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Owner’s Manual
Performance mode Performance Edit
80
These parameters are for editing the individual Parts that make up a Performance.
n
You can switch between Part 1 and Plug-in Part 1 with the [1/5/9/13] button, and between Part 2 and Plug-in Part 2 with the [2/6/10/14] button.
Low/LowMid/Mid/
HighMid/High Freq
Frequency
Determines the center frequency. Frequencies around this point are attenuated/boosted by the Gain setting.
Settings:
LOW: Shelving 32Hz ~ 2.0kHz, Peaking 63Hz ~ 2.0kHz
LOWMID, MID, HIGHMID: 100Hz ~ 10.0kHz
HIGH: 500 Hz ~ 16.0 kHz
Low/LowMid/Mid/
HighMid/High Gain
Gain
Determines the level gain for the Frequency (set above), or the amount the selected frequency band is
attenuated or boosted.
Settings:
-12dB ~ 0dB ~ +12dB
Low/LowMid/Mid/
HighMid/High Q
Frequency Characteristic
This varies the signal level at the Frequency setting to create various frequency curve characteristics.
Settings:
0.1 ~12.0
MEF (Master Effect)
Determines the Master Effect of each Performance. With the exception of the two below, the available
parameters differ depending on the currently selected effect type. Refer to the separate Data List for details.
Switch
Switch
Turns the Master Effect on/off.
Settings:
on, off
Type
Type
Determines the Master Effect type.
Settings:
Refer to the separate Data List booklet.
CtrlAsn (Control Assign)
Determines the Control Numbers corresponding to the external controllers. For details, see page 46.
BC
Breath Controller
Determines the Control Number corresponding to the Breath Controller.
RB
Ribbon Controller
Determines the Control Number corresponding to the Ribbon Controller.
AS1/AS2
Assign
Determines the Control Number corresponding to Assign 1/2.
FC1/FC2
Foot Controller
Determines the Control Number corresponding to the Foot Controller.
Output
Volume
Volume
Determines the output level of the selected Performance. You can adjust the overall volume, keeping the
balance between all Parts.
Settings:
0 ~ 127
Pan
Pan
Determines the stereo pan position of the selected Performance. This parameter offsets the same parameter
in the Part edit setting. A setting of “C” (center) maintains the individual Pan settings of each Part.
Settings:
L63 (far left) ~ C (center) ~ R63 (far right)
RevSend/ChoSend
Reverb Send/Chorus Send
Determines the Send level of the signal sent from Insertion Effect 1/2 (or the bypassed signal) to the Reverb/
Chorus Effect.
Settings:
0 ~ 127
EG (Envelope Generator)
AEG Attack/Decay/
Sustain/Release
AEG Attack Time/Decay Time/
Sustain Level/Release Time
This display contains the basic EG settings, both volume and filter, as well as the filter’s Cutoff Frequency
and Resonance settings. The settings made here are applied as offsets to the AEG and FEG settings in the
Part Edit mode.
Settings:
-64 ~ 0 ~ +63
FEG Attack/Decay/
Release/Depth
FEG Attack Time/Decay Time
/Release Time/Depth
Cutoff/Resonance
Cutoff/Resonance
Part Edit
[SHIFT]+[PERFORM]
→
select Performance
→
select Performance Edit by pressing [EDIT] once or twice
→
[MUTE/SEL/ENTER] (LED turns off)
→
select Part with [1/5/9/13]-[4/8/12/16]
→
select each display with PAGE
[
E
][
F
]
Voice
You can select a Voice for each Part.
PartSw
Part Switch
Determines each Part to on or off. Since a Performance can consist of up to four Parts, you can select four
Parts from Parts 1 - 4 and the Plug-in Parts 1 - 2. Please note that “(on)” is displayed if selecting more than
four Parts. “(on)” indicates no available Part.
Settings:
on, off
Bank
Number
Bank
Number
Determines the Voice Bank and Voice Number for each Part. For details about the Plug-in Voice, refer to the
owner’s manual for your Plug-in Board.
Mono/Poly (Mode)
Mono/Poly
Selects monophonic or polyphonic playback for each Part. Select whether each Part is played back
monophonically (single notes only) or polyphonically (multiple simultaneous notes).
Settings:
mono, poly
n
This parameter is not available for the Part to which the Drum Voice is assigned.
ArpSwitch (ArpSw)
Arpeggio Switch
Determines whether Arpeggio is on or off for the currently selected Part.
Settings:
on, off
Utility
V
oice mode
P
erf
ormance mode
Multi mode
Eff
ect
Ar
peggio
Ref
erence