Korg iS35, Руководство пользователя

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Reference • Backing Sequence mode
93
Tempo
Metronome tempo (playing speed) of the backing
sequence expressed in quarters per minute (1/4 =
).
Tempo mode
[REC, AUT, 40…240]
This indicates the mode used to record or playback the
tempo. Move the cursor to the “Tempo” parameter
(the note with the equal symbol and the numeric
value), then change the mode with the TEMPO/
VALUE buttons (or the DIAL).
• To go to TEMPO-REC press together the two
TEMPO/VALUE buttons (or the DIAL).
• To go to AUTO press together the two TEMPO/
VALUE buttons (or the DIAL) and press TEMPO/
VALUE
[UP/+].
• To go back to the numeric values, press again
TEMPO/VALUE [UP/+].
Suggestion: if you want to simplify the recording of a
quick song, record with a slower tempo and choose a
normal tempo only after recording.
TEMPO-REC Tempo changes are recorded whilst
you are recording. This option can
only be chosen if you are recording
(REC/WRITE/LYRICS led lit up).
AUTO Recorded tempo playback. It auto-
matically appears in playback. The
tempo will be the one recorded in the
backing sequence.
Values 40-240 Metronome value. The tempo can be
adjusted manually during recording
or playback, using the TEMPO/
VALUE buttons (or the DIAL).
Chord name
When the instrument detects a chord, its abbreviation
will appear on the display. The chords control the
arrangement patterns.
The notes for the chord recognition must be played in
the chord recognition area of the iS35 keyboard or
received over the special channels Global, Chord 1and
Chord 2 (see “The special channels” on page 52).
The chord recognition notes received over the Chord 1
and Chord 2 channels are affected by the Chord Scan-
ning, but have no extension limits (the split point does
not affect these channels). The notes played on the iS35
keyboard and the notes received over the Global chan-
nel are affected both from the Chord Scanning and the
split point.
• Chord Scanning LOWER: chord detected below the
split point. The recognition mode depends on the
“ChordRecog” parameter (see page 162).
• Chord Scanning UPPER: chord detected above the
split point. The recognition mode is always “Fin-
gered 2” (see page 162), that requires chords of at
least three notes.
• Chord Scanning FULL: chord detected on the entire
keyboard. The recognition mode is always “Fin-
gered 2” (see page 162), that requires chords of at
least three notes.
In order to program the split point, hold down the
SPLIT POINT button and play the note you wish to set
at split point.
The recognised chord will remain in the memory even
if the arrangement is changed when the accompani-
ment is playing. The chord recognition can be reinitial-
ised by pressing RESET and deactivating the
MEMORY-CHORD, or by selecting an arrangement
when the accompaniment is not playing.
Selected track
Track to be recorded. If the ATr option is selected, all
the arrangement tracks (accompaniment, keyboard,
controls, chords) will be recorded at once. In other
words, all the notes played on the keyboard and by the
arrangement will be recorded in the backing sequence.
If the iS35 is played by a master keyboard or other
MIDI controller, the MIDI controller must transmit
over the iS35 Global channel.
The ETr1-ETr8 tracks are the Extra Tracks 1-8, used to
add freely recorded parts (non-automatic). See
“Recording a track at a time in real time” on page 95.
If the iS35 is played by a master keyboard or other
MIDI controller, the MIDI controller must transmit
over the same channel as the Extra Track to record the
Extra Track. Normally, the Extra Tracks are not con-
nected to the MIDI and they must be assigned to a
MIDI channel before starting recording (see “Page 9:
Extra Track settings (1)” on page 111).
Track status
[– – – –, REC, (KBTr/CTRL/CHRD), MUTE]
These settings will appear if you select track ATr. They
determine the status of the keyboard, control and
chord tracks.
Hyphens (– – – –) An empty track. It will only possible