1-14
BEFORE ST
AR
TING
SELECTING FAX RESOLUTION
•
EXPOSURE CONTROL
After setting the original, you can select the size and character resolution according to the type of original and also select the
exposure.
Selecting the Fax Resolution
1
In fax mode, set the originals, and press the Resolution
key.
●
Pressing the Resolution key causes the fax resolution indicators to
sequentially light up.
STANDARD FINE SUPER FINE ULTRA FINE FINE + HALF TONE
SUPER FINE + HALF TONE ULTRA FINE + HALF TONE
Selecting the Resolution
STANDARD
Select for originals with normal characters (like the characters in this manual for example).
FINE
Select for originals with small characters or detailed illustrations.
Twice as much character density as normal.
SUPER FINE
Select for complicated drawings and illustrations. Transmits with a better resolution than FINE.
ULTRA FINE
Select for complicated drawings and illustrations. Transmits with the best resolution. Compared
with other settings, transmitting with this resolution takes longer.
HALF TONE
Select for photographs and originals with marked colour contrasts (for example, colour originals).
Selecting HALF TONE allows these types of originals to be sent with greater clarity. Compared
with other settings where HALF TONE is not used, transmitting with this resolution takes longer.
Select for photographs and originals with marked colour contrasts (for example, colour originals).
Selecting HALF TONE allows these types of originals to be sent with greater clarity. When you
select HALF TONE, transmission takes longer.
Note
●
The resolution is initially set to STANDARD, however you can change the initial resolution with a user
program. (See page Appendix-26)
●
You cannot change the resolution while the original is being read into memory. If scanning from the
original table, you can change the resolution when you place the next page of the original.
●
Sometimes when sending a fax in ULTRA FINE, SUPER FINE, or FINE resolution, the receiving fax
is not capable of reproducing these high-quality resolutions.
Selecting F
ax Resolution
. Exposure Contro
l