...ter FM basically involves a high frequency modulation of the Filterto obtain tone colors not possible with conventional LFO modulation TRACK is the abbreviation forTracking Generatorwhich can be descr...

Page 40: ...n gradually increase its VALUE while you are playing notes on the Mastercontroller s keyboard What you will hearwill be the new harmonics generated bythe FM process Working with FM A wide variety of F...

Page 41: ...his parameter will not work VALUE range is from 63 to 63 A Value of O indicates no effect by PRESSURE Positive Values cause PRESSUREto increase the amount of FM As an example pressing intothe keys on...

Page 42: ...IX 6R s Keyboard scaling the Portamento speed the Tracking Generator s curve the Keyboard s gate pulse Velocity response Release Velocity response keyboard Pressure response the response of Pedal 1 th...

Page 43: ...MATRIX MOD Then select the actual modulation source you wantto use for the INPUT The real magic begins when we experiment with thefive POINT values Here s an example A very basicand easy to hear demon...

Page 44: ...n the Keypad and the word TRAK appears on the display We have now selected the Tracking Generator as our modulation source STEP 1 5 Select the AMOUNT Parameter STEP 1 6 Use the button on the Keypad to...

Page 45: ...K POINT 2 STEP 30 Select the VALUE Parameter STEP 31 Change the VALUE of TRACK POINT 2 from 15 to 60 using the Keypad STEP 32 Play a note from the Mastercontroller and listen to how the normally smoot...

Page 46: ...e between negative and positive POINT3 in this case represents the selected INPUT s O level Setting a POINTValue to 31 results in nooutput below 31 is negative and above 31 is positive Tracking Genera...

Page 47: ...ce throughthe PEDAL2jack It then begins to generate an increasing control signal gradually until it reaches its maximum The time that ittakesto do this is set by the RATE parameter 40 RAMP 1 RATE 42 R...

Page 48: ...be synchronized with other instruments in yoursystem Otherwise the triggering operates the same as STRIG GATEDX Gated External Single Trigger Ifthe RAMP is being triggered externally GATEDXcauses the...

Page 49: ...programming You will notice that selecting among the three different modes in 46 PORTAMENTO MODE will affect their relative Rates even though the RATE Value is set to the same number This is because P...

Page 50: ...the first note No Portamento will be heard while playing Staccato playing a new note only afterthe first note has been completely released NOTE This Portamento mode can only be used when parameter 48...

Page 51: ...d primarily to change the various patch parameters during a given time period which could be mere fractions of a second to several minutes depending on the setting Each stage of an envelope with the e...

Page 52: ...hat SUSTAIN is not a time parameter but determines the Envelope s output if a key or keys are held afterthe DELAY ATTACK and DECAY stages If SUSTAIN is set to its maximum there will be no decrease in...

Page 53: ...board Triggers STRIG Single Trigger The Envelope will be activatedfor a voice only if that voice is not already playing This means that if you are holding a key down the Envelope for that voice will n...

Page 54: ...ORM Normal The normal operating mode of an Envelope is to complete Its cycle while a key or keys are being held down during the DELAY ATTACK DECAY and SUSTAIN stages of its cycle After the keys are le...

Page 55: ...age 83 RETRIGGER POINT G LF01 Gated LFO 1 Trigger When this is selected LF01 will triggerthe Envelopeonly when a key or keys are played the Envelope is Gated If this is notselected the Envelopewill be...

Page 56: ...e played Using negative VALUES gives the opposite effect high notes slowthe LFO and low notes speed it up 82 92 WAVEFORM This parameter allows you to select the waveform of the LFOthat will be used as...

Page 57: ...ed in PATCH Edit Parameters 88 and 98 SAMPLE Sampling this waue a t this rate 83 93 RETRIGGER POINT 1 1 1 1 1 1 1 1 1 1 giues this result An LFO normallycycles freely with no apparent beginning orstar...

Page 58: ...umbers which invert the RAMP decreases the LFO s output 86 96 TRIGGER MODE The LFOs like the Envelopes and Ramps can be triggered bythe Keyboard or by an External source As we mentioned in Parameters...

Page 59: ...e of DNSAW are affected by LAG as well The TRI wave can also be Lagged but because of s lackof sharp edges the effect is not as noticeable aft er Lag Proeessor 88 98 SAMPLE Aswe indicated in Parameter...

Page 60: ...VELOCITY 81 SPEED MOD BY PRESSURE 85 AMP MOD BY RAMP 1 91 SPEED MOD BY PRESSURE 95 AMP MOD BY RAMP 2 There will be times however that these permanent routings don t offerthe kind of modulation you re...

Page 61: ...e of any modulation may in some cases not be enough to do the job No problem Just set up a MATRIX MOD with the same Source and Destination and adjust the AMOUNT value until the required range is achie...

Page 62: ...f you turn the MATRIX GR off come back a week later and turn it on again these settings will still be intact MIDI MIDI is an acronym for Musical Instrument Digital Interface MIDI is a universally acce...

Page 63: ...eive Notes and Controllers on any MIDI channel The Master instrument can be setto transmit on any one MIDI channel and Its Notes and Controllerswill be received by the MATRIX SR at all times when in O...

Page 64: ...AL1 PEDAL2 and PRESSURE from the Master instrument If MIDI Parameter 05 LOCAL CONTROL is also turned ON the MATRIX GR s own Pedals pedals plugged into the Pedal 1 and Pedal 2 jacks on its back panel w...

Page 65: ...t be programmedwith Oberheim s SYSTEM EXCLUSIVEcode before this can take place This parameter permits SYSTEM EXCLUSIVE to be turned ON or OFF SYSTEMX as it is shown on the display is not necessary for...

Page 66: ...his is called the BENDER controller That swhy there is no separate front panel Parameterfor a LEVER1 MIDI assignment You cannotselect another Controller Numberfor LEVER1 Wheel joy stick and levercontr...

Page 67: ...l 1 00 ofthe MATRIX GR s patches can be sent through its MIDI OUTto another MIDI device This is not Patch Numbers but the actual datathat makes up the sound The receiving instrument can be another MAT...

Page 68: ...ed by the MATRIX GR as a slave are always sent via MIDI OUT normally MIDI Notes NOTES VELOCITY and RELEASE VELOCITY information are the three MI DI commands that will be both re transmitted by the MAT...

Page 69: ...en SPILLOVER is ON the seventh eighth ninth etc up to the 1 6th notes played on the Master will be transmitted from the MATRIX GR on its BASIC M IOI Channel 2 and will be heard on a second Slave synth...

Page 70: ...onnected to the MATRIX GR does not sound the MATRIX GR is transmiting on a MIDI Channel in this case Channel 1 that the second Slave synthesizer is not receiving in this case Channel 3 5 Now playand h...

Page 71: ...r N refers to the BASIC Channel that the MATRIX 6R is transmitting on Rememberto set your Slave synthesizerto receive on the the proper Channel if you want SPILLOVER to happen VOICE ZONE MIDI OUT SPIL...

Page 72: ...Active Sense ON the MATRIX GR will perform the necessary Note Off command for you automatically How Active Sensing Works Active Sense monitors the MIDI lines by sending asteadystreamof M IDI informat...

Page 73: ...there is really no easy way to set up a logical arrangement so that each instrument will change to the patch that compliments the rest of the instruments For example underthe present MIDI system you m...

Page 74: ...isSub Pagethatthe MATRIX GR s Patch Map Table is constructed It consists ofthree imaginary columns of numbers that make up the Map s patch change InputI Output configurations 1 To enterthe Patch Map p...

Page 75: ...I OUTto the MATRIX BR s MIDI IN If you have another MIDI instrument connect its MIDI IN to the MIDI OUT of the MATRIX GR so that itwill act as the second slave in the system Patch Map Operation 1 The...

Page 76: ...above Local Patch 00 selects Patch 15 on the secondslave Local 01 selects Patch 76 on the slave Local 02 selects 20 on the slave 03 selects 09 and 04 selects 52 1 7 P MAP ECHO Patch Map Echo In manysi...

Page 77: ...IGHT ZONE MIDI MONO is the means by which each of the MATRIX GR s six Voices are played from six separate M IDI Channels This parameter selects MIDI MONO etther ON or OFF When OFF the MATRIX GR receiv...

Page 78: ...elected in PATCH Edit Parameter48 KEYBOARD MODE is ignored and the MATRIX GR is put into ROB Mode This does not alterthe programming of your patches the programmed Keyboard Mode is only ignored as lon...

Page 79: ...are edited or erased accidentally or if a malfunction causes the MATRIX GR to drop memory A back up data tape should also be made before your MATRIX GR is everservicedforthis reason What You Will Need...

Page 80: ...ing one to insure propertape speed Making atapewith low batteries means that the tape will not play back properly when fresh batteries are used An AC adaptor is also convenient in that you won t have...

Page 81: ...ss the YES button on the MATRIX 6R s Keypad The MASTER EDIT LED will go out and if your cassette machine has a monitor feature a high pitched Leader Tone from the MATRIX GR will be heard The displaywi...

Page 82: ...it you will get an Error Message on the display Error Messages are described laterin thissection 22 LOAD ALL This parameter loads the MATRIX GR s memorywith the data on the tape Please bear in mind t...

Page 83: ...n The displaywill change to read INTO PATCH DD Here is where we select the Numberof the patch where we want the one coming from tape to be stored in the MATRIX SR Remember that the patchthat is curren...

Page 84: ...MASTER EDIT Page data CASS ERROR 6 The MATRIX GR is unable to read the incoming data because it was made from another MATRIX GR with an updated software version To correct this problem you will need...

Page 85: ...theconnections are reversed Please bear in mind that cassette interfacing requires alot of patience and experimentation But once you ve found the right settings foryour recorder the cassette function...

Page 86: ...use PEDAL1 forthis purpose aswell Ifturned OFF the VIBRATOwill run at Its output levelset in Parameter 32 AMPLITUDE If PEDAL1 or LEVER2 is selected set 32 AMPLITUDE to 0 and let the Pedal or Lever bri...

Page 87: ...ed as follows STEP 1 Enter PATCH SELECTI NUMBER mode and select a patch that you no longerwant or a patch location that is blank The Basic Patch that is generated by this operation must be edited from...

Page 88: ...Pulse Widths Resonance amount and VCA2 Level on each voice as well as resetting PEDAL1 on the back panel The CALIBRATE procedure takes about 20 seconds to complete STEP 1 Enterthe MASTER EDIT Page ST...

Page 89: ...ATRIX GR can be manually tuned to another instrument in this Parameter VALUE range isfrom G3 to G3 which represents a tuning scale of I a quartertone 56 STEREO This parameterdetermines the status ofth...

Page 90: ...it does not have split capability itself Since the Split Point ofthe Master s keyboard is set within the MATRIX 6R according to M IDI Note Numbers we are actually using MIDI to accomplish the keyboar...

Page 91: ...1 20 1 1 a 1 1 9 1 1 7 1 1 0 1 1 5 1 1 4 1 1 3 1 1 1 1 1 2 1 1 0 1 09 1 08 1 00 1 07 1 04 1 0 5 1 02 1 03 34 32 31 30 29 27 28 26 25 24 22 23 20 21 1 8 1 g 1 7 1 5 1 6 1 3 1 4 1 2 1 0 1 1 a 9 6 7 5 3...

Page 92: ...MIT to numbers less than 36 will actually put the LOWER patchoff the keyboard as its limtt will be below the lowest note of the Master s keyboard 3 RIGHT LOWER LIMIT This setting determines the lowest...

Page 93: ...4th DOWN Perf 5th DOWN 1 Octave DOWN 2 Octaves DOWN 3 Octaves You are able to determine if the SPLITwill allow the two keyboard sections to transmit and receive MIDI information Either of the LOWER o...

Page 94: ...ned OFF the UPPER will stilltransmit and receive ifturned ON STEP 5 SET THE LEFT I RIGHT BALANCE There s always a possibility that the two patches that you have selected for LOWER and UPPER each have...

Page 95: ...S set in Parameters 2 LEFT MIDI OUTPUT and 5 RIGHT M IDI OUTPUT VOLUME OUTPUT set in Parameter G LEFT RIGHT BALANCE VOICE ASSIGNMENTS set in Parameter 7 VOICE I ZONE SELECT discussed below 7 VOICE I Z...

Page 96: ...er to 60 The overlap occursfrom Notes 60 through 72 as this octave is shared by both ZONEs STORING A SPLIT After you have s0t up a SPLITto be just the way you want it don t forget to STORE it The proc...

Page 97: ...CI 40 R1 Spd Trig R2 Spd Trig Port Spd VI Mode Legato Keymd RMP PRl 50 Delay Attack Decay Sustn Rel Amp Amp VI Trig Mode Lf1 Trig ENV1 60 Delay Attack Decay Sustn Rel Amp Amp VI Trig Mode Lf1 Trig ENV...

Page 98: ...ve Wsel Levers I Keybd I Click I 3 1 0 0 WAVE BOTH KYB D OFF 00 DC01 FREQ We will transpose the DCO up 1 octave VALUE 12 01 DC1 F I LF1 DCO 1 will be modulated by LF01 to obtain a small amount of vibr...

Page 99: ...enhances the detuning effectof the DC01 01 FREQ MOD BY LFO 1 VALUE 8 1 3 DCO 2 PW The Pulse Width of DC02 will be modulated by LF02 in the next Parameter For our purposes in this patch we wantto use a...

Page 100: ...tness levels as needed 23 VCFF I PAS Forexpression Pressure is routed to the VCF Frequency VALUE 25 24 VCF RES A very small amount of Resonance isaddedtothe Filter as an enhancement ofthe upperharmoni...

Page 101: ...ive TRAK a curve that opens the VCF more for low notes and slightly closes it for uppermost notes on the Keyboard Thus the sound gets somewhat brighteratthe low end and less towards the top Set VALUES...

Page 102: ...ttings at its beginning VALUE 15 52 ENV1 DCY Since we will be using a SUSTAIN level of 63 DECAY has no effect Use the default VALUE of 1 0 53 ENV1 SUS Forourpurposes in creating this patch we want the...

Page 103: ...ecay 20 Sustn Rel Amp Amp VI Trig Mode 1 u1 Trig 50 45 40 63 S RSET NORM NORM 60 ENV2 DEL As with ENV1 no delay is requiredforthis patch Keep the defaultVALUE at 0 61 ENV2 ATK In orderto achieve the e...

Page 104: ...SPEED MOD BY PRESSURE is not required Keep the default VALUE of 0 82 LF01 Wave The default value of TRI Triangle wave is the most suitable modulation shape for vibrato for our purposes in this patch...

Page 105: ...eep the default TRI waveform 93 LF2 RETRG LF02 will not need to be retriggered since RAMP2will fade it in The default VALUE of O should be kept 94 LFO 2 AMP Default VALU E 0 Use this setting as RAMP2...

Page 106: ...he PATCHES Mode andset up the following 0 VEL 50 E1A TK VELOCITY is inverted in orderto shorten the ATIACK time of ENV1 which is modulating the Filter Playing keys quickly causes the VCF to open faste...

Page 107: ...hrough 38 In setting up this MATRIX MOD use an AMOUNT value of 63 We want TRACK to add to the VCF FREQUENCY as you play notes up and down the Master s keyboard Try using lowerAMOUNTs and hear howthe b...

Page 108: ...P Pff 0 STRIG 0 STRIG 0 0 L IN OFF RSGN 50 Delay Attack Decay Sustn Rel Amp Amp VI Trig Mode Lf1 Trig ENV1 0 O 1 0 50 1 0 40 63 STRIG NORM NORM 60 Delay Attack Decay Sustn Rel Amp Amp VI Trig Mode Lf1...

Page 109: ...r a period of 1 2 months from the date of purchase Warranty service is effective and available to the original purchaser ONLY and only upon completion and return of the Oberheim Warranty Registration...

Page 110: ...not be liable for any injury loss or damage direct or consequential arising out of the use or inability to use the product The Warranty provides only the benefits specified and does not cover defects...

Page 111: ...MITED TO THE IMPLIED WARRANTY OF MERCHANTABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY HEREIN Oberheim hereby excludes incidental and consequential damages including but not limited to 1...

Page 112: ...tter personally with the salesperson who sold you the instrument By making the salesperson aware of your situation they will be in a better position to assist you in gettingthe problem resolved STEP 3...

Page 113: ...askto speakto a Service Representative J Be prepared to provide the following information 1 Your name 2 The model of the product 3 The product s Serial Number 4 The name of the Dealer from where it w...

Page 114: ...NOTES Matrix SR Owner s Manual 1 1 1...

Page 115: ...EVER 2 REVERSE PATCH EDIT DCO 1 DCO 2 00 FREQUENCY 10 FREQUENCY 01 FREQ MOD BY LFO 1 1 1 FREQ MOD BY LFO 1 02 SYNC 12 DETUNE 03 PULSE WIDTH 13 PULSE WIDTH 04 PW MOD BY LFO 2 14 PW MOD BY LFO 2 05 WAVE...

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