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Korg PA80, User Manual

The Korg PA80 is a versatile musical workstation that offers a wide range of features and functionalities. With its "Easy Start" feature, users can quickly familiarize themselves with the device. For your convenience, we provide a comprehensive user manual for free download on our website. Discover the full potential of the Korg PA80 today!

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14-16

Program operating mode

Page 17 - LFO1

S

tart Level 

S

wing

This parameter specifies the direction in which “AMS” will
change “Start Level”. If “Intensity” is set to a positive (+)
value, setting this parameter to + will allow AMS to increase
the EG level, and setting this parameter to – will allow AMS
to decrease the EG level. With a setting of 0, no change will
occur.

Attack Level 

S

wing

This parameter specifies the direction in which “AMS” will
change “Attack Level”. If “Intensity” is set to a positive (+)
value, setting this parameter to + will allow AMS to increase
the EG level, and setting this parameter to – will allow AMS
to decrease the EG level. With a setting of 0, no change will
occur.

Break Point Level 

S

wing

This parameter specifies the direction in which “AMS” will
change “Break Level”. If “Intensity” is set to a positive (+)
value, setting this parameter to + will allow AMS to increase
the EG level, and setting this parameter to – will allow AMS
to decrease the EG level. With a setting of 0, no change will
occur.

Amp EG ‘Time’ modulation

These parameters let you use an alternate modulation source
to modify the amp EG times that were specified in “Attack/
Decay/Slope/Release Time” on page 14-15.

AM

S1

(T) (Alternate Modulation 

S

ource 

1

 - Time)

This parameter specifies the source that will control the
“Time” parameters of the amp EG (see “AMS (Alternate
Modulation Source) list” on page 14-19). With a setting of
Off, there will be no modulation.

Intensity

This parameter specifies the depth and direction of the effect
that “AMS1” will have. For example, if “AMS1(T)” is Amp
KTrk +/+, the (Amp) Keyboard Track settings (see “Amplifier
keyboard tracking” on page 14-14) will control the EG
“Time” parameters. With positive (+) values of this parame-
ter, positive (+) values of “Ramp (Ramp Setting) will cause
EG times to be lengthened, and negative (–) values of “Ramp

(Ramp Setting)” will cause EG times to be shortened. The
direction of the change is specified by “Attack Time Swing”,
“Decay Time Swing”, “Slope Time Swing”, and “Release
Time”.
When “AMS1(T)” is Velocity, positive (+) values will cause
EG times to lengthen as you play more strongly, and negative
(–) values will cause EG times to shorten as you play more
strongly. With a setting of 0, the EG times will be as specified
by the “Amp envelope” parameters (see page 14-15).

Attack Time 

S

wing

This parameter specifies the direction of the effect that
“AMS1” will have on “Attack Time”. With positive (+) values
of “Intensity”, setting this parameter to + will allow AMS1 to
lengthen the time, and setting it to – will allow AMS1 to
shorten the time. With a setting of 0 there will be no effect.

Decay Time 

S

wing

This parameter specifies the direction of the effect that
“AMS1” will have on “Decay Time”. With positive (+) values
of “Intensity”, setting this parameter to + will allow AMS1 to
lengthen the time, and setting it to – will allow AMS1 to
shorten the time. With a setting of 0 there will be no effect.

S

lope Time 

S

wing

This parameter specifies the direction of the effect that
“AMS1” will have on “Slope Time”. With positive (+) values
of “Intensity”, setting this parameter to + will allow AMS1 to
lengthen the time, and setting it to – will allow AMS1 to
shorten the time. With a setting of 0 there will be no effect.

Release Time

This parameter specifies the direction of the effect that
“AMS1” will have on “Release Time”. With positive (+) val-
ues of “Intensity”, setting this parameter to + will allow AMS1
to lengthen the time, and setting it to – will allow AMS1 to
shorten the time. With a setting of 0 there will be no effect.

AM

S

2 (Alternate Modulation 

S

ource 2)

This is another alternate modulation source for the Amp EG.
See above “AMS1” parameters.

PA

G

E 

1

7 - LFO

1

In this and the next page you can make settings for the LFO
that can be used to cyclically modulate the Pitch, Filter, and
Amp of each oscillator. There are two LFO units for each
oscillator. By setting the LFO1 or LFO2 Intensity to a negative
(–) value for Pitch, Filter, or Amp, you can invert the LFO
waveform.

Amp 1 EG changes (Time) (AMS=Velocity, Intensity= a positive (+) value)

Amp 1 EG changes (Time)
(AMS=Amp KTrk +/+, Intensity = a positive (+) value)
(When Amp Keyboard Track “Low Ramp”= a positive (+) value, and 
“High Ramp” = a positive (+) value)

Note-on

Note-off

Note-on

Note-off

Note-on

Note-off

Note-on

Note-off

Note-on

Note-off

Note-on

Note-off

Low-pitched note played with 
Attack, Decay, Slope, and 
Release Time Swing at +

Softly played note with 
Attack, Decay, Slope and 
Release Time Swing at +

High -pitched note played with 
Attack, Decay, Slope, and 
Release Time Swing at –

Strongly played note with 
Attack, Decay, Slope and 
Release Time Swing at +

Strongly played note with 
Attack, Decay, Slope and 
Release Time Swing at –

Selected:        Osc1

Wave:   Triangle Rand

Frequency:         31

Key Sync:          On

LFO1       |Osc1

Summary of Contents for PA80

Page 1: ...USER S MANUAL ENGLISH Ver 3 06 MAN0001064 E ...

Page 2: ...am aged or B Objects have fallen or liquid has been spilled into the product or C The product has been exposed to rain or D The product does not appear to operate normally or exhibits a marked change in performance or E The product has been dropped or the enclosure damaged 11 Do not attempt to service the product beyond that described in the user maintenance instructions All other servicing should...

Page 3: ...ery operated apparatus means it con forms to EMC Directive 89 336 EEC and CE mark Directive 93 68 EEC IMPORTANT NOTICE FOR THE UNITED KINGDOM Warning THIS APPARATUS MUST BE EARTHED As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured mark ings identifying the terminals in your plug proceed as follows the wire which is coloured green and yellow must b...

Page 4: ...ocal Authorized KORG distributor PA80 ON THE WEB For up to date information please point your web browser to http www korgpa com Copyright 2001 KORG Italy Spa Printed in Italy THE BALANCE SLIDER When turning the instrument on please be assured the BALANCE slider is set to the center This sets both Sequencer 1 SEQ1 and Sequencer 2 SEQ2 to their maximum level This will avoid you start a Song without...

Page 5: ...e 7 2 select a Fill or a Break 7 2 select a Style Variation 7 3 see the Style tracks 9 3 create a new Style 10 1 Song Play mode play a Song Standard MIDI File 6 5 see the Lyrics 11 5 see the Song tracks 11 4 start both Sequencers at the same time 3 7 11 11 Backing Sequence mode record a new Backing Sequence Song 12 1 Song mode record a new Song 13 4 edit a Standard MIDI File 13 1 In general turn t...

Page 6: ...hord 1 and Chord 2 channels 8 2 The Control channel 8 2 MIDI Setup 8 2 Connecting Pa80 to a Master keyboard 8 2 Connecting the Pa80 to a MIDI accordion 8 3 Connecting the Pa80 to an external sequencer 8 3 Playing another instrument with the Pa80 8 4 Reference Guide Style Play operating mode 9 1 What s a Style 9 1 Styles and Performances 9 1 Changing and resetting the Tempo 9 1 The DIRECT HD bank 9...

Page 7: ... 10 Preferences 11 11 Saving a list of Songs 11 11 Backing Sequence operating mode 12 1 Transport controls 12 1 The Backing Sequence Song and Song Play modes 12 1 How to playback a Song 12 1 Realtime Recording mode 12 1 Chord Acc Step recording 12 2 Main Page Backing Sequence Play 12 2 Load Song page 12 3 Save Song page 12 3 Record page 12 4 Chord Acc Step Recording page 12 4 How to delete a whole...

Page 8: ...16 7 Page 15 Inputs Internal FX 16 7 Page 16 Internal FX controls 16 8 Page 17 Vocal Guitar Mode 16 8 Page 18 Vocal Setup 1 16 10 Page 19 Vocal Setup 2 16 10 Page 20 Vocal Setup 3 16 11 Page 18 Guitar Setup 1 16 11 Page 19 Guitar Setup 2 16 12 Page 20 Guitar Setup 3 16 12 Disk edit environment 17 1 The WRITE DISK IN USE LED 17 1 Floppy disk handling 17 1 Hard disk partition size 17 2 Flash Card ha...

Page 9: ...I Controllers 22 1 MIDI Implementation Chart 22 2 Parameters 23 1 Recognized chords 24 1 Vocal Guitar Processor Board VHG1 25 1 Assembling the board with the HD drive already installed 25 1 Assembling the board without a HD drive installed 25 4 Video Interface VIF1 26 1 Installing the board 26 1 Connections and setup 26 3 Hard Disk Kit 27 1 Error messages Troubleshooting 28 1 Error messages 28 1 T...

Page 10: ...TOC 6 ...

Page 11: ...INTRODUCTION ...

Page 12: ......

Page 13: ...es and other useful music materials Each KORG distributor can supply you with useful informa tion Just give him a call for additional services In the English speaking world here are the relevant addresses USA KORG USA 316 South Service Road Melville New York 11747 USA Tel 1 516 333 9100 Fax 1 516 333 9108 Canada Jam Industries 620 McCaffrey St Laurent QC Canada H4T 1N1 Tel 514 738 3000 Fax 514 737...

Page 14: ...oad a new system follow these instructions 1 Copy the three operating system s files in an empty MS DOS formatted HD type floppy disk These are the needed files OSPa80 LZX BPa80 SYS NBPa80 SYS 2 Turn the instrument off and insert the operating system disk into the disk drive 3 Turn the instrument on A message appears in the dis play asking if you want to load the operating system 4 Press ENTER to ...

Page 15: ...r the left part of the keyboard just under the joystick You can use headphones with an impedance of 16 200Ω 50Ω suggested Use a headphone distributor to connect more than one pair of headphones AUDIO OUTPUTS You can send the sound to an external amplification system instead of the internal speakers This is useful when record ing or when playing live Stereo Connect two mono cables to the main L MON...

Page 16: ...t a standard MIDI cable from the MIDI OUT of your controller to the MIDI IN connector on the Pa80 2 Select a transmission MIDI channel on your controller Some controllers like the MIDI accordions usually transmit on more than one channel see more informa tion in the MIDI chapter 3 On the Pa80 select the MIDI Setup that best fit your controllers type see Page 5 MIDI Setup on page 16 3 DAMPER PEDAL ...

Page 17: ...3 1 Front panel 3 FRONT PANEL 1 2 3 4 5 6 7 8 9 0 A B C D E F G H I J K P Q S T U h i K L M N O e f g R S U V W X Y Z a b c d h i ...

Page 18: ...with the BAL ANCE slider In addition to the Song tracks you can play one to four Realtime Keyboard tracks along with the Song s In the main page Realtime Keyboard tracks are shown on the right half of the display You can reach the main page by pressing EXIT from any of the Song Play edit pages If you are in a different operating mode press SONG PLAY to recall the Song Play mode If the TRACK SELECT...

Page 19: ...banks only if the hard disk is installed Press it repeatedly to select one of the rows After both LEDs have turned on press the button again to turn them off UPPER LED ON Upper row Styles selected LOWER LED ON Lower row Styles selected BOTH LED ON DIRECT HD and CARD Styles selected if any Direct HD Styles are accessed by pressing buttons 1 9 while Card Styles are accessed by pressing the 0 button ...

Page 20: ...n both LEDs are lit raising your hand from the keyboard momentarily stops the Style running If you play a chord again the Style starts again OFF All Synchro functions are turned off This button doubles as a DELETE function for the Backing Sequence and Song modes see chapters 12 and 13 It is also used to delete the selected character during text editing M TAP TEMPO RESET INSERT This is a double fun...

Page 21: ... the soloed track VALUE Use each button pair to change the corre sponding parameter s value The left button decreases the value the right button increases it T TRACK SELECT Depending on the operating mode this button switches between the various tracks view STYLE PLAY MODE Switches between the Realtime tracks and the Style tracks SONG PLAY MODE Switches between the main page showing the Realtime K...

Page 22: ... Display Hold function on or off ON When you open a temporary windows like the Program Select window it remains in the dis play until you press EXIT NO or an operating mode button OFF Any temporary window closes after a certain time or after selecting an item in the window CHORD SCANNING section In Style Play and Backing Sequence mode use these buttons to define the way chords are recognized by th...

Page 23: ...k To cycle all pages for a selected bank repeatedly press the bank s button e PADS 1 4 STOP These programmable pads can be used to trigger a sound effect Use the STOP button to stop a cyclic sound See List of sounds assignable to the Pads on page 21 2 Each Pad corresponds to a dedicated Pad track f TRANSPOSE These buttons transpose the whole instrument in semitone steps Master Transpose The transp...

Page 24: ...on Press PAUSE or PLAY STOP to start the Song play ing again PLAY STOP Starts or stops the current Song When you stop the Song the Song Position goes back to measure 1 In Song Play mode pressed while keeping SHIFT pressed starts both sequencers at the same time ...

Page 25: ...le First select the line using a VOLUME VALUE A H button Then select a column using the F1 F4 function key In the Disk edit environment the F1 F4 buttons can be used also to select one of the page commands appearing in the last line of the display See SINGLE TOUCH SETTING F1 F4 FUNCTION KEYS buttons on page 3 5 for more information PAGE The PAGE buttons select the previous or following edit page W...

Page 26: ...ment or a selecting page the current operating mode is still working in the background Operating modes See diagram at the bottom of this page At the lowest level an operating mode is always active The current operating mode is indicated by the lit LED on the STYLE PLAY B SEQ SONG PLAY SONG or PROGRAM button in the MODE section The relevant icon lights up in the display An operating mode is divided...

Page 27: ...m display show the status of a parameter or the display content Realtime Keyboard track Upper 1 3 Lower Drum track Style track view Percussion track Style track view Grouped Drum and Percussion tracks Bass track Style track view Grouped accompaniment tracks This symbol indicates the five grouped accompaniment tracks Acc1 5 Accompaniment tracks Style track view Sequencer tracks Audio Input track Th...

Page 28: ...4 4 Display and User Interface Grayed out non available parameters ...

Page 29: ...ter or a controller Connect it to an external controller s or computer s MIDI OUT OUT This connector sends MIDI data generated by Pa80 s keyboard controllers and or the inter nal sequencer Connect it to an expander s or computer s MIDI IN THRU This connector sends an exact copy of the data received on the IN connector Use it to cascade the Pa80 with other MIDI instruments 7 EC5 This connects to a ...

Page 30: ...esizer or a CD player line impedance Set the input gain with the GAIN control To connect a condenser microphone you need an external phantom power supply Refer to your microphone user s manual B GAIN 1 and 2 Use these controls to separately adjust the input sensitivity of the INPUTS 1 and 2 connectors From one extreme to the other you can adjust the optimal sensitivity for LINE devices 0dB microph...

Page 31: ...BASIC GUIDE ...

Page 32: ......

Page 33: ...ING A TRACK Selecting Use the VOLUME VALUE A H buttons to select a track The selected track is shown with a solid square surrounding its status icons If you can t see the track you are looking for use the TRACK SELECT button to scroll up or down the tracks and find the hidden ones Mute unmute Press both VOLUME VALUE A H but tons to mute or unmute a track For example if you are in the main page tha...

Page 34: ...pears There are 8 Performances for each bank 4 Select a Performance using the VOLUME VALUE A H buttons 5 If the DISPLAY HOLD LED is on press EXIT to exit this window The STYLE CHANGE button When you select a Performance the Style may or may not change depending on the status of the STYLE CHANGE button When you save a Performance the current Style number is always memorized If the STYLE CHANGE LED ...

Page 35: ...es for each bank containing up to 8 Programs each 6 As you find the Program you are looking for select it using the VOLUME VALUE A H buttons 7 If the DISPLAY HOLD LED is on press EXIT to exit this window SELECTING AND USING THE DIGITAL DRAWBARS The Pa80 includes a realistic simulation of the classic rock organs You can select these special Programs by pressing the DIGITAL DRAWBARS button Unlike ot...

Page 36: ...HD 2 Select the STYLE bank containing the Style you are looking for The Style Select window appears 3 There are 2 pages for each bank each containing 8 Styles Select a page using the PAGE buttons 4 As you find the Style you are looking for select it using the VOLUME VALUE A H buttons Note The new Style will enter at the next strong beat 5 If the DISPLAY HOLD LED is on press EXIT to exit this windo...

Page 37: ...is in a folder a file whose name begins with move the folder to the first line in the display then select the F3 OPEN command Select the F4 CLOSE command to close a folder and go back to the upper level 7 When the file you are looking for is in the first line of the display press the F2 SELECT button 8 When the Song appears in the S1 line on the main page of the Song Play mode press the left SEQ 1...

Page 38: ...6 6 Basic operations Shortcut to see the original bank for a Style Performance or Program ...

Page 39: ...ormance bank 1 and use the A VOL UME VALUE buttons to select Performance 1 1 4 Unmute the Upper 2 track Press both F VOLUME VALUE buttons The Upper 2 track will be selected and unmuted The Play icon will appear sur rounded by the selected track frame and accompanied by the pointing arrow You will hear the Dark Pad Program play together with the Grand Piano 5 Press SPLIT on the KEYBOARD MODE sectio...

Page 40: ...ME VALUE buttons to select Jazz Brush 2 Call an Intro You can engage an Intro to be played before the Style Press INTRO1 or INTRO2 The former plays more freely without letting you decide of the chords The latter lets you play a chord progression during its playing 3 Start the Style Play a chord and press the START STOP button Then begin playing Usually when the SPLIT LED is on chords are rec ogniz...

Page 41: ...NG Nothing easier than playing a Song on the Pa80 You don t have even to load it from disk 1 Move the BALANCE slider to the center This sets both onboard sequencers at the same level 2 Insert the floppy disk containing the Song into the disk drive Make sure your disk is DOS formatted This is the typical Window format and you can make a disk of this type also on the Mac by selecting the DOS option ...

Page 42: ...uch Setting As above you should know the story see Selecting a Perfor mance on page 6 2 or Selecting a Single Touch Setting STS on page 6 5 But here is a short recap for the Perfor mances 1 Press the PERFORM button to set the PROGRAM PER FORMANCE section act as a Performance selector 2 Select one of the Performance Banks by pressing one of the buttons of the PROGRAM PERFORMANCE sec tion 3 Select a...

Page 43: ...original KORG sounds You can do it in Song mode 1 Press SONG to go to the Song mode This is the Song garage where you may find tools to reshape your Song 2 Insert in the disk drive the floppy disk contain ing the midifile you wish to edit Midifiles are files generated by a computer sequencer or a musical instrument usually after a conversion For example if working with a computer you should find a...

Page 44: ...t track 1 3 Select a Program You should know how to do If not what about going back for a little to the Basic opera tions chapter Selecting a Program section page 6 3 It will be of a great help in the future Which Programs to choose With 660 Programs you will for sure find your preferred sound Just browse any Program bank and listen to them Turn on the DIS PLAY HOLD LED to stay in the Selecting Wi...

Page 45: ...n Arabic scale in real time by assigning a footswitch a KORG EC5 pedal or a pad the Quarter Tone function Another way of changing the scale is assigning it to a Perfor mance or Single Touch Setting STS but this is the most convenient way to change the pitch in real time 1 Program a footswitch or one of the EC5 pedals to be the Quarter tone switch Simply go to the Global environment and reach Page ...

Page 46: ...7 8 Tutorial 6 The Arabic Scale ...

Page 47: ...ed together with the Pro gram Change message to select a Program CC01 or Modulation This is the equivalent of pressing up the joystick A vibrato effect is usually triggered on CC07 or Master Volume Use this controller to set the channel s volume CC10 or Pan This one sets the channel s position on the stereo front CC64 or Damper Pedal Use this controller to simulate the Damper pedal Tempo Tempo is ...

Page 48: ...ternal data MIDI SETUP You can play Pa80 with an external controller and use it sim ply as a gorgeous sound generator To help you configure the MIDI channels we have provided a set of MIDI Setups Go to Global mode to select the one that fits your MIDI needs See Page 5 MIDI Setup on page 16 3 for more information We recommend you to consider each MIDI Setup as a start ing point you can freely tweak...

Page 49: ...confirm or EXIT to abort 5 Set the Upper 1 track in play and press FULL UPPER in the KEYBOARD MODE section This way you can transmit to the external sequencer on the full keyboard range 6 At this point the notes played on the Upper 1 track go from the MIDI OUT of the Pa80 to the MIDI IN of the computer MIDI interface The notes generated by the computer i e a Song played by its sequencer are sent t...

Page 50: ...s MIDI OUT To hear only the expander s sounds you can lower the MAS TER VOLUME control on the Pa80 or set the Realtime Tracks to the External status see Page 15 Track Internal External on page 9 8 The Sequencer Any Sequencer s track can drive a channel on an external instrument To set each track s MIDI output channel see Page 11 MIDI OUT Channels on page 16 5 To hear only the expander s sounds you...

Page 51: ...REFERENCE GUIDE ...

Page 52: ......

Page 53: ...RECT HD BANK You can expand the internal memory User Styles with nine additional banks residing on the optional hard disk When both LEDs of the leftmost STYLE button are lit the DIRECT HD banks are selected No loading is required Use the first nine STYLE bank buttons to select these banks Each bank can include up to 16 Styles browse them using the PAGE buttons The DIRECT HD Styles are contained in...

Page 54: ...nk save your Styles into the first folder in the floppy disk Folders are read in alphabetical order Note The following procedures requires you overwrite the User Style banks Save these banks before proceeding to avoid loosing important data 1 Insert the floppy disk into the disk drive 2 Press DISK and go to the Load page 3 Use the F1 Disk device button to select the FD Floppy Disk device 4 Load th...

Page 55: ...tracks 1 5 other than Bass Drum and Percussion To mute these tracks press both VOLUME VALUE buttons To unmute them press both buttons again To change the volume keep one of the buttons pressed D Audio In Use these buttons to mute unmute or change the volume of the audio inputs Note If the Input 1 2 parameter is set to Direct see page 16 7 these buttons have no effect on the audio inputs E Upper 1 ...

Page 56: ...enu select an edit section using the VOLUME VALUE A H buttons select an edit page using PAGE or press EXIT to exit the menu When in an edit page press EXIT to go back to the main page of the Style Play operating mode Each item in this menu corresponds to an edit section Each edit section groups various edit pages EDIT PAGE STRUCTURE Select an edit section from the Menu and or use the PAGE buttons ...

Page 57: ...r Internal FX processors in Style Play mode You can assign them any kind of available effects but we found it convenient to arrange them in the following way for all the Styles included with the Pa80 A Reverb processor for the Style tracks B Modulating FX processor for the Style tracks C Reverb processor for the Realtime Keyboard tracks D Modulating FX processor for the Realtime Keyboard tracks Us...

Page 58: ...tracks Parameters These parameters show the Pitch Bend range for each track in semitones 01 12 Maximum up down pitchbend range in semi tones 12 1 octave Off No pitchbend allowed PAGE 7 FX A B SELECT This page enables you to select the A and B effects Usually the A effect is the reverb and the B effect is the modulating effect for the Style tracks A B Effects assigned to the A and B effect processo...

Page 59: ... original Pro gram You can also change the volume for each class of Drums and Percussion if the selected track is set in Drum mode see below Page 14 Track Mode Here is the edit procedure 1 Use the VOLUME VALUE A H buttons to select a track 2 Use the F1 F4 buttons to select a Program parameter or its value For the Drum and Percussion tracks see below the Drum tracks section 3 Use the TEMPO VALUE co...

Page 60: ...no Right A Mono track but with priority assigned to the rightmost highest note PAGE 15 TRACK INTERNAL EXTERNAL This page lets you set the Internal or External status for each track It is very useful to let a Style track drive an external expander or play a digital piano with one of Pa80 s Realtime tracks Parameters Internal The track plays the sounds generated by the internal sound engine It does ...

Page 61: ...bles disables the left right movement of the Joystick Pitch Bend and sometimes the sound parameter s control Y This enables disables the front rear movement of the Joystick Y Modulation and sometimes the sound parameter s con trol Y Various controls or non active PAGE 18 R T CONTROLS DYNAMIC RANGE This page lets you program a dynamic range for each of the Realtime Keyboard tracks This is useful to...

Page 62: ... parameter only appears when the Echo option is selected This parameter sets how many times the original note chord is repeated by the Echo option PAGE 20 STYLE CONTROLS DRUM FILL In this page you can select various general parameters for the Style V1 V4 Drum Map The Drum Mapping lets you select an alternative arrange ment of percussive instruments for the selected Drum Kit without any additional ...

Page 63: ...tion in semitones of the track referred to the original key of the pat tern KR Keyboard Range This parameter is an on off switch for the Key Range param eter memorized into the Style Or iginal The Keyboard Range is used When a track goes over the lower or higher limit set by this hidden parameter it is transposed to play into the programmed range Off No Keyboard Range used PAGE 22 INPUT PAD INPUT ...

Page 64: ...t to On On Default The lock is engaged When selecting a Style or Performance the Master Transpose will not change Off The lock is turned off When selecting a Style or Performance the Master Transpose value may change according to the data memorized into the Performance or Style Performance PAGE 25 PREFERENCES CONTROLS In this page you can set various general parameters for the Style Note These set...

Page 65: ...until the next note or chord is played When its LED is off the chord is reset when raising the hand from the keyboard and the Lower track is not sustained Lower When its LED is on the MEMORY button keeps the Lower track held until the next note or chord is played When off the Lower track is not sustained when raising the hand from the keyboard The chord is always kept in memory Velocity Control Se...

Page 66: ...9 14 Style Play operating mode Page 25 Preferences controls ...

Page 67: ...hord Which Chord Variation corresponds to each scanned chord is a setting of the Style the Chord Variation Table Each Style Element contains a Chord Variation Table whose prototype is the fol lowing After deciding what CV to play the arranger triggers the right sequence for each track Since each sequence is written in a particular key for example CMajor GMajor or Emin the arranger transposes it ac...

Page 68: ...e Exit and Save Abort Style below Then edit the Style Performance to adjust the track s settings Tempo Volume Pan FX Send see page 9 5 and following in the Style Play operating mode chapter and save it by pressing the WRITE button Select New Style to start from a new empty Style A default Style Performance will be recalled When fin ished recording you will save the new Style onto a User Style loca...

Page 69: ...Record mode filters out some events that may dam age the right operation of the Style Here are the recorded events and the most important filtered out events A Note Off will always be inserted at the end of the Chord Variation Note Some Control Change messages cannot be recorded directly using Pa80 integrated controls FAST DELETE USING THE CONTROL PANEL BUTTONS While in the Main page or the Style ...

Page 70: ...ng the E VOLUME VALUE buttons or the TEMPO VALUE controls RT Realtime This methods allows you to record in realtime each pattern of the Style Stp Step Record This method allows you to enter the events one at a time See Style Record pro cedure below for more information RL Recording Length This parameter sets the recording length in measures of the selected track Its value is always equal to or a d...

Page 71: ...eep the SHIFT button pressed while pressing one of the D VOLUME VALUE buttons to copy the Key of the currently selected track to all other tracks of the same Chord Variation This function is useful to speed up pattern programming and to avoid having different tracks in different keys within the same Chord Variation NTT The Note Transposition Table NTT determines how the arranger will transpose pat...

Page 72: ...e Record mode before actually starting recording see step 6 on page 10 7 for more information key This is a prompt asking for a note or chord to be played on the keyboard to enter an event on the current step Step value Length of the event to be inserted Use the NOTE VALUE buttons on the lower left area of the control panel to change this value Note value Dot Augments the selected note by one half...

Page 73: ...LUE buttons to select the R parameter Use these buttons or the TEMPO VALUE controls to select the RT Realtime recording mode 2 Press TRK SELECT to switch to the Style Tracks page Here you can assign the right Program to each Style track For more details see Style Tracks page on page 10 5 3 If you like you can set the tempo again from this page just use the TEMPO VALUE controls 4 Assign a Program t...

Page 74: ... Record page on page 10 6 for more information on each parameter of this page The first two lines a are the latest inserted event The last two lines b are the event currently in edit ready to be inserted The Empty event marks the beginning of the pattern when there are no events inserted It is automatically inserted when entering the Record mode It will be removed when an event is inserted 5 The M...

Page 75: ...Lets look at some Inserting a chord When the key prompt appears in the display play a chord instead of a single note The event s name will be the first note of the chord you pressed followed by the marking Inserting a chord with notes with different velocity values You can make the upper or lower note of a chord for exam ple louder than the remaining ones to make the most important note emerge fro...

Page 76: ...PAGE STRUCTURE Select an edit section from the Menu and or use the PAGE buttons to reach the desired page Press EXIT to go back to the main page of the Style Record mode All edit pages share the same structure Style Play icon When on this icon indicates that the instrument is in Style Play mode Page header The header shows the name of the current edit page As a general rule the header is divided i...

Page 77: ...selected PAGE 2 EDIT TRANSPOSE In this page you can transpose the selected track s Note After transposing please don t forget to readjust the Original Key Chord parameter in the Style Record page see page 10 5 After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort E CV Style Element Chord Variation Non editable These re...

Page 78: ...rt E CV Style Element Chord Variation Selected Style Element and Chord Variation This parameter can t be edited To select a different Style Element and Chord Variation press EXIT to go back to the Main page of the Style Record mode see Main page on page 10 4 Position Position of the event shown in the display expressed in the form aaa bb ccc aaa is the measure bb is the beat ccc is the tick each q...

Page 79: ...ement You can for exam ple replace a note with a different one or change its playing strength i e velocity value Here is the general event editing procedure 1 Select the Style to edit and press RECORD Select the Current Style option to enter recording The LED on the RECORD button will turn on and the Main page of the Style Record mode will appear 2 Use the A VOLUME VALUE buttons and the F1 and F2 ...

Page 80: ...vent with the E F VOLUME VALUE buttons Scroll to previous You may use the SHIFT or shortcut to go to a different measure see SHIFT or on page 10 13 As described in step 4 you may press START STOP and play some chords to listen how the pattern sounds after your changes Press START STOP again to stop the pattern running 13 Use the INSERT button to insert an event at the Position shown in the display...

Page 81: ...ents Double Control Change numbers like 00 32 are MSB LSB bundles Note Some CC data are automatically removed during recording See the table on page 10 3 for more information on the allowed data S E Start End Use these parameters to set the starting S and ending E points of the range to delete If a Chord Variation is four measures long and you want to select it all the Start will be positioned at ...

Page 82: ...lowing If the source length is a divider of the target length the source Chord Variation will be multiplied to fit the tar get Chord Variation For example if the source is 4 measures long and the target 8 measures the source will be copied two times If the source length is not a divider of the target length the source Chord Variation will be copied for as many measures as can fit the target Chord ...

Page 83: ...or the corresponding track PAGE 12 STYLE ELEMENT CONTROLS CHORD VARIATION TABLE This is the page where you can assign a Chord Variation to each recognized chord When a chord is recognized the assigned Chord Variation will be automatically selected by the arranger to play the accompaniment When in this page press the corresponding button on the control panel to select a Style Element VARIATION1 END...

Page 84: ...serted The empty remark is given as the From value Note After importing a groove generated by a melody line not by a percussive groove the imported groove and samples will not be transposed together with the other Style tracks Audio data cannot be transposed by the automatic accompaniment engine From After you insert a Flash Card use this parameter to select one of the generated MIDI Groove patter...

Page 85: ...G EDITING When you enter Edit mode you can edit the selected sequencer s parameters Go to the main page of Song Play mode and select the S1 A buttons or S2 B buttons to select the sequencer you wish to edit see Main page on page 11 3 SELECTING A SONG COMPOSING ITS PROGRESSIVE NUMBER Each Song on disk up to 9 999 has a progressive number assigned You can see this number before the Song s name in th...

Page 86: ... uses the C D pair sharing it with the Realtime keyboard tracks GROOVE QUANTIZE WINDOW You can apply a realtime groove quantization to Sequencer 1 Groove quantization is a way of changing the music groove during the playback moving notes to the nearest axis of a rhythmic grid Please feel free to experiment this func tion is a great source of musical invention While in Song Play press G QUANTIZE Th...

Page 87: ... is automatically selected and various track parameters may change Press EXIT NO to access this page from the Menu or any of the Song Play edit pages To see the Song s tracks use the TRACK SELECT button to switch from the main page showing the Realtime tracks to the other tracks Pressed a first time you will see tracks 1 8 enlightened TRACK SELECT LED a second press will show tracks 9 16 flashing ...

Page 88: ...cks 1 8 Programs Name of the Programs assigned to tracks 1 8 Use these but tons to select mute unmute or change the volume of the cor responding tracks TRACKS 9 16 PAGE To see and edit tracks 9 16 press TRACK SELECT once from the Tracks 1 8 page or twice from the main page The TRACK SELECT LED begins flashing Press the TRACK SELECT button again to go back to the main page A H Tracks 9 16 Programs ...

Page 89: ...cer 1 or one of the B VOLUME VALUE buttons to select Sequencer 2 Note You can have Sequencer 2 selected in the Main page of the Song Play mode and Sequencer 1 selected in the Lyrics page or vice versa In this way you can select a Song whose lyrics to dis play on the external monitor while selecting a different sequencer for editing operations PLAYING A JUKEBOX FILE With Sequencer 1 you can select ...

Page 90: ...g Play mode Page header The header shows the name of the current edit page Usually the header is divided into a first word identifying the section name e g Mixer FX Send is a Mixer section page and a second word referring to the page name e g FX Send Selected Sequencer These indicators show if the currently selected sequencer is Seq1 or Seq2 Go to the Main page and use the A and B VOL UME VALUE bu...

Page 91: ...ect parameter These param eters appear greyed out in the display Note When you stop the Song or select a different Song the default effects are selected again You can however stop the Song change the effects then start the Song again Edit the Song in Song mode to permanently change the effects Here is the edit procedure 1 Use the VOLUME VALUE A H buttons to select a track 2 Use the F1 F4 buttons t...

Page 92: ...er delay For a list of the available effects see Effects on page 20 1 ModTrk Modulating Track Source track for modulating MIDI messages You can modu late an effect parameter with a MIDI message generated by a physical controller B Asend B A Send Amount of the B effect going back to the input of the A effect PAGE 4 FX C D SELECT This page lets you select the C and D effects Usually the C effect is ...

Page 93: ... C and D effects are used also by the Realtime Keyboard tracks PAGE 6 FX D EDITING This page contains the editing parameters for the D effect You can access this page only when the S2 FX Mode param eter is set to C D see S2 FX Mode on page 11 11 For more details see Page 5 FX A editing above Note C and D effects are used also by the Realtime Keyboard tracks PAGE 7 TRACK MODE This page lets you set...

Page 94: ...ou can save your JBX file only in the same folder as the Songs in the list You can create a new file or overwrite an existing one 1 Move to the first line of the display the JBX file you want to save your list into Select an existing file if you want to overwrite it Select the NEW_NAME JBX item to create a new file Use the E F Scroll Up and G H Scroll Down VOL UME VALUE buttons or the TEMPO VALUE ...

Page 95: ...ormance Off When selecting a Performance no effect is selected CD The Performance selects the C and D effect pair Note When both this parameter and the S2 FX Mode parameter are set to CD Sequencer 2 shares its effects with the Realtime Keyboard tracks so these effects can be changed either selecting a Song for Sequencer 2 or selecting a Performance Harmony Track The Vocal Harmonizer of the Vocal G...

Page 96: ... taining the Jukebox file whose Song list you want to save 4 Use the F3 Open and F4 Close buttons to browse through the folders in the selected device 5 Move the folders and files to select to the first line of the display Use the TEMPO VALUE controls or the E F Scroll Up and G H Scroll Down VOLUME VALUE buttons 6 When the Jukebox file you are looking for is selected press F2 Select to select it 7...

Page 97: ...ing Sequence mode you can record a new Song in realtime mode i e recording exactly what you play Realtime Keyboard tracks will be Song tracks 1 4 Pads will be Song tracks 5 8 while Style tracks will be Song tracks 9 16 1 Enter the Backing Sequence mode 2 Press RECORD You will be prompted to select the Real time Recording mode or the Chord Acc Step Mode 3 Press one of the A VOLUME VALUE buttons to ...

Page 98: ... the Chord Acc Step Mode and execute your editing 1 Press B SEQ to enter the Backing Sequence mode 2 Press RECORD You will be prompted to select the Real time Recording mode or the Chord Acc Step Mode 3 Press one of the B Chord Acc Step Mode VOLUME VALUE buttons to enter the Step Mode The Chord Acc Step mode page appears see Chord Acc Step Record ing page on page 12 4 4 Select the M easure paramet...

Page 99: ...t line of the display F3 Open Opens the selected folder file whose name begins with the symbol F4 Close Closes the current folder returning to the parent upper folder SAVE SONG PAGE The recorded Song is contained in RAM and is lost when turning the instrument off The Song is also lost when you overwrite it in Record mode or when switching to the Song Play mode You must save on disk any Song you wi...

Page 100: ...r precount Start recording after bar 1 On2 The metronome plays during recording Recording begins with a 2 bar precount Start recording after bar 1 RT Pads Ch Acc These parameters let you decide the track status during recording RT Pads This Backing Sequence track includes the four Realtime Keyboard tracks and the four Pads They will be Song tracks 1 8 as in the following table Ch Acc This Backing ...

Page 101: ... first tick M001 01 000 like Perf Style Tempo Chord Style Element selection cannot be deleted Style This is the last selected Style To insert a Style change at the current position follow the standard selecting procedure using the buttons of the STYLE section Note Any Style Change inserted after the beginning of the mea sure i e to a position other than Mxxx 01 000 will be effective at the followi...

Page 102: ...N button will be considered No chord means that the accompaniment will not play at the current position apart for the Drum and Percussion tracks To select the No chord option press F1 to select the Name part of the Chord then use the TEMPO VALUE sec tion to select the very last value C B Off Note If you replace a chord with a different one please remem ber that the Lower track will not be automati...

Page 103: ...le in the Main page you can delete a whole Song with the simple SHIFT DELETE key sequence 1 Enter the Song mode You must be in the Main page of the mode If you are in Record mode go back to the Playback mode 2 Press SHIFT DELETE 3 The Delete Song message appears Press ENTER to confirm EXIT to abort MAIN PAGE Press SONG to access this page from another operating mode Note When switching from Style ...

Page 104: ... change the volume of the cor responding tracks SONG SELECT PAGE This page appears when you press PAGE or either the B Load Song buttons while you are in the main page Press EXIT to go back to the Main page of the Song operating mode without selecting a Song A C File folder Move the file or folder to be selected to the first line of the display To select a file press the F2 Load button To open a f...

Page 105: ...ssing the INSERT button Delete a character at the cursor position by pressing the DELETE button 6 When you have finished writing a name for the new midifile press F2 Save to confirm The Are you sure message will appear Press ENTER to confirm or EXIT to abort Play Mute status saved with the Song When saving a Song the Play Mute status is saved with the Song This status is preserved when playing bac...

Page 106: ...t work on an empty Song At least one track must already be recorded 10 When finished recording press PLAY STOP to stop the sequencer Select a different track and go on recording the whole Song 11 When finished recording the new Song press RECORD to exit the Record mode The Song will be saved in memory Warning Save the Song on a disk to avoid it is lost when turning the instrument off Note When exi...

Page 107: ... a rest just press the REST button Its length will match the step value To tie the note to be inserted to the previous one press the TIE button A note will be inserted tied to the previ ous one with exactly the same name You don t need to play it on the keyboard again To insert a chord or a second voice see Chords and second voices below 7 After inserting a new event you may go back by pressing th...

Page 108: ...Metronome on with a one bar precount before starting recording On2 Metronome on with a two bar precount before starting recording Resol Resolution Use this parameter to set the quantization during record ing Quantization is a way of correcting timing errors notes played too soon or too later are moved to the nearest axis of a rhythmic grid set with this parameter thus playing perfectly in time Hi ...

Page 109: ...gments the selected note by one half of its value Triplet 3 Makes the selected note a triplet note V Velocity Set this parameter before entering a note or chord This will be the playing strength i e velocity value of the event to be inserted KBD Keyboard You can select this parameter by turning all counter clockwise the dial When this option is selected the playing strength of the played note is r...

Page 110: ...VALUE buttons select a different track parameter of command depending on the edit page Track status icons A series of icons near each track show the track s status Selected track or parameter When this symbol appears you can execute any available opera tion on the selected item Track in play or already recorded no icon The track is in mute or does not contain data PAGE 1 MIXER VOLUME Here you can ...

Page 111: ...and D Internal FX pair Go to the previous page Page 3 Mixer FX Block to select an FX pair Use the TRACK SELECT button to switch from tracks 1 8 to tracks 9 16 Here is the edit procedure 1 Use the VOLUME VALUE A H buttons to select a track 2 Use the F1 F4 buttons to select a parameter for that track 3 Use the TEMPO VALUE controls to change the parame ter s value Parameters 000 No effect Only the di...

Page 112: ...is selected PAGE 7 TUNING PITCHBEND SCALE This page lets you program the Pitch Bend range for the Song tracks Furthermore it lets you activate deactivate the alter native scale for each track Use the TRACK SELECT button to switch between Song tracks 1 8 Song tracks 9 16 and back again PB end This parameters shows the Pitch Bend range for each track in semitones 01 12 Maximum positive negative pitc...

Page 113: ...he effects C D Effects assigned to the C and D effect processors Usually C is the reverb while D is the modulating effect chorus flanger delay For a list of the available effects see Effects on page 20 1 ModTrk Modulating Track Source track for modulating MIDI messages You can modu late an effect parameter with a MIDI message generated by a physical controller D Csend D C Send Amount of the D effe...

Page 114: ...is triggered by releasing a key Cutoff Filter cutoff This sets the sound brightness Resonance Use the Filter Resonance to define the width of the frequency range affected by the Filter Vibrato Rate Speed of the Vibrato Vibrato Depth Intensity of the Vibrato Vibrato Delay Delay time before the Vibrato begins after the sound starts Drum tracks When a track is set in Drum Mode like the Drum and Per c...

Page 115: ...seful to let a Song track drive an external expander Use the TRACK SELECT button to switch between Song tracks 1 8 Song tracks 9 16 and back again Parameters Internal The track plays the sounds generated by the internal sound engine It does not play an external instrument connected to the MIDI OUT External The track plays an external instrument con nected to the MIDI OUT It does not play the inter...

Page 116: ...ou can transpose the Song a track or a part of a track After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort Trk Track Use this parameter to select a track All All tracks selected apart for Drum tracks 1 16 Selected track Value Value of the transpose in semitones S E Start End Use these parameters to set the starting S...

Page 117: ...Use these parameters to set the starting S and ending E points of the range to delete If you wish to select a four measure sequence starting at the beginning of the Song the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to delete If you select the same note as the Bot tom and Top parameters you can sele...

Page 118: ...editing procedure Trk Track Track in edit To select a different track press one of the A VOLUME VALUE buttons to open the Go To Track window Use the TEMPO VALUE controls to select a track and press ENTER to confirm or EXIT to abort 1 16 One of the ordinary tracks of the Song These tracks contains musical data like notes and controllers Master This is a special track containing Tempo changes Meter ...

Page 119: ...ou can t insert new events in an empty non recorded Song To insert an event you must first insert some empty mea sures To use the Insert function press MENU and one of the F VOLUME VALUE buttons then press the PAGE button twice DELETE Press the DELETE button to delete the event shown in the display PAGE 25 EVENT FILTER This page is where you can select the event types to be shown in the Event Edit...

Page 120: ...buttons and the F3 and F4 function keys to respectively select the first and second value of the parameter Use the G VOLUME VALUE buttons or the TEMPO VALUE controls to modify the selected value 10 In the case of a Note event use the D VOLUME VALUE buttons to select the Length line and use the same but tons or the TEMPO VALUE controls to change the event s length After having modified the shown ev...

Page 121: ...the value of the Program Change PC message for the selected Program Values are in the standard 0 127 MIDI numbering format Note Some manufacturers could use the 1 128 numbering sys tem when connecting your Pa80 to an instrument of this kind increment the PC value by 1 unit Effects In Program mode the Program uses its own effects instead of relying on A D effects Two effect processors FX1 and FX2 a...

Page 122: ...hould select a Program of the type you wish to edit or create Notes pointing to special Drum Program features are marked by the icon MENU While in any other page of the Program operative mode press MENU to open the Program edit menu This menu gives access to the various Program edit sections When in the menu select an edit section using the VOLUME VALUE A G buttons select an edit page using PAGE o...

Page 123: ... want to lose Name Use this parameter to change the Program s name Press the right A VOLUME VALUE button to enter editing Modify the name using the UP DOWN buttons to move the cursor and the DIAL to select a character Press INSERT to insert a char acter at the cursor position or DELETE to delete it To Location number Use the B VOLUME VALUE buttons to select a different User Program location in mem...

Page 124: ...tch parameter see page 14 4 If you do not wish to use velocity switching set the switch to a value of 001 and select only the High multisample ROM Select a preset multisample CARD Select a Card multisample Note If you create a new Program based on a Card multisample the card must be inserted before selecting the Program or no sound will be heard Note Each multisample has an upper limit and may not...

Page 125: ...selected sample H L Resonance These parameters set the resonance for the filter applied to the selected sample H L Attack These parameters are an offset to the selected sample s EG Attack H L Decay These parameters are an offset to the selected sample s EG Decay Velocity Switch This is the velocity value dividing the High and Low layers for the selected sample key Notes stricken harder than this v...

Page 126: ... This can be used to simulate the downward swoops that a guitarist produces using the tremolo arm 60 12 Maximum pitch change in semitones Pitch modulation AMS Alternate Modulation Source This parameter selects the source that will modulate the pitch of the selected oscillator See AMS Alternate Modulation Source list on page 14 19 Intensity This parameter specifies the depth and direction of the ef...

Page 127: ...n Source list on page 14 19 Intensity This parameter specifies the depth and direction of the effect that AMS will have With a setting of 0 modulation will not be applied With a setting of 12 00 the LFO1 will apply a maximum of 1 octave of pitch modulation Negative settings will invert the LFO waveform For example if AMS is set to After Touch and you apply pressure to the keyboard a positive setti...

Page 128: ...tting of will decrease it With a setting of 0 there will be no change Pitch EG Time modulation AMS T Alternate Modulation Source This parameter selects the source that will control the Time parameters of the pitch EG see AMS Alternate Modulation Source list on page 14 19 Intensity AMS T Intensity This parameter specifies the depth and direction of the effect that AMS will have on the Time paramete...

Page 129: ...ce will increase as you play more strongly and as you play more softly the resonance will approach the level specified by the Resonance setting With negative values the resonance will decrease as you play more strongly and as you play more softly the resonance will approach the level specified by the Resonance setting The resonance level is determined by adding the Resonance and Intensity AMS Inte...

Page 130: ...more strongly will cause the filter EG to produce greater changes in cutoff frequency With negative values playing more strongly will also cause the filter EG to produce greater changes in cutoff frequency but with the polarity of the EG inverted 99 99 Value of the Velocity to A parameter Velocity to B This parameter specifies the depth and direction of the effect that velocity will have on the ti...

Page 131: ... Negative settings will invert the phase 99 99 Parameter value Intensity to B Specify the depth and direction of the modulation that LFO1 will have on the cutoff frequency of filter B see Intensity to A 99 99 Parameter value Joystick Y to A By moving the joystick in the Y direction toward yourself you can control the depth at which LFO1 modulates the cut off frequency of filter A This parameter sp...

Page 132: ...until the release level is reached Filter EG Level modulation AMS L Alternate Modulation Source This parameter selects the source that will control the Level parameters of the filter EG AMS Alternate Modulation Source list on page 14 19 Intensity AMS Intensity This parameter specifies the depth and direction of the effect applied by AMS With a setting of 0 the levels specified by Frequency A Cutof...

Page 133: ...will allow AMS to lengthen the time and setting this parameter to will allow AMS to shorten the time With a setting of 0 there will be no change PAGE 12 AMP These parameters control the volume and pan of the selected oscillator Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons Level Volume of the selected oscillator...

Page 134: ...ll decrease as you play more strongly 99 99 Intensity value EG AMS Alternate Modulation Source Selects the source that will control the volume of the amp for the selected oscillator See AMS Alternate Modulation Source list on page 14 19 Velocity cannot be selected Intensity This parameter specifies the depth and direction of the effect that AMS will have The actual volume will be determined by mul...

Page 135: ...volume will change after note on until it reaches the attack level If the start level is 0 this will be the rise time of the sound Decay Time This parameter specifies the time over which the volume will change from when it reaches the attack level until it reaches the break point level Slope Time This parameter specifies the time over which the volume will change from when it reaches the break poi...

Page 136: ...parameters see page 14 15 Attack Time Swing This parameter specifies the direction of the effect that AMS1 will have on Attack Time With positive values of Intensity setting this parameter to will allow AMS1 to lengthen the time and setting it to will allow AMS1 to shorten the time With a setting of 0 there will be no effect Decay Time Swing This parameter specifies the direction of the effect tha...

Page 137: ...multiple Times that will be applied to it These parameters will determine the frequency of the LFO1 For example if Base Note is quar ter note and Times is 04 the LFO will perform one cycle every four beats Even if you change the Tempo setting of Sequencer 1 the LFO will always perform one cycle every four beats Base Note This parameter is not available when editing a Drum Pro gram Note value Times...

Page 138: ...rameters to select the effect type for effect 1 2 See the Effects chapter for more information Note If 000 No Effect is selected the output from the master effect will be muted Send Send level for each effect Drum samples have their own send level settings see Send FX1 and Send FX2 on page 14 6 Use this parameter to adjust the general offset of the Drum Pro gram 000 127 Effect level Chain 2 1 Use ...

Page 139: ...me oscillator Flt KTrk 0 Filter Keyboard Track 0 Filter keyboard tracking within the same oscillator Flt KTrk 0 Filter Keyboard Track 0 Filter keyboard tracking within the same oscillator Amp KTrk Amp Keyboard Track Amp keyboard tracking within the same oscillator Amp KTrk Amp Keyboard Track Amp keyboard tracking within the same oscillator Amp KTrk 0 Amp Keyboard Track 0 Amp keyboard tracking with...

Page 140: ... effect will be controlled by the joystick Y vertically downward and by after touch In this case the effect of after touch will be only half of the specified intensity Note Number Amp Key Low Key High AMS Amp KTrk AMS Intensity positive value Ramp Low 50 Ramp High 50 Depth and direction of modulation zero max max example of Amp Keyboard Track settings AMS Amp KTrk AMS Intensity positive value Dept...

Page 141: ...ete the Song or EXIT NO to abort Save the Song on a disk then press RECORD again When you exit the Sampling mode Pa80 is completely reset as if you were turning the instrument on PAGE 1 RECORD EDIT This page allows you to record a 16 bit 48kHz stereo or mono sample and edit any recorded or loaded sample Usu ally you will use this function to sample a few measures from an audio groove to be sliced ...

Page 142: ...AIN knobs next to the Audio Input connec tors See the SIGNAL LED to check the input level Ide ally the LED should never go to red but regularly stay orange Green means too low an input signal 4 Press RECORD and go to the Record page Select the Source to be sampled 5 If you can first start the sound to be recorded then press START STOP to start recording Otherwise press START STOP and immediately s...

Page 143: ...ove is saved into the AUTOLOAD SET folder inside the general data area of the Flash Card Ex 1 Generating samples and MIDI Groove data Ex 2 Varying the groove s tempo Ex 3 Recombining MIDI notes and samples The Time Slice page in detail Here is the Slice page before the Slice and the same page after the Slice A multisample a program and MIDI Groove data will be created automatically Original patter...

Page 144: ... changed SLICE Select this command to execute the Slice after entering the Slice page or changing the Release value This command is in ghost i e non selectable if no sample has been recorded of loaded yet Attacks This non editable parameter shows the number of attacks recognized More than one attack may be included into a sin gle slice Slices This non editable parameter shows the number of generat...

Page 145: ...ash Card A MIDI Groove with the same name will also be saved into the AUTOLOAD SET folder After saving you will go back to the Slice page To go on with further editing press PAGE to go to the Extend page see Page 3 Extend below 8 After saving you may press RECORD to exit the Sam pling mode The Write Sound page will appear Press one of the D VOLUME VALUE buttons Abort then ENTER to exit 9 After exi...

Page 146: ...e Write Sound page will appear Press one of the D VOLUME VALUE buttons Abort then ENTER to exit 9 After exiting the Sampling mode you may load the MIDI Groove data in the Style Record mode see Page 14 Import GRV on page 10 18 for more informa tion PAGE 4 LOAD SAMPLE Use the Load command to load single samples mono or ste reo in KSF AIFF or WAVE format The samples are loaded into the internal memor...

Page 147: ...O LOAD SET folder inside the card the imported Pro gram will be a User Program automatically loaded when inserting the card or turning the instrument on with a card inserted in the slot or into the USER area of the internal memory Note You cannot import Drum Kits At any time you may abort the Write operation by pressing the EXIT button At any time you may exit the Sampling mode by pressing one of ...

Page 148: ...nd samples contained into a card you can format the card to gain space for further sampling or import ing operations Note You cannot export a multisamples on more than a single floppy disk You can however export files of any size on the hard disk 1 Enter the Sampling mode and go to the Export KMP page This page shows all multisamples included into the Flash Card L means Left Channel multisample R ...

Page 149: ... the hard disk is not suitable for writ ing samples After writing the samples you may back up them using the Card Backup operation see Page 10 Card Backup on page 17 17 or export a multisample see Page 7 Export KMP on page 15 8 You cannot delete single samples from a card Note Due to the slow writing speed of the Flash Card technology the Write operation may take some time depending on the sample ...

Page 150: ...15 10 Sampling operating mode The Write window ...

Page 151: ...X Setup locations 3 If you wish to change the Setup name press one of the G VOLUME VALUE buttons The name goes in text edit mode 4 Move the cursor using the DOWN and UP buttons Select a character using the DIAL Insert a character at the cursor position by pressing the INSERT button Delete a character at the cursor position by pressing the DELETE button 5 Press ENTER twice to confirm Vocal Guitar S...

Page 152: ... Master Transpose is applied to the Style and Realtime tracks Sync Sync mode this is the same as the old On option When you press either the TRANS POSE or buttons the new transpose set ting will not take effect until the first beat of the next measure is reached The Realtime tracks sounding at the time of the transpose will be stopped RTime Realtime mode When you press either the TRANSPOSE or butt...

Page 153: ...DI channels can be automatically configured by selecting a MIDI Setup Each of them assigns the best values to various MIDI parameters to allow an easier connection with a par ticular MIDI controller Note After selecting a MIDI Setup you can apply any changes to each channel s settings To store the changes in memory press WRITE and save the Global in memory See MIDI on page 8 1 for more information...

Page 154: ... MIDI OUT port Host The same as MIDI but when connecting the Pa80 to a computer via the serial port The Clock signal is sent through the TO HOST port To Host rate This parameter sets the TO HOST port speed Off The TO HOST port is disabled 31 25k Mac Select this baud rate when connecting a Mac intosh 38 40k PC Select this baud rate when connecting a PC PAGE 7 MIDI IN CHANNELS In this page you can a...

Page 155: ...ansposition is 1 a received C4 will still play a C4 Mute In Use this parameter to determine if a muted track can still play data received via MIDI On No data received via MIDI on a muted track can be played by Pa80 Off Data received via MIDI on a muted track can still play on the Pa80 Harm ony Oct ave Octave transposition for the MIDI notes received by the Har mony effect if the Vocal Guitar Proce...

Page 156: ...gnal from the Sequencer tracks This is the sound generation connected to the selected track In1 IntFX In2 IntFX Signal from the Audio Inputs 1 and 2 routed to the Internal FX processors The Input 1 2 parameter shall be set to 1 2 Int FX see Input 1 2 on page 16 7 Vocal Gtr Signal from the Vocal Guitar Processor Board VHG1 if installed If the Input 1 2 param eter is set to 1 2 Vocal Gtr see Input 1...

Page 157: ...ot using the Inputs 1 2 Int FX The signal is sent to the C and D Internal FX processors 1 2 Vocal Gtr The signal is sent to the Vocal Guitar Processor Board FX processors VHG1 if fitted 1V Gt 2 Int Fx Input 1 is sent to the Vocal Guitar Processor Board FX processors while Input 2 is sent to the C and D Internal FX processors 1IntFx 2V Gt Input 1 is sent to the C and D Internal FX pro cessors while...

Page 158: ...st be set to 1 2 Vocal Gtr At least one channel should be sent to the Vocal Guitar Processor Board Mode Selects the operating mode of the Vocal Guitar Processor Board VHG1 Parameters on the following pages are differ ent according to the selected mode Vocal Select this mode when you are connecting a microphone to the Audio Inputs While in this mode you are supplied with vocal effects and a Vocal H...

Page 159: ...Time Length of the Room reverb Room Tone Tone quality of the Room reverb Room Level Level of the Room reverb Parameter Meaning Voc Gt Mute Mute of all Input signals going to the Vocal Guitar Processing Board FX Mute Mute of the Vocal Guitar Processing Board effects The direct signal and the Harmonizer can still be heard Harm FX Mute Mute of the Vocal Guitar Processing Board effects and Harmonizer ...

Page 160: ... On The MEMORY button affects the Harmony notes Off The MEMORY button does not affect the Har mony notes Harmony Low High These parameters set the lower and higher note of the Har mony range Notes played outside this range are automati cally transposed to fit this range These parameters are only for notes played on the keyboard They don t affect notes coming from the MIDI IN or the Sequencer PAGE ...

Page 161: ...d a preamp effect Tone The Tone effect is a 3 band equalizer Use it to tweak the sound quality by boosting cutting frequencies Drive Drive processor You can assign a Compressor Overdrive or Distortion effect to this processor Overdrive The Overdrive effect simulates the preamp sat uration of a tube guitar preamp The Gain parameter is the amount of gain pumped into the preamp while the Level is the...

Page 162: ...er modulates the signal s phase The modulation effect is very clear Tremolo The Tremolo is a LFO Low Frequency Oscilla tion modulating the signal s amplitude The resulting effect is a trembling of the sound Panner Also modulated by an LFO the Panner modu lates he signal between the two stereo channels with a widening effect Pitch Shifter The Pitch Shifter adds to the original note a second transpo...

Page 163: ...autions when handling disks Write protection You can protect a disk from the accidental overwriting of data by opening the write protect hole To protect the disk from overwriting slide the protection flap so that the hole becomes visible Inserting a disk Insert the disk delicately into the disk drive with the label facing upwards and the metal part to the front Press it in as far as it will go Not...

Page 164: ... copy of data HARD DISK PARTITION SIZE The Pa80 supports FAT32 formatted MS DOS compati ble hard disks as found in most Microsoft Windows com puters This means that there are virtually no limits to the size of the hard disks you can fit into your instrument Hard disks formatted with an older version of the operating system pre 3 0 can be used on the Pa80 If you want to change them to the new forma...

Page 165: ... E H buttons and press F3 Open 5 Move the STY folder to the first line of the display use the TEMPO VALUE controls or the E H buttons 6 At this point you can load the whole STY folder or open it and select a single Style To load the whole folder press F2 Load You will be prompted to select one of the three USER Style banks in memory Once the target bank is selected press F2 Load to load the bank T...

Page 166: ... 1 1 Grand Piano 1 8 Full Strings BANK02 PRF 2 1 Jazz Brass 2 8 Jazz Strings BANK PRF BANK10 PRF 2 1 Rock Brass 2 8 Rock Strings PROGRAM USER01 PCG USERDK PCG STYLE BANK01 STY 1 1 8 Beat 1 1 16 8 Beat 16 BANK STY USER01 STY U1 1 User 1 U1 16 User 16 USER02 STY U2 1 User 1 U2 16 User 16 USER03 STY U3 1 User 1 U3 16 User 16 BANK16 STY 16 1 Traditional 1 16 8Traditional 16 1 Piano 1 64 SynBrass22 1 S...

Page 167: ...owse through files and folders and to execute disk commands load save Com mands may be different in any Disk page Use the F1 F4 but tons to select the corresponding command NAVIGATION TOOLS When in a Disk page you can use any of the following com mands to browse through the files and folders or through the list of commands E F Scroll Up Scroll the list up Keep SHIFT pressed and press one of these ...

Page 168: ...User data of a specified type User Programs User Styles Performances with a single operation 1 If loading from floppy disk insert the disk into the disk drive 2 Select the source disk using the F1 button You can select a disk device in this order HD FD CRD HD 3 Use the E H Scroll buttons or the TEMPO VALUE controls to select the SET folder containing the data you wish to load Move the folder to th...

Page 169: ... button in memory The existing Styles in memory will be deleted and over written 9 Scroll the available locations in memory using the E H Scroll buttons or the TEMPO VALUE controls 10 When the target bank is selected i e it is in the first line of the display press F2 Load to load the bank The Are you sure message will appear Press ENTER to confirm or EXIT to abort Warning After confirming all Use...

Page 170: ...o the following appears in the display In the page above the previously selected Style will be loaded into the location U1 1 USER1 button Style 01 in memory The existing Style in memory will be deleted and overwritten 11 Scroll the available locations in memory using the E H Scroll buttons or the TEMPO VALUE controls When the target location is selected i e it is in the first line of the display p...

Page 171: ...in the target folder is deleted When the operation is completed the Wait indicator disappears the source page comes back in the display and you may perform further saving operations Saving all data of a specific type You can save all data of a specific type with a single operation 1 If saving on a floppy disk insert the disk into the disk drive 2 The whole content All of the internal memory is alre...

Page 172: ...ection 1 If saving on a floppy disk insert the disk into the disk drive 2 The whole content All of the internal memory is already selected Press F3 Open to open the All folder A list of User data types appear each type is a separate folder 3 Use the E H Scroll buttons or the TEMPO VALUE controls to move the data type you are looking for to the first line of the display 4 Once the data type is sele...

Page 173: ...or the TEMPO VALUE controls to move the data type you are looking for to the first line of the display 4 Once the data type is selected press F3 Open to open the folder and gain access to the separate banks 5 Use the E H Scroll buttons or the TEMPO VALUE controls to move the bank containing the file to save to the first line of the display 6 Once you have selected the bank press F3 Open to gain ac...

Page 174: ...or EXIT to abort PAGE 3 COPY In this page you can copy single files i e midifiles of Jukebox files whole folders generic or SET folders or a generic folder s content You can copy within the same disk or from a disk to a different one To preserve the data structure integrity during Copy opera tions you can t open a SET folder and copy one of its files You can only open generic folders Press DISK an...

Page 175: ...a disk device in this order HD FD CRD HD 3 Move the folder containing the file you wish to copy to the first line of the display If it is contained in another folder use the F3 Open button to open it Press F4 Close to go back to the previous hierarchic level 4 Press F3 Open to open the folder containing the file to copy 5 Move the file to copy to the first line of the display 6 Once the file is on...

Page 176: ...y disk into the disk drive and select this option to format it 2 Move the FD Fast Format option to the first line of the display 3 Press F2 Format to confirm formatting 4 The Delete all data message appears in the display press ENTER to confirm EXIT to abort FD Full Format This is the traditional format command where each sector of the floppy disk is formatted It is slower than the Fast Format com...

Page 177: ...aracter at the cursor position by pressing the INSERT button Delete a character at the cursor position by pressing the DELETE button 4 Press F2 Create to confirm The Are you sure mes sage appears Press ENTER to confirm EXIT to abort PAGE 7 RENAME Use the Rename function to change the name of a folder or a file To preserve data structure consistence you can t rename single files inside a SET folder...

Page 178: ... files are created on disk OSPa80 LZX BPa80 SYS NBPa80 SYS If the disk is not formatted or empty Pa80 asks if you want to format it Keep SHIFT pressed and press ENTER to format the disk Pa80 first tries a Fast Format then makes a Full Format if the former is not possible Backup Data This command starts a backup of all internal factory data Styles Programs Performances excluding the Operating Syste...

Page 179: ...a When Off you can load or save User Styles even into the Fac tory Styles banks from 8 BEAT 16 BEAT 1 to TRADI TIONAL This way you can personalize your Factory Style banks Please note that the Save All procedure always saves only the USER Style banks Note This parameter is automatically set to On when turning the instrument off Note Should your accidentally delete some Factory Data reload the Back...

Page 180: ...re procedure 1 Insert a formatted Flash Card to receive the data to be restored into the FLASH CARD slot on the back of the instrument 2 If the Backup data is contained into a series of floppy disks insert the first disk into the floppy disk drive 3 Go to Page 11 Card Restore 4 Use the F1 button to select the source device HD or FD 5 Use the E H VOLUME VALUE buttons or the TEMPO VALUE controls to ...

Page 181: ...APPENDIX ...

Page 182: ......

Page 183: ... 12 MIDI OUT Filters on page 16 6 3 Select the right TO HOST rate for your computer see To Host rate on page 16 4 4 Press WRITE to save the configuration in the Global see The Write window on page 16 1 INSTALLING THE KORG MIDI DRIVER INTO WINDOWS 95 98 Note If the processing speed of your computer is not fast enough data from MIDI IN may not be received correctly 1 In the task bar click the Start ...

Page 184: ...rt that is con nected to the Pa80 COM1 COM4 If you wish to use the serial port for another purpose after installing the KORG MIDI Driver either delete the driver or select None to defeat the driver 2 When the Pa80 is connected Independent Synth MIDI Out is not used so do not check this item If you check it there may be communication problems 3 MIDI Out Messages allows you to select the messages th...

Page 185: ... do not select KORG PC IF 4 Click the Out Port Setting button The following dialog box will appear Here you can select the MIDI channels messages that will be output to each port Only the channels messages which are checked will be output 5 After making settings click the OK button 6 Start up your MIDI application sequencer and drag with the mouse from the Out Port w symbol of the MIDI application...

Page 186: ...filename extension consisting of a period and three characters to distinguish different types of files It is usual to assign an extension of MID to SMF files 4 From the list that appears in the lower part of the dialog box select a MIDI application sequencer that can use SMF data The icon selected for the application item will appear Now select a MIDI application sequencer that can use SMF data an...

Page 187: ...Slow Rock 1 1 House 1 Open Rock 2 3 2 Slow Rock 2 2 Dream 2 Pop Rock 4 3 Unpl SlRock 3 Techno 3 Fire Rock 5 4 BigBnd Fox1 4 Underground 4 Hard Rock 6 5 Slow Waltz1 5 Progressive 5 Heavy Rock 7 6 Slow Waltz2 6 Jungle 6 RockShuffle 8 7 Foxtrot 1 7 Rap 7 Rock Ballad 9 8 BigBnd Fox2 8 Hip Hop 8 Half Time 10 9 Slow Fox 9 Disco 70 9 Rock 6 8 11 10 Foxtrot 2 10 80 s Dance 10 Abbey Road 12 11 Operetta 11 ...

Page 188: ... 0 Big Band 3 2 1 Sambalegre 1 Med Swing 1 Sw Shuffle 3 2 Disco Samba 2 Slow Swing 2 FastBigBand 4 3 Samba Funk 3 SwingBallad 3 Latin Big Band 5 4 Merengue 1 4 JazzWaltz 1 4 BigBnd Fox4 6 5 Merengue 2 5 JazzWaltz 2 5 Dixieland 7 6 Cumbia 6 5 4 Swing 6 Hollywood 8 7 Latin Dance 7 Mood Swing 7 Broadway 9 8 Batucada 8 Be Bop 8 Acid Jazz 10 9 Rumba 9 Unpl Swing1 9 New Jazz 11 10 Gipsy 10 Unpl Swing2 1...

Page 189: ... Bank Direct FD Page 5 6 1 0 29 0 15 SET 0 30 0 15 SET 0 31 0 15 SET 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 CC 0 CC 32 PC Bank Card Page 1 2 CC 0 CC 32 PC Bank Card Page 3 4 CC 0 CC 32 PC Bank Card Page 5 6 1 0 32 0 15 AUTOLOAD SET USER01 0 33 0 15 AUTOLOAD SET USER02 0 34 0 15 AUTOLOAD SET USER03 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 PC Style Element PC Style Element PC Style Element PC Style Elemen...

Page 190: ...1 7 4 StereoDigEP 121 6 5 ClassDigiEP 121 7 5 EP Phase 121 4 5 Hybrid EP 121 8 5 Class Tines 121 9 5 PhantomTine 121 10 5 Sweeping EP 121 12 5 WhitePad EP 121 13 5 ThinElPiano 121 9 4 DW8000 EP 121 11 5 E Piano 1 121 0 4 E Piano 2 121 0 5 DetunedEP 1 121 1 4 EP1Veloc sw 121 2 4 60 sElPiano 121 3 4 DetunedEP 2 121 1 5 EP2Veloc sw 121 2 5 EP Legend 121 3 5 R B E Piano 121 8 4 SynPiano X 121 5 5 Bank...

Page 191: ...21 1 25 Club J Gtr1 121 2 26 CleanGuitar 121 0 27 MutedGuitar 121 0 28 DistortionG 121 0 30 Name CC00 CC32 PC Nylon Bossa 121 4 24 NylonKeyOff 121 2 24 Steel Gtr 2 121 4 25 AcGtrKeyOff 121 5 24 Club J Gtr2 121 3 26 Vintage S 121 4 27 CleanMutGtr 121 6 28 Stereo Dist 121 8 30 Nylon Gtr 2 121 3 24 Gtr Strings 121 7 24 FingerK Off 121 7 25 St12Strings 121 5 25 Jazz Guitar 121 0 26 SingleCoil 121 6 27...

Page 192: ... 1 48 Dbl Strings 121 3 45 ArabStrings 121 13 48 SynStrings1 121 0 50 SynStrings2 121 0 51 Odissey 121 4 50 Name CC00 CC32 PC Grand Choir 121 11 52 Slow Choir 121 10 52 Symph Bows 121 10 48 Cyber Choir 121 2 85 Choir Light 121 12 52 Vocalesque 121 2 54 Synth Voice 121 0 54 Voice Lead 121 0 85 Choir Pad 121 0 91 Halo Pad 121 0 94 FullVox Pad 121 9 91 FreshBreath 121 7 91 EtherVoices 121 1 85 DreamV...

Page 193: ...65 Soprano Sax 121 0 64 BaritoneSax 121 0 67 TenorBreath 121 3 66 Tenor Growl 121 4 66 BreathyAlto 121 3 65 AltSaxGrowl 121 4 65 Name CC00 CC32 PC Bank Woodwind Jazz Flute 121 1 73 Old Shaku 121 1 77 FluteSwitch 121 2 73 FluteDyn5th 121 3 73 Flute Frull 121 4 73 Pan Flute 121 0 75 Jazz Clarin 121 1 71 Flute 2 121 9 73 Double Reed 121 1 68 EnglisHorn2 121 1 69 Recorder 2 121 1 74 Nay 121 2 72 Orch ...

Page 194: ... 1 101 Sync Kron 121 3 84 Fire Wave 121 10 81 Dig PolySix 121 7 90 Pop Syn Pad 121 4 91 Noisy Stabb 121 8 90 Name CC00 CC32 PC Mega Synth 121 9 90 TecnoPhonic 121 10 90 DarkElement 121 3 95 Band Passed 121 3 102 Cat Lead 121 9 87 Pan Reso 121 4 102 Square Rez 121 11 80 Rezbo 121 11 81 Auto Pilot 121 14 38 MetallicRez 121 4 84 Square Bass 121 7 87 Syn Pianoid 121 12 81 Brian Sync 121 5 84 Arp Twins...

Page 195: ...Kit4 120 0 29 Jazz Kit 120 0 32 Brush Kit1 120 0 40 Brush V S 2 120 0 41 OrchestraK 120 0 48 Bdrum Sdrum 120 0 50 Name CC00 CC32 PC SFX Kit 120 0 56 Percus Kit1 120 0 64 Latin P Kit 120 0 65 TRI Per KIT 120 0 66 ArabianKit1 120 0 116 ArabianKit2 120 0 117 Timpani 121 0 47 Agogo 121 0 113 Log Drum 121 4 12 Woodblock 121 0 115 Taiko Drum 121 0 116 Melodic Tom 121 0 117 Synth Drum 121 0 118 Reverse C...

Page 196: ...125 Burst Noise 121 9 125 Laughing 121 1 126 Screaming 121 2 126 Punch 121 3 126 Heart Beat 121 4 126 Footsteps 121 5 126 Machine Gun 121 1 127 Lasergun 121 2 127 Explosion 121 3 127 Ice Rain 121 0 96 Jaw Harp 121 3 105 HitInIndia 121 5 55 Stadium 121 6 126 Name CC00 CC32 PC ...

Page 197: ...ng EP E Piano 121 13 5 WhitePad EP E Piano 121 0 6 Harpsichord Piano 121 1 6 Harpsi Oct Piano 121 2 6 Harpsi Wide Piano 121 3 6 HarpsiK Off Piano 121 4 6 Harpsi Korg Piano 121 0 7 Clav Piano 121 1 7 Pulse Clav Piano 121 2 7 Clav Wah Piano 121 3 7 Clav Snap Piano 121 4 7 Sticky Clav Piano 121 0 8 Celesta Mallet Bell 121 0 9 Glocken Mallet Bell 121 1 9 Sistro Mallet Bell 121 0 10 Music Box Mallet Be...

Page 198: ...3 26 Club J Gtr2 Guitar 121 4 26 Ped Steel 2 Guitar 121 0 27 CleanGuitar Guitar 121 1 27 DetCleanGtr Guitar 121 2 27 MidToneGtr Guitar CC00 CC32 PC Name Pa80 Bank GM2 121 3 27 Chorus Gtr Guitar 121 4 27 Vintage S Guitar 121 5 27 ProcesElGtr Guitar 121 6 27 SingleCoil Guitar 121 7 27 NewStra Gtr Guitar 121 8 27 Guitarish Guitar 121 9 27 L R El Gtr Guitar 121 10 27 L R El Gtr2 Guitar 121 11 27 Count...

Page 199: ...trings Vocals 121 1 50 SynStrings3 Strings Vocals 121 2 50 Analog Str Strings Vocals CC00 CC32 PC Name Pa80 Bank GM2 121 3 50 AnalogVelve Strings Vocals 121 4 50 Odissey Strings Vocals 121 0 51 SynStrings2 Strings Vocals 121 0 52 Choir Aahs Strings Vocals 121 1 52 Choir Aahs2 Strings Vocals 121 2 52 Oooh Voices Strings Vocals 121 3 52 OhSlowVoice Strings Vocals 121 4 52 Take Voices Strings Vocals ...

Page 200: ...yBari Sax 121 0 68 Oboe Woodwind CC00 CC32 PC Name Pa80 Bank GM2 121 1 68 Double Reed Woodwind 121 0 69 EnglishHorn Woodwind 121 1 69 EnglisHorn2 Woodwind 121 0 70 Bassoon Woodwind 121 0 71 Clarinet Woodwind 121 1 71 Jazz Clarin Woodwind 121 2 71 Clarinet G Woodwind 121 3 71 Sect Winds Woodwind 121 4 71 Sect Winds2 Woodwind 121 5 71 ClarinetEns Woodwind 121 6 71 Woodwinds Woodwind 121 7 71 Folk Cl...

Page 201: ...Pad Synth 1 121 6 91 TsunamiWave Synth 1 121 7 91 FreshBreath Synth 1 121 8 91 RavelianPad Synth 1 121 9 91 FullVox Pad Synth 1 CC00 CC32 PC Name Pa80 Bank GM2 121 10 91 Dance ReMix Synth 1 121 0 92 BowedGlass Synth 1 121 0 93 MetallicPad Synth 1 121 1 93 Cosmic Synth 1 121 0 94 Halo Pad Synth 1 121 0 95 Sweep Pad Synth 1 121 1 95 AstralDream Synth 1 121 2 95 Meditate Synth 1 121 3 95 DarkElement ...

Page 202: ...1 1 119 Dragon Gong Drum Perc 121 0 120 GtFretNoise SFX 121 1 120 GtrCutNoise SFX 121 2 120 AcBassStrng SFX 121 3 120 VoxWahChick Guitar 121 0 121 BreathNoise SFX 121 1 121 Flute Click Woodwind 121 0 122 Seashore SFX 121 1 122 Rain SFX 121 2 122 Thunder SFX 121 3 122 Wind SFX 121 4 122 Stream SFX 121 5 122 Bubble SFX 121 0 123 Bird Tweet SFX 121 1 123 Dog SFX 121 2 123 HorseGallop SFX 121 3 123 Bi...

Page 203: ...2 120 0 13 HipHop Kit2 120 0 14 Techno Kit2 120 0 15 Techno Kit3 120 0 16 Power Kit1 120 0 17 Power Kit2 120 0 18 23 remap to 16 120 0 24 Electro Kit 120 0 25 Analog Kit 120 0 26 House Kit1 120 0 27 House Kit2 120 0 28 House Kit3 120 0 29 House Kit4 120 0 30 31 remap to 24 120 0 32 Jazz Kit 120 0 33 39 remap to 32 120 0 40 Brush Kit1 120 0 41 Brush V S 2 120 0 42 47 remap to 40 120 0 48 OrchestraK...

Page 204: ... D 3 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 52 E3 106 China Cymbal Off 106 China Cymbal Off 106 China Cymbal Off 53 F3 114 Ride Jazz Off 114 Ride Jazz Off 114 Ride Jazz Off 54 F 3 212 Tambourin Acc2 Off 212 Tambourin Acc2 Off 212 Tambourin Acc2 Off 55 G3 107 Splash Cymbal Off 107 Splash Cymbal Off 107 Splash Cymbal Off 56 G 3 225 Cowbell Off 225 Cowbell Off 225 Cowbell Off 57 ...

Page 205: ...om 2 Hi Off 75 Tom 1 Hi Off 49 C 3 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 77 Tom 2 Hi Off 77 Tom 2 Hi Off 77 Tom 2 Hi Off 75 Tom 1 Hi Off 51 D 3 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 52 E3 106 China Cymbal Off 106 China Cymbal Off 106 China Cymbal Off 108 CymbalReverse Off 53 F3 115 Ride Cup Off 11...

Page 206: ... Hi Off 49 C 3 132 88 Crash Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 75 Tom 1 Hi Off 139 Real El Tom Off 75 Tom 1 Hi Off 75 Tom 1 Hi Off 51 D 3 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 52 E3 108 CymbalReverse Off 108 CymbalReverse Off 106 China Cymbal Off 108 CymbalReverse Off 53 F3 114 Ride Jazz Off 114 Ride Jazz Off 114...

Page 207: ... Tom Processed Off 82 Tom Processed Off 49 C 3 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 133 88 Tom Off 139 Real El Tom Off 82 Tom Processed Off 82 Tom Processed Off 51 D 3 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 52 E3 108 CymbalReverse Off 108 CymbalReverse Off 106 China Cymbal Off 106 China Cymbal Off...

Page 208: ...9 Real El Tom Off 77 Tom 2 Hi Off 49 C 3 104 Crash Cymbal 1 Off 132 88 Crash Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 139 Real El Tom Off 133 88 Tom Off 139 Real El Tom Off 77 Tom 2 Hi Off 51 D 3 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 52 E3 108 CymbalReverse Off 106 China Cymbal Off 108 CymbalReverse Off 108 CymbalReverse Off 53 F3 114 Ride J...

Page 209: ...l Tom Off 83 Tom Jazz Hi Off 85 Tom Brush Hi Off 49 C 3 104 Crash Cymbal 1 Off 132 88 Crash Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 139 Real El Tom Off 139 Real El Tom Off 83 Tom Jazz Hi Off 85 Tom Brush Hi Off 51 D 3 113 Ride Edge 2 Off 111 CYM 99 Ride Off 113 Ride Edge 2 Off 112 Ride Edge 1 Off 52 E3 108 CymbalReverse Off 108 CymbalReverse Off 106 China Cymbal Off 106 China Cymba...

Page 210: ... 1 Off 118 Timpani Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 85 Tom Brush Hi Off 118 Timpani Off 77 Tom 2 Hi Off 77 Tom 2 Hi Off 51 D 3 112 Ride Edge 1 Off 118 Timpani Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 52 E3 106 China Cymbal Off 118 Timpani Off 352 Hollo 1 Off 301 Dbk Tky Open Off 53 F3 114 Ride Jazz Off 118 Timpani Off 353 Hollo 2 Off 300 Dbk Tky Mute Off 54 F 3 212 Tambou...

Page 211: ...e Excl Sample Excl Sample Excl Sample Excl 89 F6 356 Ramazan DVL1 3 175 Djembe Open 3 90 F 6 358 Ramazan DVL3 3 301 Dbk Tky Open 3 91 G6 355 Kup 2 5 312 Bells Open 5 92 G 6 83 Tom Jazz Hi 5 323 Sagat HalfOpen 5 93 A6 355 Kup 2 5 324 Sagat Close 5 94 A 6 354 Kup 1 Off 351 Davul Off 95 B6 2 BD Dry 3 Off 5 BD Jazz Off 96 C7 354 Kup 1 Off 361 Tef 3 Off ...

Page 212: ...k Off 184 Baya Open Off 161 CongaHi Open Off 46 A 2 0 BD Dry 1 Off 224 Agogo Bell Off 219 Cabasa Up Off 214 Triangle Mute 2 47 B2 3 BD Normal Off 289 Fret Noise Off 190 Tabla Open Off 213 Triangle Open 2 48 C3 6 BD Pillow Off 286 GtCutNois1 Off 192 Tabla Mute1 Off 159 CongaLoMtSlp Off 49 C 3 116 BD Orch Off 287 GtCutNois2 Off 198 Vibraslap Off 162 CongaHiMute Off 50 D3 11 BD Gated Off 286 GtCutNoi...

Page 213: ...mbiHop Off 258 GunShot 1 Off 155 Orchestra Hit Off 216 Cuica Lo Off 96 C7 54 SD Hip 1 Off 266 Train Off 155 Orchestra Hit Off 199 Claves Off 97 C 7 62 SD Vintage1 Off 155 Orchestra Hit Off 234 SambaWhistle 4 98 D7 56 SD Hip 3 Off 155 Orchestra Hit Off 234 SambaWhistle 4 99 D 7 67 SD Vintage6 Off 155 Orchestra Hit Off 323 Sagat HalfOpen 5 100 E7 143 Zap2 Off 155 Orchestra Hit Off 323 Sagat HalfOpen...

Page 214: ... Guiro Long 2 184 Baya Open Off 46 A 2 181 Guiro Short 2 219 Cabasa Up Off 47 B2 180 Guiro Long 2 190 Tabla Open Off 48 C3 198 Vibraslap Off 192 Tabla Mute1 Off 49 C 3 199 Claves Off 198 Vibraslap Off 50 D3 135 88 Clave Off 189 Tabla Na Off 51 D 3 216 216 Cuica Lo Cuica Lo 3 214 Triangle Mute 3 52 E3 215 215 Cuica Hi Cuica Hi Off 116 BD Orch Off 53 F3 202 TimbaleLo Open Off 213 Triangle Open 3 54 ...

Page 215: ... Hit Off 95 B6 234 SambaWhistle 4 155 Orchestra Hit Off 96 C7 234 SambaWhistle 4 155 Orchestra Hit Off 97 C 7 229 RapSleighBell Off 155 Orchestra Hit Off 98 D7 234 SambaWhistle 4 155 Orchestra Hit Off 99 D 7 231 Marc Tree 5 155 Orchestra Hit Off 100 E7 234 SambaWhistle 4 155 Orchestra Hit Off 101 F7 312 Bells Open 5 155 Orchestra Hit Off 102 F 7 259 Rainstick Off 155 Orchestra Hit Off 103 G7 235 C...

Page 216: ... 5 CC 0 CC 32 PC Bank 6 CC 0 CC 32 PC Bank 7 CC 0 CC 32 PC Bank 8 1 1 4 0 1 5 0 1 6 0 1 7 0 2 1 1 1 1 3 2 2 2 2 4 3 3 3 3 5 4 4 4 4 6 5 5 5 5 7 6 6 6 6 8 7 7 7 7 CC 0 CC 32 PC Bank 9 CC 0 CC 32 PC Bank 10 CC 0 CC 32 PC Bank 11 CC 0 CC 32 PC Bank 12 1 1 8 0 1 9 0 1 10 0 1 11 0 2 1 1 1 1 3 2 2 2 2 4 3 3 3 3 5 4 4 4 4 6 5 5 5 5 7 6 6 6 6 8 7 7 7 7 CC 0 CC 32 PC Bank 13 CC 0 CC 32 PC Bank 14 CC 0 CC 3...

Page 217: ...c5 Acc5 S1_Tr 16 MIDI OUT Channel 1 1 Upp1 Upp1 S1_Tr 1 S2_Tr 1 Upp1 S1_Tr 1 S2_Tr 1 Upp 1 2 Upp2 Upp2 S1_Tr 2 S2_Tr 2 Upp2 S1_Tr 2 S2_Tr 2 3 Upp3 Upp3 S1_Tr 3 S2_Tr 3 Upp3 S1_Tr 3 S2_Tr 3 4 Lower Lower S1_Tr 4 S2_Tr 4 Lower S1_Tr 4 S2_Tr 4 5 S1_Tr 5 S2_Tr 5 S1_Tr 5 S2_Tr 5 6 S1_Tr 6 S2_Tr 6 S1_Tr 6 S2_Tr 6 7 S1_Tr 7 S2_Tr 7 S1_Tr 7 S2_Tr 7 8 S1_Tr 8 S2_Tr 8 S1_Tr 8 S2_Tr 8 9 Bass Bass S1_Tr 9 S2_...

Page 218: ...19 32 Factory Data MIDI Setup ...

Page 219: ...d the effect is muted 001 Amp Simulat Stereo Amp Simulation This effect simulates the frequency response characteristics of guitar amplifiers It is also effective for organ and drum sounds Modulation source Note Off No modulation Gate1 Gate1 Dmpr Gate2 Gate2 Dmpr Note Nr Note Number Velocity Note Velocity ATouch After Touch JS X Joystick Left Right JS Y CC 01 Joystick Forward JS Y CC 02 Joystick B...

Page 220: ...put level 0 100 e Pre LEQ Gain dB Sets the gain of Low EQ 15 0 15 0dB Pre HEQ Gain dB Sets the gain of High EQ 15 0 15 0dB f Output Level Sets the output level of the compressor 0 100 Src Off Tempo Selects the modulation source for the compressor output level Amt 100 100 Sets the modulation amount of the compressor output level g Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect ...

Page 221: ...d level In this way the high range limiter will not respond and compression will not be applied Input Level Output Level Threshold Ratio 1 0 1 Ratio 2 0 1 Ratio 4 0 1 Ration Inf 1 Louder Louder Time Level Threshold Ratio Inf 1 Ratio 2 0 1 Ratio 4 0 1 Dry Ratio 1 0 1 Limiter Threshold Ratio Threshold Ratio Inf 1 Attack 1 Release 1 Ratio Inf 1 Attack 100 Release 100 Dry Wet Wet Release Attack Limite...

Page 222: ... R Only Selects from Control via the modulation source mixing the left and right sig nals Only left and Only right Src Off Gate2 Dmpr Selects the modulation source that controls the gate when Envelope Select D mod b Polarity Switches between non reversed and reversed Gate on off c Threshold Sets the level to which the Gate is applied 0 100 d Attack Sets the attack time 1 100 Release Sets the relea...

Page 223: ...d High EQ 1 peaking type Q Sets the band width of Mid High EQ 1 0 5 10 0 Gain dB Sets the gain of Mid High EQ 1 18 18dB h Mid2 Cutoff Hz 500 20 00kHz Sets the center frequency for Mid High EQ 2 peaking type Q Sets the band width of Mid High EQ 2 0 5 10 0 Gain dB Sets the gain of Mid High EQ 2 18 18dB i Direct Mix 0 50 Sets the amount of the dry sound mixed to the distortion Speaker Simulation Swit...

Page 224: ...dulation amount of the effect bal ance on page 1 100 100 Band2 Cutoff Band2 Cutoff 0dB 6dB 15dB Band2 Gain dB 6 0 Band2 Dynamic Gain Amt dB 9 0 D mod 0dB 6dB 9dB Band2 Gain dB 6 0 Band2 Dynamic Gain Amt dB 15 0 D mod Parametric 4EQ Band2 Dynamic Gain Control Left Right Wet Dry Wet Dry Stereo In Stereo Out Band1 Band2 Band3 Band4 Trim Trim Band5 Band6 Band7 Band1 Band2 Band3 Band4 Band5 Band6 Band7...

Page 225: ...eq parameter enables you to adjust the width of the steps Frequency Bottom 25 Top 75 Higher Max Zero Higher D mod Frequency Bottom 60 Top 30 Higher Max Zero Higher D mod Sweep Mode D mod Frequency Bottom 25 Top 75 Higher Frequency Bottom 75 Top 25 Higher Sweep Mode Auto Envelope Envelope Time Wah Woo Woo Woo Envelope Wah Wah Time Woo Woo Wah Wah Time Level Envelope value 0 100 value 0 100 Envelope...

Page 226: ...epth and width to the sound Random Filter LFO LFO Step Freq LFO Frequency LFO Step Freq Step Tri Random LFO Phase 0 90 180 degree 0 degree 90 180 a Exciter Blend Sets the intensity depth of the Exciter effect 100 100 Src Off Tempo Selects the modulation source of the Exciter intensity Amt 100 100 Sets the modulation amount of the Exciter intensity b Emphatic Point Sets the frequency to be emphasiz...

Page 227: ...r frequency modulation amount when OSC Mode Fixed d Envelope Pre LPF 1 100 Sets the upper limit of the frequency range for which very low harmonics are added e Envelope Sens Envelope Sensitivity 0 100 Sets the sensitivity with which very low harmonics are added Envelope Shape Sets the oscillator s volume envelope curve 100 100 f Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect a...

Page 228: ...Voice Top U I A A O E JS X Ribbon JS Y JS Y etc Zero Max Talking Modulator Control a Pre LPF Off On Selects whether the harmonic noise caused by a decrease in sampling fre quency is generated or not High Damp Sets the ratio of cut of the high range 0 100 b Sampling Freq Sampling Frequency Hz Sets the sampling frequency 1 00k 48 00kHz Src Off Tempo Selects the modulation source of the sampling freq...

Page 229: ...ets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Stereo In Stereo Out Analog Record Simulation Pre EQ Pre EQ EQ Trim EQ Trim PITCH PHASE MOD a LFO Waveform Selects LFO Waveform Triangle Sine b LFO Phase...

Page 230: ...chorus block 100 100 High Damp 0 100 Sets the high range damping amount of the chorus block i Low Level Sets the low range output level 0 100 High Level Sets the high range chorus output level 0 100 j Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modul...

Page 231: ... modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out LFO Shimmer Ensemble Time Level Ensemble LFO Shimmer a Delay Time msec Sets the delay time from the original sound 0 0 50 0msec b LFO Waveform Selects LFO Waveform Triangle Sine LFO Shape 100 100 Determines how much the LFO waveform is changed c LFO Phase degree 18...

Page 232: ... speed Fx 009 Times x1 x16 Sets the number of notes that specify the LFO speed Fx 009 g Step Base Note Selects the type of notes to specify the LFO step speed Fx 010 Times x1 x32 Sets the number of notes to specify the LFO step speed Fx 010 h Depth Sets the depth of LFO modulation 0 100 LFO Shape LFO Shape 0 100 LFO Shape 0 100 LFO Waveform Sine LFO Step Tri Random Left Right Feedback LFO Phase We...

Page 233: ...easing the value will cut high range harmonics a LFO Waveform Selects LFO Waveform Triangle Sine LFO Shape 100 100 Determines how much the LFO waveform is changed Fx 020 b LFO Phase degree 180 180 Sets the LFO phase difference between the left and right Fx 010 c LFO Frequency Hz 0 02 20 00Hz Sets the LFO speed Fx 009 Src Selects the modulation source of LFO speed Off Tempo Amt 20 00 20 00Hz Sets t...

Page 234: ...igh range Fx 023 j Wet Dry Wet 1 99 Dry 1 99 Wet Table Sets the balance between the effect and dry sounds on page 1 Fx 010 023 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 LFO Step Tri Random Left Right Resonance LFO Phase Wet Dry Wet Dry High Damp Stereo In Stereo Out Phaser Phaser a...

Page 235: ...50 0msec Fx 016 i Feedback Sets the feedback amount 100 100 Fx 017 High Damp Sets the damping amount in the high range 0 100 j Wet Dry Wet 1 99 Dry 1 99 Wet Table Sets the balance between the effect and dry sounds on page 1 Fx 010 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Chorus Fl...

Page 236: ...ount in the high range Fx 020 AUTOFADE AutoFade Note On All Note Off Fade In Rate AUTOFADE Src Gate1 LFO Frequency Hz 1 0 LFO Freq Mod AUTOFADE Amt 3 0 LFO Frequency 1 0 3 0 4 0Hz LFO Frequency 1 0Hz Gate1 Signal AUTOFADE Fade In Dealy AutoFade LFO Frequency Wet Dry Delay Delay Left Right Feedback LFO Shape LFO Phase LFO Tri Sine Wet Dry Wet Dry High Damp Stereo In Stereo Out i Wet Dry Mod D mod A...

Page 237: ...r is smaller than 64 and the effect is on when the value is 64 or higher The Doppler effect is trig gered when the value changes from 63 or smaller to 64 or higher e Pitch Depth With the Doppler effect the pitch is raised when the sound approaches and the pitch is lowered when the sound goes away This parameter sets this pitch variation f Pan Depth This parameter sets the width of the stereo image...

Page 238: ...h Always Off dry sounds are not output With Cross Fade a dry sound is usually output and it is muted only when scratching Set Wet Dry to Wet to use this parameter effectively a Scratch Source Off Tempo Selects the modulation source for simulation control b Response 0 100 Sets the speed of the response to the Scratch Source c Envelope Select D mod Input Selects whether the start and end of recordin...

Page 239: ... speed Off Tempo Amt 20 00 20 00Hz Sets the modulation amount of LFO speed d BPM MIDI Sync Off On Switches between using the frequency of the LFO speed and using the tempo and notes Fx 009 BPM Selects MIDI Clock and assigns tempo MIDI 40 240 Fx 009 Base Note Selects the type of notes that specify the LFO speed Fx 009 Times x1 x16 Sets the number of notes that specify the LFO speed Fx 009 e Depth S...

Page 240: ...po Amt 20 00 20 00Hz Sets the modulation amount of LFO speed d BPM MIDI Sync Off On Switches between using the frequency of the LFO speed and using the tempo and notes Fx 009 BPM Selects MIDI Clock and assigns tempo MIDI 40 240 Fx 009 Base Note Selects the type of notes that specify the LFO speed Fx 009 Times x1 x16 Sets the number of notes that specify the LFO speed Fx 009 Level Louder Time Shimm...

Page 241: ...the balance between the phaser effect and dry sounds g Tremolo Shape Sets the degree of the tremolo LFO shaping 100 100 Fx 020 h Tremolo Depth Sets the tremolo modulation depth 0 100 Src Off Tempo Selects the modulation source for the tremolo modulation depth Amt 100 100 Sets the modulation amount of the tremolo modulation depth i Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect...

Page 242: ...ulation of the input level h Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 a Pitch Shift cent Sets the pitch difference from the input signal 100 100cent Src Selects the modulation source of th...

Page 243: ...s repeated If Feedback Position is set to Post the feedback signal will not pass through the pitch shifter again Even if you specify a higher value for the Feedback parameter the pitch shifted sound will be repeated at the same pitch a Mode Slow Medium Fast Switches Pitch Shifter mode b Pitch Shift 1 2tone 24 24 Sets the pitch shift amount by steps of a semitone Src Off Tempo Selects the modulatio...

Page 244: ... Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out LFO Tri Sqr Pitch Shifter Pan Pitch Higher Pitch Shift Mod Pitch Shift Depth Lo...

Page 245: ...l or operate the joystick When a value for the modulation source is less than 64 slow speed is selected and when the value is 64 or higher fast is selected c Manual Speed Ctrl If you wish to control the speaker rotation speed manu ally not switching between Slow and Fast select the mod ulation source in the Manual Speed Ctrl field If manual control is not necessary set this field to Off d Horn Acc...

Page 246: ...page 2 15 0 15 0dB Pre HEQ Gain dB Table Sets the gain of High EQ on page 2 15 0 15 0dB f Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Ste...

Page 247: ...f Input Level Dmod 100 100 Sets the modulation amount of the input level Fx 037 Src Selects the modulation source for the input level Off Tempo Fx 037 g Spread 0 50 Sets the width of the stereo image of the effect sound h Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt...

Page 248: ...rce of the effect sound s stereo image width Amt 100 100 Sets the modulation amount of the effect sound s stereo image width j Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Feedback ...

Page 249: ...he threshold or equals the parameter value if the input level exceeds the threshold When Polarity is negative Control Target value equals the parameter value if the input level is below the thresh old or is obtained by multiplying the parameter value by the Offset value if the level exceeds the threshold The Attack and Release parameters specify attack time and release time of delay level control ...

Page 250: ...ing amount in the high range 0 100 Fx 043 Low Damp Sets the damping amount in the low range 0 100 Fx 043 d LFO Waveform Selects LFO Waveform Triangle Sine LFO Shape 100 100 Determines how much the LFO waveform is changed Fx 020 e LFO Phase degree 180 180 Sets the LFO phase difference between the left and right Fx 034 f Panning Frequency Hz Sets the panning speed 0 02 20 00Hz g Panning Depth Sets t...

Page 251: ... i Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 C Delay R Delay Left Right Feedback Spread Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Input Level D mod High Damp Low Damp ...

Page 252: ...ount of the feedback 100 100 e High Damp Sets the damping amount in the high range 0 100 Fx 043 Low Damp Sets the damping amount in the low range 0 100 Fx 043 f Input Level Dmod 100 100 Sets the modulation amount of the input level Fx 037 Src Selects the modulation source for the input level Off Tempo Fx 037 g Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on pa...

Page 253: ...r Dry Reverb Pre Delay Thru Pre Delay Reverb Time a Reverb Time sec Sets the reverberation time 0 1 3 0sec High Damp Sets the damping amount in the high range 0 100 b Pre Delay msec Sets the delay time from the dry sound 0 200msec Fx 052 Pre Delay Thru Sets the mix ratio of non delay sound 0 100 Fx 052 c ER Level Sets the level of early reflections 0 100 d Reverb Level Sets the reverberation level ...

Page 254: ...tereo In Stereo Out Trim Exciter Parametric 4Band EQ Exciter a E Trim Sets the parametric EQ input level 0 100 b E Band1 Cutoff Hz Sets the center frequency of Band 1 20 1 00kHz Q Sets the bandwidth of Band 1 0 5 10 0 Fx 006 Gain dB Sets the gain of Band 1 18 18dB c E Band2 Cutoff Hz Sets the center frequency of Band 2 50 5 00kHz Q Sets the bandwidth of Band 2 0 5 10 0 Fx 006 Gain dB Sets the gain...

Page 255: ...s the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Trim Parametric 4Band EQ Chorus Flanger Wet Dry Chorus Flanger Feedback LFO Tri Sine Cho Flng Wet Dry Normal Wet In...

Page 256: ...of the effect balance on page 1 Amt Table Sets the modulation amount of the effect balance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Trim Parametric 4Band EQ Multitap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry a C Sensitivity Sets the sensitivity 1 100 Fx 002 b C Attack Table Sets the attack level on page 2 1 100 Fx 002 Output Level Sets the ...

Page 257: ... sensitivity 1 100 Fx 002 b C Attack Table Sets the attack level on page 2 1 100 Fx 002 Output Level Sets the compressor output level 0 100 Fx 002 c O Drive Mode Overdrive Hi Gain Switches between overdrive and high gain distortion Drive Sets the degree of distortion 1 100 Fx 006 d O Output Level 0 50 Sets the overdrive output level Fx 006 Src Off Tempo Selects the modulation source for the overdr...

Page 258: ... order of the compressor and parametric EQ connection i Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Compressor...

Page 259: ...ge 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Comp Output Level Envelope Control Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode a C Sensitivity Sets the sensitivity 1 100 Fx 002 b C Attack Table Sets the attack level o...

Page 260: ...ffect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Limiter Trim Parametric 4Band EQ Limiter Gain Adjust Envelope Control a L Ratio 1 0 1 50 0 1 Inf 1 Sets the signal compression ratio Fx 003 Threshold dB 40 0dB Sets the level above which the compressor is applied Fx 0...

Page 261: ...put Mode Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Multitap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry Limiter Limiter Gain Adjust Envelope Control b L Attack Sets the attack time 1 100 Fx 003 Release Sets the release time 1 100 Fx 003 c L Gain Adjust dB Sets the limiter output gain Inf 38 24dB Fx 003 d D Tap1 Time msec Sets the Tap1 delay time 0 680ms...

Page 262: ...fect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing LEQ HEQ EQ Trim Exciter Exciter Limiter Limiter Gain Adjust Envelope Control a X Exciter Blend Sets the intensity depth of the Exciter effect 100 100 Fx 011 b X Emphatic Point Sets the frequency range to be emphasized 0 70 Fx 011 c X EQ Trim Table Sets the EQ input level on page 2 0 100...

Page 263: ...t Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out LEQ HEQ EQ Trim Exciter Exciter Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode a X Exciter Blend Sets the intensity depth of the Exciter effect 100 100 Fx 011 b X Emphatic Point Sets the frequency range to be emphasized 0 70 Fx 011 c X EQ Trim Table Sets the EQ input level on page 2 0 100 d X Pre L...

Page 264: ...tereo Out Dry Stereo In Stereo Out Routing Chorus Flanger Chorus Flanger Feedback LFO Tri Sine Cho Flng Wet Dry Normal Wet Invert Output Mode Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdrive Hi Gain Drive Driver b O Output Level 0 50 Sets the overdrive output level Fx 006 Src Off Tempo Selects the modulation source for the overdrive output level Amt 50 50 Sets the modulation amount of the ...

Page 265: ...n source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdrive Hi Gain Drive Driver Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode a O Drive Mode Overdrive Hi Gain Switc...

Page 266: ...ereo In Stereo Out Routing Amp Simulation Amp Simulation Filter Wah Auto Wah Wah D mod Envelope Sweep Mode D mod Auto LFO LFO a D Pre LPFOff On Turn the harmonic noise caused by lowered sampling on and off Fx 014 High Damp Sets the ratio of high range damping 0 100 b D Sampling Freq Hz Sampling Frequency Sets the sampling frequency 1 00k 48 00kH z Resolution Sets the data bit length 4 24 Fx 014 c ...

Page 267: ...O Tri Sin Vintage Up Down LFO Shape a F Delay Time msec Sets the delay time 0 0 50 0msec b F LFO Frequency Hz Sets the LFO speed 0 02 20 00Hz LFO Waveform Selects LFO Waveform Triangle Sine c F Depth Sets the depth of LFO modulation 0 100 Feedback Sets the feedback amount 100 100 Fx 020 d F EQ Trim Table Sets the EQ input level on page 2 0 100 e F Pre LEQ Gain dB Table Sets the gain of Low EQ on p...

Page 268: ... mode for the chorus flanger Fx 060 i Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 1 Src Off Tempo Table Selects the modulation source of the effect balance on page 1 Amt Table Sets the modulation amount of the effect bal ance on page 1 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Chorus Flanger Cho Flng Wet Dry LEQ...

Page 269: ...ameter sets the high range output level of the right channel sound Modulator If the modulator is a human voice it will make the words more clear The Vocoder Carrier parameter sets the balance between the vocoder sound and the left channel sound Carrier The Wet Dry parameter sets the balance between the effect and dry sound If you wish to change the intensity of the vocoder effect select Wet for We...

Page 270: ...20 52 Effects Mono Mono Chain ...

Page 271: ...ctions of the control panel buttons with the same name Single Touch Style Up Selects the next Style Style Down Selects the previous Style Perform Up Selects the next Performance Perform Down Selects the previous Performance Program Up Selects the next Program Program Down Selects the previous Program STS Up Selects the next STS STS Down Selects the previous STS STS1 Selects the STS 1 STS2 Selects ...

Page 272: ...ka6 111 DoorSlam 7 China 42 Whistle 2 77 Darbuka7 112 CarEngine 8 Ride Bell 43 Sh Guiro 78 Darbuka8 113 Car Stop 9 Splash 44 LongGuiro 79 DoufRimAk 114 Car Pass 10 RevCymbal 45 Cuica 1 80 Tef 1 115 Car Crash 11 DragonGng 46 Cuica 2 81 Tef 2 116 Crickets 12 OrchCymb1 47 Triangle1 82 Tef 3 117 Train 13 OrchCymb2 48 Triangle2 83 Tef 4 118 Helicopt 14 OrcSdRoll 49 88Cowbell 84 Tef 5 119 Gun Shot 15 Or...

Page 273: ...an equal tuning the lowest notes are slightly lower while the highest notes are slightly higher than the standard User User scale i e scale programmed by the user for the Style Play Backing Sequence and Song Play modes The user scale can be saved to a Performance Style Performance STS or Song You can t select a User scale in Global mode Function Meaning StyleUp Selects the next Style StylDown Sele...

Page 274: ...21 4 Assignable parameters Scales ...

Page 275: ...d are changed according to their MSB counterparts 64 Damper Damper pedal 65 Portamento 66 Sostenuto Sostenuto pedal 67 Soft pedal Soft pedal 68 Legato 69 Hold 2 70 Sustin level 71 F Res Hp Filter resonance 72 Release Release time 73 Attack Attack time 74 F CutOff Filter cutoff Brilliance 75 Decay T Decay time 76 Lfo1 Sp Vibrato speed 77 Lfo1 Dpt Vibrato depth 78 Lfo1 Dly Vibrato initial delay 79 F...

Page 276: ... A 74 75 O O Brightness Decay Time A 76 77 78 O O Vibrato Rate Depth Delay A 98 99 O O NRPN LSB MSB A 1 100 101 O O RPN LSB MSB A 2 120 121 X O All sounds off Reset all controllers A Program Change O 0 127 O 0 127 A True 0 127 System Exclusive O O 3 System Common Song Position X X Song Select X X Tune X X System Real Time Clock O O 4 Commands O O 4 Aux Messages Local On Off X X All Notes Off X O 1...

Page 277: ...g 1 2 General parameters Ensemble On Off Chord Scanning Keyboard Mode Style Change Perf Program Program Change Separate tracks Octave Transpose Master Transpose General parameters Tempo Drawbar Settings Display Hold Style Play Mode Main Program Separate tracks Play Mute status 1 Volume 2 Pan 3 FX Send Level 4 Detune 5 Scale Key Note Detune General parameters 6 Pitchbend Sensitivity Separate tracks...

Page 278: ...General parameters Master Tune Aftertouch Curve Scale Key Speakers On Off Set to On at startup Metronome Volume General parameters 2 Master Transpose on Style Realtime tracks Seq 1 2 Midi In Scale Transpose Position 3 Video System Characters Colors X Y Control 4 Pedal Switch Function Assignable Slider Function EC5 Pedals A B C D E Functions Damper Polarity Footswitch Polarity 5 MIDI Setup Preset 6...

Page 279: ...y Range and Vocal Guitar Setup Number parameters to be effective the VHG1 Vocal Guitar Processor Board must be installed Style Song Parameter Header Tracks Master Track Header Tracks Master Track Volume GM Master Volume a a Saved as SysEx data Tempo Meter Time Signature Programs b b For this Program to be used in a Style the Prog parameter should be set to Orig in the Style Play mode See Prog Prog...

Page 280: ...23 4 Parameters ...

Page 281: ...chords may vary with a different Chord Recognition modes 2 note T T T T 3 note T T T T T Major 2 note 4 note T T Major 6th 3 note T 4 note T T Major 7th 2 note T T constituent notes of the chord can be used as tension 3 note T T Sus 4 2 note 3 note Sus 2 3 note T T T T 2 note T T T 4 note T T T T T Dominant 7th 4 note T T Dominant 7th Sus 4 3 note T T T T T T 4 note Dominant 7th 5 4 note T T Major...

Page 282: ...r 7th 3 note T 4 note T T Minor Major 7th 3 note T 3 note T T Diminished 4 note T T Diminished Major 7th 4 note T T T Minor 7th 5 3 note T T Augmented 4 note T T T T Augmented 7th 4 note T T T T Augmented Major 7th No 3rd no 5th No 3rd 1 note 2 note 3 note T T Minor 2 note T 4 note T T Minor 6th ...

Page 283: ...o the slot inside the instrument 2 After removing the plate C locate the HDD mounting assembly and remove its four fixing screws D Then extract the HDD assembly from the instrument 25 VOCAL GUITAR PROCESSOR BOARD VHG1 Warning Be sure to disconnect the Pa80 from the AC plug before opening the instrument Warning To avoid that your body s static electricity can dam age the board s components touch an...

Page 284: ...e cables I L from under the tab metallized film screwed to the hard disk drive Connect them to the VHG1 board A lining the pin 1 on the flat cable with pin 1 on the VHG1 board A connector The cable conductor corresponding to the pin 1 is marked in red 5 Fix the hard disk drive H to the supports on the VHG1 board using the four screws E previously removed The hard disk must be positioned as it was ...

Page 285: ...rd with the HD drive already installed 6 Fit the assembled Vocal Guitar Processor Board Hard Disk assembly into the instrument Fix it into its socket using the previously removed four screws D 7 Finish the assembling fixing the plate C with the four screws B ...

Page 286: ... you will need a cross point screwdriver 1 Disconnect the instrument from the power plug then turn it upside down and locate the HDD slot Unscrew the four screws B to remove the plate C and gain access to the slot inside the instrument 2 After removing the plate C locate the E and F sup ports and remove their four fixing screws D Then extract the supports from the instrument You will no longer nee...

Page 287: ... cable under the screen connect them to the VHG1 board A lining the pin 1 of the flat cable with pin 1 on the VHG1 board connec tor The cable conductor corresponding to the pin 1 is marked in red 4 Fit the assembled VHG1 board into the instrument and place the supports to thei original positions using the four screws D 5 Fix the plate C at the original position using the four screws B ...

Page 288: ...25 6 Vocal Guitar Processor Board VHG1 Assembling the board without a HD drive installed ...

Page 289: ...ove the plate C Reposition the clip G and the nut D to the bolt of the plate G then save the removed parts in a safe place for future servicing to the video interface 4 Take the video board A and remove the screw H Keep it in a safe place to use it again in the following step 26 VIDEO INTERFACE VIF1 Warning Be sure to disconnect the Pa80 from the AC plug before opening the instrument Warning To av...

Page 290: ...let the cable slide inside the instrument 6 Connect the cable F to the video board connector The connector must be inserted along the guided direction 7 Bend up the terminal lug of the cable E to avoid its touch ing any of the board s components 8 After connecting all cables in the right way carefully insert the video board A in the slot located on the back of the instrument previously opened The ...

Page 291: ...face see page 16 3 and select the video stan dard PAL or NTSC depending to the installed video board VIF1 PAL or VIF1 NTSC 3 Press the WRITE button to save the settings in memory The Write Global window appears see The Write window on page 16 1 Press one of A VOLUME VALUE buttons Global then press ENTER YES to confirm 4 Turn the television set on and tune it on the AV1 or AV2 channel If the pictur...

Page 292: ...26 4 Video Interface VIF1 Connections and setup ...

Page 293: ...ard disk drive 1 Note For the assembling you will need a cross point screw driver 1 Disconnect the instrument from the power plug then turn it upside down and locate the HDD slot Unscrew the four screws C to remove the plate D and gain access to the slot inside the instrument 2 After removing the plate D locate the F and G supports and remove their four fixing screws E Then extract the supports fr...

Page 294: ...heir original positions using the four screws E Fix the plate D at the original position using the four screws C Formatting the hard disk When the installation is finished connect the power plug and turn the instrument on You must format the hard disk before using it 1 Press DISK to access the Disk environment 2 Select the Format page 3 Move the Hard disk option to the first line of the display 4 ...

Page 295: ...eading the Standard MIDI File with the Import SMF function The file may be corrupted Backing Sequence Mode Too Many Styles Press Exit You have recorded the maximum number of Styles allowed depending on the memory 10 to 15 Style changes Song Play Cannot Load JBX File to Seq 2 Press Exit You can t load a Jukebox JBX file to Sequencer 2 Jukebox files can only be loaded to Sequencer 1 Juke Box List Em...

Page 296: ...xit The selected medium disk is full Delete files you are not interested to keep or replace the disk with an empty one Then try again Disk not empty Sh Enter to Format During a Backup you inserted a disk containing some data Please replace it with an empty one or press SHIFT ENTER to start formatting the disk Disk write protected The floppy disk is write protected Move the protection tab to close ...

Page 297: ...gain or press SHIFT ENTER to start formatting the disk Not a Pa series or Corrupted File The file you are trying to load is not compatible with Pa series instruments Not Enough Space on Media There is no more space to load save or copy data The disk operation will be aborted Replace the disk and use an empty disk to save your data Should this message appear during loading the SSD Solid State Disk ...

Page 298: ...ed data Load the appropriate data for the Song or the Style you wish to playback 17 6 Has one of the USER Drum Kits been modified Load the appropriate Drum Kits 17 6 Have the Styles or Performances been modified Load the appropriate data Styles or Per formances 17 6 Sound does not stop Make sure that the damper switch polarity parameter is set correctly 16 3 The selected Style or Song can not star...

Page 299: ...rted correctly 17 1 Is the write protect tab of the disk in the protect position 17 1 Cannot save data to a floppy disk Is the disk formatted 17 14 Is the disk inserted correctly 17 1 Is the write protect tab of the disk in the protect position 17 1 Cannot load data from a floppy disk Is the disk inserted correctly 17 1 Does the disk contain data compatible with the Pa80 17 4 Problem Solution Page...

Page 300: ...28 6 Error messages Troubleshooting Troubleshooting ...

Page 301: ... STS 4 304 memorize Realtime tracks Style controls 4 Variations 2 Fills 2 Intros 2 Endings Counter In Break Synchro Start Stop Tap Tempo Reset Fade In Out Bass Inversion Manual Bass Tempo Lock Memory Accompaniment Volume Accompaniment Mute Drum Mapping Snare Kick Designation Single Touch General controls Master Volume Ensemble Octave Transpose Master Transpose Split Point Style Change Tracks Vol u...

Page 302: ...29 2 Technical specifications ...

Page 303: ...irect FD 9 2 Direct HD 9 1 Disk 17 1 17 18 Backup 17 16 Format 17 14 Write protection 17 1 Display 4 1 4 3 F1 F4 buttons 3 5 4 1 Page buttons 4 1 Volume Value buttons 3 5 4 1 Display Hold 3 6 Double Sequencer 6 5 11 1 Drum mode 11 9 Drum tracks 9 7 13 12 16 6 E EC5 16 3 Edit Environment 4 3 Effects Audio Inputs 16 7 Song mode 13 9 13 11 Song Play mode 11 2 11 7 Style Play mode 9 5 9 6 Ending 3 4 E...

Page 304: ...rating System Backup 1 1 17 16 Update 1 2 Outputs 2 1 5 1 16 6 P Pads 3 7 9 11 Lock 9 12 Page 3 4 4 1 PC To Host 5 1 16 4 Pedal 16 3 Performance 9 1 Selecting 3 6 6 2 Pitch Bend 9 6 13 10 Portamento AMS 14 19 Program Editing 9 7 13 12 Selecting 3 7 6 3 Program Change 8 3 Program mode 14 1 R Resonance 14 9 S Sampling 15 1 15 9 Scale Lock 9 12 Main scale 16 2 Selecting in realtime 7 7 Select MFX Eff...

Page 305: ... Volume 4 1 9 5 Transpose 3 7 Tune Tune Program 14 4 U User Interface 4 2 Edit Environments 4 3 Operating Modes 4 2 Selecting Windows 4 3 V VALUE slider AMS 14 19 Variation 3 3 Velocity AMS 14 19 Velocity Intensity Amp Mod 14 14 Velocity Filter EG 14 10 Velocity Curve 16 2 Video Interface 5 1 16 3 Vocal Guitar Processor Board 16 8 Volume Acc Seq 2 1 3 2 11 2 13 1 Balance 2 1 Individual tracks Song...

Page 306: ...30 4 Alphabetical Index ...

Page 307: ......

Page 308: ...AN0001064 KORG Italy 2002 2005 All rights reserved KORG ITALY S p A Via Cagiata 85 I 60027 Osimo An Italy Web servers www korg co jp www www korg co uk korg com www jam ind com www korgfr net www korg de www korg it ...

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