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35
PRO6 Live Audio System
Owner’s Manual
Chapter 5: Before You Start
This chapter is intended to familiarise you with the PRO6 Control Centre by showing you
how to carry out some basic operations in order to get some audio out of it.
Note: As the operation of both input bays is principally the same, this chapter will
generally only show the operation of the 12-channel input bay. Any differences in
operation between the 4-channel and 12-channel input bays will be shown.
Please don’t forget that, although this system is a complex, high-tech piece of
equipment, it is very easy to use.
Principles of operation
PRO6 Control Centre operation is based on the concept of colours and groups rather
than ‘layering’ or ‘paging’, which is the case with most digital consoles on the market
today. With so many channels available it is far easier to remember them by their
user-configured individual/group colour and name rather than their channel number.
The control surface is populated with instantly recognisable controls that are logically
distributed in major sections, so that all the controls you need to access most of the
time are always on the control surface, while the remainder are only one action away.
You can display all I/O meters, both on the control surface and the GUI, to give instant
monitoring feedback.
Operating modes
You can change certain aspects of PRO6 operation by assigning different tasks to
certain areas of the control surface. This section will explain the different ways in which
the control surface can operate.
Normal mode
During normal operation the 12-channel input bay is operated from the mix bay
controls and GUI screen, while the controls and GUI screen in the master bay operate
the 4-channel input bay. Both input bays operate in unison and are, in effect, area A.
(The 12-channel input bay will always be area A, no matter which operating mode you
are using.)
Using the 4-channel input bay as area B
You can assign the 4-channel input bay as area B, thus making both the input bays
independent from each other. This facilitates two-man operation, which is described in
“Two-man operation” on page 102.
Содержание PRO6
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Страница 136: ...110 Chapter 10 Stereo Linking PRO6 Live Audio System Owner s Manual...
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Страница 148: ...122 Chapter 12 Soloing PRO6 Live Audio System Owner s Manual...
Страница 150: ...124 Chapter 13 Muting PRO6 Live Audio System Owner s Manual...
Страница 192: ...166 Chapter 18 Copy And Paste PRO6 Live Audio System Owner s Manual...
Страница 242: ...216 Chapter 24 User Libraries Presets PRO6 Live Audio System Owner s Manual...
Страница 246: ...220 Chapter 25 File Management PRO6 Live Audio System Owner s Manual...
Страница 250: ...224 Chapter 26 Using Other Devices With The PRO6 PRO6 Live Audio System Owner s Manual...
Страница 267: ...PRO6 Live Audio System Owner s Manual Volume 4 Description...
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Страница 365: ...Audio signal path 339 PRO6 Live Audio System Owner s Manual Audio signal path...
Страница 366: ...340 Appendix C Klark Teknik DN370 GEQ PRO6 Live Audio System Owner s Manual...
Страница 372: ...346 Appendix D Klark Teknik DN780 Reverb PRO6 Live Audio System Owner s Manual...
Страница 376: ...350 Appendix E I O Modules PRO6 Live Audio System Owner s Manual...
Страница 400: ...374 Appendix I Documentation PRO6 Live Audio System Owner s Manual...
Страница 511: ...Return 485 XL8 Live Performance System Owner s Manual Gate Not applicable EQ Not applicable...
Страница 524: ...498 Appendix N Parameters Affected By Copy And Paste XL8 Live Performance System Owner s Manual...
Страница 568: ...542 Appendix O Parameters Affected By Stereo Linking XL8 Live Performance System Owner s Manual...
Страница 612: ...586 Glossary PRO6 Live Audio System Owner s Manual...