page
36
9 - Using the connectors
9.1 - Pedal
A twin pedal can be connected to the appropriate connector on the rear. This remote control
allows operators to run through the scenes in a page, leaving their hands free for other work.
Intended particularly for groups or operators working in theatres who have to synchronise a
scene change with the beginning of a piece of music, this doesn’t require any further equipment.
Refer to page 6 for the connection diagram. The functions available are:
- UP without enabled registers - enables memory register 1. The page must be
selected manually.
- UP with a register enabled - steps up 1 position in the memory registers (e.g. from 1 to 2).
- DOWN with a register enabled - steps down 1 position in the memory registers (e.g. from 2
to 1).
- DOWN without registers enabled - enables memory register 12. The page must be selected
manually.
- UP and DOWN simultaneously with the registers enabled - switches the registers off.
This pedal can only change registers operating in the (overriding) AND mode.
9.2 - SMPTE socket
This socket is used to connect the console to a sync time code source, which can be used to
record a series of events which must take place at a precise moment. This signal is generally
used in broadcasting (television productions). It’s only an input, as Studio 12 Scan Control con-
soles don’t generate a signal for external use. The SMPTE signal is normally obtained using the
MIDI Time Code (from a sequencer, for example) and converting it with one of the numerous
devices available for this purpose.
9.3 - MIDI connectors
By means of these connectors, which use a standard recognized throughout the world, it’s possi-
ble to carry out various operations, the most important of which are:
- linking several Studio consoles to increase the units and programs available;
- connecting a Studio console for use as a ‘slave’ of a master keyboard or sequencer.
When several consoles are connected in a MIDI chain, the DMX signals aren’t summed: each con-
sole must be connected to the relative DMX chain.
midi out
midi in
pan
tilt
1
2
3
4
5
6
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
1 0
1 1
1 2
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
re g i s t e r s c r o s s t i m e
smpte
record
p a g e
mode
p l a y
re g
f l a s h
g ra n d
2
3
4
5
6
7
8
9
2
3
4
5
6
7
8
9
1 0
1 0
0
1
0
1
9
8
7
6
5
4
3
2
1
1 0
0
re g
c h a s e
d i re c t
m u s i c
s t e p
e d i t
ra t e
s l o p e
3
4
5
6
7
8
3
4
5
6
7
8
3
4
5
6
7
8
0
1
2
9
1 0
1
2
9
0
1 0
1
o r
1 3
2
o r
1 4
3
o r
1 5
4
o r
1 6
5
o r
1 7
6
o r
1 8
7
o r
1 9
8
o r
2 0
9
o r
2 1
10
or
22 11
or
23 12
or
24
0
1
2
9
1 0
A
o r
p s e t
1
2
3
4
5
6
7
8
9
1 0
0
l i n k
s o l o
manual presets cross time
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
ra t e
s p e e d
music bkward pause store
reg
direct
util
re g i s t e r s
m a s t e r s
manual presets
B
g o
dmx unit controls
p r o f e s s i o n a l l i g h t c o n t r o l l e r
1
2
3
4
5
6
7
8
9
10
11
12
Studio 12
S C A N C O N T R O L
S C A N C O N T R O L
S C A N C O N T R O L
S C A N C O N T R O L
1
2
3
4
5
6
7
8
9
1 0
1 1
1 2
setup
g ra b
light chase controls
prog
scene
unit
A
or
1
÷
12
B
or
12
÷
24
and
or
flash
s
e
c
o
n
d
s
m
i
n
u
t
e
s
1
2
4
8 16 32
1
2
4
8
of f
m a x
0
s
e
c
o
n
d
s
m
i
n
u
t
e
s
1
2
4
8 16 32
1
2
4
8
of f
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
pan
tilt
1
2
3
4
5
6
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
1 0
1 1
1 2
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
re g i s t e r s c r o s s t i m e
smpte
record
p a g e
mode
p l a y
re g
f l a s h
g ra n d
2
3
4
5
6
7
8
9
2
3
4
5
6
7
8
9
1 0
1 0
0
1
0
1
9
8
7
6
5
4
3
2
1
1 0
0
re g
c h a s e
d i re c t
m u s i c
s t e p
e d i t
ra t e
s l o p e
3
4
5
6
7
8
3
4
5
6
7
8
3
4
5
6
7
8
0
1
2
9
1 0
1
2
9
0
1 0
1
o r
1 3
2
o r
1 4
3
o r
1 5
4
o r
1 6
5
o r
1 7
6
o r
1 8
7
o r
1 9
8
o r
2 0
9
o r
2 1
10
or
22 11
or
23 12
or
24
0
1
2
9
1 0
A
o r
p s e t
1
2
3
4
5
6
7
8
9
1 0
0
l i n k
s o l o
manual presets cross time
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
0
1
2
3
4
5
6
7
8
9
1 0
ra t e
s p e e d
music bkward pause store
reg
direct
util
re g i s t e r s
m a s t e r s
manual presets
B
g o
dmx unit controls
p r o f e s s i o n a l l i g h t c o n t r o l l e r
1
2
3
4
5
6
7
8
9
10
11
12
Studio 12
S C A N C O N T R O L
S C A N C O N T R O L
S C A N C O N T R O L
S C A N C O N T R O L
1
2
3
4
5
6
7
8
9
1 0
1 1
1 2
setup
g ra b
light chase controls
prog
scene
unit
A
or
1
÷
12
B
or
12
÷
24
and
or
flash
s
e
c
o
n
d
s
m
i
n
u
t
e
s
1
2
4
8 16 32
1
2
4
8
of f
m a x
0
s
e
c
o
n
d
s
m
i
n
u
t
e
s
1
2
4
8 16 32
1
2
4
8
of f
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
1
2
3
4 5 6
7
8
9
10
m i n
m a x
0
midi in
