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Appendix A: Application Notes
PRO6 Live Audio System
Operator Manual
noticeably delays these attacks, which can be particularly useful on drums where
compression can be applied to emphasise transients giving more punch while retaining
a good deal of artistic dynamic from the drummer.
The compressor normally sounds best with slower attack time settings, when it can be
used on difficult instruments, such as the acoustic guitar, with relatively fast release to
keep equal perceived loudness within a mix without producing excessive flutter or
distortion.
Vintage mode (adaptive peak - bright)
This is a peak sensing compressor with a partially adaptive nature. It produces
extremely subtle attack and release curves during the onset of compression that are
largely independent of the envelope control settings. However, as it is driven harder,
that is, signals are further over-threshold, the attack and release times become more
aggressive and gradually return to manual control so that the operator can optimise the
capture (or otherwise) of larger transients etc. The peak sensing algorithm
intentionally increases harmonic overtones during compression, which adds a valve-like
brightness and sparkle to the programme, producing extremely natural and lively
sounding compression of acoustic instruments.
Shimmer mode (overshoot peak - slow) - output only
This is a peak sensing compressor with an exponential release and unusual second
order attack character that tends to overshoot.
If used sparingly, the compressor sounds very soft and natural, and can provide
additional control of material that already has a fairly low dynamic content. It can
sound very transparent on vocals where it retains a good degree of life in the
performance.
If used at higher ratios with slow attack and fast release times, the compressor can
produce a very soft, bouncy sound character.
Содержание PRO6
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Страница 14: ...xvi Precautions PRO6 Live Audio System Owner s Manual...
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Страница 25: ...PRO6 Live Audio System Owner s Manual Volume 1 Overview...
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Страница 30: ...4 Chapter 1 Introduction PRO6 Live Audio System Owner s Manual...
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Страница 50: ...24 Chapter 3 About The PRO6 Control Centre PRO6 Live Audio System Owner s Manual...
Страница 51: ...PRO6 Live Audio System Owner s Manual Volume 1 Getting Started...
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Страница 59: ...PRO6 Live Audio System Owner s Manual Volume 2 Basic Operation Of The PRO6...
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Страница 64: ...38 Chapter 5 Before You Start PRO6 Live Audio System Owner s Manual...
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Страница 136: ...110 Chapter 10 Stereo Linking PRO6 Live Audio System Owner s Manual...
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Страница 148: ...122 Chapter 12 Soloing PRO6 Live Audio System Owner s Manual...
Страница 150: ...124 Chapter 13 Muting PRO6 Live Audio System Owner s Manual...
Страница 192: ...166 Chapter 18 Copy And Paste PRO6 Live Audio System Owner s Manual...
Страница 242: ...216 Chapter 24 User Libraries Presets PRO6 Live Audio System Owner s Manual...
Страница 246: ...220 Chapter 25 File Management PRO6 Live Audio System Owner s Manual...
Страница 250: ...224 Chapter 26 Using Other Devices With The PRO6 PRO6 Live Audio System Owner s Manual...
Страница 267: ...PRO6 Live Audio System Owner s Manual Volume 4 Description...
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Страница 365: ...Audio signal path 339 PRO6 Live Audio System Owner s Manual Audio signal path...
Страница 366: ...340 Appendix C Klark Teknik DN370 GEQ PRO6 Live Audio System Owner s Manual...
Страница 372: ...346 Appendix D Klark Teknik DN780 Reverb PRO6 Live Audio System Owner s Manual...
Страница 376: ...350 Appendix E I O Modules PRO6 Live Audio System Owner s Manual...
Страница 400: ...374 Appendix I Documentation PRO6 Live Audio System Owner s Manual...
Страница 511: ...Return 485 XL8 Live Performance System Owner s Manual Gate Not applicable EQ Not applicable...
Страница 524: ...498 Appendix N Parameters Affected By Copy And Paste XL8 Live Performance System Owner s Manual...
Страница 568: ...542 Appendix O Parameters Affected By Stereo Linking XL8 Live Performance System Owner s Manual...
Страница 612: ...586 Glossary PRO6 Live Audio System Owner s Manual...