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13•4 Reference Guide
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13•4 Refer ence Guide
2/11 TRANSPOSER
This is a track transposer which transposes in
steps of one semitone.
Use Track Select in the Sequencer to view tracks
09-16.
An octave transposition can be obtained by us-
ing the OCTAVE [+] and [-] panel buttons.
Use the standard edit procedure.
2/11 PERFORM:TRANSPOSER [Tk07]
00 00 00 00 00 00 +04 00
Performance: Transposer
Assignable values: -24 … 0 … +24 semitones.
3/11 DETUNE
A fine tune function for single tracks.
Use Track Select in the Sequencer to view tracks
09-16.
Each fine tune step is equivalent to 1/64th semi-
tone.
Use the standard edit procedure.
3/11 PERFORM:DETUNE [Tk07]
00 00 00 00 00 00 +04 00
Performance: Detune
Assignable values: - 63 … 0 … +63.
4/11 PITCH BEND RANGE
This function independently enables or disables
the tracks for the Pitch Bend message generat-
ed by the Trackball and determines the maximum
amount of Pitch Bend that will affect each track.
Use Track Select in the Sequencer to view tracks
09-16.
Use the standard edit procedure.
4/11 PERFORM:PITCH BEND RANGE [Tk06]
02 02 02 02 02 02 02 02
Performance: Pitch Bend Range
Assignable values: - 12 … 0 … +12.
5/11 SOUND EDIT
This function assigns an edited version of the
Sound currently assigned to the selected track,
provided that an edited version is currently in
memory.
The “On” status assigns the edited version, iden-
tified by the letter “E” attached before the name
of the Sound.
Use Track Select in the Sequencer to view tracks
09-16.
Use the standard edit procedure.
5/11 PERFORM:SOUND EDIT [Tk01]
Off On OFf Off Off Off Off Off
Performance: Sound Edit
Assignable values: On, Off.
6/11 PRIORITY
Priority guarantees a minimum polyphony to a
track with respect to others and avoids “note-
stealing”.
In complex arrangements, a melody track will
require a priority setting to avoid “losing” notes
“stolen” by other tracks to maintain the maximum
permitted polyphony of the current sound config-
uration.
The Priority=Off setting implements a dynamic
allocation of polyphony in order to maintain the
maximum permitted polyphony. In practice, in
2/11 TRANSPOSER
This is a track transposer which transposes in
steps of one semitone.
Use Track Select in the Sequencer to view tracks
09-16.
An octave transposition can be obtained by us-
ing the OCTAVE [+] and [-] panel buttons.
Use the standard edit procedure.
2/11 PERFORM:TRANSPOSER [Tk07]
00 00 00 00 00 00 +04 00
Performance: T ransposer
Assignable values: -24 … 0 … +24 semitones.
3/11 DETUNE
A fine tune function for single tracks.
Use Track Select in the Sequencer to view tracks
09-16.
Each fine tune step is equivalent to 1/64th semi-
tone.
Use the standard edit procedure.
3/11 PERFORM:DETUNE [Tk07]
00 00 00 00 00 00 +04 00
Performance: Detune
Assignable values: - 63 … 0 … +63.
4/11 PITCH BEND RANGE
This function independently enables or disables
the tracks for the Pitch Bend message generat-
ed by the Trackball and determines the maximum
amount of Pitch Bend that will affect each track.
Use Track Select in the Sequencer to view tracks
09-16.
Use the standard edit procedure.
4/11 PERFORM:PITCH BEND RANGE [Tk06]
02 02 02 02 02 02 02 02
Performance: Pitch Bend Range
Assignable values: - 12 … 0 … +12.
5/11 SOUND EDIT
This function assigns an edited version of the
Sound currently assigned to the selected track,
provided that an edited version is currently in
memory.
The “On” status assigns the edited version, iden-
tified by the letter “E” attached before the name
of the Sound.
Use Track Select in the Sequencer to view tracks
09-16.
Use the standard edit procedure.
5/11 PERFORM:SOUND EDIT [Tk01]
Off On OFf Off Off Off Off Off
Performance: Sound Edit
Assignable values: On, Off.
6/11 PRIORITY
Priority guarantees a minimum polyphony to a
track with respect to others and avoids “note-
stealing”.
In complex arrangements, a melody track will
require a priority setting to avoid “losing” notes
“stolen” by other tracks to maintain the maximum
permitted polyphony of the current sound config-
uration.
The Priority=Off setting implements a dynamic
allocation of polyphony in order to maintain the
maximum permitted polyphony. In practice, in