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Typical configurations
237
PRO6 Live Audio System
Owner’s Manual
Typical configurations
The following subsections contain actual examples of typical configurations to illustrate
the effects of delay compensation. Please note the following:
• All XLRs are located at stage end, unless FOH is stated.
• INS can mean an internal effect or an external effect with analogue or AES3 I/O at
either FOH or stage positions.
• Abbreviations are: IP = input channel; AS = aux (send) channel, AR = (aux) return
channel; AR (Input) = (aux) return channel set to input mode; MAST = master
channel; MTX = matrix channel; DI (mix) = direct input set to Mix Time Zone (DI
can be either pre- or post-); and DI (input) direct input set to System Input Time
Zone (DI can be either pre- or post-).
• The accompanying diagram in each subsection shows the settings for that setup.
FOH mix setup
The following table shows the delay compensation settings for this mix.
The following signal path examples all measure the same latency of 780 samples at
96kHz = 8.125ms:
• FOH XLR – IP – MAST – XLR
• XLR – IP – MAST – XLR
• XLR – IP – MTX – XLR
• XLR – IP – AS – MAST – XLR
• XLR – IP – AS – INS – MAST – XLR
• XLR – IP (With INS) – AS (With INS) – INS – AR – MAST (With INS) – XLR
• XLR – IP (With INS) – AS (With INS + GEQ) – INS – AR – MAST (With INS + GEQ) –
XLR
• XLR – IP – AS – INS – MAST DI (Mix)
• XLR – IP – AS – INS – MTX DI (Mix)
• XLR – MAST DI (Input)
• XLR – MTX DI (Input)
• XLR – AS DI – MAST – XLR
• XLR – AR (Input) – MAST – XLR
• XLR – AR (Input) – MTX – XLR
Option On/off status
Master to Matrix Post-processing Off
Input Channels
Insert
On
Aux Sends
Monitor Mode (Align with Masters)
Insert
Send-FX-Return
Graphic EQ
Off
On
On
On
Master and Matrix
Insert
Graphic EQ
On
On