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46
User Manual
9.5 The Central Assignable Panel
(CAP)
9.5.1 Introduction
The CAP is used to set EQ, Dynamics and Aux
send levels for one channel at a time. For most
systems it forms the entire user interface for
these functions, but where there are dedicated
controls it works in parallel with them.
9.5.2 Assigning a Signal Path
One channel at a time can be viewed and
changed on the CAP. There are several methods
for doing this. A channel is assigned to the CAP:
by pressing the INT button on any
fader
by touching the fader (if Assign to CAP
via Touch Sensors has been checked
on the Preferences screen)
by soloing the fader (if Assign to CAP
via Solo Switches has been checked on
the Preferences screen)
by pressing the Assign button on the
CAP and choosing a signal path from
the screen
Once a channel is assigned into the
CAP, if EQ or Dynamics are applied to
the channel, a display is shown on the
user interface (above the mute display)
with E for EQ or D for Dynamics.
9.5.3 The Equaliser
There are two forms of EQ in Prodigy. One,
called dynamic EQ, is operated from the CAP, and works just like controls on an analog console. The other, called
clip-based EQ, is operated from the Editing console, and works more like an editing function.
Both forms of EQ can be operated simultaneously, allowing two 4-band equalisers to be active on every track (actu-
ally there are three equalisers during a crossfade).
9.5.3.1
Dynamic EQ
This form of EQ takes its name from its ability to change the EQ value from moment to moment continuously. All
changes made in the EQ values can be written to the automation and thereby become a repeatable part of the mix.
Using the EQ controller on the CAP (or any dedicated equaliser above a fader), you can access four bands on any
signal path. There are two types of band:
The High Frequency (HF) and Low Frequency (LF) bands are shelves with a choice of two turnover fre-
quencies.
The High Mid (MH) and Low Mid (LM) bands are bell curves with sweepable mid-frequencies and a choice
of two Q-factors.
