Korg microARRANGER, Owner'S Manual

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128 Global edit environment
Page 7 - MIDI IN Controls (1)
pedals, joystick) with an external key ‐
board or controller. MIDI messages com ‐
ing on this channel are considered as
being generated by microARRANGER’s
integrated controllers.
Control On this special channel, the microAR ‐
RANGER receives MIDI messages to
remotely select Styles, Performances, STS
and Style Elements. See tables on page 144
and following for more information on the
received data
PAGE 7 - MIDI IN CONTROLS (1)
This page is where you can program the Chord Recog ‐
nition channels for the internal arranger, and a fixed
velocity value for all notes appearing at the input.
There are two separate Chord channels. This is very
useful when you must send chords to microAR ‐
RANGER on two channels (like with some MIDI
Accordions).
Chord1 channel
Notes entering this channel are sent to the Chord Rec ‐
ognition engine.
Chord2 channel
Notes entering this channel are sent to the Chord Rec ‐
ognition engine.
Velocity Input
Use this parameter to set a fixed velocity (dynamics)
value for all MIDI notes entering. This is useful when
playing the microARRANGER with an organ or a
MIDI Accordion.
Normal Normal velocity values
are received.
40…127 All received velocity values are converted
to the selected value.
PAGE 8 - MIDI IN CONTROLS (2)
This is another page containing various MIDI IN set ‐
tings, like note transposition for the Realtime tracks.
The transpose parameters are useful to many MIDI
accordion players, whose MIDI interface may transmit
on an unexpected octave.
UppOct (Upper Octave)
Octave transposition of data received on the MIDI IN
for the Upper tracks. For example, if you select the +1
value, a received C4 will play a C5 on the microAR ‐
RANGER.
LowOct (Lower Octave)
Octave transposition of data received on the MIDI IN
for the Lower track. For example, if you select the +1
value, a received C4 will play a C5 on the microAR ‐
RANGER.
OctIn (Octave In)
Enables/disables the octave transposition of data
received via MIDI.
On Data received via MIDI can be transposed,
according to the selected Octave Transpo ‐
sition. For example, if the Octave Transpo ‐
sition is +1, a received C4 will actually
play a C5.
Off Data received via MIDI can’t be trans ‐
posed by the Octave Transposition
applied to the track. For example, if the
Octave Transposition is +1, a received C4
will still play a C4.
Mute In
Use this parameter to determine if a muted track can
still play data received via MIDI.
On No data received via MIDI on a muted
track can be played by microARRANGER.
Off Data received via MIDI on a muted track
can still play on the microARRANGER.