Roland Sound Canvas SC-8850, Руководство пользователя

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Using Insertion Effects
Out (Output Mode) Speaker/Phones [15 (40 03 11)]
Specifies the method that will be used to hear the sound
that is output to the OUTPUT jacks. The optimal 3D effect
will be achieved if you select Speaker when using speakers,
or Phones when using headphones (p.128).
#Balance (Effect Balance) D>0E–D0<E [16 (40 03 12)]
Adjusts the volume balance between the direct and the
processed sound.
“D” or “E” on the display respectively means D (direct
sound) or E (effect sound) values of 100.
Low Gain -12–+12 [17 (40 03 13)]
Adjusts the gain of the low frequency range.
Hi Gain (High Gain) -12–+12 [18 (40 03 14)]
Adjusts the gain of the high frequency range.
Level (Output Level) 0–127 [20 (40 03 16)]
Adjusts the output level.
Effects that reverberate the sound
(delay/reverb type)
21: Stereo Delay [01H, 50H]
This is a stereo delay.
Fb Mode is Norm:
fig.9-22
Fb Mode is Cross:
fig.9-23
Dly Tm L (Delay Time Left) 0–500ms [1 (40 03 03)]
Adjusts the time from the original sound until when the left
delay sound is heard.
Dly Tm R (Delay Time Right) 0–500ms [2 (40 03 04)]
Adjusts the time from the original sound until when the
right delay sound is heard.
+Feedback (Feedback Level) -98%–+98% [3 (40 03 05)]
Adjusts the proportion (%) of the processed sound that is
fed back into the effect. Negative (-) settings will invert the
phase.
Fb Mode (Feedback Mode) Norm/Cross [4 (40 03 06)]
Selects the way in which processed sound is fed back into
the effect.
Norm: The left delay sound will be fed back into the
left delay, and the right delay sound into the
right delay.
Cross: The left delay sound will be fed back into the
right delay, and the right delay sound into
the left delay.
Phase L (Phase Left) Norm/Invert [5 (40 03 07)]
Selects the phase of the left delay sound.
Norm: Phase will not be changed.
Invert: Phase will be inverted.
Phase R (Phase Right) Norm/Invert [6 (40 03 08)]
Selects the phase of the right delay sound.
Norm: Phase will not be changed.
Invert: Phase will be inverted.
HF Damp 315–8k/Bypass [8 (40 03 0A)]
Adjusts the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to Bypass.
#Balance (Effect Balance) D>0E–D0<E [16 (40 03 12)]
Adjusts the volume balance between the direct and the
processed sound.
“D” or “E” on the display respectively means D (direct
sound) or E (effect sound) values of 100.
Low Gain -12–+12 [17 (40 03 13)]
Adjusts the gain of the low frequency range.
Hi Gain (High Gain) -12–+12 [18 (40 03 14)]
Adjusts the gain of the high frequency range.
Level (Output Level) 0–127 [20 (40 03 16)]
Adjusts the output level.
22: Mod Delay (Modulation Delay) [01H, 51H]
This effect adds modulation to the delayed sound, producing
an effect similar to a flanger.
Fb Mode is Norm:
fig.9-24
Fb Mode is Cross:
fig.9-25
L
R
Delay
Delay
HF
HF
EQ
EQ
Balance
Balance
L
R
Delay
Delay
HF
HF
EQ
EQ
Balance
Balance
L
R
Delay
Delay
HF
HF
EQ
EQ
Balance
Balance
L
R
Delay
Delay
HF
HF
EQ
EQ
Balance
Balance