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Section 7 AUDIO CODING PRINCIPLES
113
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One user has reported that two passes of Zephyr Layer III, followed by one pass of
SEDAT, is OK. (Stereo program mode.)
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The goal is to get as much “coding headroom” as possible at each stage. This is
achieved when you:
1.
Use the most possible bits at each stage – the least “crunching”, for instance,
the lowest reasonable sample rate and the highest available bit rate – and/or
2.
Use the more powerful coding method of those available at each stage.
At the moment, we offer the following advice:
•
Use coders only where necessary. Consider the alternatives at each stage. With the
cost of hard disk capacity falling, is it really necessary to crunch at that point?
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Use the maximum bitrate you can afford at each stage. Hard disk recorders and
other studio systems often have an option to adjust this. For very critical work,
remember that the Zephyr may be used in a mode where a mono program is split
over two digital network channels.
•
Get the Layer III advantage on low bitrate channels.
The people at Fraunhofer IIS, who developed the Layer III algorithm, have introduced a
perceptual coding analyzer. This device has the potential of making objective
measurements a reality. We’ll be hearing more about this.
Mixed MPEG LII And LIII Signal Chains
What about the case where you will be using LII and LIII in a signal chain? It turns out
that the two methods are nicely complimentary.
At low bit- rates, Layer III gets more signal- to- mask margin than Layer II. This is why it
performs better in the low bit- rate tests. It accomplishes this by using a filter bank with
more bands, 576 vs 32. One effect of this is “time spread.” (More frequency resolution
requires a longer time window. It’s a law of physics thing...) For a small number of
passes (one or two), this is good, as the ear has masking in the time domain as well as
the frequency domain, and LIII naturally exploits this additional dimension. The down-
side is that when many stages of LIII are used at low bit- rates, the time spread can
become audible (softening of transients and pre- echoes, mostly), and this is a bad
thing. While LII does not have this problem, it has another. Because it is closer to the
edge for s/n, multiple generations result in unmasking (noise and grit, mostly).
But the ISO/MPEG people do not propose that a bunch of passes of LIII be used. The
idea is that LIII be used at ISDN/SW56 bit- rates for field pick- up and that LII be used at
higher bit- rates in other parts of the signal path.
This is why the ISO group decided to recommend the Layers as they did: LIII for
64kbps/channel and LII for equal to or greater than 128kbps/mono channel.
Our own experiments with codec cascading confirm that this is the right approach - the
two coding methods seem to complement each other. Two passes of LIII sound
noticeably better than two of LII; a pass of LIII followed by a pass of LII also sounds
Содержание Zephyr
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Страница 39: ...39 SECTION 3 ZEPHYR AT A GLANCE ...
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Страница 85: ...Section 5 ISDN 85 SECTION 5 ISDN ...
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Страница 119: ...Section 8 DETAILED MENU REFERENCE 119 SECTION 8 DETAILED MENU REFERENCE ...
Страница 157: ...Section 9 REMOTE CONTROL 157 SECTION 9 REMOTE CONTROL ...
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Страница 177: ...Section 10 ADVANCED PROBLEM SOLVING 177 SECTION 10 ADVANCED PROBLEM SOLVING ...
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Страница 197: ...Section 11 TECHNICAL INFORMATION 197 SECTION 11 DETAILED TECHNICAL INFORMATION ...
Страница 219: ...Section 12 SCHEMATICS 219 SECTION 12 SCHEMATICS ...
Страница 221: ...Section 13 MANUFACTURER S DATA SHEETS 221 SECTION 13 MANUFACTURER S DATA SHEETS ...
Страница 223: ...Section 14 SPECIFICATIONS WARRANTY 223 SECTION 14 SPECIFICATIONS AND WARRANTY ...
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Страница 229: ...Section 15 APPENDICES 229 SECTION 15 APPENDICES ...
Страница 239: ...Section 15 APPENDICES 239 You Com L3 Mono L3 Stereo L2 Mono yes L2 Stereo yes L2 M128 yes G 722 yes ...
Страница 257: ...Section 15 APPENDICES 257 1 Two SPID numbers depending upon number of active B channels 2 Two Directory Numbers ...