F
UNCTIONS
D
ISPLAY
87
D
ISPLAY
To control what appears on the Preview monitor, use the
DISPLAY
function. Press
DISPLAY
or use the shortcut keys described here to cycle through the different display
configurations. See samples of these configurations on the next page. The
illustrations show the key combination you can use to directly access any display
configuration.
Standard
(press
SHIFT
+1
)– Provides most extensive display. Shows preview images
of all active input sources and a menu of up to 30 different transitions from
which you can choose.
Two Channel
(press
SHIFT
+2
) – Displays preview images for the CURRENT and
NEXT sources. Preview images increase in size, but the Transitions Menu shows
only 20 transitions.
Full
(press
SHIFT
+3
) – Divides preview screen into four sections. Each section
shows a preview image of the currently active input sources. The Transitions
Menu is not available.
Next
(press
SHIFT
+4
) – Displays only a full-screen preview image of the NEXT
source.
Current
(press
SHIFT
+5
) – Displays only a full-screen preview image of the CUR-
RENT source.
When you run a transition, the Preview screen shows a full-screen image, running at
full frame-rate — the same as the signal going through the output channel.
Summary of Contents for MXPro DV
Page 1: ...MXPro User Guide ...
Page 4: ...NOTES ...
Page 8: ...NOTES ...
Page 9: ......
Page 10: ......
Page 20: ...NOTES ...
Page 21: ......
Page 22: ......
Page 30: ...NOTES ...
Page 31: ......
Page 32: ......
Page 49: ......
Page 50: ......
Page 66: ...NOTES ...
Page 67: ......
Page 68: ......
Page 81: ......
Page 82: ......
Page 90: ...NOTES ...
Page 91: ......
Page 92: ......
Page 108: ...NOTES ...
Page 109: ......
Page 110: ......
Page 117: ......
Page 118: ......
Page 126: ...NOTES ...
Page 127: ......
Page 128: ......
Page 134: ...NOTES ...
Page 135: ......
Page 136: ......
Page 142: ...NOTES ...
Page 143: ......
Page 144: ......
Page 153: ......
Page 154: ......
Page 164: ...NOTES ...
Page 165: ......
Page 166: ......
Page 186: ...NOTES ...
Page 198: ...NOTES ...