Adobe Premiere Pro Help Manual Download

Page: 323 / 327

Using Help

Contents

Index

Back

329

Adobe Premiere Pro Help

Index

Using Help

Contents

Index

Back

329

audio

audio capture

audio preview or playback

DVD

292

saturation, measuring

112

Save a Copy command

Save As command

Save command

Save Workspace command

Scale property

240

scaling

animating

224

EPS files

objects

205

path text

199

text box

199

Scene Detect

scopes

110

scratch disks

about

preferences

Scratch Disks/Device Control command

298

Screen Key effect

278

Screen key type

230

SECAM, timebase

selecting

characters

198

keyframes

224

text boxes

198

selection tool

150

sends

189

about

188

sends lists

174

175

188

sends list

189

sequence

opening the source of nested

137

Sequence Zero Point command

114

sequences

assembling

127

creating

135

default settings

136

multiple

135

nesting

136

137

opening in the Source view

136

previewing

157

projects compared to

recording to videotape

297

298

299

setting the starting time

114

switching

136

tabs

timebase

135

toggling between frames and samples

115

viewing a sequence in more detail

119

viewing in a separate Timeline window

136

viewing more of a sequence

119

sequences of still frames

Set Clip Name Alias command

Set In button

121

Set Marker button, Timeline window

124

Set Out button

121

Set Sequence Marker command

125

settings, export

303

309

shadows, in titles

212

shape, changing

200

Sharpen Edges effect

278

Sharpen effect

278

Shear effect

278

Show Video option

195

Show/Hide Tracks command

174

shuttle slider

107

signal path, audio

173

Single View

108

109

skew, applying to images

267

280

slide edit

154

155

slide tool

155

slip edit

154

155

slip tool

155

smooth point, converting to corner point

203

snap to edges

147

Solarize effect

278

Solo button

174

175

source clips

103

Source menu

about

103

Summary of Contents for Premiere Pro

Page 1: ...rrows at the bottom of the page or click Back to return to the last page you viewed You can navigate Help topics by using bookmarks the table of contents the index or the Search Acrobat 6 or Find Acro...

Page 2: ...ase in the Results area of the Search PDF pane To find a topic using the Find command Acrobat 5 1 Choose Edit Find 2 Type a word or phrase in the text box and click Find Acrobat searches the document...

Page 3: ...res in Adobe Premiere Pro 10 Tutorials 15 Working with Projects 40 Capturing and Importing Source Clips 63 Assembling a Sequence 103 Editing a Sequence 138 Adding Transitions 162 Mixing Audio 171 Usin...

Page 4: ...e Adobe Web site are in PDF format Getting help There are a number of ways to get the help you need in Adobe Premiere Pro The following table can help you find specific resources based on the type of...

Page 5: ...with keyframes in the Timeline window on page 222 Apply advanced editing techniques to your source clips by using Adobe Audition see Using audio from Adobe Audition on page 78 If you want to superimp...

Page 6: ...roducts for Adobe Premiere Pro Adobe Premiere Pro accepts a wide range of file formats but is particularly well integrated with files created by other Adobe products When you import files created with...

Page 7: ...in theTimeline window to designate chapters in your DVD movie see About chapter links on page 127 Select from a comprehensive list of transcoding options by choosing File Export Export to DVD and sel...

Page 8: ...s developed by experts at Adobe For information on purchasing Adobe Press titles visit the Adobe Web site at www adobe com or contact your local book distributor The Adobe Certification program The Ad...

Page 9: ...be entitled to technical support Terms may vary depending on your country of residence For more information refer to the technical support card provided with the Adobe Premiere Pro documentation Adob...

Page 10: ...nded Monitor window View a much wider range of media in the Monitor window including still images audio and color mattes allowing three point edits Dock or undock the Effect Controls window with the S...

Page 11: ...dobe Premiere Pro turn into DVD chapter points For information on how Adobe Premiere Pro works with Adobe Photoshop and Adobe Illustrator files see Importing still images on page 82 For information on...

Page 12: ...and processing efficiency using sends and submixes For information on audio controls in Adobe Premiere Pro see Planning your audio workflow on page 171 ASIO Audio Stream Input Output compatibility Ac...

Page 13: ...fect Controls window on page 237 Removing parts of a sequence on page 146 Trimming clips in the Timeline window on page 148 and Using the Trim window on page 156 Render free editing experience Play ba...

Page 14: ...them all in one session 1 Connect your DV device Connect your camera or deck to your computer using an IEEE 1394 cable and make sure both the device and the computer are turned on Make sure that the t...

Page 15: ...you want them The Setup section specifies whether to capture audio video or both and where in the project Adobe Premiere Pro will log the clip Note that logged clips are not captured immediately they...

Page 16: ...le recording Handles are extra frames you capture so that you have flexibility for editing and transitions For transitions you should capture the equivalent of at least one second of handles before an...

Page 17: ...bort Capture On Dropped Frames The Preroll Time and Timecode Offset options are more commonly used when capturing footage from analog devices 6 Log clips In the Capture window use the tape transport c...

Page 18: ...capture any clips you ve logged as long as your capture device is online Select offline files in the Project window choose File Batch Capture and click OK You ll see options in the Batch Capture dial...

Page 19: ...arrange them into storyboard form before committing them to a rough cut With Adobe Premiere Pro you can organize clips in the Project window in storyboard fashion then generate a sequence automatical...

Page 20: ...image or drag the scroll bar under the preview image to cue the clip to a representative frame When you ve found an image that best signifies the clip s contents click the Poster Frame button to set t...

Page 21: ...the storyboard to make room for clips you drop into an occupied space in the grid To quickly move clips back into view that have shifted outside the Project window and to eliminate empty spaces betwe...

Page 22: ...use parts of a clip more than once in a storyboard you can create a duplicate clip Select a clip and choose Edit Duplicate With the duplicate clip selected choose Clip Rename and give the clip a uniq...

Page 23: ...button at the bottom of the Project window Specify the options you want in the Automate To Sequence dialog box For Ordering you can choose Sort Order because you ve arranged your clips into a storyboa...

Page 24: ...in Just add layers adjust and go 1 Import Adobe Photoshop files To take full advantage of new compositing capabilities in Adobe Premiere Pro use Photoshop files with transparent backgrounds or add an...

Page 25: ...ion Opacity and Volume effects appear in the Effect Controls window whenever you select a clip in the Timeline window To view these effects select the Photoshop file in the Timeline window To make Mot...

Page 26: ...sition 5 Animate the graphic In the Effect Controls window move the current time indicator to the end of the timeline When you adjust the Photoshop file in the Program view Adobe Premiere Pro automati...

Page 27: ...lating realistic movement Right click the center keyframe you just created in the Effect Controls window and choose Fast In from the menu that appears to accelerate the clip s movement as it approache...

Page 28: ...u organize each section of a video program into sequences you can nest them all in a master sequence for your video program 1 Set up the sequences You ll need to have at least two sequences to use nes...

Page 29: ...er sequence which is still empty You ll use the other sequence as the master sequence for your video program 3 Add the sequence of clips to the master sequence In the Timeline window click the tab for...

Page 30: ...ocate the effect you want to apply and drag it to the nested sequence in your master sequence 5 Preview the effect Play back your master sequence The effect is applied uniformly to all clips in the ne...

Page 31: ...1 Set the title to roll In Adobe Premiere Pro choose File New Title to open the Adobe Title Designer From the Title Type menu choose Roll If you intend to create rolling or crawling titles make the ap...

Page 32: ...the stop that appears where you click and note the tab marker that appears in the Adobe Title Designer drawing area Adjust the location of the tab stop by dragging it along the ruler while following...

Page 33: ...visible area use the scroll bars to the right of the drawing area If text extends past the bottom boundary of the text box you can no longer see it or scroll to see it To view this hidden text enlarg...

Page 34: ...tions 8 Preview the roll Close the title window and save the title when prompted The title clip appears in the Project window Drag the clip to a superimpose track in the Timeline window Video 2 and hi...

Page 35: ...jects directly to DVD from the Timeline window in Adobe Premiere Pro if you have a compatible DVD burner on your computer Use your DVD R or DVD R drive to create high quality movies that you can play...

Page 36: ...r Set markers no closer than 15 frames apart Each marker serves as a chapter that you can navigate to by pressing the Chapter buttons on your DVD remote control 3 Add chapter information to markers If...

Page 37: ...VD disk and select the Chapter Markers At Timeline Markers option Next select DVD Burner on the left and choose your DVD Burner from the list Make sure that the burner status indicates that the DVD bu...

Page 38: ...isc space is higher than the DVD disc s capacity choose a lower quality encoding preset or shorten the export range of your timeline and then try burning the DVD 8 Play your movie When your DVD burner...

Page 39: ...streaming Web video don t change your project settings instead change your export settings You can customize the project settings General Capture Video Rendering and Default Sequence settings However...

Page 40: ...f the project name is in the list If Adobe Premiere Pro is open and a project is open choose File Open locate and select the file and then click Open You can also choose the project name from the File...

Page 41: ...les that represent the state of your project at each interval Automatic saving serves as an alternative to the Undo command depending on how much the project changes between each save Because project...

Page 42: ...scrolling a window To correct mistakes Do one of the following To undo the most recent change choose Edit Undo You can sequentially undo any recent changes made to the project in any Adobe Premiere Pr...

Page 43: ...youts as a workspace available to any project See Using workspaces on page 45 Using window and palette menus In Adobe Premiere Pro most windows and palettes include menus that appear by clicking a but...

Page 44: ...ness when working in a darkened editing suite or when performing color corrections To adjust the brightness of window and palette backgrounds Choose Edit Preferences General and specify a value for Us...

Page 45: ...Pro the original file and filename remain untouched on your hard disk Note When you use the Project Unlink Media command you have the option of deleting the actual source file along with its referenc...

Page 46: ...he Source view menu if you open instances there The Source view menu lists instances by name sequence name and In point Duplicate clip An independent copy of a source clip which you create manually us...

Page 47: ...bins Select the bins and click the Delete icon at the bottom of the Project window If you click the New Bin button multiple times in a row each new bin is nested inside the previous new bin To move an...

Page 48: ...2 Locate and select the library PLB file and then click Open Customizing the Project window display Each clip appears in the Project window with its clip name and detailed information about the clip Y...

Page 49: ...line between column headings until the Column Resize icon appears then drag horizontally To rearrange list view columns Drag a column heading horizontally You cannot move the Name column To add a col...

Page 50: ...e or Project window Audio Out Point The timecode of the Out point as set in the Source or Project window Audio Duration The duration of the clip as defined by the Audio In point and Out point and inco...

Page 51: ...el 2 Choose Edit Label Select Label Group To edit label names or colors 1 Choose Edit Preferences Label Colors 2 Edit label names or click a color swatch to edit a color To set default labels for a me...

Page 52: ...yed may vary depending on factors such as the media type and the current window For example an empty space in the timeline a rectangle in the Title window and a clip in the Project window display info...

Page 53: ...nd do one of the following Choose Delete in the History palette menu Click the Delete icon and then click Yes Alt click the Delete icon To clear all states from the History palette Choose Clear Histor...

Page 54: ...pop up menus Tools displays a list of tool icons 3 In the Command column view the command for which you want to create a shortcut If necessary click the triangle next to the name of a category to reve...

Page 55: ...o Folder or disk where Adobe Premiere Pro stores audio files that you capture using the Capture window Video Previews Files created when you use the Sequence Render Work Area command export to a movie...

Page 56: ...urrent path isn t in the pop up menu The current path isn t changed until you click Browse to specify any available disk location Specifying project settings When you start a new project you can revie...

Page 57: ...ome video preview settings can t be changed because they must remain consistent with the DV standard Note The Editing Mode setting should represent the specifications of the source media not the final...

Page 58: ...ou click the Safe Zones button in the Monitor window Automatically Scale Imported Media to Project Size Adjusts imported video and still images so that they fit within the frame if they are larger or...

Page 59: ...Indicates the color bit depth or number of colors to include in video played back in sequences This button may not be available if the selected compressor provides only one option for bit depth You ca...

Page 60: ...in them For a list of certified capture cards certified for use with Adobe Premiere Pro see the Adobe Premiere Pro product support page at www adobe com products premierepro To save the custom setting...

Page 61: ...nect the DV or analog camcorder or deck to your system See Connecting a DV source on page 93 or Connecting an analog video source on page 94 Set up your system for capture See Digitizing analog video...

Page 62: ...settings You can log clips for batch capture only when using device control In the Capture window you can specify independent disk locations for captured video and audio clips and you can specify a bi...

Page 63: ...the timecode and drag horizontally For example to set an earlier timecode drag to the left To adjust the current timecode using a relative value type the plus or minus sign along with the number of fr...

Page 64: ...to stop the tape as you change settings You can operate the DV device and log clips using the keyboard See the tool tips for Capture Window controls or choose Edit Keyboard Customization to view or c...

Page 65: ...ively of the untrimmed captured media and In point and Out point refer to the start and end of the clip frames actually used in a sequence For details about timecode see Using timecode for efficient c...

Page 66: ...hen you choose Edit Preferences Device Control or in the Device Control panel at the bottom of the Settings tab in the Capture window Device control settings apply to the entire project You may find i...

Page 67: ...when the tape is playing or paused the device moves the tape forward while displaying video in the Capture window You can press the L key to fast forward the tape at regular speed or press L multiple...

Page 68: ...llowing options as desired Scene Detect creates separate clips at any scene breaks detected between the In and Out points see Using automatic scene detection on page 75 Handles captures the specified...

Page 69: ...w and is saved to the disk location specified in the Settings tab in the Capture window Batch capturing video Adobe Premiere Pro supports batch capturing automatic unattended capture of multiple clips...

Page 70: ...option Logging clips as offline files for batch capture Specify which scenes you want to use from the source tapes by logging scenes setting up the beginning and ending times as a set of offline files...

Page 71: ...ding on the device you may not be able to capture the first 4 to 10 seconds of a DV tape Note In the Capture window the Set In button and the Set Out button appear below the image and in the Logging t...

Page 72: ...ture settings so that it can easily be recaptured using the same settings If an offline file doesn t have its own capture settings Adobe Premiere Pro applies the project s capture settings When you pe...

Page 73: ...ying batch capture settings on page 74 Choosing the Batch Capture command starts the batch capturing process for clips selected in the Project window For efficient capture Adobe Premiere Pro captures...

Page 74: ...ame of each clip as specified in the Capture Settings dialog box must not conflict with a clip that already exists If necessary double click each offline file to verify this If this isn t resolved bef...

Page 75: ...clips can be captured only from offline files The unlinked source files are either deleted from the disk or are stored under a filename other than the clip name specified in its offline file Each offl...

Page 76: ...ut digital and analog sources on page 92 Using audio from Adobe Audition You can use Adobe Audition to perform advanced audio editing If you export the audio from Adobe Audition to an audio file forma...

Page 77: ...export or play back the final cut from Adobe Premiere Pro capture audio at the highest quality settings your computer can handle even if those settings are higher than the settings you ll specify for...

Page 78: ...u re done testing you may want to deselect Meter Input s Only in the Audio Mixer window menu 8 Play the audio source or start speaking into the microphone Watch the Audio Mixer level meters to ensure...

Page 79: ...build a preview file of that section of the timeline Audio formats AIFF AVI MOV MP3 WAV WMA Still image formats AI BMP DIB RLE EPS FLC FLI GIF ICO JPEG JPE JPG JFIF PCX PICT PIC PCT PNG PRTL Adobe Ti...

Page 80: ...lor management such as Adobe Photoshop colors may appear more consistent between the application and Adobe Premiere Pro if you prepare images in a video friendly color space such as sRGB or NTSC RGB F...

Page 81: ...raphics appli cations You can control how layered Adobe Photoshop files are imported see Importing layered Adobe Photoshop files on page 83 Empty transparent areas of nonflattened Adobe Photoshop file...

Page 82: ...wing options in the Footage Dimensions pop up menu and then click OK Document Size resizes the file to the size of the document as specified in Project Settings Layer Size imports the file at the size...

Page 83: ...s of an existing Adobe Premiere Pro or earlier version project to an open project When you import a project into an open project the imported project s clips and sequences are added to the Project win...

Page 84: ...of a media file 1 In the Project window select a clip 2 Choose File Interpret Footage select a Frame Rate option and click OK Creating a counting leader If you plan to create film output from a seque...

Page 85: ...Item button at the bottom of the Project Window and choose Black Video from the menu that appears Using offline files An offline file is a placeholder for a source file that isn t currently available...

Page 86: ...Premiere Pro If you re creating an offline file for a source file that is captured but isn t on your computer yet type the name of that file 5 Enter a description scene shot take and log note as need...

Page 87: ...output data rate matches the requirements of your delivery medium It charts each frame of a video file to show you the render keyframe rate the difference between compression keyframes and differenced...

Page 88: ...he frame just before where you begin recording subsequent recording uses that timecode To ensure that you always shoot continuous timecode practice the following procedures while shooting As you start...

Page 89: ...using an IEEE 1394 cable to create a full quality copy 5 Connect the recording device to a television monitor 6 Set both devices to VTR mode 7 Make sure that the recording device is set to record fro...

Page 90: ...xists in two main forms Digital media is stored in a file format that a computer can read and process directly Many newer cameras and audio recorders can save images and sound in a digital format All...

Page 91: ...ecifically for Adobe Premiere Pro If your computer does not have a built in IEEE 1394 interface you can purchase a hardware capture card that provides the interface see your computer s documentation T...

Page 92: ...e first connect the analog video signal to the analog input port on the DV device and then connect the IEEE 1394 connector to the computer Set the Input Select on the DV device to the analog input and...

Page 93: ...and do one of the following If it s a camera set it to the playback mode which may be labeled VTR or VCR If it s a deck make sure that its DV input is set properly Note Don t set a camera to any of th...

Page 94: ...ems Adobe Premiere Pro may lower the quality of the capture preview in order to ensure that sufficient CPU resources are available for full quality capture You can change the display quality setting f...

Page 95: ...th your capture card If your capture card provides a preset Adobe recommends that you select it for projects in which you capture clips or import captured clips and that you do not change the capture...

Page 96: ...dle For online editing you capture clips once at the level of quality required for the final version of the video program This is the default method of working when you use Adobe Premiere Pro to captu...

Page 97: ...on a standard television with a 4 3 frame aspect ratio You can fit the entire width of the 16 9 frame in a black 4 3 frame called letterboxing which results in black bands above and below the widescr...

Page 98: ...x 486 or the DV resolution of 720 x 480 Adobe Premiere Pro automatically sets the pixel aspect ratio for that file to D1 DV NTSC 0 9 When you import footage with the D1 or DV resolution of 720 x 576...

Page 99: ...ect ratio Use this setting if your source clip has a 640 x 480 or 648 x 486 frame size or if the file was exported from an application that doesn t support nonsquare pixels D1 DV NTSC Uses a 0 9 pixel...

Page 100: ...ur final output is DV PAL create and save it at a 768 x 576 frame size to prevent upsampling and field distortion on a field rendered file such as a 3D animation If your final output is D1 NTSC create...

Page 101: ...ut the Trim window is a standalone window with controls that are optimized for precisely adjusting a cut point between clips in a sequence see Using the Trim window on page 156 To optimize screen spac...

Page 102: ...appear Choosing a clip to view from the Source menu To clear clips from the Source view and menu In the Source pop up menu choose any of the following Close to clear the current clip Close All to clea...

Page 103: ...esponding view When no In point is set the starting time of the clip for the Source view duration or of the sequence for the Program view duration is substituted When no Out point is set Source view s...

Page 104: ...it in a sequence s target audio or video track including the cut point of transitions click the Next Edit button in the Program view Note In this context the term edit refers to where a clip begins or...

Page 105: ...the entire duration of the time ruler and contracting the bar zooms in for a more detailed view of the ruler By dragging the center of the bar you can scroll the visible part of a time ruler without...

Page 106: ...he view to the Source view choose Single View from the Source view s menu To return to the side by side Source and Program view choose Dual View from the single view s menu To resize the Monitor windo...

Page 107: ...fields Changing the magnification By default the Monitor window scales video to fit into the available area of the Source and Program views You can change the magnification setting for each view to se...

Page 108: ...G and B components of the video separately in IRE Vect Wave YCbCr Parade Displays a waveform monitor vectorscope and YCbCr Parade Vect Wave RGB Parade Displays a waveform monitor vectorscope and RGB P...

Page 109: ...including hue and saturation A vectorscope maps a video s color information onto a circular chart Saturation is measured from the center of the chart outward Saturated vivid colors produce a pattern s...

Page 110: ...ave screen space by dragging its tab into the Source view of the Project window You can specify the reference monitor s quality setting magnification and viewing mode just as you would in the Monitor...

Page 111: ...can create submix tracks see About audio channels and tracks on page 173 You can perform a number of editing tasks directly in the Timeline window and customize it to best suit the task at hand or you...

Page 112: ...eo or audio Display Style button according to the type of track in the track header area of the Timeline window and additional information in the clips in the sequence Expanding a track also reveals c...

Page 113: ...indow position the pointer between two tracks so that the Height Adjustment icon appears then drag up or down to resize the track below for video or the track above for audio Note Collapsed tracks alw...

Page 114: ...delete tracks at any time and specify a custom name for each one Each sequence can contain up to 99 video and 99 audio tracks However a sequence must contain at least one of each type of track and se...

Page 115: ...he Timeline window the time ruler measures sequence time horizontally using the counting method specified in the project settings although you may toggle to a counting method based on audio samples at...

Page 116: ...he left of the Timeline window drag the time display At the left of the Timeline window click the time display type a valid time and press Enter In the Monitor window use any playback control in the P...

Page 117: ...imming clips in the Timeline window on page 148 For more information on assem bling sequences see Using Monitor controls to perform three point or four point edits on page 132 Setting navigating and r...

Page 118: ...time to an In point click the Go To In Point button To cue the current time to an Out point click the Go To Out Point button Note To go to the beginning or end of clips in the sequence use the Go To N...

Page 119: ...ent times than the audio Setting sample based audio In and Out points In and Out points are set at timebase divisions that is between video frames Although frame based edits are usually adequate for a...

Page 120: ...he trim head tool appears and drag left or right To adjust the Out point position the pointer over the right edge of the clip s audio so that the trim tail tool appears and drag left or right 5 Use th...

Page 121: ...quence But changing a source clip s markers doesn t affect individual instances of the clip already in a sequence or vice versa To add an unnumbered clip marker 1 Do one of the following To add a mark...

Page 122: ...r button in the Source view To go to the next marker click the Go To Next Marker button in the Source view To go to a clip or sequence marker in the Timeline window 1 Do one of the following To cue th...

Page 123: ...er at the current time All Markers deletes all markers in either the clip or sequence depending on the view you re using Numbered deletes a numbered marker from a list of all numbered markers Note You...

Page 124: ...t least 15 frames apart or by the amount required by your authoring software Otherwise your authoring program may move the chapter links automatically About Web links By typing a Uniform Resource Loca...

Page 125: ...n Overlay edits can be compared to videotape editing in which you can record over existing material Note Unless you use a keyboard modifier overlay edits are the default mode when dragging clips to a...

Page 126: ...dow where track names are located the target tracks appear darker than the other tracks and have curved outer corners Simply click in the track header area to target a new track You can t target more...

Page 127: ...er audio clip Therefore take care not to disturb clips already in the sequence inadvertently To add a clip by dragging to the Timeline window 1 Open a clip in the Source view and mark its In and Out p...

Page 128: ...rows appear at the insertion point only in the tracks to which the clip is added Dragging performs an overlay edit as indicated by the Overlay icon Ctrl dragging performs an insert edit as indicated b...

Page 129: ...ge 147 To add a clip by dragging into the Program view 1 Open a clip in the Source view and mark its In and Out points See Setting In and Out points on page 120 2 Specify the source tracks you want to...

Page 130: ...dobe Premiere Pro alerts you to the discrepancy and provides alternatives to resolve it To perform a three point edit 1 Specify the source and target tracks see Specifying source and target tracks on...

Page 131: ...roject window from top to bottom in List view or from left to right top to bottom in Icon view If you choose Selection Order clips are added according to the order in which you selected them in the Pr...

Page 132: ...project but also permits you to nest sequences inside other sequences In other words an entire sequence of clips can act as a single clip in another sequence within the same project Before you begin...

Page 133: ...To view a sequence in a separate Timeline window In the Timeline window drag the Sequence tab away from the window to an empty area To open a sequence in the Source view Do one of the following In the...

Page 134: ...o applies the actions to all of its component clips A nested sequence always represents the current state of its source Changing the content of the source sequence is reflected in the content of neste...

Page 135: ...ange their In and Out points or split a single clip into two clips You can group clips so that you can move them as a single object or lock tracks to prevent inadvertent changes You can also apply spe...

Page 136: ...ng the track select tool Grouping clips You can group multiple clips so that you can select and move them as a single object Both tracks of a linked clip are included when you group it with other clip...

Page 137: ...was recorded Initially a clip plays back at its normal 100 speed Even if the source footage s frame rate doesn t match the project s the project automatically reconciles the difference and plays back...

Page 138: ...you can use the slip tool to adjust the clip without changing the clip s program In and Out point or duration See Removing parts of a sequence on page 146 Freezing a video frame You can freeze one fr...

Page 139: ...lip Do one of the following Position the current time indicator where you want to split a clip and choose Sequence Razor At Current Time Indicator Select the razor tool and click a clip in the sequenc...

Page 140: ...d the clip to the sequence however the video and audio appear as two objects each in its appropriate track provided you specified both tracks when performing the edit see Specifying source and target...

Page 141: ...individually Alt click either part of a linked clip then use any editing tool When you are finished editing the clip you can reselect click the clip to edit it as a linked clip again Finding the sourc...

Page 142: ...r an interlaced clip in the sequence so that the clip s picture and motion quality are preserved in situations such as changing the clip speed exporting a filmstrip playing a clip backward or freezing...

Page 143: ...rom the Timeline window in two ways Lifting removes frames from the program and leaves a gap of the same duration as the frames you remove Extracting removes frames from the program and closes the res...

Page 144: ...right and position the clip by watching the translucent rectangle that represents the clip s duration Alt drag to move a clip without moving its linked video or audio This shifts the video and audio...

Page 145: ...ce on page 127 by dragging clips already in the Timeline window To make precise adjustments to an edit point see Using the Trim window on page 156 You can perform trimming tasks to a range of selected...

Page 146: ...location To extract and overlay Ctrl drag one or more clips and release Ctrl before you release the mouse button and drop the clip or clips into a new location To extract and insert Ctrl drag one or...

Page 147: ...ag the right edge of the clip once the Trim out icon appears Note To trim only one track of a linked clip press Alt as you click with a Trim icon You do not need to hold down the Alt key once you init...

Page 148: ...he previous clip lengthening the next clip and maintaining the program duration A ripple edit trims a clip and shifts subsequent clips in the track by the amount you trim Shortening a clip by ripple e...

Page 149: ...dit 1 In the toolbox select the ripple edit tool 2 Position the pointer over the In or Out point of the clip you want to change until the Ripple in icon or the Ripple out icon appears and drag left or...

Page 150: ...he four frames involved in the edit side by side except when editing audio only Program view during a slip or slide edit Note Though slip and slide tools are typically employed on the center of three...

Page 151: ...one of the following Drag left to move the In and Out points earlier in the clip Drag right to move the In and Out points later in the clip Adobe Premiere Pro updates the source In and Out points for...

Page 152: ...ous Edit or Next Edit button The frames on either side of the new edit point position appear in the Trim window To perform a ripple edit using the Trim window 1 Do any of the following Position the po...

Page 153: ...nces Trim 2 For Large Trim Offset specify the number of frames that will be trimmed when you use the Multiple Frame Trim in button or the Multiple Frame Trim out button each of which trim five frames...

Page 154: ...er s work area bar over the red preview indicator and render a preview file This renders the segment as a new file on the hard drive which Adobe Premiere Pro can play at the project s full frame rate...

Page 155: ...ender a preview Set the work area bar over the area you want to preview and choose Sequence Render Preview The rendering time depends on your system s resources and the complexity of the segment By de...

Page 156: ...al time playback on the computer s monitor only 5 For Export to Tape choose an option Play Audio on DV Hardware plays audio through the DV device when exporting Play Audio on Audio Hardware plays audi...

Page 157: ...respectively The disk you choose must be large and fast enough to support video playback so choose a hard disk attached to your computer not a network drive Also because Adobe Premiere Pro must be ab...

Page 158: ...fects window affect all projects To display transitions Choose Window Effects expand the Video Transitions bin and expand any Video Transi tions bin Using default transitions While you can manually dr...

Page 159: ...ox Dragging transitions between clips You can drag a transition to the edit point between two clips on the same track As you drag a transition to an edit point you can control the transition alignment...

Page 160: ...the transition until the Slide Transition icon appears then do one of the following To place all of the transition in the clip preceding the edit point drag the transition to the left to align its end...

Page 161: ...ration moves the transition s Out point earlier in time If Alignment is set to End at Cut changing the duration moves the transition s In point earlier in time Note Lengthening a transition s duration...

Page 162: ...elected To display and preview transition settings in the Effect Controls window Do any of the following To play back the transition in the Effect Controls window click the Preview button This doesn t...

Page 163: ...e Shift key to move the start and end sliders together for example to set the start and end size of the transition to 30 Show Actual Sources Displays the starting and ending frames of the clips Border...

Page 164: ...ransition in the timeline To edit an Image Mask transition 1 Double click the transition in the timeline 2 In the Effect Controls window click the Custom button specify options and click OK Using the...

Page 165: ...ck OK To preview the transition drag the current time indicator through the transition in the timeline Result of the Gradient Wipe transition on a clip To edit a Gradient Wipe transition 1 Double clic...

Page 166: ...nt E Handle F Media End In some cases the source media may not provide enough frames for clip handles For example the camera may have stopped rolling too close in time to the next take leaving too few...

Page 167: ...dio Mixer window menu to display only the information you want to see and save screen space If you are not using effects and sends you can hide them by clicking the triangle at the left edge of the Au...

Page 168: ...ndow Make sure that the track display is set to Show Track Keyframes or Show Track Volume Clip volume or effect values can be viewed and edited both in the Effect Controls window see Applying and cont...

Page 169: ...ffects post fader sends and then pan balance position 4 Track output volume from left to right in the Audio Mixer window from audio tracks to submix tracks ending at the Master track Note The default...

Page 170: ...ffect or send option F Pan balance control G Input H Mute Solo Track Record Enable buttons I VU meters and faders J Output K Window menu L In out program duration M Track names N Clipping indicator O...

Page 171: ...the output level Keep in mind however that if the level of an audio clip was set too low when it was digitized increasing the gain or volume might simply amplify noise For best results follow the sta...

Page 172: ...he following and then click OK Type a Gain value 0 dB equals the clip s original gain Click Normalize to have Adobe Premiere Pro optimize gain automatically Clicking Normalize changes the displayed va...

Page 173: ...the Timeline window and adjust the transition in the Effect Controls window See Changing transition settings on page 166 To customize the rate of audio fade or cross fade For each clip involved in the...

Page 174: ...channels Panning positions a mono audio track within a multichannel track For example if a car drives by on the right side of a video frame you can pan the mono track of the car s audio so that you h...

Page 175: ...eo track outputs to a stereo track You rotate the knob to pan or balance audio between the left and right output track channels A square tray appears when a mono or stereo track outputs to a 5 1 surro...

Page 176: ...consistently across all speakers To pan or balance a track routed to a stereo track in the Audio Mixer window In the Audio Mixer window do one of the following Drag the pan control knob or the value b...

Page 177: ...omes two files named Zoom Left and Zoom Right To break out the channels in an audio clip 1 In the Project window select a clip containing stereo or 5 1 surround audio 2 Choose Clip Audio Options Break...

Page 178: ...he Input Output Device channel selected in the Audio Hardware Preferences dialog box This dialog box includes the ASIO Settings button which lets you enable audio inputs connected to your computer You...

Page 179: ...or the selected device The settings in this dialog are provided by the device and driver you are using not by Adobe Premiere Pro See the documentation for the ASIO device and driver you are using Rout...

Page 180: ...is applied before or after the track s fader is applied Effects are pre fader by default Changes you make to effects properties over time can be recorded using the automation options or specified in t...

Page 181: ...pear at the top of the menu post fader effects appear at the bottom The numbers in the effect names refer to their position in the track effects list rendering order 4 Use the pen tool to adjust the l...

Page 182: ...loses all VST editor windows when you close the project If you previously installed a VST compatible application other than Adobe Premiere Pro Adobe Premiere Pro finds VST effects in the VST folder th...

Page 183: ...e Timeline window you can edit submix track properties just as you would for a track containing audio clips However submixes are different from audio tracks in the following ways Submix tracks can t c...

Page 184: ...om the send track A wet dry ratio of 100 indicates that the wet signal is output at full strength The submix volume affects the wet signal and the send track s volume affects the dry signal A send can...

Page 185: ...to send and Send Assignment pop up menu B Send mute C Control knob for selected send property D Send Properties pop up menu To edit send not submix settings 1 In the Audio Mixer window select a send i...

Page 186: ...To set audio preferences 1 Choose Edit Preferences 2 Select the Audio pane and choose a 5 1 Mixdown Type and click OK Note If you want to preserve the integrity of left right channel assignments you...

Page 187: ...ted changes were recorded The rate of return is determined by the Automatch Time audio preference If you want to alter automation settings for some properties while leaving other properties unchanged...

Page 188: ...tings Conforming audio affects editing performance and project file management in the following ways Conformed audio can be played back instantly at high quality because it has been made consistent wi...

Page 189: ...t F Path type tools G Pen tool left add anchor point tool right H Delete anchor point tool left convert anchor point tool right I Rectangle tool left clipped corner rectangle tool right J Rounded corn...

Page 190: ...help you build a title For instance some templates include art that may be pertinent to your project s subject matter Other templates have special designs such as letterboxed or pillarboxed drawing ar...

Page 191: ...footage it may be useful to view a frame of that footage in the drawing area as you create the title Displaying footage is helpful if you want to precisely position a title or compare title and footag...

Page 192: ...anding title safe and action safe margins The title safe and action safe margins in the Adobe Title Designer drawing area designate the title s visible safe zones These margins are on by default Safe...

Page 193: ...click the horizontal type tool To type vertical text click the vertical type tool 2 In the drawing area click where you want to begin and then type the text Note By default text does not wrap To make...

Page 194: ...box in 1 pixel increments or press Shift arrow key to nudge the text box in 5 pixel increments Scaling and rotating text and changing the text orientation You can increase or decrease the size of tex...

Page 195: ...is section see Setting object styles for text on page 207 To change the characters that appear in the Font Browser window 1 Choose Edit Preferences Titler 2 In the Font Browser text box type up to six...

Page 196: ...nes by clicking the pen tool in the drawing area This creates control points called anchor points that are connected by straight segments To draw straight segments with the pen tool 1 Select the pen t...

Page 197: ...tion line the other direction line if present does not move Direction lines are always tangent to perpen dicular to the radius of the curve at the anchor points The angle of each direction line determ...

Page 198: ...t after releasing mouse button 6 Continue dragging the pen tool from different locations to create additional points 7 Complete the path by doing one of the following To close the path position the pe...

Page 199: ...to it drag the control point to adjust it Converting anchor points from one type to another While drawing you may find it necessary to change the type of anchor point you have created for a segment U...

Page 200: ...e tool click where you want to insert the logo 2 Choose Title Logo Insert Logo into Text To return a logo to its original size or aspect ratio Select the logo and choose either Title Logo Restore Logo...

Page 201: ...ts may not be uniform For example distributing objects by their centers creates equal space between the centers but different sized objects extend by different amounts into the space between objects T...

Page 202: ...s top or bottom side points in the drawing area or adjust the Height value in the Transform section To constrain the object proportions hold down Shift as you drag the corner and side points To scale...

Page 203: ...roperties and set values for any of the following options Font Specifies the font applied to the selected text object To view a font in its typeface use the Font Browser For more information on using...

Page 204: ...es Small Caps When selected specifies that all selected objects display in uppercase Small Caps Size Specifies the size of the small caps as a percentage of regular height Adjusting this value changes...

Page 205: ...ll 2 In the Object Style section click the arrow next to Fill and set any of the following options Solid Creates a fill of uniform color Set options as desired Linear Gradient Radial Gradient Choose L...

Page 206: ...es Adobe Premiere Pro Presets Textures to open a texture and then click Open 3 Set any of the remaining options Flip with Object Specifies that the texture flips horizontally and vertically when the a...

Page 207: ...cates that no texture is used and the gradient dominates A value of 100 uses only the texture A value of 0 uses both aspects of the object equally The mix also plays a role in how the key of the ramp...

Page 208: ...pe options including Sheen and Texture work exactly like the Object Fill options For information on adjusting these options see Changing fills on page 209 To change the listing order of strokes 1 In t...

Page 209: ...rate file you can share styles with other users If you share styles make sure that the fonts textures and background files used are available on all systems Modifying the style swatch display The Styl...

Page 210: ...In the Styles section select the style you want to rename 2 Choose Rename Style from the Styles menu 3 Type a new name up to 32 characters in the Rename Style dialog box and click OK Names containing...

Page 211: ...ibrary 1 In the Styles section choose Load Style Library from the Styles menu Any style library you load is added to the current style display 2 Locate the style library file that you want to load and...

Page 212: ...n click OK The Roll Crawl title feature includes the following options Start Off Screen Specifies that the scroll begins out of view and scrolls into view End Off Screen Specifies that the scroll cont...

Page 213: ...e Tab Stops dialog box To set and adjust a tab stop 1 Select a text object 2 Choose Title Tab Stops 3 In the Tab Stops dialog box do one of the following Click the Left Justify tab marker to create a...

Page 214: ...en Project window 2 Add the title to any track To change the duration of a title in the Timeline window Do one of the following Drag its In or Out point Select it choose Clip Duration and type a new d...

Page 215: ...the clip that contains the channel An alpha channel is an extra channel in addition to the visible color channels such as RGB While the alpha channel indicates transparency the channel itself is usual...

Page 216: ...n mind when compositing clips and tracks If you want to apply the same amount of transparency to an entire clip simply adjust the clip s opacity in the Effect Controls window See Adjusting opacity on...

Page 217: ...al effects The Video Effects list is rendered first then geometric effects such as Motion are rendered and then alpha channel adjustments are applied Within each effects group effects are rendered fro...

Page 218: ...en keyframes For example you can bring motion to a gradual stop See Working with keyframe interpolation on page 251 The Effect Controls window can display the keyframes of multiple properties at once...

Page 219: ...opacity keyframes Click the track s Show Keyframes button and choose Show Opacity Handles from the menu that appears To display audio volume keyframes Click the track s Show Keyframes button and choos...

Page 220: ...the time where you want to add another keyframe 6 Do one of the following Add a keyframe and then change its value in the Timeline window See Specifying keyframe values in the Timeline window on page...

Page 221: ...the video or audio effect you want to animate is applied to the clip See Applying and controlling Standard effects on page 244 2 Make sure that the keyframes for the clip or track are visible 3 In th...

Page 222: ...keyframes can t be pasted To copy and paste keyframes 1 In the Timeline window display the property containing the keyframes you want to copy 2 Select one or more keyframes 3 Choose Edit Copy 4 In th...

Page 223: ...angle next to the key effect name to expand it and view options 4 Adjust the key s options To more effectively evaluate the settings of a key effect choose New Reference Monitor from the Monitor windo...

Page 224: ...s Select a key color by clicking the Color swatch or by dragging the eyedropper to a color in the Monitor window Release the mouse button only when the eyedropper is over the color you want as indicat...

Page 225: ...s made transparent Cutoff Drag to the right until the opaque area reaches a satisfactory level Defringing Removes residual green or blue screen color from the edges of the opaque areas of a clip Choos...

Page 226: ...e areas of transparency for a clip by using a matte image s alpha channel or brightness values To get the most predictable results choose a grayscale image for your image matte unless you want to alte...

Page 227: ...or reduces the range of color that will be made transparent Higher values increase the range Smoothing Specifies the amount of anti aliasing softening that Adobe Premiere Pro applies to the boundary b...

Page 228: ...r Non Red key Then select the Mask Only option Use Adobe Illustrator or Adobe Photoshop to create a grayscale image and import it into Adobe Premiere Pro To apply the Track Matte key 1 Add the backgro...

Page 229: ...d out by repositioning image handles in the Preview view of the Monitor window center creating a garbage matte that is then keyed and superimposed over a background right To create a garbage matte 1 P...

Page 230: ...arly while you adjust a key effect Removing a black or white matte If you imported a clip that contains a solid black or white matte that s premultiplied merged into the RGB channels instead of stored...

Page 231: ...e effect controls the volume for all clips that contain audio You can adjust all of the Fixed effects in the Effect Controls window however the Monitor window Timeline window and Audio Mixer window al...

Page 232: ...hat adjusting the Opacity and Volume effects is more easily accomplished in the Timeline window see Using the Opacity and Volume effects on page 242 To adjust properties for the Motion use the Program...

Page 233: ...area where you can set keyframes for the value for each effect property at a particular frame see Animating effects by using keyframes on page 245 Effect Controls window A Sequence name B Clip name C...

Page 234: ...of the timeline beyond the selected clip s In and Out points which appear in gray When this option is selected only the timeline between the clip s In and Out points appear To play audio in the select...

Page 235: ...ault at the current time only Keyframes that occur at the current time are reset to the default value If no keyframes occur at the current time new keyframes are created using the default values Note...

Page 236: ...ust the Motion effect properties Although the anchor point also appears in the Program view it can be adjusted only in the Effect Controls window However the Program view updates any changes to the an...

Page 237: ...Adjusting gain or volume levels on page 175 To adjust the Opacity effect in the Timeline window 1 Click the triangle next to the video track name to expand it 2 Click the Show Keyframes button and ch...

Page 238: ...o effect D Audio transition E Video effect F Video transition G Effects window menu H Search text box I Transitions bins J New Custom bin K Delete Custom Item To open the Effects window Choose Window...

Page 239: ...view and adjust a selected clip s effects use the Effect Controls window By default when you apply an effect to a clip the effect is active for the duration of the clip However you can make an effect...

Page 240: ...copy and paste effect keyframes see Copying and pasting keyframes on page 249 To copy and paste one or more effects 1 In the Timeline window select the clip that contains the effect you want to copy 2...

Page 241: ...s duration for most Standard effects You can also animate clips by setting keyframes for Fixed effect properties such as Position and Scale see Manipulating a clip in the Program view on page 252 You...

Page 242: ...d and no new keyframes can be created until you reactivate keyframes To add one ore more keyframes 1 In the Timeline window select the clip that contains the effect you want to animate 2 In the Effect...

Page 243: ...ent time the Add Remove Keyframe button is shaded otherwise the button is gray By pressing the Add Remove Keyframe button you can add a keyframe at the current time if a keyframe doesn t already exist...

Page 244: ...multiple keyframes to another time 1 Select the keyframes you want to move 2 Drag any selected Keyframe icon to the desired time When you drag more than one keyframe at one time the selected keyframes...

Page 245: ...tion button If you accidentally delete keyframes choose Edit Undo Viewing and adjusting keyframes You can view any keyframe in the keyframe area of the Effect Controls window You can also see keyframe...

Page 246: ...y useful for changing the speed of motion for an animated clip see Manipulating a clip in the Program view on page 252 The keyframe s appearance indicates the type of interpolation it uses between key...

Page 247: ...In Fast In Slow In Easy Curve In and Hold In Adding keyframes using interpolated values You can add a keyframe by using the Add Delete Keyframe button in the keyframe navigator When you do the keyfram...

Page 248: ...you don t see the clip handles change the Zoom Level in the Program view to a smaller percentage so that the gray work area around the video frame appears 3 Move the current time indicator to the time...

Page 249: ...e Effect Controls window and the Timeline window Note This procedure changes the position value at a keyframe To change the timing of keyframes move Keyframe icons in the Effect Controls window see Mo...

Page 250: ...view the right side of the clip as the corrected view and the left half as the original in the Monitor window s Program view Choose New Reference Monitor from the Monitor window menu to view the orig...

Page 251: ...atch in the Timeline window 2 Choose Reference window from the Monitor window menu and set the current time indicator to the clip you want to use to match colors With the clips side by side you can mo...

Page 252: ...Pass Color Replace Gamma Correction Color Corrector Color Match Color Balance HLS Median Tint Keying Blue Screen Key Chroma Key Difference Matte Key Garbage Matte Green Screen Key Image Matte Key Luma...

Page 253: ...you to turn the effect on or off as specified by the keyframes that you set Alpha Adjust Use the Alpha Adjust effect in place of the Opacity effect when you need to change the default render order of...

Page 254: ...ning on the surface When Draw PreviewWireframe is enabled the specular highlight is indicated by a red plus sign if it is not visible on the layer the center of the highlight does not intersect the cl...

Page 255: ...e is a standard transition between two images The original image fades out while the new image fades in After you blend layers using this effect disable the clip you selected from the Blend with Layer...

Page 256: ...t standard you intend to use NTSC National Television Standards Committee is the North American standard It is also used in Japan PAL Phase Alternating Line is used in most of Western Europe and South...

Page 257: ...nel Mixer effect you can modify a color channel using a mix of the current color channels Use this effect to make creative color adjustments not easily done with the other color adjustment tools Creat...

Page 258: ...ip separately Units Sets the units specified by the sliders either pixels or the percentage of the frames Fill Color Specifies the color that replaces the trimmed areas The default color is black Colo...

Page 259: ...ss values by multiplication so that lighter pixels are affected more than darker pixels Increasing brightness with this control increases the white point Use the following controls to adjust color usi...

Page 260: ...ing HSL RGB or Curves Use Sample eyedroppers to sample shadows midtones and highlights from the sample or color you are trying to match Use Target eyedroppers to sample shadows midtones and highlights...

Page 261: ...g box displays a grid that represents a pattern of pixel brightness multipliers with the pixel being evaluated in the center of the grid Use this effect to create custom blurs and embosses To specify...

Page 262: ...Crystallize The Crystallize effect creates a distorted mosaic pattern by clumping adjacent pixels into a solid colored polygon shape or cell You can set the cell size from 3 pixels to 300 pixels Diffe...

Page 263: ...s are rendered after Standard effects Echo The Echo effect combines frames from many different times in a clip It has a variety of uses from a simple visual echo to streaking and smearing effects This...

Page 264: ...trols as needed Emboss The Emboss effect sharpens the edges of objects in the image and suppresses colors The effect also highlights the edges from a specified angle Direction Specifies the apparent d...

Page 265: ...ear as dark lines on a white background When Invert is selected edges appear as bright lines on a black background Gamma Correction The Gamma Correction effect lightens or darkens a clip without subst...

Page 266: ...single channel RGB consists of three additive color channels red green and blue HLS consists of three calculated color channels hue lightness and saturation YIQ is the NTSC luminance and chrominance c...

Page 267: ...right to eliminate the darkest values in the clip Drag the white triangle to the left to eliminate the brightest values in the clip You can also type the values directly into the Output Levels text bo...

Page 268: ...e bolt undulates around the end point Width Width Variation Specify the width of the main lightning bolt and how much the width of different segments can vary Width changes are randomized A value of 0...

Page 269: ...ch side is reflected and where the reflection appears You can make the line and reflection angle change over time Reflection Center Specifies the position of the line Click the box and drag the result...

Page 270: ...or the reverse This effect produces unusual and surprising distortions that can vary greatly depending on the image and the controls you select The standard coordinate system specifies points by meas...

Page 271: ...with the Zoom blur method this value reflects the intensity of the blur Ramp The Ramp effect creates a color gradient blending it with the original image contents Create linear or radial ramps and va...

Page 272: ...e image produced by clips in lower tracks The resulting color is never darker than the original Using the Screen option is similar to the traditional technique of superimposing two different film nega...

Page 273: ...robability that any given frame of the clip will have the strobe effect giving the appearance of a random effect Strobe Specifies how the effect is applied Operates on Color Only performs the strobe o...

Page 274: ...wed Position Specifies the location in an x y coordinate of the center anchor point of the clip Scale Height Scales height up or down as a percentage of the source clip height Scale Width Scales width...

Page 275: ...distortion type a value from 100 to 100 Ridges Represents the number of direction reversals of the zigzag from the center of the clip to its edge type a value from 1 to 20 Style Specifies how to displ...

Page 276: ...a specified amount of time Delay Specifies the amount of time before the echo plays The maximum is 2 seconds Feedback Specifies a percentage of the delayed signal to be added back into the delay to cr...

Page 277: ...are expanded up to 5 1 For example if the ratio is 5 1 a level decrease of 1 dB is expanded by 5 dB resulting in a much faster decrease of the signal Limiter Reduces clipping in audio clips that cont...

Page 278: ...vert The Invert effect inverts the phase of all channels MultibandCompressor The MultibandCompressor effect is a three band compressor with controls for each band Use this effect instead of the compre...

Page 279: ...lectrical system where the clip was recorded For example in North America and Japan type 60 Hz and in most other countries type 50 Hz Parametric EQ The Parametric Equalization effect increases or decr...

Page 280: ...nnel infor mation Apply to stereo clips only Treble The Treble effects allows you to increase or decrease higher frequencies 4000 Hz and above The Boost control specifies the amount measured in decibe...

Page 281: ...ore Strobe and Video Noise Gallery of effects The samples below illustrate just some of the video effects included with Adobe Premiere Pro To preview an effect not in this gallery apply it and preview...

Page 282: ...remiere Pro Help ApplyingEffects Using Help Contents Index Back 286 Noise Pinch Pointillize Posterize Radial Blur Replicate Sharpen Sharpen Edges Original image Shear Solarize Spherize Texturize Tiles...

Page 283: ...motion picture film on page 311 Exporting to DVD If a compatible DVD writer is connected to your computer you can create a DVD directly from a sequence Adobe Premiere Pro makes the best use of the spa...

Page 284: ...es the current preset so the preset name changes to Custom Preset unless you save the preset while editing the comment Edit Click to open the Transcode Settings dialog box to adjust the settings and c...

Page 285: ...and frame rate so that the footage items retain their quality in the transition to DVD This transition is called transcoding and is controlled by Adobe Premiere Pro using presets in the Adobe Media E...

Page 286: ...and click OK The list of presets depends on the Format you choose Note the preset summary in the summary window These are the specifications to which your project or asset will be built To create a c...

Page 287: ...e number of megabits per second you want the encoded file to have The following options appear only if you select VBR as the Bitrate Encoding option Encoding Passes Enabled for VBR only Specifies the...

Page 288: ...x 3 Navigate to the location of the preset select it and then click Open 4 Type a name for the imported preset and then click OK To delete a single custom preset 1 Choose File Export Adobe Media Encod...

Page 289: ...ion and then click Clear Fields To change the displayed Metadata options 1 Click the arrow next to the Metadata name to expand it 2 Click Add Remove Fields 3 In the Select Metadata dialog box do any o...

Page 290: ...age 302 To export a sequence as a file 1 In the Timeline window activate the sequence you want to export and choose File Export Movie 2 Click Settings and choose settings as necessary 3 Click OK to cl...

Page 291: ...deo recorder Most DV cameras and all DV video tape recorders are capable of this conversion some DV cameras require you to record the video to DV tape and then dub the DV tape to the analog video reco...

Page 292: ...s at the current tape location 5 For Delay Movie Start type the number of quarter frames that you want to delay the movie so that you can synchronize it with the DV device recording start time Some de...

Page 293: ...rarchy Properties from the Motion fixed effect translate to the corresponding properties in Adobe After Effects The Cross Dissolve effect translates to the Opacity property in After Effects Photoshop...

Page 294: ...Export Audio command This will let you choose from file types that can handle audio and the Video option is automatically deselected and unavailable You can also export audio by using the Adobe Media...

Page 295: ...e Type choose a still image sequence format If you choose a movie format or Animate GIF all the frames will be in one file 4 Choose the frames to export from the Range menu 5 Click Video and specify o...

Page 296: ...y want to export a single frame you don t need to use the Filmstrip format Instead export a single still frame See Exporting a still image on page 300 To export a clip as a filmstrip 1 Choose File Exp...

Page 297: ...ist Note Some capture card software and plug in software provide their own dialog boxes with specific options If the options you see are different from those described in this section refer to the doc...

Page 298: ...ompressor Choose the codec compressor decompressor for Adobe Premiere Pro to apply when exporting a file and click Configure if available to set options specific to the selected codec The codecs avail...

Page 299: ...lable for all codecs Limit Data Rate to _ K Sec Select if available for the selected compressor and type a data rate to place an upper limit on the amount of video data produced by the exported video...

Page 300: ...option if required for your final medium No Fields is the default and is the equivalent of progressive scan the correct setting for computer display and motion picture film Choose Upper Field First o...

Page 301: ...Choose a codec designed for low data rates such as Indeo Cinepak or Sorenson Video For details about compression see About file export settings on page 309 About creating a video file for Video CD pl...

Page 302: ...a large file to your hard drive Streaming video on the Web is constrained by the limited bandwidth 56 Kbps or less of most consumer modems Use a higher bitrate if you know your audience has broadband...

Page 303: ...Adobe Media Encoder Adobe Premiere Pro starts with the settings in the Project Settings dialog box and processes them using settings in the Adobe Media Encoder dialog box Note Your capture card may i...

Page 304: ...hey are limited in scope intranets generally use higher quality communications lines than standard telephone lines so they are usually much faster than the Internet Streaming video over the World Wide...

Page 305: ...irst export the Adobe Premiere Pro video sequence to a video file using settings appropriate for the film stock After you create the file use a motion picture film recorder a hardware device that prin...

Page 306: ...Shortcut Selection tool V Track select tool M Ripple edit tool B Rolling edit tool N Rate stretch tool X Razor tool C Slide tool U Slip tool Y Pen tool P Hand tool H Zoom tool Z Result Shortcut Slip...

Page 307: ...Using Help Contents Index Back 313 Key for navigating in the Timeline window Keys for capturing in the Capture window Result Shortcut Set work area bar to sequence Double click the work area bar Resu...

Page 308: ...Audition Adobe Encore Adobe Premiere After Effects GoLive Illustrator Photoshop and PostScript are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and or...

Page 309: ...s 302 importing as sequence 84 importing as still image 83 layers 83 ways to import 81 Adobe Premiere Pro Help 4 installing 4 learning resources 8 task lists 5 Adobe Title Designer 198 Advanced Author...

Page 310: ...isted 256 exporting 300 Format option 60 gain 175 input channels 182 input source 182 J cut edit 177 L cut edit 177 lead edit 177 maintaining pitch at different speeds 141 master mix 174 mixing basics...

Page 311: ...304 bitmap logos 204 bitrate encoding 293 Black White effect 260 Blend effect 260 Blue Screen Key effect 260 Blue Screen key type 229 Blur Sharpen effects category 257 BMP file format 82 303 Breakout...

Page 312: ...ng clips from the Source menu 104 copying and pasting 143 data rate analysis of 89 deleting 47 deleting space between 146 diagonal warning bars 170 disabling 140 dragging into the Program view 132 dra...

Page 313: ...previewing 61 compression keyframes 89 310 conformed audio 43 192 Constant Gain audio transition 176 Constant Power audio transition 176 context menus 45 Convolution Kernel effect 266 Copy command 143...

Page 314: ...rmat option 60 display mode 110 Display Only Exact Name Matches button 41 Distort effects category 257 distributing objects 205 documentation overview 8 dominant field 145 dots creating illusion of 27...

Page 315: ...g 150 trimming in the Timeline window 148 using the Automate to Sequence command 134 with DV 98 Editing Mode option 59 EDL See edit decision lists E E mode 94 Effect Controls window 45 166 effects Ado...

Page 316: ...mstrip FLM file format 85 301 303 Find Edges effect 270 FireWire See IEEE 1394 Fit to Fill See four point editing Fit Clip options 133 5 1 surround audio 5 1 Mixdown Type option 190 channel audio trac...

Page 317: ...task based help 5 Highpass effect 284 hinted movie 308 History palette 44 45 54 Horizontal Flip effect 271 Horizontal Hold effect 271 horizontal text 197 hue 112 I IEEE 1394 93 94 iLInk See IEEE 1394...

Page 318: ...selecting 224 248 specifying values for 225 summary 250 using 246 viewing 250 keyframes in compression evaluating data rate for 89 Keying effects category 257 keys See also transparency applying 227 2...

Page 319: ...219 230 background 233 color 233 garbage 233 moving 231 removing 234 track 231 traveling 231 Media Cleaner Export 302 Median effect 274 metadata 295 Meter Input s Only command 174 meters audio 174 Mir...

Page 320: ...g 205 odd field 145 offline editing 98 offline files 42 66 87 online editing 98 online Help 5 opacity adjusting 221 animating 224 editing in Timeline window 225 objects 205 titles 205 Opacity effect 2...

Page 321: ...editing modes 59 effects 257 third party 257 Pointillize effect 276 Polar Coordinates effect 276 position animating 224 changing in objects 205 Position property adjusting 240 using to animate a clip...

Page 322: ...Unused Clips command 47 renaming clips 47 48 Project window columns 51 source files 42 47 Render effects category 257 render files See preview files Render Preview command 159 rendering See also prev...

Page 323: ...135 default settings 136 multiple 135 nesting 136 137 opening in the Source view 136 previewing 157 projects compared to 40 recording to videotape 297 298 299 setting the starting time 114 switching...

Page 324: ...animation 92 storyboard importing image 82 straight segments drawing with pen tool 201 streaming video 308 310 striping tapes 90 Strobe Light effect 278 strobe creating the effect of 278 strokes 211...

Page 325: ...g 91 setting manually 92 using for efficient capture 89 using in Trim View 156 using in Trim window 156 visual 92 time lapse 92 timeline diagonal warning bars 170 in Effect Controls window 238 Timelin...

Page 326: ...g edges 167 starting and ending frames of 167 transparency See also opacity adding areas of 221 traveling matte 231 Treat as Stereo command 181 Treble effect 286 Trim button 156 Trim Head icon 150 156...

Page 327: ...al timecode 92 voiceovers 79 182 Volume effect 242 286 volume keyframes 223 VST plug ins 184 186 VU meters 174 W WAV Windows Audio Waveform file format 303 Wave effect 280 waveform monitor about 111 i...

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