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Undo/Redo
The
UNDO
and
REDO
functions are a good example of the new features that non-linear digital recorders have
to offer. If you accidentally erase that precious vocal take,
UNDO
can save the day! The undo level value set in
the
PROJECT MENU
determines how many levels of undo are available in a project. This value may be set
anywhere from 0 (
no
undo levels at all!!) to 99.
A small indicator window on the right hand side of the
RADAR View
display gives you a heads up view of
the current
UNDO/REDO
level. Beware of high values for the undo level settings. This could cause previously
deleted audio to be saved and backed up with your project. This will cause your backup files to be larger than
necessary and may add significantly to your archive time. Temporarily setting this value to 0 will erase all of
the undo information. In certain instances this can save significant time when archiving a project. See
FILE
MANAGEMENT
:
BACKUP
:
PREPARING TO BACKUP
for more information.
Note: The redo levels are lost when switching to another project or creating a new one. This does not affect the undo levels, which are
stored with your project.
To change the number of levels of undo:
1. Use the
MENU/PREV
, arrow keys and
ENTER
key to go to the
MAIN / PROJ MENU / UNDO LEVEL/
UNDO LEVEL
dialog and select the number of undo levels that suits your needs.
2. Enter your preferred number of undo levels and press the
ENTER
key.
Using
UNDO/REDO
:
1. Press
the
UNDO/REDO
key to undo the last record or editing operation.
2. Press
SHIFT+UNDO(REDO)
to redo the last record or editing operation.
Note: Not all operations are undoable! Only recording and editing operations can be undone and redone with the
UNDO/REDO
key.
Foot Switch (optional)
A foot switch can be used in conjunction with the
Session Controller
for hands-free punch in and punch
out. The foot switch should be a normally open momentary switch. See O
PERATIONS
: T
RANSPORT
O
PERATIONS
: F
OOTSWITCHES
for more information.
Chasing Time Code
Because there are many variables when synchronizing devices in a recording studio or broadcasting facility
RADAR
24 has been designed to be very flexible in this regard.
RADAR
24 can chase both SMPTE and MTC (MIDI time code) and synchronize its internal clock to video
sync, word clock, active digital I/O connections or even to an incoming SMPTE or MTC signal. This makes
