Korg M3, Руководство по параметрам

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Global P0: Basic Setup 0–3: Audio
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If you want to use S/P DIF, set System Clock (Global 0–
2a) to S/P DIF. The sample rate for the FireWire input/
output is 48 kHz.
Note: For details on FireWire input, please see “M3 Editor/
Plug-In Editor Manual” (PDF).
Input1, Input2:
PLAY/MUTE [Off, On]
This shows whether the external audio signal being input is
in PLAY or MUTE status.
You can use the MIX PLAY/MUTE 1–4 switches to change
this.
Mute: The input sound will be muted (silent).
Play: The input sound will be heard.
Tip: You can use the control surface to control this parameter.
For more information, please see “Using the control surface
to make audio input settings” on page 8.
SOLO On/Off
This indicates the SOLO status of each external audio signal
input.
With the SOLO On setting, sound will be heard only from
whose SOLO setting is On. Other channels will be muted.
The SOLO setting is not preserved as part of the Global
Setting data when you save. It is used temporarily as a
way to check the audio input status.
Note: In Global mode when you’re in pages other than P5:
Drum Kit, the M3 will operate and sound in the same state
that it did before you entered Global mode. However when
you open this page, the settings made here will forcibly be
applied to the audio-related parameters. This applies to the
PLAY/MUTE, Level, Pan, Bus Select, FX Bus, AUX Bus, and
Send 1/2 parameters, and these parameters can be saved by
the Write Global Setting command.
On the other hand, the SOLO setting will be as it was
immediately before you entered Global mode. You can use
the MIX PLAY/MUTE 1–4 switches to temporarily control
SOLO on/off, but this will depend on the menu command
Panel-Switch Solo Mode On
which determines whether
these keys will control PLAY/MUTE or SOLO, and on the
menu command Exclusive Solo which specifies the
operating mode for solo. These settings will remain as they
were when you entered Global mode, and cannot be
changed while you’re in Global mode.
For example if you moved from Program mode to Global
mode, the MIX PLAY/MUTE 1–4 switches function will be
according to the state of the Program mode menu command.
If you want to change the function, you must return to
Program mode and choose the desired menu command.
The “SOLO” setting is not preserved when you save. It
is used temporarily as a way to check the audio status.
The Panel-Switch Solo Mode On On status and
Exclusive Solo
On status can be set in each mode
(Program, Combination, Sequencer, Sampling), but will
be reset when you switch combinations, programs, or
songs, in order to prevent problems such as would
occur if the SOLO settings mute the sound of the
keyboard performance.
Level [000...127]
Specifies the level of the external audio signal that will be
input. Normally you will set this at 127.
The analog audio signals from the AUDIO INPUT 1
and 2 jacks are converted by a AD converter from
analog to digital signals. This parameter sets the level
of the signal immediately after it has been converted
into digital form. If the sound is distorted even though
this level setting is very low, it is possible that the
sound is distorting earlier than the AD converter. Try
adjusting the MIC/LINE gain switch, LEVEL knob or
the output level of the external audio source.
If Bus Select is set to other than Off, and you raise the
Level
setting, the external audio source will be input to
the M3. At this time if audio cables are connected to the
AUDIO INPUT 1 and 2 jacks, the noise component will
be input via the AD converters into the M3 even if there
is no audio input, and depending on the settings, may
be output from the AUDIO OUTPUT L/R, 1–4 jacks. If
you want to perform using only internal sounds such as
programs, combinations, and songs, and are not using
external audio inputs, you should set Bus Select to Off,
or set Level to 0.
In the same way, you should set Bus Select Off or set
Level
to 0 if you’re not inputting a signal from the S/P
DIF IN jack (or FireWire connector).
If you’re not using FX Bus or AUX Bus, you should
switch them Off as well.
Tip: You can use the control surface to control this parameter.
For more information, please see “Using the control surface
to make audio input settings” on page 8.
Pan [L000...C064...R127]
This specifies the panning of the external audio input signal.
When inputting a stereo audio source, you will normally set
the inputs to L000 and R127 respectively.
Bus Select [L/R, IFX1…5, 1...4, 1/2, 3/4, Off]
This specifies the main bus routing for the input signal.
L/R: The input signal will be sent to the L/R bus.
IFX1…5:
The input signal will be sent to the IFX1–5 bus.
Choose one of these settings if you want to apply an insert
effect while sampling.
1, 2, 3, 4: The input signal will be sent to the specified
INDIVIDUAL 1, 2, 3, and 4 in monaural. The Pan setting
will be ignored.
1/2, 3/4: The input signal will be sent in stereo (including the
effect of the Pan control) to the specified INDIVIDUAL 1/2,
3/4 pair.
Off: The input signal will not be routed directly to the
outputs or Insert Effects. However, it may still be routed to
an FX Control Bus or AUX Bus.
FX Bus (FX Control Bus) [Off, 1, 2]
This sends the external audio input signal to an FX Control
bus (two mono channels; FX Ctrl 1 and 2).
For more information, please see “Ctrl (FX Control Bus)” on
page 100.
AUX Bus [Off, 1, 2, 3, 4, 1/2, 3/4]
This sends the external audio input signal to the AUX buses
(four mono channels; 1, 2, 3, 4).
Use the AUX buses when you want to sample in various
modes. These are dedicated buses for sampling.
Off:
The external audio signal will not be sent to the AUX
buses. Normally you will use the Off setting.
1, 2, 3, 4: The external audio input signal will be sent to the
specified AUX bus. The Pan setting is ignored, and the
signal is sent in monaural.
1/2, 3/4: The external audio input signal will be sent in stereo
to the specified pair of AUX buses. The Pan setting sends the
signal in stereo to buses 1 and 2 or buses 3 and 4.