Yamaha LS9 Editor Owner'S Manual Download Page 234

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Effects Parameters

234

LS9-16/32 Owner’s Manual

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MOD. DELAY

One input, two output basic repeat delay with modulation.

■

DELAY LCR

One input, two output 3-tap delay (left, center, right).

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ECHO

Two input, two output stereo delay with crossed feedback
loop.

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CHORUS

Two input, two output chorus effect.

Parameter

Range

Description

DELAY

0.0–2725.0 ms

Delay time

FB. GAIN

–99 to +99%

Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feedback)

HI. RATIO

0.1–1.0

High-frequency feedback ratio

FREQ.

0.05–40.00 Hz

Modulation speed

DEPTH

0–100%

Modulation depth

WAVE

Sine/Tri

Modulation waveform

HPF

THRU, 21.2 Hz–
8.00 kHz

High-pass filter cutoff frequency

LPF

50.0 Hz–16.0 kHz,
THRU

Low-pass filter cutoff frequency

SYNC

OFF/ON

Tempo parameter sync on/off

DLY.NOTE

*1.

(Maximum value depends on the tempo setting)

Used in conjunction with TEMPO
to determine DELAY

MOD.NOTE

*2.

Used in conjunction with TEMPO
to determine FREQ

Parameter

Range

Description

DELAY L

0.0–2730.0 ms

Left channel delay time

DELAY C

0.0–2730.0 ms

Center channel delay time

DELAY R

0.0–2730.0 ms

Right channel delay time

FB. DLY

0.0–2730.0 ms

Feedback delay time

LEVEL L

–100 to +100%

Left channel delay level

LEVEL C

–100 to +100%

Center channel delay level

LEVEL R

–100 to +100%

Right channel delay level

FB. GAIN

–99 to +99%

Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feedback)

HI. RATIO

0.1–1.0

High-frequency feedback ratio

HPF

THRU, 21.2 Hz–
8.00 kHz

High-pass filter cutoff frequency

LPF

50.0 Hz–16.0 kHz,
THRU

Low-pass filter cutoff frequency

SYNC

OFF/ON

Tempo parameter sync on/off

NOTE L

*1.

(Maximum value depends on the tempo setting)

Used in conjunction with TEMPO
to determine DELAY L

NOTE C

Used in conjunction with TEMPO
to determine DELAY C

NOTE R

Used in conjunction with TEMPO
to determine DELAY R

NOTE FB

Used in conjunction with TEMPO
to determine FB. DLY

Parameter

Range

Description

DELAY L

0.0–1350.0 ms

Left channel delay time

DELAY R

0.0–1350.0 ms

Right channel delay time

FB.DLY L

0.0–1350.0 ms

Left channel feedback delay time

FB.DLY R

0.0–1350.0 ms

Right channel feedback delay time

FB. G L

–99 to +99%

Left channel feedback gain (plus
values for normal-phase feedback,
minus values for reverse-phase
feedback)

FB. G R

–99 to +99%

Right channel feedback gain (plus
values for normal-phase feedback,
minus values for reverse-phase
feedback)

→

R FBG

–99 to +99%

Left to right channel feedback
gain (plus values for normal-phase
feedback, minus values for
reverse-phase feedback)

→

L FBG

–99 to +99%

Right to left channel feedback
gain (plus values for normal-phase
feedback, minus values for
reverse-phase feedback)

HI. RATIO

0.1–1.0

High-frequency feedback ratio

HPF

THRU, 21.2 Hz–
8.00 kHz

High-pass filter cutoff frequency

LPF

50.0 Hz–16.0 kHz,
THRU

Low-pass filter cutoff frequency

SYNC

OFF/ON

Tempo parameter sync on/off

NOTE L

*1.

(Maximum value depends on the tempo setting)

Used in conjunction with TEMPO
to determine DELAY L

NOTE R

Used in conjunction with TEMPO
to determine DELAY R

NOTE FBL

Used in conjunction with TEMPO
to determine FB. D L

NOTE FBR

Used in conjunction with TEMPO
to determine FB. D R

Parameter

Range

Description

FREQ.

0.05–40.00 Hz

Modulation speed

AM DEPTH

0–100%

Amplitude modulation depth

PM DEPTH

0–100%

Pitch modulation depth

MOD. DLY

0.0–500.0 ms

Modulation delay time

WAVE

Sine, Tri

Modulation waveform

SYNC

OFF/ON

Tempo parameter sync on/off

NOTE

*1.

Used in conjunction with TEMPO
to determine FREQ.

LSH F

21.2 Hz–8.00 kHz

Low shelving filter frequency

LSH G

–12.0 to +12.0 dB

Low shelving filter gain

EQ F

100 Hz–8.00 kHz

EQ (peaking type) frequency

EQ G

–12.0 to +12.0 dB

EQ (peaking type) gain

EQ Q

10.0–0.10

EQ (peaking type) bandwidth

HSH F

50.0 Hz–16.0 kHz

High shelving filter frequency

HSH G

–12.0 to +12.0 dB

High shelving filter gain

Summary of Contents for LS9 Editor

Page 1: ...Owner s Manual LS9 16 LS9 32 EN ...

Page 2: ... measures do not produce satisfactory results please contact the local retailer authorized to dis tribute this type of product If you can not locate the appro priate retailer please contact Yamaha Corporation of America Electronic Service Division 6600 Orangethorpe Ave Buena Park CA90620 The above statements apply ONLY to those products dis tributed by Yamaha Corporation of America or its subsidia...

Page 3: ...combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to r...

Page 4: ...qualified Yamaha service personnel CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the device or other property These precautions include but are not limited to the following Remove the electric plug from the outlet when the device is not to be used for extended periods of time or during electrical storms When remov...

Page 5: ...er motion Do not use the device or headphones for a long period of time at a high or uncomfortable volume level since this can cause permanent hearing loss If you experience any hearing loss or ringing in the ears consult a physician Do not rest your weight on the device or place heavy objects on it and avoid use excessive force on the buttons switches or connectors This device has a built in back...

Page 6: ...w for input channels 53 Specifying the channel name icon 55 HA head amp settings 57 Sending the signal from an input channel to the STEREO MONO bus 58 Sending the signal from an input channel to a MIX bus 62 Using the SELECTED CHANNEL section 62 Using a popup window 64 Using the faders SENDS ON FADER mode 65 6 Output channel operations 67 Signal flow for output channels 67 Specifying the channel n...

Page 7: ... groups 148 Operating the Cue function 149 15 Talkback Oscillator 151 About talkback and oscillator 151 Using talkback 151 Using the oscillator 153 16 Meters 155 Using the METER screen 155 17 Graphic EQ and effects 157 About the virtual rack 157 Mounting a GEQ or effect in the virtual rack 158 Graphic EQ operations 161 About the graphic EQ 161 Inserting a GEQ in a channel 161 Using the 31 Band GEQ...

Page 8: ... Calibration function 223 Adjusting the input output gain Calibration function 224 Appendices 225 EQ Library List 225 DYNAMICS Library List 227 Dynamics Parameters 229 Effect Type List 232 Effects Parameters 233 Effects and tempo synchronization 244 Scene Memory Effect Library to Program Change Table 245 Parameters that can be assigned to control changes 249 Control change parameter assignments 25...

Page 9: ...nel L C R three channel output using the STEREO MONO channels is also supported Analog feeling operability Simply by pressing a key you can select the combination of channels fader layer to be operated from the top panel faders You can operate the console while quickly switching between input channels and output channels In addition you can also use a custom fader layer that lets you specify any d...

Page 10: ...MPEG 4 AAC Advanced Audio Coding for play back However DRM Digital Rights Management is not supported This function is convenient when you want to record the mix output of a specific bus or if you want to play back a song from the speakers during the sound check Cascade connections in the digital domain A second LS9 console or a digital mixer such as the Yamaha M7CL or PM5D connected via a digital...

Page 11: ...IX channels STEREO MONO channels are identical The LS9 16 and LS9 32 differ in the number of rear panel INPUT jacks OMNI OUT jacks and slots they provide The rear panel of the LS9 16 provides sixteen INPUT jacks eight OMNI OUT jacks and one slot In contrast the rear panel of the LS9 32 provides thirty two INPUT jacks sixteen OMNI OUT jacks two slots and one LAMP connector Differences between the L...

Page 12: ...T IN channels and by switching fader layers you can operate up to 32 INPUT channels monaural and four ST IN channels stereo The LS9 16 provides thirty two channel modules and four ST IN channels By switching fader layers you can operate up to sixty four INPUT channels monaural The four ST IN channels stereo can be operated from either layer 1 32 or 33 64 Top panel Channel modules ST IN channels Ch...

Page 13: ...16 can also be sent to the STEREO bus MONO bus or MATRIX buses When the LS9 is in the initial state these are assigned to the OMNI OUT jacks or the output channels of the slot s MATRIX channels 1 8 These channels process the signals that are sent from MIX channels STEREO channels and MONO channel to the MATRIX buses and send them from the output ports Using the STEREO and MONO buses different comb...

Page 14: ...er to transmit or receive digital audio signals to or from an external device via the LS9 s 2TR IN DIGITAL 2TR OUT DIGITAL jacks or via a digital I O card installed in a slot the word clock must be synchronized between the devices Be aware that if the word clock is not synchro nized the signal will not be sent correctly or there may be unpleasant noise For details on syn chronizing the LS9 s word ...

Page 15: ...ng sections Top panel LS9 16 z Channel module section p 17 c STEREO MASTER section p 18 v USER DEFINED KEYS section p 18 b DISPLAY ACCESS section p 19 n LAYER section p 19 m MIX MATRIX SELECT section p 20 Display p 20 Stereo meter Cue section p 20 0 SELECTED CHANNEL section p 21 1 Data entry section p 22 x ST IN stereo input section p 17 2 USB connector side panel to the right of the display p 22 ...

Page 16: ...SER DEFINED KEYS section p 18 b DISPLAY ACCESS section p 19 n LAYER section p 19 m MIX MATRIX SELECT section p 20 Display p 20 Stereo meter Cue section p 20 0 SELECTED CHANNEL section p 21 1 Data entry section p 22 2 USB connector side panel to the right of the display p 22 x ST IN stereo input section p 17 ...

Page 17: ...e LED light the corresponding channel will be selected for operations in the SELECTED CHANNEL section or in the display In the ST IN section the L channel and R channel will be alternately selected as the target of operations each time you press the SEL key B CUE key This key selects the channel to be cue monitored When cue is on the LED will be lit C Meter LEDs These LEDs indicate the audio signa...

Page 18: ...or as an on off switch for the signal sent from the STEREO channel to the MATRIX buses depending on the LAYER D Fader This adjusts the output level of the STEREO channel In SENDS ON FADER mode this adjusts the level of the MIX MATRIX channels or the send level from the STE REO channel to the MATRIX buses depending on the LAYER v USER DEFINED KEYS section Here you can execute the functions that are...

Page 19: ...GEQ to each vir tual rack H RACK 5 8 key This key accesses a screen where you can edit the graphic EQ or internal effect that is assigned to virtual racks 5 8 and make settings for external head amps By pressing the RACK 1 4 key and RACK 5 8 key simultaneously you can access the VIRTUAL RACK screen where you can assign a graphic EQ 31 Band GEQ or Flex 15 GEQ or internal effect to each virtual rack...

Page 20: ... corresponding to selectable buses will light For MATRIX buses the 9 16 keys will be dark and cannot be selected Display In this display you can view and edit all mix parameters as well as various settings Use the DISPLAY ACCESS section p 19 to select the screen that you want to view Then use the cursor keys of the data entry section p 22 to move the cursor to the desired parameter and use the dia...

Page 21: ...a MATRIX channel is selected The encoder will adjust the send level from the MIX channels to the currently selected MATRIX bus D DYNAMICS 1 encoder When an INPUT ST IN channel is selected The encoder will adjust the threshold of Dynamics 1 e g gate When any other channel is selected The encoder will adjust the threshold of the compres sor etc E DYNAMICS 2 encoder When an INPUT ST IN channel is sel...

Page 22: ... connector side panel to the right of the display This connector lets you connect USB memory 1 USB connector USB memory can be connected here and used to save or load internal data User authentication key data to define the user level can also be saved on USB memory and used to restrict the functionality that is available to each user 1 4 2 3 USB memory format Only USB memory that is 2 GB or less ...

Page 23: ...Rear panel LS9 16 32 Owner s Manual 23 2 Parts and their function Rear panel LS9 16 1 3 2 4 5 6 7 8 K J L M LS9 32 1 4 J K 5 6 7 8 9 2 L M 3 ...

Page 24: ... The nominal output level is 4 dBu C Slots 1 2 Separately sold mini YGDAI I O cards can be installed in these slots to provide additional input output ports The LS9 16 has one slot and the LS9 32 has two slots Each slot can input output a maximum of 16 channels of sig nals LS9 16 LS9 32 Male XLR plug 1 ground 3 cold 2 hot LS9 16 LS9 32 Female XLR plug 1 ground 3 cold 2 hot The nominal output level...

Page 25: ...nal device and the MIDI OUT connector transmits messages from the LS9 These are used mainly for recording LS9 param eter operations or scene library changes on an external device or for remotely operating LS9 parameters I LAMP connector LS9 32 only This is an XLR 4 31 connector that supplies power to a separately sold gooseneck lamp e g Yamaha LA1L The brightness of the lamp can be adjusted in the...

Page 26: ... s Manual 1 PHONES LEVEL control This adjusts the level of the signal that is output from the PHONES OUT jack 2 B PHONES OUT headphone output jack This is a headphone jack for monitoring the MONITOR OUT or CUE signal Front panel 1 2 ...

Page 27: ...n will be assigned to the fad ers SENDS ON FADER mode will be defeated The HOME key will blink if the display is showing any screen other than the SELECTED CH VIEW screen or if SENDS ON FADER mode is active In such cases you will find it convenient to press the HOME key to restore the panel to home position the HOME key will change to steadily lit and then proceed with operations The channel modul...

Page 28: ...hannels LS9 16 LAYER section key LAYER 1 32 LAYER 33 64 LAYER MASTER LAYER CUSTOM FADER INPUT CH 1 16 INPUT CH 33 48 MIX 1 16 INPUT CH 17 32 STEREO ST IN 1 4 ST IN 1 4 STEREO STEREO STEREO Any desired channels INPUT CH 49 64 MATRIX 1 8 MONO Any desired channels LS9 32 On the LS9 16 MATRIX channels and MONO channels are not assigned to the fader layers that are preset If you want to use the top pan...

Page 29: ...t the band you want to control Use the keys of the DISPLAY ACCESS section when you want to use functions other than mix parameters or when you want to change various settings When you press one of the keys in the DISPLAY ACCESS section the corresponding screen will appear in the display If the screen consists of more than one page you can switch between pages by pressing the same key repeatedly Fo...

Page 30: ...This indicates the on off status and input level of ST IN channels 1 4 This shows a gray knob and black index when on or a dark gray knob and black index when off In SENDS ON FADER mode this shows the on off status and send level of the signal sent from ST IN channels 1 4 to the MIX bus When on the knob will be a color corre sponding to the send destination the same type of color as the keys of th...

Page 31: ...ropriate key of the DISPLAY ACCESS section Popup windows Some windows show lists or details of specific parameters in the screen These are called popup windows By operating the knobs and buttons in a popup window you can edit more detailed parameters In some popup windows there are several buttons called tool buttons in the upper part of the window You can use these tool but tons to recall or copy...

Page 32: ...e used to view or edit the values of the corresponding parameters Normally you will move the cursor to a knob and use the dial or DEC INC keys of the data entry section to edit the value The current value is shown in numerical form immediately below the knob Some knobs will move in tandem with the encoders of the SELECTED CHANNEL section Faders in the screen are mainly used to view or edit the lev...

Page 33: ...irmation is required Move the cursor to the OK button to execute the operation or to the CANCEL button to cancel it and press the ENTER key ATTENTION dialog box This dialog box will display a warning when a prob lem has occurred with the operation you are attempt ing to execute If you move the cursor to the OK button and press the ENTER key the operation will be executed in a way that circumvents ...

Page 34: ... memory PASTE button Inserts the text string copied using the COPY button at the location of the text cursor CLEAR button Erases all characters that were entered in the text input box buttons Moves the text cursor forward or backward in the text input box INS button Inserts a space blank at the text cursor DEL button Deletes the character to the right of the text cursor BS button Deletes the chara...

Page 35: ...ttings held in buffer memory into the currently selected channel EQ dynamics or rack GEQ effect E COMPARE button This button exchanges the settings held in buffer memory with the settings of the currently selected channel EQ dynamics or rack GEQ effect In addition some screens have the following tool buttons SET ALL Turns on all of the parameters in the screen CLEAR ALL Turns off all of the parame...

Page 36: ...recalls the settings selected in the list into the currently selected channel EQ dynamics or rack GEQ effect 4 Move the cursor to the list and select the recall source library number by using the dial or the DEC INC keys to move the highlighted line in the list In some cases the data selected as the recall source cannot be recalled into the currently selected channel rack Each library has the foll...

Page 37: ...ected the store destination move the cursor to the STORE button and press the ENTER key The LIBRARY STORE popup window will appear allowing you to assign a name to the data For details on entering text refer to Assigning a name p 34 6 When you ve assigned a name to the data move the cursor to the STORE button in the LIBRARY STORE popup window and press the ENTER key A dialog box will ask you to co...

Page 38: ... CANCEL button instead of the OK button and press the ENTER key Here s how you can return the EQ dynamics settings of the currently selected channel or the effect settings of a rack to their initial state 1 Access a popup window or screen that con tains tool buttons 2 Select the channel EQ dynamics or rack effect whose settings you want to initial ize 3 Move the cursor to the DEF button and press ...

Page 39: ...nnel EQ dynamics or the rack GEQ effect you selected in step 2 will be pasted By using the compare button in the toolbar you can exchange the settings held in the buffer memory with the settings of the currently selected channel EQ dynamics or rack GEQ effect This is convenient when you want to temporarily save an interim result of your editing and then compare it with subsequent edits 1 Access a ...

Page 40: ...ime you press the ENTER key the current set tings will be exchanged with the settings saved in buffer memory Unlike the Paste operation this opera tion lets you return to the previous settings at any time as long as the buffer memory has not been overwritten The first set Edit the settings The second set The first set Buffer memory The first set Buffer memory The first set Buffer memory The second...

Page 41: ...32 When the LS9 is in its initial state the signal from each INPUT jack is patched to the following channels Connections LS9 16 LS9 32 For the LS9 16 Analog input jacks Input channels INPUT jacks 1 16 INPUT channels 1 16 For the LS9 32 Analog input jacks Input channels INPUT jacks 1 32 INPUT channels 1 32 This patching can be changed as necessary p 99 For example if you want to connect a stereo li...

Page 42: ...he following channels is patched to each OMNI OUT jack This patching can be changed as necessary p 95 Monitor speakers Power amp Power amp Power amp Monitor speakers foldback Main speakers LS9 16 For the LS9 16 Analog output jacks Output channels OMNI OUT jacks 1 6 MIX channels 1 6 OMNI OUT jacks 7 8 STEREO L R channel For the LS9 32 Analog output jacks Output channels OMNI OUT jacks 1 14 MIX chan...

Page 43: ...w yamahaproaudio com e g CD recorder Digital I O card Speaker processor e g Yamaha DME64N Main speakers Power amp LS9 16 For the LS9 16 Digital input output jacks Input output channels 2TR IN DIGITAL jack L R No assignment 2TR OUT DIGITAL jack L R STEREO L R channel Slot input channels 1 8 INPUT channels 17 24 Slot input channels 9 16 INPUT channels 25 32 Slot output channels 1 8 MIX channels 1 8 ...

Page 44: ...over Keep the removed slot cover in a safe place 3 Align both edges of the card with the guide rails inside the slot and insert the card into the slot Push the card all the way into the slot to ensure that the contacts of the card are correctly inserted into the con nector inside the slot 4 Fasten the card using the screws attached to the card Be aware that damage or malfunctions may occur if the ...

Page 45: ...u can recall or store scene memories 1 Scene list B RECALL button 3 Move the cursor to the scene list and use the dial or the DEC INC keys to make 000 Initial Data appear in the highlighted line in the center of the list 4 Move the cursor to the RECALL button and press the ENTER key Scene number 000 will be loaded and the mix parameters will return to their initial state Setup required when starti...

Page 46: ...eceived from a digital I O card or provide dedicated word clock to the WORD CLOCK IN jack located on the rear panel In either case you must use the following procedure to specify the word clock source that the LS9 will use for operation 1 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the SYS TEM SETUP screen In this screen you can make various settings that affect the enti...

Page 47: ...or instrument When setting HA related parameters on the LS9 you can either use the SELECTED CHANNEL section or the SELECTED CH VIEW screen in the display to make set tings for a single channel at a time or use the popup win dow to make settings for eight channels at a time Making HA settings for one channel at a time Select the channel that you want to set and use the SELECTED CHANNEL section or t...

Page 48: ...ndow will show the value Using the SELECTED CH VIEW screen Use the cursor keys of the DATA ENTRY section to move the cursor to the GAIN knob in the screen and use the dial or the DEC INC keys to adjust the HA gain In either case the level of that channel is shown by the meter LEDs in the channel module section If the meter does not move even though a signal is being input check whether the INPUT j...

Page 49: ...ob in the screen 6 To turn on phantom power for each chan nel move the cursor to the 48V button in the HA field of the screen and press the ENTER key The 48V button will turn on red and phantom power will be supplied to the corresponding INPUT jack 7 To switch the phase of each channel between normal and reverse phase move the cursor to the ø button in the HA field and press the ENTER key The ø bu...

Page 50: ...l faders encoders the SELECTED CHANNEL section and the SELECTED CH VIEW screen of the display to control the level and pan balance 1 Press the SELECTED CHANNEL section HOME key The SELECTED CH VIEW screen will appear in the display 1 ST button B PAN BAL knob 2 Use the keys of the LAYER section and the SEL keys of the channel module section to select the channel for the INPUT jack you want to contr...

Page 51: ...esult by moving the cursor to the PAN BAL knob and oper ating the dial or the DEC INC keys 8 To control another channel use the SEL keys to select another channel and make settings in the same way Controlling the signal sent to the STE REO bus eight channels at a time Here s how to access a popup window in which the level and pan balance of the signal sent to the STEREO bus can be adjusted for eig...

Page 52: ...he window and operate the dial or the DEC INC keys 7 In the channel module section or the ST IN section make sure that the ON key of the channel you want to operate is turned on 8 Raise the fader encoder of each channel to obtain an appropriate volume 9 If you want to operate a channel that is not currently shown in the popup window use the SEL key to select that channel and then make settings for...

Page 53: ...GR METER Keyin Filter PRE HPF PRE EQ PRE FADER PRE FADER INSERT PRE FADER INSERT OUT PRE FADER LEVEL FIXED To MIX FIXED STEREO To MIX VARI To MIX VARI STEREO POST ON POST PAN L POST PAN R PRE EQ PRE FADER POST ON PRE EQ PRE FADER POST ON PRE FADER PFL POST ON AFL POST PAN L PRE FADER PFL POST ON AFL POST PAN R ON POST ON POST ON LEVEL LEVEL LEVEL PAN DIRECT OUT 1 32 64 LR MONO POST PAN L POST PAN ...

Page 54: ... stereo LCR Left Center Right This sends the signal of the input channel to the STEREO bus MONO bus as a three channel signal that adds a C Center channel to the L R channels TO MIX ON OFF MIX MIX send on off This is an on off switch for the signal sent from the input channel to MIX buses 1 16 There are two types of MIX buses FIXED types whose send level is fixed and VARI types whose send level ca...

Page 55: ... appear allowing you to select an input port and icon for the input channel and to assign a name This popup window contains the following items 1 Input port button This indicates the currently selected input port When you re selecting the icon or editing the channel name moving the cursor to this button and pressing the ENTER key will take you back to the input port selection screen B Icon button ...

Page 56: ...ple name will be entered in the channel name field in the upper part of the window 8 If you want to enter a channel name directly or edit the previously entered sample name move the cursor to the channel name field in the upper part of the window and press the ENTER key The keyboard window will appear in the lower part of the window allowing you to enter or edit the text For details on using the k...

Page 57: ...he channel is shown by the level meter located immediately to the right of the GAIN knob in the screen 7 To turn on phantom power move the cursor to the 48V button of the desired channel in the window and press the ENTER key The 48V button will turn on red and phantom power will be supplied to the corresponding INPUT jack HA head amp settings 1 2 1 2 3 If you ve turned on POPUP APPEARS WHEN PRESSI...

Page 58: ...f independently The panning of the signal sent from an INPUT channel to the STEREO bus L R can be operated by the SELECTED CHANNEL section PAN encoder or by the TO ST PAN knob in the screen The signal sent to the MONO bus is not affected by this encoder or knob The volume balance of the signal sent from a ST IN channel to the STEREO bus left and right can be operated by the SELECTED CHANNEL sectio...

Page 59: ... sets of eight channels and change the on off status and pan balance settings of the signals sent from those channels to the STEREO MONO bus This popup window shows the parameters for the eight channels that include the channel you selected in step 4 This popup window contains the following items 1 Channel number Channel name This indicates the number and name of the channel you re operating B MOD...

Page 60: ...der layer and operate the ON key and fader of channel module 32 11In the top panel channel module section or ST IN section make sure that the ON key is turned on for the input channel you want to operate and raise the fader encoder to an appropriate position For a channel set to ST MONO mode 12Use the ST button and MONO button in the TO STEREO MONO popup window as on off switches for the signal se...

Page 61: ... window use the SEL key to select that channel and then make settings for it For example if INPUT channels 1 8 are shown in the popup window pressing the INPUT channel 9 SEL key will change the popup window to INPUT channels 9 16 16When you ve finished making settings move the cursor to the CLOSE button or the symbol in the upper right of the win dow and press the ENTER key C L R TO ST PAN knob Si...

Page 62: ...els to a specific MIX bus Here s how to use the SELECTED CHANNEL section SELECTED SEND encoder to adjust the level of the signals sent from a specific input channel to each MIX bus 1 Make sure that an output port is assigned to the MIX bus to which you re sending the signal and that a monitor system or exter nal effect processor etc is connected to the corresponding output port Refer to p 95 for d...

Page 63: ...l that is sent from the INPUT channel to the two MIX buses If the right key is lit Use the SELECTED SEND encoder to adjust the send level shared by the two MIX buses 6 To switch the on off status of a signal sent to a VARI type MIX bus move the cursor to the TO MIX LEVEL knob in the screen and press the ENTER key to accsess the MIX SEND popup window If you switch this off the knob will turn grey 7...

Page 64: ...a VARI type MIX bus 1 Channel number Channel name This indicates the number and name of the send source channel B PRE button This switches the position from which the signal is sent from the send source channel to the currently selected MIX bus If this button is on the pre EQ or pre fader signal will be sent if this button is off the signal from immediately after the ON key will be sent C TO MIX O...

Page 65: ...n the screen and press the ENTER key If the send destination MIX bus is set to stereo opera tion of the adjacent left right pair of buttons is linked 9 If you want to operate a channel that is not currently shown in the popup window use the SEL key to select that channel and then make settings for it 10If you want to adjust the send level to another MIX bus use the keys of the MIX MATRIX SELECT se...

Page 66: ...tep 3 use the faders of the channel module section and the encoders of the ST IN sec tion to adjust the send level from the chan nels to the MIX bus you selected in step 3 As necessary switch fader layers to the layer that con tains the desired send source input channels 6 To switch the on off status of a signal sent to a VARI FIXED type MIX bus press the top panel ON key If the send destination M...

Page 67: ...MNI OUT jacks or the output channels of the slot s Signal flow for output channels 1 2 15 16 ST L R MATRIX CUE ON ON ON PAN ON MIX M O N O C 1 2 7 8 L R MIX 1 16 To RACKIN PATCH To OUTPUT PATCH INSERT OUT 1 16 MIX INSERT IN 1 16 MIX INSERT POINT PRE FADER PRE EQ INSERT OUT INSERT OUT PRE EQ METER INSERT PRE EQ INSERT OUT PRE EQ POST EQ EQ OUT METER DYNA OUT METER PRE FADER METER INSERT PRE FADER I...

Page 68: ...els STEREO L R channel or MONO C channel to each MATRIX bus 1 8 As the position from which the signal is sent to the MATRIX bus you can choose either pre fader or after the ON key 1 2 15 16 ST L R MATRIX CUE ON ON ON To OUTPUT PATCH To MONITOR SELECT To RECORDER IN PATCH ON To OUTPUT PATCH To RECORDER IN PATCH MIX M O N O C 1 2 7 8 L R STEREO L R MONO C To RACKIN PATCH To OUTPUT PATCH STEREO INSER...

Page 69: ...nnel name and icon for each output channel 1 Press the SELECTED CHANNEL section HOME key The SELECTED CH VIEW screen will appear in the display 2 Use the LAYER section to select the fader layer that contains the desired output chan nel 3 Press a SEL key in the channel module section or ST IN section to select the output channel that you want to operate 1 PATCH field B Output port select popup butt...

Page 70: ... color select buttons to select the icon you want to use for that channel The selected icon is shown in the icon button in the upper part of the window 7 If desired use the sample name select but tons to select a sample name The selected sample name will be entered in the channel name field in the upper part of the window 8 If you want to enter a channel name directly or edit the previously entere...

Page 71: ...nals sent from the same MIX channel to the STEREO bus and to the MONO bus can be switched on off together The CSR Center Side Ratio knob in the screen adjusts the proportion of the signal level sent from the MIX channel to the STEREO L R bus and the level sent to the MONO C bus The level of the signal sent from the MIX channel to the STEREO L R bus and the MONO C bus will change according to the s...

Page 72: ...dividual on off switches for the signal sent from that MIX channel to the STEREO bus and MONO bus E TO ST PAN TO ST BALANCE knob For monaural MIX channels this acts as the PAN knob that adjusts the left right panning of the signal sent to the STEREO bus For stereo MIX channels this acts as the BALANCE knob that adjusts the volume of the left and right sig nals sent to the STEREO bus Move the curso...

Page 73: ... channel to the STEREO bus and MONO bus For a MIX channel that is set to LCR mode the signal sent to the STEREO bus and MONO bus can be switched on off in a single operation 12Use the CSR knob in theTO STEREO MONO popup window to adjust the proportion between the signal level sent from that MIX channel to the STEREO L R bus and the signal level sent to the MONO C bus 13Use the TO ST PAN knob in th...

Page 74: ... then make settings for it For example if MIX channels 1 8 are shown in the popup window pressing the MIX channel 9 SEL key will change the popup window to MIX channels 9 16 15When you ve finished making settings move the cursor to the CLOSE button or the symbol in the upper right of the win dow and press the ENTER key C L R PAN knob Signal sent to the MONO C bus Signal sent to the STEREO L bus Si...

Page 75: ...desired MIX STEREO L R or MONO channel to all MATRIX buses or control the signals sent from all MIX channels to a specific MATRIX bus Controlling the signals sent from a MIX STEREO L R or MONO channel to all MATRIX buses 1 Press the SELECTED CHANNEL section HOME key The SELECTED CH VIEW screen will appear in the display 1 TO MATRIX field If a MIX STEREO L R or MONO channel is selected this area of...

Page 76: ...me way Controlling the signals sent from MIX STE REO L R or MONO channels to a specific MATRIX bus 1 Press the SELECTED CHANNEL section HOME key The SELECTED CH VIEW screen will appear in the display 2 Use the LAYER section keys and the SEL keys of the channel module section to select the send destination MATRIX chan nel The SELECTED CH VIEW screen will change as fol lows 1 FROM MIX field If a MAT...

Page 77: ...se the MIX MATRIX SELECT section keys to select the send destination MATRIX bus Only the LED of the corresponding key will blink indicating that it is selected as the send destination 4 Move the cursor to the SEND popup button in the screen and press the ENTER key to access the MATRIX SEND popup window In the MATRIX SEND popup window you can view eight MIX channels or the STEREO L R and MONO chann...

Page 78: ... to select that channel and then make settings for it 9 If you want to adjust the send level to another MATRIX bus use the keys of the MIX MATRIX SELECT section to select another MATRIX bus and make settings in the same way 10When you ve finished making settings move the cursor to the CLOSE button or the symbol in the upper right of the win dow and press the ENTER key Here s how to use the top pan...

Page 79: ...er layers to access the layer that contains the desired send source channel 6 To switch the on off status of a signal sent to the MATRIX bus press the top panel ON key If the send destination MATRIX bus is set to stereo on off operations will be linked for the signal sent to the two adjacent odd numbered even numbered MATRIX buses 7 Repeat steps 3 6 to adjust the send level and switch the on off s...

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Page 81: ...ted channel Operations in this section will affect the channel that is currently selected by its SEL key You can use the encoders and keys on the panel to control mix parameters such as head amp gain EQ settings the threshold setting of the dynamics processors pan balance settings and send levels to the MIX MATRIX buses For a ST IN channel or STEREO channel either the L or the R channel is selecte...

Page 82: ...bus Here you can also view or edit the panning of the signal sent to the STEREO bus When a ST IN channel or a stereo MIX channel is selected This functions as an on off switch for the signal sent from that channel to the STEREO MONO bus This also lets you view or edit the balance of the left right signals sent from that channel to the STEREO bus When a stereo MATRIX channel is selected This shows ...

Page 83: ...number B Channel name Even if a screen other than the SELECTED CH VIEW screen is selected the encoders of the SELECTED CHANNEL section always affect the currently selected channel When you operate an encoder a small popup window indicating the value of that parameter will appear in the screen 4 Use the encoders of the SELECTED CHAN NEL section and the buttons and knobs in the SELECTED CH VIEW scre...

Page 84: ...f To adjust the send level to a MIX bus MATRIX bus use the keys of the MIX MATRIX SELECT section to select the send destination bus and use the SELECTED CHAN NEL section SELECTED SEND encoder Alternatively move the cursor to the TO MIX LEVEL TO MATRIX LEVEL knob in the screen and operate the dial or the DEC INC keys If desired you can use the TO MIX ON OFF buttons to switch the signal sent to each...

Page 85: ...etween normal phase and reverse phase The phase is reversed when the button is on and normal when the but ton is off E OVER indicator This will light when the input signal from the HA reaches the overload point F GAIN knob This indicates the amount of gain for the head amp assigned to that channel To adjust the gain value use the SELECTED CHANNEL section HA GAIN encoder Alternatively move the cur ...

Page 86: ...us and MONO C bus D LCR button If an INPUT ST IN or MIX channel is set to LCR mode the LCR button is displayed in location 3 The LCR but ton is an overall on off switch for the signals sent from the channel to the STEREO bus and MONO bus To adjust the pan balance of each channel use the ST MONO button or the LCR button to select the send desti nation bus and operate the SELECTED CHANNEL sec tion P...

Page 87: ... field and press the ENTER key to access the DYNAMICS 1 DYNAMICS 2 popup window For details on the popup window p 117 Making HPF EQ settings To operate the HPF EQ of the currently selected channel use the SELECTED CHANNEL section EQ encoders and the EQ field of the SELECTED CH VIEW screen The EQ field of the SELECTED CH VIEW screen con tains the following items 1 EQ popup button This button access...

Page 88: ...dow For details on the popup window p 103 When you ve assigned an output port to direct output in the popup window turn on the DIRECT OUT ON OFF button Setting a channel to Recall Safe In the SELECTED CH VIEW screen use the SAFE field to set the currently selected channel to the Recall Safe sta tus in which that channel will not be affected by Recall operations This field includes the following it...

Page 89: ...t includes the corresponding channel is recalled to the top panel the corresponding ON key and fader will be linked with these operations Assigning a channel to a mute group In the SELECTED CH VIEW screen use the MUTE field to assign a channel to a mute group a group that allows multiple channels to be muted unmuted simultaneously This field includes the following items 1 MUTE popup button This ac...

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Page 91: ...ween these fader layers you are changing the channels that will be controlled by the faders encoders ON keys and SEL keys of the channel module section and ST IN channel section Use the keys of the LAYER section to switch fader layers About the custom fader layer Fader layer 1 16 1 32 Fader layer 17 32 33 64 Master fader layer Custom fader layer LS9 16 LS9 32 Fader layer 1 16 Fader layer 17 32 Mas...

Page 92: ...te the send level from an INPUT channel to a specific MIX bus at the same time that you adjust the master level of that MIX bus itself To assign the desired channels to the custom fader layer proceed as follows 1 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen 1 CUSTOM FADER LAYER popup button 2 Move the cursor to the CUSTOM FADER LAYER popup button in ...

Page 93: ...erate the L and R channels together The L and R channels will be selected alter nately each time you press the SEL key The meter LEDs will indicate the signal level of the L or R channel whichever level is greater If you select one of a pair of MIX MATRIX channels set to stereo in the channel module select field the channel module will operate as follows The fader and ON key will operate the two M...

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Page 95: ...tton Changing the output patching For the LS9 16 Output port jack internal port Output channels OMNI OUT jacks 1 6 MIX channels 1 6 OMNI OUT jacks 7 8 STEREO L R channel Slot output channels 1 8 MIX channels 1 8 Slot output channels 9 16 MIX channels 9 16 Rack inputs 5A L 6A L 7A L 8A L MIX channels 13 16 2TR OUT DIGITAL jack L R STEREO L R channel USB memory recorder input L R STEREO L R channel ...

Page 96: ...n you want to send the signal of an output channel to the input of a GEQ or effect REC IN Shows the input of the USB memory recorder Use this when you want to send the signal of an output channel to the input of the USB memory recorder B Port select button This selects the output port that is assigned to the cor responding channel C Level indicator This indicates the state of the port s signal usi...

Page 97: ...ports When you move the cursor to this button and press the ENTER key a dialog box will ask you to confirm the Initialize operation B I O card type If the output channel of a slot is selected for opera tions this area indicates the type of I O card installed in that slot C DELAY SCALE field Use the following buttons to select the units for the delay time displayed below the delay time setting knob...

Page 98: ...e following channels OUT CH Output channels MIX channels 1 16 MATRIX channels 1 8 STEREO L R channel and MONO C channel will be shown MONITOR OUT The MONITOR OUT L R C channels will be shown CH 1 32 1 32 33 64 INPUT channels 1 32 1 64 will be shown B Channel select button This selects the channel that is assigned to the output port 4 Use the category tabs and the channel select buttons to select t...

Page 99: ...This indicates the amount of gain for the head amp assigned to that channel Move the cursor to the knob and use the dial or the DEC INC keys to adjust the setting The level meter located immediately to the right of the knob shows the input level of the corre sponding port F ø phase button This button switches the head amp assigned to that channel between normal phase black and reverse phase orange...

Page 100: ...the output of a GEQ or effect to an input channel 2TR IN PB OUT Shows the 2TR IN DIGITAL jack and the USB memory recorder s output Use this when you want to send the input signal from the 2TR IN DIGITAL jack or the output signal of the USB memory recorder to an input channel B Port select button This selects the input port that is assigned to the chan nel 4 Use the category tabs and the port selec...

Page 101: ... window will appear In this popup window you can view the insert input output port change the insert position and switches the insert on off in groups of eight channels 1 Channel block diagram This shows the direct output position only for INPUT channels and the position of the insert connection for the selected channel B Channel number This is the channel number C Channel name This is the channel...

Page 102: ... press the ENTER key to return to the pre vious screen 7 Move the cursor to the input port select popup button and press the ENTER key The INPUT PORT SELECT popup window will appear allowing you to select the input port that will be patched to insert in 1 Category tab These tabs select the input ports that are shown in the popup window Each tab corresponds to the following input ports SLOT 1 2 Sho...

Page 103: ...annels 1 Channel block diagram This shows the direct output point for the selected channel B Channel number This is the channel number C Channel name This is the channel name D Direct out point select box This selects the point from which the signal will be directly output Move the cursor to this box and use the dial or the DEC INC keys to switch between PRE HPF immediately before the high pass fi...

Page 104: ... tabs and the port select buttons to select the port that will be the direct output 6 Move the cursor to the CLOSE button and press the ENTER key to return to the pre vious screen 7 Move the cursor to the direct out point select box and use the dial or the DEC INC keys to select the direct out point You can choose PRE HPF immediately before the high pass filter PRE EQ immediately before the EQ or ...

Page 105: ... MPEG 4 AAC files However DRM Digital Rights Management is not supported By using the USB memory recorder the output from the STEREO bus or a MIX bus can be recorded to USB memory or background music or sound effects saved in USB memory can be played back via an assigned input channel Signal flow for the USB memory recorder About the USB memory recorder MIX 1 16 MATRIX 1 8 STEREO L R MONO INPUT 1 ...

Page 106: ...the knob D Input level meter This level meter indicates the level of the signal being input to the recorder E INPUT CUE button This button cue monitors the signal that is being input to the recorder Move the cursor to the button and press the ENTER key to turn cue on off F PLAYBACK OUT field Here you can make settings for the recorder outputs G PLAYBACK OUT popup buttons L R These buttons access t...

Page 107: ... The OUTPUT CH SELECT popup window will appear 1 Category tabs These tabs select the type of channels shown in the lower part of the window CH 1 32 1 32 33 64 INPUT channels 1 32 1 32 33 64 will be shown ST IN L R channels of ST IN channels 1 4 will be shown B Channel select buttons Select the channels that will be patched to the USB memory recorder s outputs from the following choices CH 1 32 1 6...

Page 108: ... will be created automatically in the root direc tory of the USB memory The files created by recording operations will be saved in the above SONGS folder or in the currently selected folder below that level For playback as well you will only be able to play back audio files that are saved in the SONGS folder or in the currently selected folder below that level USB memory folder structure 3 Assign ...

Page 109: ...this button and press the ENTER key during recording Recording will pause D FF button When you move the cursor to this button and press and immediately release the ENTER key You will move to the beginning of the next song in the title list When you move the cursor to this button and press and hold the ENTER key for two seconds or longer The song will be fast forwarded In either of the above cases ...

Page 110: ...e ENTER key the check mark will alternately appear or disappear D Status This field shows a symbol to indicate whether the cur rently selected file is playing or paused E SONG TITLE FILE NAME This field shows the title or file name of the song If the title is too long to be displayed a character is shown at the end F ARTIST This field shows the artist of the song If the artist name is too long to ...

Page 111: ...ay once and then stop 6 If you selected a consecutive playback mode in step 5 move the cursor to the play back selection check field for each song you want to play and press the ENTER key When performing consecutive playback the files with a check mark will be played 7 Move the cursor to the PLAY PAUSE button and press the ENTER key The song you selected in step 4 will begin playing 8 To stop play...

Page 112: ... want to edit the artist name move the cursor to the ARTIST EDIT button then press the ENTER key A popup window will appear allowing you to edit the text 5 Edit the title or artist name A maximum of 128 single byte characters 64 double byte characters can be input for both the title and for the artist name For details on entering characters p 34 If the text cannot be shown completely in the input ...

Page 113: ...INK This indicates whether linking from the scene to an audio file is enabled The PLAY indicator is shown if linking is enabled If the PLAY indicator is off even though a file is selected the audio file will not play when scene recall occurs G SONG TITLE FILE NAME field This shows the title or file name of the audio file H OFFSET Offset time This shows the time from the recall operation until the ...

Page 114: ...cify an offset time before the audio file will play back You can specify the offset time in a range of 0 99 sec onds in 0 5 second units 7 Move the cursor to the OK button and press the ENTER key The popup window will close and you will return to the SCENE PLAYBACK LINK screen The title or file name of the file you selected will be displayed in the center of the song list Alternatively if you sele...

Page 115: ...or expander compander hard or compander soft This section explains the four band EQ that is provided on input channels and output channels 1 Press the SELECTED CHANNEL section HOME key The SELECTED CH VIEW screen will appear in the display 1 EQ popup button 2 Use the LAYER section to select the desired fader layer 3 Press a SEL key in the channel module section STEREO MASTER section or ST IN secti...

Page 116: ... The cutoff frequency can be adjusted in a range of 20 600 Hz G EQ ON OFF button This switches the EQ on off H LOW shelving button If this button is on the LOW band EQ will switch to a shelving type In this case the LOW band Q knob will not be shown I Q FREQ GAIN knobs For each of the LOW LOW MID HIGH MID and HIGH bands these knobs adjust the Q steepness FREQ center frequency and GAIN amount of bo...

Page 117: ...nel that you want to operate 4 In the screen move the cursor to the DYNA1 DYNA2 popup button or any knob in the DYNA1 DYNA2 field and press the ENTER key The DYNAMICS 1 DYNAMICS 2 popup window will appear In this popup window you can view and edit all dynamics parameters of the currently selected channel Output channels do not provide a high pass filter that is inde pendent of the EQ However by tu...

Page 118: ...PF high pass filter BPF band pass filter or LPF low pass filter then press the ENTER key If you select in the FILTER box no filter will be applied I KEY IN CUE GATE and DUCKING only This button lets you cue monitor the currently selected key in signal 5 To turn dynamics on off move the cursor to the DYNAMICS ON OFF button and press the ENTER key If you want to make settings in the DYNAMICS 1 DYNAM...

Page 119: ...of the currently selected input channel SELF POST EQ The signal immediately after the EQ of the currently selected input chan nel CH 1 32 64 POST EQ STIN1L 1R 4L 4R POST EQ The signal immediately after the EQ of the corresponding input channel 1 MIX OUT 13 16 The signal immediately after the ON of the corresponding MIX channel For an output channel SELF PRE EQ The signal immediately before the EQ ...

Page 120: ...ll differ between dynamics 1 and dynamics 2 for input channels and dynamics 1 for output channels You can t recall a type that cannot be used To access the dynamics library move the cursor to the LIB tool button in the DYNAMICS 1 DYNAMICS 2 popup window and press the ENTER key For details on library operations refer to Using libraries p 35 Using the EQ Dynamics libraries EQ library LIB button For ...

Page 121: ...creen of the CHANNEL JOB screens to assign channels to each mute group or switch muting on off You can also use the SELECTED CH VIEW screen to specify the mute group s to which the currently selected channel belongs In the MUTE GROUP screen of the CHANNEL JOB screens you can select a specific mute group and specify the channels that belong to that mute group You can also switch each mute group on ...

Page 122: ...make it go dark 4 Assign channels to other mute groups in the same way 5 To mute the channels assigned to a mute group move the cursor to the MUTE GROUP MASTER 1 8 button for the desired mute group and press the ENTER key multiple selections are allowed The selected MUTE GROUP MASTER button will light and all channels belonging to that mute group will be muted At this time the ON key of the muted ...

Page 123: ... are allowed 4 Select the mute group s for other channels in the same way If necessary specific channels registered to a mute group can be temporarily excluded from mute group operations Mute Safe 1 In the DISPLAY ACCESS section press the CHANNEL JOB key repeatedly to access the MUTE GROUP screen of the CHANNEL JOB screens 1 Channel display field When the SAFE button is on channels that are tempo ...

Page 124: ...RAMETER field Use the buttons in this field to select the parameters that you want to be linked These settings are shared by all link groups C SEND PARAMETER field If you have turned on the MIX ON or MIX SEND but tons in the LINK PARAMETER field use the buttons of this field to specify the send destination bus es 2 Use the buttons of the LINK PARAMETER field to select the parameter s that will be ...

Page 125: ...channel assigned to the link group If the channel that you want to un link is in the same fader layer as another channel in that link group Hold down any SEL key registered in the link group and select the SEL key of the channel that you want to un link If no other channel in that link group is in the same fader layer as the channel you want to un link Use the cursor keys to move the white frame o...

Page 126: ...END button On off status and send level settings of the send signals sent to the copy source channel F COPY button Executes the copy 2 To select the copy source channel press the corresponding SEL key to make it light The corresponding channel is highlighted in the SOURCE CH field of the window When you choose the copy source channel the DES TINATION CHs field is automatically emboldened allowing ...

Page 127: ...CH field of the window When you select the move source channel the DES TINATION CH field will automatically be embold ened allowing you to select the move destination If you want to re select the move source channel move the cursor to the CLEAR SOURCE button and press the ENTER key 3 To select the move destination channel press the corresponding SEL key to make it light The corresponding channel i...

Page 128: ... TARGET CHs field C CLEAR button Executes the initialization 2 To select the channel s to be initialized press the corresponding SEL key to make it light multiple selections are allowed The corresponding channel s is are highlighted in the TARGET CHs field of the window If you want to de select all channels move the cursor to the CLEAR TARGET button and press the ENTER key 3 To execute the Initial...

Page 129: ...ory use the SCENE MEMORY screen 1 Use the various controllers of the top panel or the buttons in the display to set the mix parameters as desired The number and title of the currently selected scene are shown in the center of the constant display area About scene memories Input output port patching Bus settings Head amp settings EQ settings Dynamics 1 and 2 settings Rack GEQ effect settings Pan ba...

Page 130: ...store destination scene number 4 Move the cursor to the STORE button and press the ENTER key The SCENE STORE popup window will appear allowing you to assign a title to the scene 1 SCENE TITLE field This field lets you enter a title for the scene a maxi mum of sixteen characters 5 Assign a title to the scene as desired For details on entering text refer to Assigning a name p 34 6 Move the cursor to...

Page 131: ...ss the SCENE LIST screen 1 Scene list This list shows the scenes that are stored in scene memory The row highlighted in blue indicates that this scene number is selected for operations B RECALL button This recalls the scene that is currently selected in the scene list C RECALL UNDO button This button cancels Undo or re executes Redo the most recently performed scene Recall operation 2 Make sure th...

Page 132: ...cene of the number that precedes the cur rently loaded scene DIRECT RECALL Allows you to directly specify a certain scene number and recall that scene To assign one of these functions to a user defined key so that a scene can be recalled in a single keystroke proceed as follows 1 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen You have the option of mak...

Page 133: ...ou will proceed as follows depending on the function you want to assign To assign INC RECALL or DEC RECALL Move the cursor to the PARAMETER 1 column and use the dial or the DEC INC keys to select INC RECALL or DEC RECALL To assign DIRECT RECALL Move the cursor to the PARAMETER 1 column use the dial or the DEC INC keys to choose DIRECT RECALL and then choose SCENE xxx xxx is the scene number in the...

Page 134: ...Tool buttons Use these buttons to perform operations such as Copy and Paste on the scenes stored in scene memory For details refer to Scene memory editing p 136 G STATUS field This field indicates the status of each scene For scenes for which something other than the ALL button is selected in the Focus function p 139 for scenes in which the Fade function is enabled p 143 and for scenes for which t...

Page 135: ...you press the ENTER key the indication will alternate between the protect lock symbol R read only symbol and no symbol Protect lock symbol The scene cannot be overwritten R read only symbol In addition to the protection described above it will also be impossible to overwrite the scene by loading a file from USB memory etc This setting can be selected only for consecutive scene numbers from scene n...

Page 136: ...ly executed scene editing operation If you ve accidentally cleared an important scene you can press this key to return to the state prior to editing the scene 2 Perform the desired editing operations For details on the procedure refer to the explanations that follow Here s how to copy a scene into buffer memory and then paste it to a different scene number 1 In the DISPLAY ACCESS section press the...

Page 137: ...an the constant display area and use the dial or the DEC INC keys to select the scene number that you want to clear 3 Move the cursor to the CLEAR button and press the ENTER key A dialog box will ask you to confirm the Clear opera tion 4 To execute the Clear operation move the cursor to the OK button and press the ENTER key The scene number you selected in step 2 will be cleared If you decide to c...

Page 138: ...eration p 136 or Cut operation so that the scene you want to insert is placed in the buffer memory 3 Make sure that the cursor is located some where other than the constant display area and use the dial or the DEC INC keys to select the insert destination scene number 4 Move the cursor to the INSERT button and press the ENTER key A dialog box will ask you to confirm the Insert opera tion 5 To exec...

Page 139: ...ns you specified in step 3 so that all parameters will be subject to recall turn the ALL button on When you turn on theALL button all other buttons for that scene will be turned off Turning on any other but ton will turn off the ALL button 5 Make Focus function settings for other scenes as described in steps 2 4 6 Recall a scene for which you ve made Focus settings If buttons other than ALL are tu...

Page 140: ...on off for each chan nel and choose the parameters that will be excluded from Recall operations If you select a channel by pressing its SEL key the Recall Safe settings of that channel will be shown in this field E APPLY TO ALL INPUT button APPLY TO ALL OUTPUT button If these buttons are on when you operate the SAFE PARAMETER buttons the changes will apply to all input or output channels This is c...

Page 141: ...rameters that will be subject to Recall Safe multiple selections are allowed In addition you can use the WITH MIX SEND button to enable Recall Safe for the on off status and send level of the signals sent from input channels to MIX buses If you want all parameters shown in the lower part of the field to be subject to Recall Safe turn on the ALL button this is the default setting Button name Corres...

Page 142: ... All parameters except for WITH MATRIX SEND EQ EQ settings including ATT DYNA 1 Dynamics 1 settings FADER Fader positions CH ON On off status of ON keys WITH MATRIX SEND On off status and send level of signals sent from MIX channels STEREO MONO chan nels to MATRIX buses If the ALL button is on all buttons will be turned off except for the WITH MIX SEND button located in the lower part of the SAFE ...

Page 143: ...he SCENE FADE screen In this screen you can make various settings for the Fade function The screen contains the following items 1 FADE TIME field This field lets you make Fade function settings for a scene saved in scene memory Use the buttons located in the center to make Fade function settings for the scene selected in the list shown in the left side of the screen For other scenes you can only v...

Page 144: ... window You can cancel a selection by pressing a lit SEL key once again to make it go dark 5 Move the cursor to the FADE TIME knob and use the dial or the DEC INC keys to adjust the fade time The range is 0 0 sec 60 0 sec When you ve finished making settings move the cur sor to the OK button and press the ENTER key to close the FADE TIME popup window 6 To turn on the Fade function move the cur sor...

Page 145: ...f Turns the monitor output on off PHONES LEVEL Headphone level Adjusts the output level of only the PHONES OUT jack About the monitor cue functions STEREO channel output signal MONO channel output signal STEREO MONO channel output signal 2TR IN DIGITAL jack input signal INPUT channels 15 16 31 32 input signal USB memory recorder output signal Any combination of up to eight signals from the STE REO...

Page 146: ...d to adjust the amount of attenua tion G TALKBACK DIMMER field If Talkback is enabled this will indicate the on off sta tus of the Talkback Dimmer function which automati cally attenuates the monitor signal Here you can also specify the amount of attenuation applied by the talk back dimmer H Meter field This indicates the level of the monitor signal This meter shows the level immediately before th...

Page 147: ...ed MIX 1 16 buttons MIX channels 1 16 output signals MATRIX 1 8 but tons MATRIX buses 1 8 output signals STEREO L R button STEREO L R channel output signal MONO button MONO channel output signal 2TR L R button 2TR IN DIGITAL jack input signal INPUT 15 16 31 32 button INPUT channels 15 16 31 32 input signal PLAYBACK OUT button USB memory recorder playback signal OMNI 1 8 1 16 OMNI OUT jacks 1 8 1 1...

Page 148: ... different groups Normally the group to which the most recently pressed CUE key or a CUE KEY IN CUE but ton in the screen belongs will take priority and the CUE keys of the previously selected group will be defeated However if you switch the Cue signal group in a specific order the state of the CUE keys of the previously selected group will be restored when the current Cue sig nal is defeated The ...

Page 149: ...he cue signal ACTIVE CUE indicator This indicates the currently active CUE group CLEAR CUE button Clears all Cue selections 2 Use the buttons of the CUE MODE section to specify what will happen when multiple CUE keys within the same CUE group are turned on Use the following two buttons to choose the Cue mode MIX CUE button All channels within the same CUE group whose CUE key is on will be mixed fo...

Page 150: ...signal If PHONES LEVEL LINK is ON you can use both the MONITOR LEVEL knob and the front panel PHONES LEVEL control to adjust the monitor level when monitoring through headphones 6 To defeat Cue press the CUE CLEAR key or the currently on CUE key once again If you want to clear all Cue selections move the cursor to the CUE CLEAR button in the CUE screen and press the ENTER key ACTIVE CUE indicator ...

Page 151: ...KBACK field Of the INPUT jacks 1 16 1 32 the input sensitiv ity input level and phantom power on off status of the jack used for talkback is shown here You can adjust the input sensitivity by selecting the GAIN knob in this field Input select popup button This displays the INPUT PORT SELECT popup window where you can select the INPUT jack used for talkback 48V button This is an on off switch for t...

Page 152: ... correspond to the following buses 7 To enable talkback move the cursor to the TALKBACK ON button and press the ENTER key to turn it on The TALKBACK ON button will alternate between on and off each time you press the ENTER key latched operation While talkback is on the signal from the INPUT jack selected as the TALKBACK jack will be output to the send destination bus LS9 32 If you want to use phan...

Page 153: ... DEC INC keys to operate the knobs shown in the field The parameters shown in the parameter field will depend on the type of oscillator selected in the MODE field The following table lists the oscillator types and the parameters displayed for each type The following table describes each parameter in detail 4 Using the buttons in the ASSIGN field select the bus es to which you want to send the osci...

Page 154: ...UTPUT button and press the ENTER key to turn it on The oscillator signal will be sent to the bus es you selected in step 4 When you select the button and press the ENTER key once again the oscillator will be turned off You can also assign the oscillator on off function to a user defined key p 196 HINT ...

Page 155: ...n CUSTOM FADER screen 1 Metering point select buttons Use these three buttons to select the metering point for the input output channels B Level meters These show the input output levels or fader values The current fader value is shown in a range of 10 When you operate the corresponding fader the value will change in realtime The segment will light if even one of the level detec tion points within...

Page 156: ... the following metering points Input channels PRE HPF Immediately before the high pass filter PRE FADER Immediately before the fader POST ON Immediately after the ON key Output channels PRE EQ Immediately before the attenuator PRE FADER Immediately before the fader POST ON Immediately after the ON key For details on the metering points refer to the block diagram at the end of this manual 3 If you ...

Page 157: ...h for input and output Figure 2 shows the signal flow for the virtual racks About the virtual rack RACK5 EFFECT CUE RACK METER 16 3 8 To MATRIX INSERT IN 32 MIX OUT 1 16 MATRIX OUT 1 8 STEREO OUT L R MONO C CH INSERT OUT 1 32 MIX INSERT OUT 1 16 STEREO INSERT OUT L R MONO C MATRIX INSERT OUT 1 8 RACK IN PATCH RACK1 IN A L B R RACK2 IN A L B R RACK3 IN A L B R RACK4 IN A L B R RACK5 IN A L B R RACK...

Page 158: ...nd either GEQ or effects can be mounted in racks 5 8 However depending on the type of internal effect some can be mounted only in rack 5 or 7 When you move the cursor to a virtual rack and press the ENTER key the result will depend on whether a GEQ or effect is already mounted If a GEQ effect is already mounted in that rack The RACK 1 RACK 8 screen will appear allow ing you to edit the parameters ...

Page 159: ...n in the window C CLOSE button Closes the popup window The following input sources can be selected in this popup window 1 This cannot be selected for 31 Band GEQ or Flex15GEQ Input output patching will be cleared if you change the item that is mounted or remove the mounted item HINT Be aware that if you remove a GEQ or effect that was mounted in a rack and close the window all parameter set tings ...

Page 160: ...nts and parameters of that rack will not change when a scene is recalled For more about Recall Safe refer to Using the Recall Safe function p 140 You have the option of making settings so that the patch change confirmation dialog box does not appear p 194 If you selected 31 Band GEQ you ll be able to select one channel of input otherwise you ll be able to select two chan nels of input HINT 1 2 3 T...

Page 161: ...be able to use up to sixteen GEQ units simulta neously The LS9 s GEQ units can be patched to the insert in out of any channel except the ST IN channels Here s how to insert a GEQ into the selected channel for use 1 As described in steps 1 3 of Mounting a GEQ or effect in the virtual rack p 158 mount a GEQ in a rack The GEQ EFFECT field shows the approximate set tings and input output levels of the...

Page 162: ...and GEQ for two adjacent odd numbered even numbered racks or if you ve selected a Flex15GEQ you can use the GEQ LINK button to link the two GEQ units This is convenient when you want to process a stereo source through GEQ units with identical settings When you turn the GEQ LINK button on a popup window like the following will appear The popup window contains the following items 1 RACK x y button x...

Page 163: ...he 31 Band GEQ The frequency and value for the fader currently selected by the cursor are shown below the fader C FADER ASSIGN field Use this field when you want to operate the boost cut amount for each band using the top panel faders D GEQ ON OFF button Switches the currently selected GEQ on off E FLAT button This returns all bands of the currently selected GEQ to 0 dB F INPUT button This button ...

Page 164: ...A or GEQ B To switch the RACK screen repeatedly press the RACK 1 4 keys RACK 1 4 screens or RACK 5 8 key RACK 5 8 screens EXTERNAL HA screens For a rack in which a Flex15GEQ is mounted the RACK screen is shown separately as xA and xB x is the rack number Button name Bands 20 630 button 16 bands from 20 Hz 630 Hz 125 4k button 16 bands from 125 Hz 4 KHz 630 20k button 16 bands from 630 Hz 20 KHz Wh...

Page 165: ...erate any other band 5 If you want to use the top panel faders to adjust the boost cut of each band proceed as follows 1 Move the cursor to the button in the FADER ASSIGN field and press the ENTER key For details on how operation and the buttons differ between models refer to step 5 of Using the 31 Band GEQ p 163 When this button is turned on the faders in the screen will turn white and you will b...

Page 166: ...s fall into two categories STEREO type 2 in 2 out effects that process the L R channel input signals independently and MIX type 1 in 2 out effects that mix the two channels to monaural before pro cessing them If signals are assigned to both the L and R inputs of an effect the way in which the L R channels are processed will depend on whether a Stereo effect type or a Mix effect type is selected as...

Page 167: ...g a GEQ or effect in the virtual rack p 158 If you re using the output of the effect in stereo assign the R input of the same ST IN channel to the R output of the rack in the same way 4 Move the cursor to a rack in which an effect is mounted in the GEQ EFFECT field and press the ENTER key The RACK screen will appear allowing you to edit the parameters of the effect You can also access the RACK 5 8...

Page 168: ...the input source of the rack in step 2 and adjust the corresponding fader Set the level as high as possible without allowing the post effect signal to reach the overload point 9 To adjust the effect return level operate the encoder of the ST IN channel you selected as the output destination of the rack in step 3 Here we will explain how to insert an effect into a channel by assigning the input out...

Page 169: ... press the RACK 5 8 key to access the RACK screen for the rack you inserted into the channel In this screen you can edit the parameters of the effect The screen contains the following items 1 Input output meters These indicate the level of the signals before and after the effect B INPUT L R buttons These buttons display the OUTPUT CH SELECT popup window The operating procedure is the same as for t...

Page 170: ...ndow will appear allowing you to select the effect type B BYPASS button This button temporarily bypasses the effect C EFFECT CUE button This button cue monitors the output of the currently displayed effect This cue function is valid only while this screen is displayed The cue will be cancelled automatically when you switch to a different screen D Special parameter field This shows special paramete...

Page 171: ...using the freeze effect For details on how to use this refer to Using the Freeze effect p 173 SOLO This is shown if M BAND DYNA or M BAND COMP is selected as the effect type 1 HIGH MID LOW buttons These buttons pass only the selected frequency band multiple selections are allowed B Gain reduction meters These show the amount of gain reduction for each band 6 If you want to monitor only the output ...

Page 172: ...TER 1 column move the cursor to the OK button and press the ENTER key To select an item in each column move the cursor to the desired column and use the dial or the DEC INC keys Move the cursor to the OK button and press the ENTER key the Tap Tempo function will be assigned to the user defined key you selected in step 3 and you will return to the USER DEFINED KEY SETUP page 5 Repeatedly press the ...

Page 173: ...n on the REC button to make it light and then turn on the PLAY button The signal being input to the effect will be recorded The progress bar shows the current recording location When a fixed time has elapsed the buttons will auto matically turn off 6 To play back the recorded sample move the cursor to the PLAY button and press the ENTER key Using the Freeze effect For details on the parameters of ...

Page 174: ...and recall effect settings 199 items can be recalled from the effect library Library items 1 48 are read only presets and correspond to effect types 1 48 respectively Library items 49 57 are reserved for use by the system Other library item numbers can be freely read and written To access the effect library move the cursor to the LIB toolbutton in the upper part of the screen when an effect is sho...

Page 175: ... to 4 in the order in which devices are connected to the I O card This area also shows the on off status of the master phantom power C Virtual racks These are two four racks in which remotely control lable external HA units can be mounted If an external HA is mounted its settings gain setting phantom power on off HPF on off are shown When you move the cursor to a rack and press the ENTER key the E...

Page 176: ... filter on off and adjust its cutoff frequency 7 To remotely control the external HA in an LS9 input channel press the HOME key to access the SELECTED CH VIEW screen and access the channel that you want to control 1 HA popup button 8 Move the cursor to the HA popup button and press the ENTER key to access the HA PATCH popup window 1 Input port popup button 9 Press the input port popup button and s...

Page 177: ...xternal device This allows you to record fader and key operations on a MIDI sequencer or other external device and play them back later Parameter change SysEx transmission and reception When specific events fader encoder or key operations changes in system settings or user settings are executed on the LS9 parameter change system exclusive messages can be transmitted to an external device Conversel...

Page 178: ... D PROGRAM CHANGE field Here you can make settings for program change trans mission and reception Tx button Switches program change transmission on off Rx button Switches program change reception on off ECHO button This selects whether incoming program changes are echoed out from the transmission port E PROGRAM CHANGE MODE field Here you can select the program change transmit receive mode SINGLE b...

Page 179: ...choed out from the transmit port 3 To specify the port that will transmit or receive each type of MIDI message move the cursor to the transmit Tx or receive Rx port selection box use the dial or the DEC INC keys to specify the setting and then press the ENTER key You can choose from the following items 4 To specify the channel CH1 CH16 on which MIDI messages will be transmitted or received move th...

Page 180: ...TUP screen 6 Move the cursor to the PROGRAM CHANGE popup button and press the ENTER key to access the PROGRAM CHANGE popup window In the PROGRAM CHANGE popup window you can specify how program changes will be transmitted and received and choose the event scene recall or effect library recall that will be assigned to each program number This page includes the following items 1 PROGRAM CHANGE field ...

Page 181: ...number on the same channel the lowest numbered program number will be transmitted If you turn on the OMNI button BANK button in Sin gle mode operation will change as follows When the OMNI button is on Program changes of all MIDI channels will be received However regardless of the MIDI channel that is received the event assigned to the corre sponding program number of the Rx channel will be execute...

Page 182: ...m numbers in the same way With these settings executing the specified event on the LS9 will cause the corresponding program change or bank select program change message to be transmitted to the external device When an external device transmits a program change or bank select program change message on the appropriate channel the event assigned to that pro gram number of the corresponding MIDI chann...

Page 183: ...ct the LS9 to your external device 2 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the MISC SETUP screen 3 Move the cursor to the MIDI SETUP popup button and press the ENTER key to access the MIDI SETUP popup window 4 As described in Basic MIDI settings p 178 select the ports and MIDI channels that will be used to transmit receive control changes 5 When you ve finished mak...

Page 184: ...ton Switches control change reception on off ECHO button This selects whether incoming control changes are echoed out from the transmission port 9 To change the event assignment for each control number move the cursor to the popup button for the corresponding event in the list and press the ENTER key The CONTROL CHANGE EVENT popup window will appear In this window you can specify the event assigne...

Page 185: ... 5 Use the Tx button and Rx button of the PARAMETER CHANGE field to turn on parameter change transmission reception In this state when you operate specific parameters on the LS9 the corresponding parameter change mes sages will be transmitted If valid parameter change messages are transmitted from an external device the parameters assigned to those parameter changes will be controlled Using parame...

Page 186: ...evice will be able to control operations such as play record stop and pause on the LS9 s USB memory recorder The following MMC commands are supported Using MMC MIDI Machine Control to operate the USB memory recorder Command MMC Content Stop 01 Stop playback or recording Play 02 Begins playback of the selected file The file to be played can be selected beforehand in the TITLE LIST screen or the des...

Page 187: ...rations Preferences of each operator can easily be switched There are three types of user as follows In order to operate the LS9 you must log in as some type of user Administrator This is the administrator of the LS9 and can use all of its functionality Only one set of Administrator settings is internally maintained in the console The Administrator can create user authentication keys for other use...

Page 188: ... The user level can be specified when the authentication key is created but the custom fader layer user defined key settings and preference settings will be carried over from the user who is currently logged in 1 Connect USB memory to the USB connec tor 2 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen Logged in user Custom fader layer user defined keys...

Page 189: ...ill ask you to confirm the store destination USB memory If you want to save the user authentication key on dif ferent USB memory connect the desired USB mem ory and then press OK In order to operate the LS9 you must log in as the Admin istrator Guest or a User User settings for the Administrator and Guest are saved in the console itself but in order to log in as a User you must connect USB memory ...

Page 190: ...NTER key Logging in as a User To log in as a User you will use a user authentication key saved on USB memory You may also log in using a user authentication key that was created on a different LS9 console 1 Connect the USB memory to the USB con nector 2 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen 3 Move the cursor to the log in popup button and pres...

Page 191: ...authentication key before the user logs out The Guest account does not have a password 1 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen 2 Move the cursor to the PASSWORD CHANGE popup button and press the ENTER key A keyboard window will appear allowing you to enter the password If you select a user authentication key that was created on a different LS9...

Page 192: ...ve move the cursor to the OK button and press the ENTER key Here s how to view change the user level of the logged in user For the Administrator There is no such setting for the Administrator himself but the set ting for the Guest account can be changed For the Guest The setting of the Guest account can be viewed It cannot be changed For a normal User The setting of that User account can be viewed...

Page 193: ...ricts operations for output channel patching and names BUS SETUP Restricts operations for bus setup RACK 1 8 Restricts operations for the racks 1 8 MUTE GROUP ASSIGN MASTER Restricts operations for mute group assignment and mute group master C SCENE LIST field This specifies the operations that can be performed on scene memories STORE SORT operations RECALL operations D LIBRARY LIST field This spe...

Page 194: ...atched B ERROR MESSAGE field Here you can select whether an error message will be displayed when the following problems occur DIGITAL I O When an error is detected in the digital input out put MIDI I O When an error is detected in MIDI transmission reception C PANEL OPERATION field Here you can make settings for options related to panel operation AUTO CHANNEL SELECT INPUT AUTO CHANNEL SELECT OUTPU...

Page 195: ...NO LINK This specifies whether STEREO channel and MONO channel on off and fader operations will be linked If you turn this button on the STEREO channel on off setting will be copied to the MONO chan nel and subsequently on off operations will be linked Faders will be linked while preserving the difference in level METER FOLLOW LAYER Specifies whether the meter screen will be linked with fader laye...

Page 196: ...cursor to the button for the user defined key whose function you want to assign and press the ENTER key The USER DEFINED KEY SETUP popup window will appear In this window you can select a function to assign to the user defined key and select option parameters 4 Make sure that the FUNCTION field is enclosed by a yellow frame and then use the dial or the DEC INC keys of the panel to select the funct...

Page 197: ...tion press the SETUP key repeatedly to access the MISC SETUP screen 2 Move the cursor to the CONSOLE LOCK button and press the ENTER key If you are logged in as a user for whom a password is set a keyboard window will appear allowing you to enter the password For details on entering a password refer to Assigning a name p 34 3 Enter the password of the logged in user move the cursor to the OK butto...

Page 198: ...d in USB memory the CONSOLE LOCK screen can display that image In the SAVE LOAD popup window specify the image file that you want to display and load it from USB memory For the procedure of loading from USB memory refer to Loading a file from USB memory p 200 Unlocking the console You may disconnect the USB memory device while the con sole is locked Insert the USB memory device before you defeat C...

Page 199: ...indow will appear allowing you to enter a file name and comment 5 Enter a file name of up to eight characters and a comment of up to 32 characters then move the cursor to the SAVE button and press the ENTER key When the file has finished being saved the popup win dow showing the save progress indication and the type of data will close Using USB memory to save load data Operation is guaranteed only...

Page 200: ...e the cursor to the OK button and press the ENTER key loading will begin When the file has finished being loaded the popup window showing the progress indication and the type of data will close Even if you cancel while the settings file is still being loaded the data up to that point will have been loaded The type of file that can be loaded will depend on the User Level setting at the time you loa...

Page 201: ...d H File list This area lists the files that are saved on USB memory The highlighted line indicates the file selected for operations The file list contains the following items If you move the cursor to the name of an item and press the ENTER key that item name will turn orange and the list will be sorted according to the character strings for those items Each time you press the ENTER key the sorti...

Page 202: ...umn title you selected 1 FILE NAME Sort the list in alphanumerical order of file name B Lock symbol Sort the list according to Write Protect on off status C FILE TYPE Sort the list according to file type D COMMENT Sort the list in alphanumeric order of the comment E TIME STAMP Sort the list in order of date of creation 4 If you want to edit the file name or com ment move the cursor to the FILE NAM...

Page 203: ...e paste destination file name move the cursor to the PASTE button and press the ENTER key If you specified an existing file name a confirmation message will appear Deleting a file 1 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen 2 Move the cursor to the SAVE LOAD button and press the ENTER key to access the SAVE LOAD popup window 3 Move the cursor to t...

Page 204: ...orted 1 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen 2 Move the cursor to the SAVE LOAD button and press the ENTER key to access the SAVE LOAD popup window 3 Move the cursor to the FORMAT button and press the ENTER key A keyboard window will appear allowing you to enter the volume name that will be applied after formatting For details on entering tex...

Page 205: ...also save or load user settings to or from USB memory and create user authentication keys SYSTEM SETUP screen In this screen you can make settings related to buses and output ports and settings related to word clock and cas cade connections 1 BUS SETUP field Here you can make basic settings for MIX MATRIX buses p 213 B OUTPUT PORT field In this field you can assign an output channel to each out pu...

Page 206: ...same word clock in order for digital audio signals to be sent and received If digital audio signals are trans ferred in an unsynchronized state the data will not be transmitted or received correctly and noise may be present in the signal even if the sampling rates are the same Specifically you must first decide which device will transmit the reference word clock for the entire system the word cloc...

Page 207: ...t is not synchronized with the selected clock source If an external device is connected to the corresponding connector input out put cannot occur correctly between that device and the LS9 SRC ON green This is a special status that is unique to a digital I O card with SRC Sampling Rate Converter functional ity installed in the slot slots 1 2 it indicates that SRC is enabled for the corresponding ch...

Page 208: ...96S digital I O card in sets of two channels C SRC buttons For digital I O cards that contain a built in SRC Sam pling Rate Converter the SCR can be switched on off in groups of two channels D EMPHASIS This area indicates whether emphasis processing is applied to the input signals of a slot in which an AES EBU format digital I O card is installed in units of two channels This indication is display...

Page 209: ...nsoles you will be able to share all buses if you install two 16 channel digital I O cards in each LS9 32 console Control signals for the Cascade Link function are trans mitted and received via the MIDI IN OUT connectors In this type of setup performing a cue operation scene recall store operation or fader layer selection on either console will cause the same to occur on the other console When usi...

Page 210: ...ill be linked by the Cascade Link function 3 Move the cursor to the port select popup button for the bus whose port you want to assign and press the ENTER key The OUTPUT PORT SELECT popup window will appear OUTPUT PORT SELECT popup window for the LS9 32 OUTPUT PORT SELECT popup window for the LS9 16 This popup window contains the following items 1 Port select buttons These buttons select the outpu...

Page 211: ...Scene recall operations Scene store operations DIMMER MONITOR screen operations Switching the fader layer Panel LED and display brightness MISC SETUP screen operations Master mute group operations 7 To close the OUTPUT PORT SELECT popup window move the cursor to the CLOSE but ton or the symbol in the upper right and press the ENTER key LS9 16 Item Description No port will be used MIDI Rear panel M...

Page 212: ...or to the port select popup button for the bus whose port you want to assign and press the ENTER key The INPUT PORT SELECT popup window will appear This popup window contains the following items INPUT PORT SELECT popup window for the LS9 32 INPUT PORT SELECT popup window for the LS9 16 This popup window contains the following items 1 Port select buttons Here you can select the input port whose sig...

Page 213: ...hanges performed on either LS9 console will be fol lowed by the other LS9 console This section explains how to change the basic settings for MIX buses and MATRIX buses such as switching between stereo and monaural and selecting the position from which the signal is sent from an input channel The settings you make in the following procedure are saved as part of the scene 1 In the DISPLAY ACCESS sec...

Page 214: ...ately after the pan balance 5 As desired turn the buttons of the PAN LINK field on off For two MIX buses whose SIGNAL TYPE STE REO and BUS TYPE VARI the PAN LINK button is displayed in this position This button specifies whether the panning at which the signal is sent from an input channel to the stereo MIX bus will be linked with the TO ST PAN setting If the PAN LINK button is on The PAN knob tha...

Page 215: ...tton Specifies the format in which the time will be dis played 3 Move the cursor to the DATE MODE button and press the ENTER key to select the date format You can select from the following formats MM DD YYYY Month Day Year DD MM YYYY Day Month Year YYYY MM DD Year Month Day 4 Move the cursor to each field of the DATE field and use the dial or the DEC INC keys to specify the date 5 Move the cursor ...

Page 216: ...etwork that will be used as the network address that distinguishes the network D LINK MODE field Select either 100BASE TX transmission speed max imum 100 Mbps or 10BASE T transmission speed max 10 Mbps as the specification used for communi cation via the NETWORK connector 3 Move the cursor to the LINK MODE field and use the dial or the DEC INC keys to select a communication protocol for the NETWOR...

Page 217: ...ield 2 Move the cursor to a knob of the CON TRAST BRIGHTNESS field and use the dial or the DEC INC keys to set the following parameters CONTRAST field SCREEN knob Specifies the contrast of the display backlight BRIGHTNESS field SCREEN knob Specifies the brightness of the display backlight PANEL knob Adjusts the brightness of the top panel LEDs If a Yamaha AD8HR is connected to an I O card that pro...

Page 218: ...ile extension xml provided by Yamaha on your USB memory You can download the most recent version of the Help file from the Yamaha website http www yamahaproaudio com 2 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen 3 Move the cursor to the SAVE LOAD button and press the ENTER key The SAVE LOAD popup window will appear 4 Move the cursor to the file list...

Page 219: ...s written in the UTF 8 character code set 2 In the DISPLAY ACCESS section press the SETUP key repeatedly to access the USER SETUP screen 3 Move the cursor to the SAVE LOAD button and press the ENTER key The SAVE LOAD popup window will appear 4 Move the cursor to the file list and use the dial on the panel to select the text file you want to load 5 Move the cursor to the LOAD button and press the E...

Page 220: ...he ENTER key a location with an symbol and underlined text you can close the HELP window and open the corresponding window 5 To return from CONTENTS mode to INDEX mode move the cursor to the INDEX button and press the ENTER key 6 As necessary you can also scroll by using the buttons in the tool bar INDEX button Jumps to the table of contents If the cursor is at the table of contents you can use th...

Page 221: ...display these explanations 3 To close the window once again press the user defined key to which the Help function is assigned Directly recalling the Help for a specific controller in the LCD screen 1 While holding down the user defined key to which you ve assigned the Help function move the cursor to the on screen controller whose function you want to read and press the ENTER key The on screen but...

Page 222: ...e the cursor to the INITIALIZE button located in the dialog box at the left side of the screen and press the ENTER key A dialog box will ask you to confirm the operation 4 Move the cursor to the OK button of the dialog box and press the ENTER key Initialization will begin 5 When initialization has been completed move the cursor to the EXIT button and press the ENTER key The console will start up i...

Page 223: ...y Each of the specified faders will move to the target positions in the following sequence 1 push down to the minimum value B 20 dB C 0 dB D 10 dB push up to the maximum value 6 If there are any faders that are not in the positions shown in the screen manually move them to the appropriate position 7 When you have set all faders to the target location move the cursor to the OK button and press the ...

Page 224: ... output ports button This makes fine adjustments in 0 01 dB steps to the gain of the specified output port When you press this button the screen will change as follows SLOT OUTPUT TRIM fine adjustment of the output ports button This makes fine adjustments in 0 01 dB steps to the output port gain of the specified slot When you press this button the screen will change as follows 3 Move the cursor to...

Page 225: ...ano 1 L SHELF PEAKING PEAKING H SHELF G 6 0 dB 0 0 dB 2 0 dB 4 0 dB F 95 0 Hz 950 Hz 3 15 kHz 7 50 kHz Q 8 0 0 90 14 Piano 2 PEAKING PEAKING PEAKING H SHELF G 3 5 dB 8 5 dB 1 5 dB 3 0 dB F 224 Hz 600 Hz 3 15 kHz 5 30 kHz Q 5 6 10 0 0 70 15 E G Clean PEAKING PEAKING PEAKING H SHELF G 2 0 dB 5 5 dB 0 5 dB 2 5 dB F 265 Hz 400 Hz 1 32 kHz 4 50 kHz Q 0 18 10 0 6 3 16 E G Crunch 1 PEAKING PEAKING PEAKIN...

Page 226: ...AKING PEAKING PEAKING PEAKING G 3 5 dB 10 0 dB 3 5 dB 0 0 dB F 118 Hz 315 Hz 4 25 kHz 20 0 kHz Q 2 0 10 0 0 40 0 40 34 Snare Drum 3 L SHELF PEAKING PEAKING PEAKING G 0 0 dB 2 0 dB 3 5 dB 0 0 dB F 224 Hz 560 Hz 4 25 kHz 4 00 kHz Q 4 5 2 8 0 10 35 Tom tom 2 L SHELF PEAKING PEAKING H SHELF G 9 0 dB 1 5 dB 2 0 dB 0 0 dB F 90 0 Hz 212 Hz 5 30 kHz 17 0 kHz Q 4 5 1 25 36 Piano 3 PEAKING PEAKING PEAKING H...

Page 227: ... 5 Knee 2 Release ms 58 11 A Dr BD COMPANDER H Threshold dB 11 Ratio 1 3 5 Attack ms 1 Out gain dB 1 5 Width dB 7 Release ms 192 12 A Dr SN COMPRESSOR Threshold dB 17 Ratio 1 2 5 Attack ms 8 Out gain dB 3 5 Knee 2 Release ms 12 13 A Dr SN EXPANDER Threshold dB 23 Ratio 1 2 Attack ms 0 Out gain dB 0 5 Knee 2 Release ms 151 14 A Dr SN COMPANDER S Threshold dB 8 Ratio 1 1 7 Attack ms 11 Out gain dB 0...

Page 228: ...Sampling SN COMPRESSOR Threshold dB 18 Ratio 1 4 Attack ms 8 Out gain dB 8 0 Knee hard Release ms 354 Title Type Parameter Value 32 Hip Comp COMPANDER S Threshold dB 23 Ratio 1 20 Attack ms 15 Out gain dB 0 0 Width dB 15 Release ms 163 33 Solo Vocal1 COMPRESSOR Threshold dB 20 Ratio 1 2 5 Attack ms 31 Out gain dB 2 0 Knee 1 Release ms 342 34 Solo Vocal2 COMPRESSOR Threshold dB 8 Ratio 1 2 5 Attack...

Page 229: ...0 02 ms 2 13 sec 48kHz 0 02 ms 1 96 sec 160 points This determines how long the gate stays open once the trigger signal has fallen below the threshold DECAY ms 44 1kHz 6 ms 46 0 sec 48kHz 5 ms 42 3 sec 160 points This determines how fast the gate closes once the hold time has expired The value is expressed as the duration required for the level to change by 6 dB Parameter Range Description THRESHO...

Page 230: ...plied at the threshold For higher knee set tings compression is applied gradually as the signal exceeds the specified threshold creating a more natural sound Parameter Range Description THRESHOLD dB 54 to 0 55 points This determines the level of input signal required to trigger the expander RATIO 1 0 1 1 1 1 1 3 1 1 5 1 1 7 1 2 0 1 2 5 1 3 0 1 3 5 1 4 0 1 5 0 1 6 0 1 8 0 1 10 1 20 1 1 16 points Th...

Page 231: ...eter Range Description THRESHOLD dB 54 to 0 55 points This determines the level at which compression is applied RATIO 1 0 1 1 1 1 1 3 1 1 5 1 1 7 1 2 0 1 2 5 1 3 0 1 3 5 1 4 0 1 5 0 1 6 0 1 8 0 1 10 1 20 1 15 points This determines the amount of compression ATTACK ms 0 120 121 points This determines how soon the signal is compressed or expanded once the com pander has been triggered RELEASE ms 44 ...

Page 232: ...r Distortion DISTORTION Distortion Amp Simulate AMP SIMULATE Guitar amp simulation Dyna Filter DYNA FILTER Dynamically controlled filter Dyna Flange DYNA FLANGE Dynamically controlled flanger Dyna Phaser DYNA PHASER Dynamically controlled phase shifter Rev Chorus REV CHORUS Reverb and chorus in parallel Rev Chorus REV CHORUS Reverb and chorus in series Rev Flange REV FLANGE Reverb and flanger in p...

Page 233: ... 0 High frequency feedback ratio HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff fre quency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff fre quency Parameter Range Description TYPE Type A Type B Type of early reflection simulation ROOMSIZE 0 1 20 0 Reflection spacing LIVENESS 0 10 Early reflections decay characteris tics 0 dead 10 live INI DLY 0 0 500 0 ms Initial delay before reverb begins ...

Page 234: ... with TEMPO to determine DELAY R NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY Parameter Range Description DELAY L 0 0 1350 0 ms Left channel delay time DELAY R 0 0 1350 0 ms Right channel delay time FB DLY L 0 0 1350 0 ms Left channel feedback delay time FB DLY R 0 0 1350 0 ms Right channel feedback delay time FB G L 99 to 99 Left channel feedback gain plus values for normal phase ...

Page 235: ...100 Hz 8 00 kHz EQ peaking type frequency EQ G 12 0 to 12 0 dB EQ peaking type gain EQ Q 10 0 0 10 EQ peaking type bandwidth HSH F 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 0 to 12 0 dB High shelving filter gain Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth FB GAIN 99 to 99 Feedback gain plus values for normal phase feedback minus value...

Page 236: ... 100 to 100 Channel 1 level plus values for normal phase minus values for reverse phase PAN 1 L63 to R63 Channel 1 pan DELAY 1 0 0 1000 0 ms Channel 1 delay time FB G 1 99 to 99 Channel 1 feedback gain plus values for normal phase feed back minus values for reverse phase feedback MODE 1 10 Pitch shift precision PITCH 2 24 to 24 semitones Channel 2 pitch shift FINE 2 50 to 50 cents Channel 2 pitch ...

Page 237: ...ive MASTER 0 100 Master volume BASS 0 100 Bass tone control MIDDLE 0 100 Middle tone control TREBLE 0 100 High tone control N GATE 0 20 Noise reduction CAB DEP 0 100 Speaker cabinet simulation depth EQ F 100 Hz 8 00 kHz EQ peaking type frequency EQ G 12 0 to 12 0 dB EQ peaking type gain EQ Q 10 0 0 10 EQ peaking type bandwidth Parameter Range Description SOURCE INPUT MIDI Control source input sign...

Page 238: ...PTH 0 100 Pitch modulation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DIFF 0 10 Spread DENSITY 0...

Page 239: ...toff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initi...

Page 240: ...d in conjunction with TEMPO to determine left channel DELAY L NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY Parameter Range Description DELAY L 0 0 1000 0 ms Left channel delay time DELAY R 0 0 1000 0 ms Right channel delay time FB DLY 0 0 1000 0 ms Feedback delay time FB GAIN 99 to 99 Feedback gain plus valu...

Page 241: ...me FB GAIN 99 to 99 Feedback gain plus values for normal phase feedback minus values for reverse phase feedback DELAY HI 0 1 1 0 Delay high frequency feedback ratio DLY BAL 0 100 Delay and delayed reverb balance 0 all delayed reverb 100 all delay HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency REV TIME 0 3 99 0 s Reverb time IN...

Page 242: ...Loop start point in milliseconds LOOP NUM 0 100 Number of times the sample plays PITCH 12 to 12 semi tones Playback pitch shift FINE 50 to 50 cents Playback pitch shift fine MIDI TRG OFF C1 C6 ALL PLAY button can be triggered by using MIDI Note on off messages START SAMPLE 0 131000 Playback start point in samples END SAMPLE 0 131000 Playback end point in samples LOOP SAMPLE 0 131000 Loop start poi...

Page 243: ...Lookup delay LOW THRE 54 0 dB to 0 0 dB Low band threshold level MID THRE 54 0 dB to 0 0 dB Mid band threshold level HI THRE 54 0 dB to 0 0 dB High band threshold level RATIO 1 1 to 20 1 Compression ratio ATTACK 0 120 ms Compressor attack time RELEASE 1 1 6 0 ms 46 0 s fs 44 1 kHz 5 0 ms 42 3 s fs 48 kHz Compressor release time KNEE 0 5 Compressor knee BYPASS OFF ON Bypasses the compressor Paramet...

Page 244: ... DELAY or FREQ original DELAY or FREQ x previous TEMPO new TEMPO Example 1 When SYNC ON DELAY 250 ms TEMPO 120 you change NOTE from 8th note to quarter note DELAY new NOTE x 4 x 60 TEMPO 1 4 x 4 x 60 120 0 5 sec 500 ms Thus the DELAY will change from 250 ms to 500 ms Example 2 When SYNC ON DELAY 250 ms NOTE 8th note you change TEMPO from 120 to 121 DELAY original DELAY x previous TEMPO new TEMPO 2...

Page 245: ...3 053 117 117 054 054 118 118 055 055 119 119 056 056 120 120 057 057 121 121 058 058 122 122 059 059 123 123 060 060 124 124 061 061 125 125 062 062 126 126 063 063 127 127 064 064 128 128 Program Change Scene Effect Preset Program Change Scene Effect Preset 001 Scene 129 065 Scene 193 002 130 066 194 003 131 067 195 004 132 068 196 005 133 069 197 006 134 070 198 007 135 071 199 008 136 072 200 ...

Page 246: ...4 102 039 295 103 040 296 104 041 297 105 042 298 106 043 299 107 044 300 108 045 000 109 046 No Assign 110 047 111 048 112 049 113 050 114 051 115 052 116 053 117 054 118 055 119 056 120 057 121 058 122 059 123 060 124 061 125 062 126 063 127 064 128 Program Change Scene Effect Preset Program Change Scene Effect Preset 001 No Assign 065 No Assign 002 066 003 067 004 068 005 069 006 070 007 071 00...

Page 247: ...Scene Effect Preset 001 No Assign 002 003 128 Program Change Scene Effect Preset 001 No Assign 002 003 128 Program Change Scene Effect Preset 001 RACK5 001 002 002 003 003 128 128 Program Change Scene Effect Preset 001 RACK6 001 002 002 003 003 128 128 Program Change Scene Effect Preset 001 RACK7 001 002 002 003 003 128 128 Program Change Scene Effect Preset 001 RACK8 001 002 002 003 003 128 128 P...

Page 248: ...06 049 092 007 050 093 008 051 094 009 052 095 010 053 096 011 054 097 012 055 098 013 056 099 014 057 100 015 058 101 016 059 102 017 060 103 018 061 104 019 062 105 020 063 106 021 064 107 022 065 108 023 066 109 024 067 110 025 068 111 026 069 112 027 070 113 028 071 114 029 072 115 030 073 116 031 074 117 032 075 118 033 076 119 034 077 120 035 078 121 036 079 122 037 080 123 038 081 124 039 0...

Page 249: ...IX 1 PRE MIX 16 POINT MIX 1 LVL H MIX 16 LVL H MIX 1 LVL L MIX 16 LVL L MIX 1 2 PAN MIX 15 16 PAN MIX TO ST TO ST ON MIX 1 MIX 16 TO MONO ON PAN MIX TO MTRX MTRX1 POINT MTRX8 POINT MIX 1 MIX 16 MTRX1 ON MTRX8 ON MTRX1 LVL H MTRX8 LVL H MTRX1 LVL L MTRX8 LVL L MTRX1 2 PAN MTRX7 8 PAN ST TO MTRX MTRX1 POINT MTRX8 POINT STEREO L MONO C MTRX1 ON MTRX8 ON MTRX1 LVL H MTRX8 LVL H MTRX1 LVL L MTRX8 LVL L...

Page 250: ...Q OUTPUT DYNA1 ON MIX 1 MIX 16 MATRIX 1 MATRIX 8 STEREO L MONO C ATTACK THRESHOLD RELEASE H RELEASE L RATIO GAIN H GAIN L KNEE WIDTH EFFECT BYPASS RACK5 8 MIX BAL PARAM 1 H PARAM 32 L GEQ ON A RACK1 8 ON B GAIN A 1 GAIN A 31 GAIN B 1 GAIN B 31 MUTE MASTER ON MASTER 1 MASTER 8 RECALL SAFE ON CH 1 CH 32 64 STIN1L STIN4R MIX 1 MIX 16 MATRIX 1 MATRIX 8 STEREO L MONO C RACK1 8 Mode Parameter 1 Paramete...

Page 251: ... CH 8 41 CH 9 42 CH10 43 CH11 44 CH12 45 CH13 46 CH14 47 CH15 48 CH16 49 CH17 50 CH18 51 CH19 52 CH20 53 CH21 54 CH22 55 CH23 56 CH24 57 NO ASSIGN 58 59 60 61 62 63 64 CH ON INPUT CH 1 65 CH 2 66 CH 3 67 CH 4 68 CH 5 69 CH 6 70 CH 7 71 CH 8 72 CH 9 73 CH10 74 CH11 75 CH12 76 CH13 77 CH14 78 CH15 79 CH16 80 CH17 81 CH18 82 CH19 83 CH20 84 CH21 85 CH22 86 CH23 87 CH24 88 NO ASSIGN 89 PAN BALANCE INP...

Page 252: ... 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 Control Change Mode Parameter 1 Parameter 2 ...

Page 253: ...x1 8 ON MIX1 SEND 112A 1131 MIX2 SEND 1132 1139 MIX3 SEND 113A 1141 MIX4 SEND 1142 1149 MIX5 SEND 114A 1151 MIX6 SEND 1152 1159 MIX7 SEND 115A 1161 MIX8 SEND 1162 1169 INPUT57 64 to MIX1 8 PRE POST MIX1 SEND 118A 1191 MIX2 SEND 1192 1199 MIX3 SEND 119A 11A1 MIX4 SEND 11A2 11A9 MIX5 SEND 11AA 11B1 MIX6 SEND 11B2 11B9 MIX7 SEND 11BA 11C1 MIX8 SEND 11C2 11C9 INPUT57 64 EQ LOW TYPE 11EA 11F1 HIGH TYPE...

Page 254: ...ND 28EA 2929 MIX2 SEND 292A 2969 MIX3 SEND 296A 29A9 MIX4 SEND 29AA 29E9 MIX5 SEND 29EA 2A29 MIX6 SEND 2A2A 2A69 MIX7 SEND 2A6A 2AA9 MIX8 SEND 2AAA 2AE9 MONO C to Matrix LEVEL MATRIX1 SEND 2BEA 2BEE MATRIX2 SEND 2BF0 2BF4 MATRIX3 SEND 2BF6 2BFA MATRIX4 SEND 2BFC 2C00 MATRIX5 SEND 2C02 2C06 MATRIX6 SEND 2C08 2C0C MATRIX7 SEND 2C0E 2C12 MATRIX8 SEND 2C14 2C18 ON MONO C 2C2A 2C2E INPUT1 56 STIN 1L 4R...

Page 255: ... 3B66 3B6B GAIN8 3B76 3B7B 48v 1 3B86 3B8B 48v 2 3B96 3B9B 48v 3 3BA6 3BAB 48v 4 3BB6 3BBB 48v 5 3BC6 3BCB 48v 6 3BD6 3BDB 48v 7 3BE6 3BEB 48v 8 3BF6 3BFB Parameter From HEX To HEX HA HPF1 3C06 3C0B HPF2 3C16 3C1B HPF3 3C26 3C2B HPF4 3C36 3C3B HPF5 3C46 3C4B HPF6 3C56 3C5B HPF7 3C66 3C6B HPF8 3C76 3C7B INPUT1 56 STIN 1L 4R to MONO ON 3C86 3CC5 MIX to MONO ON 3CC6 3CD5 SLOT OUT DELAY ON 3CD6 3CF5 T...

Page 256: ...ME LCR O MIX ALL MIX PROCESSING Insert On O MIX ALL MIX PROCESSING On O MIX ON MIX FADER ON Fader O MIX FADER MIX FADER ON Pan Balance O MIX ALL MIX FADER ON Att O MIX EQ MIX PROCESSING EQ O MIX EQ MIX PROCESSING Dynamics1 O 1 MIX DYNA1 MIX PROCESSING Mute Assign O MIX ALL MUTE ASSIGN To Mix ON WITH MIX SEND WITH MIX SEND To Mix LEVEL WITH MIX SEND WITH MIX SEND To Matrix On O MIX to MATRIX ON MIX...

Page 257: ...itch the OSC on off When this turns on the OSC popup window will appear SELECTED CH ASSIGN Lit if assignment is the same When you press this key the previously stored assignment state will be applied While holding down this key press a SEL key of an output channel to switch the assignment on off and its state will be remembered During this time the SEL LED will be lit if assign is ON or dark if OF...

Page 258: ... a SEL key to set the fader of that channel to nominal level You can also push a SELECTED SEND encoder to set the send level to nominal level You can also return to nominal level by moving the cursor to the knob or fader in the LCD screen then hold ing down this key and pressing the ENTER key SENDS ON FADER MIX1 16 MATRIX1 8 Blinks in SENDS ON FADER mode Recall the Sends On Fader function to the s...

Page 259: ...AYER CH17 32 CUS TOM FADER LAYER STIN SELECTED CHANNEL LIBRARY DYNAMICS LIBRARY INPUT EQ LIBRARY OUTPUT EQ LIBRARY EFFECT LIBRARY GEQ LIBRARY PATCH EDITOR INPUT PATCH OUT PUT PATCH INPUT INSERT PATCH OUT PUT INSERT PATCH DIRECT OUT PATCH PATCH LIST RACK EDITOR RACK RACK1 8 METER INPUT METER OUT PUT METER CUSTOM FADER LAYER GROUP LINK MUTE GROUP CHAN NEL LINK SCENE SCENE MEMORY RECALL SAFE FADE TIM...

Page 260: ...add paramSteps curValue paramSteps add mod 2 1 If the assigned parameter has fewer than 128 steps paramWidth 128 rxValue Control value 2 If the assigned parameter has 128 or more but less than 16 384 steps paramWidth 16384 2 1 When High and Low data is received rxValue Control value High 128 Control value Low 2 2 When only Low data is received rxValue curValue 16256 Control value Low 2 3 When only...

Page 261: ...ms This message is not subject to echoing 2 4 SYSTEM RESET FF Reception When this message is received MIDI communication will be initialized e g Running Status will be cleared This message is not subject to echoing 3 SYSTEM EXCLUSIVE MESSAGE 3 1 MMC MMC STOP Reception If the DEVICE NO matches or is 7F receives this message and stops MMC PLAY Reception If the DEVICE NO matches or is 7F receives thi...

Page 262: ...e Tx CH as its device number In response to a PARAMETER REQUEST a PARAMETER CHANGE will be transmitted with Rx CH as its device number 4 PARAMETER CHANGE details 4 1 CURRENT SCENE SETUP BACKUP USER SETUP 4 1 1 Format PARAMETER CHANGE Receive Data will be received when PARAMETER CHANGE Rx is on and the Device number of both Rx CH and SUB STATUS are matched The data will be echoed when PARAMETER CHA...

Page 263: ...ION NAME 01001100 L ASCII CODE 01101001 i ASCII CODE 01100010 b ASCII CODE 0fffffff ff ASCII CODE 0fffffff ff ASCII CODE 0fffffff ff ASCII CODE 0fffffff ff ASCII CODE 0fffffff ff ASCII CODE MODULE NAME 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE DATA 0nnnnnnn ...

Page 264: ...II CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE DATA 0sssssss sh number source start High 0sssssss sl number source start Low 0eeeeeee eh number source end High 0eeeeeee el number source end Low 0ddddddd dh number destination start High 0ddddddd dl number destination to start Low EOX 11110111 F7 End of exclusive FUNCTION NAME Source start Source end Destination start C...

Page 265: ...m ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE DATA 0nnnnnnn nh Scene Library number High 0nnnnnnn nl Scene Library number Low 0eeeeeee eh Element High 0eeeeeee el Element Low 0iiiiiii ih Index High 0iiiiiii il Index Low 0ccccccc ch Channel High 0ccccccc cl Channel Low EOX 11110111 F7 End of exclusive MODULE NAME number size SCENE LIB SCENE___ 0 300 0 response on...

Page 266: ... 15 Device number MIDI Channel GROUP ID 00111110 3E Digital mixer MODEL ID 00010010 12 LS9 DATA CATEGORY 00000000 00 OTHER DATA FUNCTION NAME 01001100 C ASCII CODE 01101001 o ASCII CODE 01100010 l ASCII CODE 01010101 U ASCII CODE 01101110 n ASCII CODE 01010011 S ASCII CODE 01110100 t ASCII CODE 01110010 r ASCII CODE MODULE NAME 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0mmmmmmm mm ASCII CODE 0...

Page 267: ...n When PARAMETER CHANGE ECHO is on the message will be sent as it is STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E Digital mixer MODEL ID 00010010 12 LS9 DATA CATEGORY 00000000 00 OTHER DATA FUNCTION NAME 01000011 C 01101000 h 01101100 l 01010000 P 01101001 i 01110010 r 0100...

Page 268: ...k connector is not possible because the MAC address setting has been damaged for some reason Please contact your Yamaha dealer Illegal Storage Format The USB memory could not be accessed because its format is invalid or unsupported KEY IN CUE Turned Off KEY IN CUE was defeated because you switched from the DYNAMICS 1 2 popup window to a differ ent screen Loading Aborted Loading from USB memory was...

Page 269: ... I O cards installed in the slots exceed the rated power capacity Unsupported File Format The file you attempted to load from the USB memory is of an unsupported format USB Data Framing Error Invalid signals are being input from the USB connector input port USB Data Overrun Invalid signals are being input from the USB connector input port USB Rx Buffer Full Too much data is being received at the U...

Page 270: ...ned an input channel to direct out p 103 Could you have assigned an output channel as the insert out p 101 The volume of a specific channel rises and falls Could GATE COMP be set to ducking p 117 Operating a fader does not control the level as you expect Is SENDS ON FADER selected and INPUT TO MIX FADER and so on active in the panel Only the sound of a specific channel is heard from the MONITOR OU...

Page 271: ...signals If this signal is mixed with the signal via a different signal path a comb filtering effect will cause the level of a specific frequency to be decreased Can t control an external head amp AD8HR Is the external head amp connected to the specified port Is the audio output signal of the external head amp being input via an I O card to SLOT 1 3 Is the input port of the external head amp set co...

Page 272: ...DAI cards Gooseneck Light LA1L for LS9 32 Rack Mount Kit RK1 AC Power Cord Length 250 cm Conditions Min Typ Max Unit Sampling Frequency External Clock Frequency Range 39 69 50 88 kHz Jitter of PLL The jitter of input clock is less than 1ns Digital Input Fs 44 1 kHz or 48 kHz 10 ns Digital Input Fs 39 69 50 88 kHz 20 Sampling Frequency Internal Clock Frequency Word Clock INT 44 1 kHz 44 1 kHz Word ...

Page 273: ...Bu 0 775 Vrms All output DA converters are 24 bit 128 times oversampling Digital Input Characteristics Digital Output Characteristics Input output characteristics Input Terminals GAIN Actual Load Impedance For Use With Nominal Input Level Connector Sensitivity 1 Nominal Max before clip INPUT 1 16 LS9 16 INPUT 1 32 LS9 32 62 dB 3 kΩ 50 600Ω Mics 600Ω Lines 82 dBu 61 6 µV 62 dBu 0 616 mV 42 dBu 6 16...

Page 274: ...cards LS9 16 LS9 32 MY8 AD24 Analog In 8In 1 2 MY8 AD96 Analog In 8In 1 2 MY8 ADDA96 Analog In Out 8In 8Out 1 2 MY8 AE AES EBU 8In 8Out 1 2 MY8 AE96 AES EBU 8In 8Out 1 2 MY8 AE96S AES EBU 8In 8Out 1 2 MY8 AEB AES EBU 8In 8Out 1 2 MY8 AT ADAT 8In 8Out 1 2 MY8 DA96 Analog Out 8Out 1 2 MY8 TD TASCAM 8In 8Out 1 2 MY4 DA Analog Out 4Out 1 2 MY4 AD Analog In 4In 1 2 MY16 AE AES EBU 16In 16Out 1 2 MY16 A...

Page 275: ...Oscillator OMNI OUT 1 8 LS9 16 OMNI OUT 1 16 LS9 32 600 Ω Full scale output Output level 24 0dBu 0 5 0 0 0 5 PHONES OUT 8 Ω 30dBFs Phones level control max Output level 0dBu Typ 0 5 0 0 0 5 Input Output RL Conditions Min Typ Max Unit INPUT 1 16 LS9 16 INPUT 1 32 LS9 32 OMNI OUT 1 8 LS9 16 OMNI OUT 1 16 LS9 32 600 Ω 4dBu 20Hz 20kHz GAIN max 0 1 4dBu 20Hz 20kHz GAIN min 0 05 Internal Oscillator OMNI...

Page 276: ... n 1 CH 1 16 1 32 Adjacent inputs GAIN min 80 dB OMNI OUT n OMNI OUT n 1 or n 1 OMNI OUT 1 8 1 16 Input to output 80 Input Output RL Conditions Min Typ Max Unit INPUT 1 16 LS9 16 INPUT 1 32 LS9 32 OMNI OUT 1 8 LS9 16 OMNI OUT 1 16 LS9 32 600 Ω Rs 150Ω Input GAIN max 86 dB Output Conditions Min Typ Max Unit INPUT 1 16 LS9 16 INPUT 1 32 LS9 32 hot cold No load 46 48 50 V ...

Page 277: ...0 dB Ratio 1 1 to 1 Attack 0 msec to 120 msec Release 5 msec to 42 3 sec Gain 18 dB to 0 dB 0 dB to 18 dB Knee Hard to 5 soft Key In Self Pre EQ Self Post EQ Mix Out13 16 Ch1 STIN4R 8ch block Fader Level 1024 steps 138 dB to 10 dB On On Off Mute Group 8 Groups Mix Send 16 sends Fix Variable can be set each two mixes Mix Send Point Pre EQ Pre Fader Post On Level 1024 steps 138 dB to 10 dB LCR Pan C...

Page 278: ...Pin Assignment 278 LS9 16 32 Owner s Manual LAMP LS9 32 only Pin Assignment 1 4 2 3 Pin Signal Name 1 NC 2 NC 3 GND 4 12V ...

Page 279: ... products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamaha dealer European models Purchaser User Information specified in EN55103 1 and EN55103 2 Inrush Current 16A Conforms to Environments E1 E2 E3 and E4 Dimensions 25 430 480 25 220 500 220 500 884 834 25 25 Unit mm LS9 16 LS9 32 ...

Page 280: ...ons indicated by the arrows tighten the screws to attach the rackmount hard ware The mixer can be attached at either of two angles as shown in the following illustration 4 Attach the hardware to the other side in the same way Attaching the RK1 rackmount kit sold separately Keep the side pad screws together with the pads you removed NOTE Side pad A A A A When attaching the RK1 rackmount kit make su...

Page 281: ...OFF x x After Key s x x Touch Ch s x x Pitch Bend x x 0 32 o o Bank Select 6 38 o o Data Entry 98 99 o o NRPN LSB MSB 1 31 33 98 o o Assignable Cntrl Control 102 119 Change Prog o 0 127 o 0 127 Assignable Change True 0 300 System Exclusive o 1 o 1 2 Song Pos x x Common Song Sel x o Recorder Control Tune x x System Clock x o Effect Control Real Time Commands x x All Sound Off x x Aux Reset All Cntr...

Page 282: ...stant display area 30 CONTRAST field 217 Control changes 183 Cooling fan vent 25 COPY button 39 Cue function 145 148 CUE key 149 CUE screen 149 Cursor 32 CUSTOM FADER key 91 Custom fader layer 91 D Data entry section 22 DE ESSER 231 DEF button 38 Digital input output connections 43 Dimensions 279 DIRECT field 82 Direct output 103 Display 20 30 DISPLAY ACCESS section 19 29 DUCKING 229 DYNA field 82...

Page 283: ...8 INPUT jacks 24 Input patching 99 Input output characteristics 273 Insert connections 101 INSERT field 82 Internal clock 215 IP address 216 K Keyboard window 34 Knobs 32 L LAMP connector LS9 32 only 25 LAYER section 19 27 LCR mode 58 71 Level Diagram End of Manual LIB button 35 Libraries 35 120 174 List window 32 Login 189 LS9 Editor 216 LS9 16 11 LS9 32 11 M MAC address 216 MATRIX buses 213 MATR...

Page 284: ...E LIST screen 129 Scene memory 129 Clearing 137 Constant display area 30 Copying pasting 136 Cutting 138 Initializing current scene 45 Inserting 138 Recalling 131 Sorting and renaming 134 Storing 129 SCENE MEMORY key 19 SCENE PLAYBACK LINK screen 113 SELECTED CH VIEW screen 31 82 Selected channel 30 SELECTED CHANNEL section 21 81 Adjusting send levels 84 Assigning to mute group 89 Basic operations...

Page 285: ...emory Editing files 201 Formatting 204 Loading 200 Saving 199 USB memory recorder 105 User 187 User authentication keys 187 188 192 User defined keys 132 196 257 USER DEFINED KEYS section 18 132 196 User level 187 192 USER SETUP screen 187 205 V Virtual rack 157 VIRTUAL RACK screen 158 W Warning 268 Word clock 14 46 206 WORD CLOCK IN OUT connectors 25 WORD CLOCK popup window 46 206 ...

Page 286: ...286 LS9 16 32 Owner s Manual ...

Page 287: ...MAX 600ms DELAY MAX 600ms DELAY MAX 600ms METER SLOT OUT SLOT OUT OMNI OUT 2TR OUT TRIM TRIM TRIM 8 16 DIT PHONES LEVEL SLOT SLOT1 SLOT2 COAXIAL PHONES SLOT SLOT1 SLOT2 OMNI OUT 1 8 16 2TR OUT DIGITAL Tip Ring Sleeve KEYIN CUE EFFE CT CUE RECORDER CUE KEYIN CH1 32 64 KEYIN ST IN1L 4R RACK 5 8 OUT L R RECORDER IN L R PLAYBACK OUT L R KEYIN CUE SELECT EFFECT CUE SELECT RECORDER CUE SELECT OSCILLATOR...

Page 288: ...40 50 60 70 80 90 100 110 120 130 140 150 160 24 4 170 180 190 Nominal Output 24dBu 4dBu 30 30 OMNI OUT1 16 8 Default setting Nominal Output 75mW 8Ω 150mW 8Ω Max Output The position of the level control is 10dB lowered from Max PHONES INPUT 1 32 16 GAIN MIN 1 2 INPUT 1 32 16 GAIN MAX Nominal Input 62dBu Max Input 42dBu Nominal Input 10dBu Max Input 30dBu DELAY OUTPUT PATCH ATT EQ x4 DYN ø ATT TRIM...

Page 289: ... Música Ibérica S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 Göteborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK 2730 Herlev Denmark Tel 44 92 49 00 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N 1345 Østerås Norway Tel 67 16 77 70 RUSSIA Y...

Page 290: ...U R G Pro Audio Division 2006 Yamaha Corporation 007POTO G0 Printed in Japan WH39070 Yamaha Pro Audio global web site http www yamahaproaudio com Yamaha Manual Library http www yamaha co jp manual ...

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