English
Arranging
The Track view makes it easy to arrange and mix your projects from a single view. From one
location, you can select, copy, move, mix, and rearrange the parts of your project, using menu
commands or drag-and-drop tools. You can add real-time audio and MIDI effects from the
Effects bin and buses. Markers provide easy-to-use reference points and labels for the
different parts of your project, and the Snap Grid makes it easy to align your clips to the
desired time points. Slip Editing allows you to non-destructively change the start and/or end
time of a clip, just by dragging its borders. With Slip Editing, you can easily create
repetitions of your clips using your mouse. Both the Track view and Console view have a full
set of record and playback meters, which you can configure in several ways. SONAR™ also
has a variety of tools and commands for changing the tempo of your project. Composite
tracks allow you to keep all your takes in one track if you want, and selectively mute and solo
the various clips in the track. Track folders let you edit multiple tracks at once and conserve
screen space.
In This Chapter
Arranging Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Arranging Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Nudge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Working with Partial Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Markers and the Snap Grid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Working with Linked Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Splitting and Combining Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Take Management and Comping Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Clip Muting and Isolating (Clip Soloing) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Track Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Adding Effects in the Track View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Changing Tempos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Undo, Redo, and the Undo History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
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