113
Program operating mode
Page 8 - Filter Modulation
Resonance modulation
AMS (Alternate Modulation Source)
Selects
the
source
that
will
control
the
“Resonance”
level.
See
123.
Intensity (AMS Intensity)
This
parameter
specifies
the
depth
and
direction
of
the
effect
that
will
have
on
the
resonance
level
specified
by
A”.
For
example
if
Velocity
has
been
selected,
changes
in
keyboard
velocity
will
affect
the
resonance.
With
positive
(+)
values,
the
resonance
will
increase
as
you
play
more
strongly,
and
as
you
play
more
softly
the
resonance
will
approach
the
level
specified
by
the
“Resonance”
setting.
With
negative
(–)
values,
the
resonance
will
decrease
as
you
play
more
strongly,
and
as
you
play
more
softly
the
resonance
will
approach
the
level
specified
by
the
“Resonance”
setting.
The
resonance
level
is
determined
by
adding
the
“Res
‐
onance”
and
“Intensity
(AMS
Intensity)”
values.
‐
99…+99
Parameter
value.
Filter B
Frequency B (Cutoff Frequency B)
This
parameter
specifies
the
cutoff
frequency
of
filter
B.
This
parameter
will
be
displayed
when
is
set
to
Low
Pass
&
High
Pass.
00…99
Cutoff
frequency
value.
PAGE 8 - FILTER MODULATION
These
settings
let
you
apply
modulation
to
the
cutoff
frequency
(“Frequency”)
of
the
filter
for
the
selected
oscillator
to
modify
the
tone.
When
is
Low
Pass
Resonance,
parameters
for
filter
B
will
not
be
editable
(greyed
out).
Selected
Use
this
parameter
to
select
an
oscillator
to
put
in
edit.
Alternatively,
you
can
select
oscillators
using
the
F
‐
1–F
‐
4
buttons.
Filter keyboard tracking
Tracking Low/High
These
settings
specify
keyboard
tracking
for
the
cutoff
frequency
of
the
filter
for
the
selected
oscillator.
The
way
in
which
the
cutoff
frequency
is
affected
by
the
keyboard
location
you
play
can
be
specified
by
the
and
parameters.
C–1…G9
Lowest/Highest
note
in
the
range.
Tracking Low
Keyboard
tracking
will
apply
to
the
range
below
the
specified
note
number.
Tracking High
Keyboard
tracking
will
apply
to
the
range
above
the
specified
note
number.
Ramp
This
parameter
specifies
the
angle
of
keyboard
tracking.
‐
99…+99
Angle
value.
Here
is
how
cutoff
frequency
is
affected
by
keyboard
location
and
the
Ramp
setting
(“Intensity
to
A”
and
“Intensity
to
B”
=
+50):
Ramp Low
Ramp High
If
“Intensity
to
A”
and
“Intensity
to
B”
are
set
to
+50,
“Ramp
Low”
is
set
to
–62
and
“Ramp
High”
is
set
to
+62,
the
angle
of
the
change
in
cutoff
frequency
will
correspond
to
the
keyboard
location
(pitch).
This
means
that
the
oscillation
that
occurs
when
you
increase
the
will
correspond
to
the
key
‐
board
location.
If
you
set
“Ramp
Low”
to
+43
and
“Ramp
High”
to
–43,
the
cutoff
frequency
will
not
be
affected
by
keyboard
location.
Use
this
setting
when
you
do
not
want
the
cutoff
frequency
to
change
for
each
note.
Tracking to A/B
These
parameters
specify
the
note
numbers
at
which
keyboard
tracking
will
begin
to
apply,
and
set
the
“Intensity
to
A”
and
“Intensity
to
B”
parameters
to
specify
the
depth
and
direction
of
the
change
applied
to
filters
A
and
B.
For
the
range
of
notes
between
“Key
Low”
and
“Key
High”,
the
cutoff
frequency
will
change
according
to
the
keyboard
location
(pitch).
‐
99…+99
Parameter
value.
The effect of resonance
Low Pass
Level
Low resonance value
High resonance value
Level
Frequency
High Pass
This filter cuts the low-frequency range that
lies below the cutoff frequency. By cutting
the lower overtones, it lightens the tone.
12dB/oct
Cutoff frequency
Key
Low Ramp=+99
Low Ramp=+43
Low Ramp=0
Low Ramp=–62
Low Ramp=–99
High Ramp=+99
High Ramp=+62
High Ramp=0
High Ramp=–43
High Ramp=–99
Low Key High Key
Summary of Contents for microARRANGER
Page 1: ...Owner s Manual E 1...
Page 9: ...INTRODUCTION...
Page 25: ...BASIC GUIDE...
Page 41: ...REFERENCE GUIDE...
Page 145: ...APPENDIX...
Page 244: ...2011 KORG INC 4015 2 Yanokuchi Inagi city Tokyo 206 0812 Japan...
