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Phase Group General Parameters
535
1: TS-Time Signature
Makes the Time Signature parameters (“Tsig Numerator/
Denominator”
p.537) available in the Phase Specific
Parameter area of each Phase (described below). These
allow setting each Phase to various time signatures, which
cause the Phase to playback a certain number of beats
regardless of any other circumstances that might trigger a
Phase Change. When moving through the Note Series, if
either end of the playback portion is reached (specified by
the Phase “Beginning/End Offsets %”
p.537) before the
amount of beats specified has occurred, then the movement
either freezes, generates silence, wraps around, or cycles
back and continues (depending on the setting of the “Cycle
Mode” parameter, described below). Useful for groove
generation and constraining effects to certain time
signatures.
2: EV-Events
Makes the “Events” parameter available in the Phase
Specific Parameter area of each Phase (described below).
This is used to set the Phase to perform a certain number of
events before changing Phases (an event being a note or
cluster). When moving through the Note Series, if either end
of the playback portion is reached (specified by the Phase
“Beginning/End Offsets %”
p.537) before the number of
events specified has occurred, then the movement either
freezes, generates silence, wraps around, or cycles back and
continues (depending on the setting of the “Cycle Mode”
parameter, described below). Useful for constraining effects
to a certain number of specific events, such as 4 strums per
Phase.
Cycle Mode
[0…3]
Determines what will happen when either end of the
playback portion of the Phase (specified by the Phase
“Beginning/End Offsets %” (
the Note Series) is reached during note generation. If the
“Length Mode” is 1: TS - Time Signature or 2: EV - Events,
cycling can be allowed to occur. This has a different effect
depending on the setting of the Phase “Length Mode”
(above).
Not available if Phase “Length Mode” (above) = 0: AC-
Actual
. Not available if “GE Type”= 1: Generated-
Gated
, unless “Gate Type” (
p.529) = 1:Vel CP. If “GE
Type” = 2: Generated-Drum,
the Note Series can be
applied as pitch bend, discussed elsewhere.
0: S-replace with silence
If note generation would extend beyond either end of the
playback portion of the Phase, those notes are skipped and
replaced with silence. Once the specified number of events
(including silent notes) or beats of a time signature are
generated, a Phase Change occurs. This can be used to
simulate the Triton Arpeggiator setting “Arpeggio Type”:
As Played
.
1: F-fill with top/bottom note
If note generation would extend beyond either end of the
playback portion of the Phase, those notes are limited and
replaced with the bottom or top note of the Phase. Once the
specified number of events or beats of a time signature are
generated; a Phase Change occurs. Settings of the Index
Pattern or Cluster Pattern which would cause movement
beyond that point have no effect. This can be used to
simulate the Triton Arpeggiator setting “Arpeggio Type”:
As Played (Fill)
.
2: R-restart at other end of Phase
If note generation would extend beyond either end of the
playback portion of the Phase, those notes are replaced by
notes within the playback portion, as if the riff restarted at
the other end. (For the more technically oriented, the index
is kept within range using modulo division.) Once the
specified number of events or beats of a time signature are
generated, a Phase Change occurs. This can be used to
simulate the Triton Arpeggiator setting “Arpeggio Type”:
Running Up
.
3: W-wrap at either end of Phase
If note generation would extend beyond either end of the
playback portion of the Phase, those notes are replaced by
notes within the playback portion, as if the riff is being
“wrapped around” the end point. (For the more technically
oriented, the index is kept within range by inverting it.)
Once the specified number of events or beats of a time
signature are generated, a Phase Change occurs. This can be
used to simulate the Triton Arpeggiator setting “Arpeggio
Type”: Up&Down.
4: B-cycle back from beginning of Phase
Allows “cycling” to occur at the beginning of the playback
portion of the Phase. For example, if the movement specified
by the Index Pattern causes the index to go backwards
beyond the beginning of the playback portion, “cycling”
will occur (the index will automatically be jumped back into
the playback portion by a calculated amount). If the Phase
“Length Mode” is 0: AC-Actual, no cycling is performed
and a Phase Change will immediately occur.
5: E-cycle back from end of Phase
Allows “cycling” to occur at the end of the playback portion
of the Phase. For example, if the movement specified by the
Index Pattern causes the index to go forwards beyond end of
the playback portion, “cycling” will occur (the index will
automatically be jumped back into the playback portion by a
calculated amount). If the Phase “Length Mode” is 0: AC-
Actual
, no cycling is performed and a Phase Change will
immediately occur.
6: BE-cycle back from beginning & end of Phase
Allows the behavior described above at both ends of the
playback portion of the Phase.
0: S-replace with silence
1: F-fill with top/bottom note
2: R-restart at other end of Phase
3: W-wrap at either end of Phase
4: B-cycle back from beginning of Phase
5: E-cycle back from end of Phase
6: BE-cycle back from beginning & end of Phase
Содержание M3
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Страница 306: ...Sequencer mode 296 ...
Страница 364: ...Sampling mode 354 ...
Страница 430: ...Media mode 420 ...
Страница 534: ...Effect Guide 524 ...
Страница 646: ...Appendices 636 ...