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Korg microARRANGER, Owner'S Manual

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Korg microARRANGER Owner'S Manual Download Page 114

112

Program operating mode

Page 7 - Filter

Start Level Swing

This

 

parameter

 

specifies

 

the

 

direction

 

of

 

change

 

in

 

“Start

 

Level”

 

caused

 

by

 

“AMS1/2”.

 

If

 

“Intensity”

 

is

 

a

 

positive

 

(+)

 

value,

 

a

 

setting

 

of

 

+

 

will

 

raise

 

the

 

EG

 

level,

 

and

 

a

 

setting

 

of

 

–

 

will

 

decrease

 

it.

 

With

 

a

 

setting

 

of

 

0

 

there

 

will

 

be

 

no

 

change.

Attack Level Swing

This

 

parameter

 

specifies

 

the

 

direction

 

of

 

change

 

in

 

“Attack

 

Level”

 

caused

 

by

 

“AMS1/2”.

 

If

 

“Intensity”

 

is

 

a

 

positive

 

(+)

 

value,

 

a

 

setting

 

of

 

+

 

will

 

raise

 

the

 

EG

 

level,

 

and

 

a

 

setting

 

of

 

–

 

will

 

decrease

 

it.

 

With

 

a

 

setting

 

of

 

0

 

there

 

will

 

be

 

no

 

change.

Pitch EG ‘Time’ modulation

AMS(T) (Alternate Modulation Source)

This

 

parameter

 

selects

 

the

 

source

 

that

 

will

 

control

 

the

 

“Time”

 

parameters

 

of

 

the

 

pitch

 

EG

 

(see

 

“AMS

 

(Alter

‐

nate

 

Modulation

 

Source)

 

list”

 

on

 

page

 

123).

Intensity (AMS(T) Intensity)

This

 

parameter

 

specifies

 

the

 

depth

 

and

 

direction

 

of

 

the

 

effect

 

that

 

“AMS”

 

will

 

have

 

on

 

the

 

“Time”

 

parameters.

 

With

 

a

 

setting

 

of

 

0,

 

the

 

pitch

 

EG

 

times

 

will

 

be

 

just

 

as

 

specified

 

by

 

the

 

“Attack/Decay/Release

 

Time”

 

settings.

The

 

alternate

 

modulation

 

value

 

at

 

the

 

moment

 

that

 

the

 

EG

 

reaches

 

each

 

point

 

will

 

determine

 

the

 

actual

 

value

 

of

 

the

 

EG

 

time

 

that

 

comes

 

next.

For

 

example,

 

the

 

decay

 

time

 

will

 

be

 

determined

 

by

 

the

 

alternate

 

modulation

 

value

 

at

 

the

 

moment

 

that

 

the

 

attack

 

level

 

is

 

reached.

When

 

this

 

parameter

 

is

 

set

 

to

 

values

 

of

 

16,

 

33,

 

49,

 

66,

 

82,

 

or

 

99,

 

the

 

specified

 

EG

 

times

 

will

 

speed

 

up

 

as

 

much

 

as

 

2,

 

4,

 

8,

 

16,

 

32,

 

or

 

64

 

times

 

respectively

 

(or

 

slowed

 

down

 

to

 

1/2,

 

1/4,

 

1/8,

 

1/16,

 

1/32,

 

or

 

1/64

 

of

 

the

 

original

 

time).

For

 

example

 

if

 

“AMS”

 

is

 

set

 

to

 

Velocity,

 

increasing

 

the

 

absolute

 

value

 

of

 

“Intensity”

 

will

 

allow

 

strongly

‐

played

 

notes

 

to

 

increase

 

the

 

changes

 

in

 

pitch

 

EG

 

“Time”

 

values.

 

The

 

direction

 

of

 

the

 

change

 

is

 

specified

 

by

 

“Attack

 

Time

 

Swing”

 

and

 

“Decay

 

Time

 

Swing”.

 

As

 

you

 

play

 

more

 

softly,

 

the

 

pitch

 

EG

 

times

 

will

 

more

 

closely

 

approach

 

the

 

actual

 

settings

 

of

 

the

 

pitch

 

EG.

‐

99…+99

Parameter

 

value.

Attack Time Swing

This

 

parameter

 

specifies

 

the

 

direction

 

in

 

which

 

“AMS”

 

will

 

affect

 

the

 

“Attack

 

Time”

 

parameter.

 

With

 

positive

 

(+)

 

values

 

of

 

“Intensity”,

 

a

 

setting

 

of

 

+

 

will

 

cause

 

the

 

time

 

to

 

be

 

lengthened,

 

and

 

a

 

setting

 

of

 

–

 

will

 

cause

 

the

 

time

 

to

 

be

 

shortened.

 

With

 

a

 

setting

 

of

 

0

 

there

 

will

 

be

 

no

 

change.

Decay Time Swing

Specify

 

the

 

direction

 

in

 

which

 

“AMS”

 

will

 

affect

 

the

 

“Decay

 

Time”.

 

With

 

positive

 

(+)

 

values

 

of

 

“Intensity”,

 

a

 

setting

 

of

 

+

 

will

 

cause

 

the

 

time

 

to

 

be

 

lengthened,

 

and

 

a

 

setting

 

of

 

–

 

will

 

cause

 

the

 

time

 

to

 

be

 

shortened.

 

With

 

a

 

setting

 

of

 

0

 

there

 

will

 

be

 

no

 

change.

PAGE 7 - FILTER

Here

 

you

 

can

 

make

 

settings

 

for

 

the

 

filters

 

that

 

will

 

be

 

used

 

by

 

the

 

oscillators.

 

You

 

can

 

select

 

either

 

a

 

24

 

dB/

octave

 

low

 

pass

 

filter

 

with

 

resonance,

 

or

 

a

 

series

 

con

‐

nection

 

of

 

a

 

12

 

dB/octave

 

low

 

pass

 

filter

 

and

 

a

 

12

 

dB/

octave

 

high

 

pass

 

filter.

Selected

Use

 

this

 

parameter

 

to

 

select

 

an

 

oscillator

 

to

 

put

 

in

 

edit.

 

Alternatively,

 

you

 

can

 

select

 

oscillators

 

using

 

the

 

F

‐

1–F

‐

4

 

buttons.

Filter Type

This

 

parameter

 

selects

 

the

 

type

 

of

 

filter

 

(Low

 

Pass

 

Res

‐

onant,

 

Low

 

Pass

 

&

 

High

 

Pass)

 

for

 

the

 

selected

 

oscilla

‐

tor.

 

When

 

the

 

Low

 

Pass

 

&

 

High

 

Pass

 

filter

 

type

 

is

 

selected,

 

the

 

filter

 

B

 

will

 

be

 

activated.

Trim

Use

 

this

 

parameter

 

to

 

adjust

 

the

 

level

 

at

 

which

 

the

 

audio

 

signal

 

output

 

from

 

the

 

selected

 

oscillator

 

is

 

input

 

to

 

filter

 

A.

Note:

 

If

 

this

 

value

 

is

 

raised,

 

the

 

sound

 

may

 

distort

 

if

 

Reso

‐

nance

 

is

 

set

 

to

 

a

 

high

 

value

 

or

 

when

 

you

 

play

 

a

 

chord.

00…99

Trim

 

level.

Frequency A (Cutoff Frequency A)

This

 

parameter

 

specifies

 

the

 

cutoff

 

frequency

 

of

 

filter

 

A.

00…99

Cutoff

 

frequency

 

value.

Resonance A

The

 

resonance

 

emphasizes

 

the

 

overtone

 

components

 

that

 

lie

 

in

 

the

 

region

 

of

 

the

 

cutoff

 

frequency

 

specified

 

by

 

“Frequency”,

 

producing

 

a

 

more

 

distinctive

 

sound.

 

Increasing

 

this

 

value

 

will

 

produce

 

a

 

stronger

 

effect.

00…99

Resonance

 

value.

Pitch EG changes (Time) (AMS = Velocity, Intensity = positive (+) value)

Note-on

Note-off

Note-on

Note-off

Note-on

Note-off

A note played softly with Attack 
Ti

S i

t t +

d

A note played strongly with 
Att k Ti

S i

t t +

d

A note played strongly with 
Att k Ti

S i

t t

d

Low Pass Resonance: 

24 dB/octave low 

pass filter with resonance

Low Pass & High Pass:

 12 dB/octave 

low pass filter and 12 dB/octave high pass 
filter in series

Frequency

Level

Low Pass

12dB/oct

24dB/oct

This is a filter that cuts the 
high-frequency region above the cutoff 
frequency.
This is the most common type of filter, 
and is used to cut part of the overtone 
components, making an originally bright 
timbre sound more mellow (darker).
When the “Filter Type” is Low Pass 
Resonance, the cutoff will have a 
steeper slope.

Summary of Contents for microARRANGER

Page 1: ...Owner s Manual E 1...

Page 2: ...s equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interfer ence by o...

Page 3: ...on and functionality All sound names parameter names and values are merely examples and may not always match the actual display that you are working on TRADEMARKS Mac the Mac logo and the Audio Units...

Page 4: ...en turning the instrument on please be assured the BALANCE slider is set to the cen ter This sets both Sequencer 1 SEQ1 and Sequencer 2 SEQ2 to their maximum level This will avoid you start a Song wit...

Page 5: ...he Style 27 select a Fill or a Break 27 select a Style Variation 27 see the Style tracks 41 create a new Style 52 Song Play mode play a Song Standard MIDI File 31 see the Lyrics 74 see the Song tracks...

Page 6: ...32 The Arabic Scale 34 MIDI 35 What is MIDI 35 Midifiles 35 The General MIDI standard 35 The Global channel 35 The Chord 1 and Chord 2 channels 36 The Control channel 36 MIDI Setup 36 Connecting micro...

Page 7: ...Page 4 FX C D Select 77 Page 5 FX A editing 78 Page 6 FX B editing 78 Page 5 FX C editing 78 Page 6 FX D editing 78 Page 7 Track Mode 78 Page 8 Track Internal External 79 Page 9 Jukebox 79 Page 10 Pr...

Page 8: ...10 MIDI OUT Channels 129 Page 11 MIDI OUT Filters 129 Card Edit environment 130 The WRITE CARD IN USE LED 130 Supported cards 130 Loading data created with the Pa80 Pa60 Pa50 131 Card structure 131 Fi...

Page 9: ...INTRODUCTION...

Page 10: ...d 1 216 Single Touch Settings STS for fast setting of keyboard sounds and effects 304 Styles XDS Double Sequencer with Crossfader Style Record and Edit Full featured sequencer Song Record and Edit Int...

Page 11: ...system itself You can see which version of the operating systems is installed in your microARRANGER by keeping the SHIFT button pressed and pressing the ENTER and EXIT buttons together The operating...

Page 12: ...o songs being played To adjust power on off settings press the GLOBAL button to enter the GLOBAL page and adjust the set tings on the Page1 Gen Controls page AutoOff on page 125 CONTROLLING THE VOLUME...

Page 13: ...ds is fine again MIDI CONNECTIONS You can play the internal sounds of your microAR RANGER with an external controller i e a master key board a MIDI guitar a wind controller a MIDI accordion or a digit...

Page 14: ...rating mode is automatically selected when the instrument is turned on SONG PLAY Song Play mode where you can playback 16 track Songs in Standard Midi File SMF format directly from the memory card You...

Page 15: ...GLOBAL button then press WRITE to save the Global into memory see The Write window on page 125 This button doubles as a PREVIOUS EVENT func tion for the Backing Sequence and Song modes see chapters 1...

Page 16: ...ion to exit the loop 20 ENDING 1 2 DOT TRIPLET buttons While the Style is running these two buttons trigger an Ending and stop the Style Press one of them and the Style will stop running with an Endin...

Page 17: ...is in SPLIT mode and the LOWER Chord Scanning mode selected 27 RECORD This button sets the instrument in Record mode depending on the current operating mode 28 MENU This button opens the Menu page for...

Page 18: ...e buttons double as function keys to select the corresponding items in the display 33 SHIFT With this button held down pressing certain other but tons will access to a second function 34 TEMPO VALUE s...

Page 19: ...RMANCE section Use these buttons to open the Program Select or Perfor mance Select window and select a Program or a Perfor mance See Selecting a Program on page 25 or Selecting a Performance on page 2...

Page 20: ...e left only Sequencer 1 can be heard When fully on the right only Sequencer 2 can be heard When in the middle both sequencers will play at full volume 49 SEQUENCER TRANSPORT CONTROLS SEQ1 and SEQ2 The...

Page 21: ...or more information F 1 F 4 buttons When in an Edit page these buttons may be used when there are four parameters in a row as in the following example First select the line using a VOLUME VALUE A H bu...

Page 22: ...ram edit environments Global Card selecting windows Style Select Song Select Pro gram Select Performance Select When opening an edit environment or a selecting page the current operating mode is still...

Page 23: ...s ENTER or EXIT to exit one of these windows Other messages ask for an answer as in the Are you sure window below Press ENTER YES for Yes or EXIT NO for No SYMBOLS AND ICONS Many icons and symbols on...

Page 24: ...allows your microARRANGER to be connected to an external controller master key board MIDI guitar wind controller MIDI accor dion to an expander or to a computer running a sequencer or an editor For m...

Page 25: ...BASIC GUIDE...

Page 26: ...on page 125 SELECTING MUTING UNMUTING AND SOLOING A TRACK Selecting Use the VOLUME VALUE A H buttons to select a track The selected track is shown with a solid square sur rounding its status icons If...

Page 27: ...f the STYLE CHANGE LED is on the Style saved in the Performance will be selected If the STYLE CHANGE LED is off the Style doesn t change SELECTING A PROGRAM You can select a different Program i e soun...

Page 28: ...ttons Note The new Style will enter at the next strong beat 5 If the DISPLAY HOLD LED is on press EXIT to exit this window The SINGLE TOUCH button When you select a Style the Realtime Keyboard tracks...

Page 29: ...egin playing Usually when the SPLIT LED is on chords are recognized under the split point i e on the Lower part of the keyboard With the UPPER or FULL Chord Scanning mode you must play three or more n...

Page 30: ...udes all the information you need PLAYING IN REALTIME Without using Automatic Accompaniment As soon as you turn your microARRANGER on it is in Style Play mode and you can play it in realtime Please fo...

Page 31: ...te unmute various tracks Press both H VOLUME VALUE buttons You will mute the Lower track Press them again to unmute the Lower track Try also with the Upper tracks using the E F and G VOLUME VALUE butt...

Page 32: ...3 Select one of the pages using the PAGE buttons 4 Select a Style using the VOLUME VALUE A H buttons The Style Bank and number appear after the Style parameter in the display 5 And what about changin...

Page 33: ...d any Song you wish to preserve 1 Insert your SD card into the card slot 2 In the Backing Sequence Play page select the Save Song parameter 3 Press the F 1 button to select the SD card SD 4 Move the f...

Page 34: ...etween Sequencer 1 and Sequencer 2 Stop the Song s using the PLAY STOP button for the corresponding Sequencer Need more information Go to Backing Sequence operating mode on page 82 The Reference Guide...

Page 35: ...a different Pro gram using the VOLUME VALUE buttons Press one of the buttons corresponding to the track to select For example one of the A buttons to select track 1 3 Select a Program You should know...

Page 36: ...n program an Arabic scale in real time by assigning a footswitch or a pad the Quarter Tone function Another way of changing the scale is assigning it to a Performance or Single Touch Setting STS but t...

Page 37: ...s message pair is used together with the Program Change message to select a Program CC01 or Modulation This is the equivalent of pressing up the joystick A vibrato effect is usually triggered on CC07...

Page 38: ...evice See the Appendix for a list of messages corresponding to microARRANGER internal data MIDI SETUP You can play microARRANGER with an external con troller and use it simply as a gorgeous sound gene...

Page 39: ...confirm or EXIT to abort 5 Set the Upper 1 track in play and press FULL UPPER in the KEYBOARD MODE section This way you can transmit to the external sequencer on the full keyboard range 6 At this poin...

Page 40: ...nected micro ARRANGER s MIDI OUT To hear only the expander s sounds you can lower the MASTER VOLUME control on the microARRANGER or set the Realtime Tracks to the External status see Page 15 Track Int...

Page 41: ...REFERENCE GUIDE...

Page 42: ...ored in the current Style keep the SHIFT button pressed and press one of the DOWN or UP buttons THE DIRECT SD BANK In addition to the internal memory Styles you can have DIRECT SD Styles directly acce...

Page 43: ...select the track then keep one of the buttons pressed C Acc 1 5 grouped tracks Use these buttons to select mute unmute or change the volume of the instrumental accompaniment tracks tracks 1 5 other t...

Page 44: ...ER to confirm or EXIT to abort MENU From any page press MENU to open the Style Play edit menu This menu gives access to the various Style Play edit sections When in the menu select an edit section usi...

Page 45: ...the Internal FX processors The effect processors included in microARRANGER are connected in parallel so you can decide which per centage of the direct signal should be effected There are four Internal...

Page 46: ...te detune relative to the standard Equal tuning This parameter can be accessed when a User Scale is selected PAGE 6 TUNING PITCHBEND SENSITIVITY This page lets you program the Pitch Bend range for the...

Page 47: ...the Realtime tracks For more details see Page 9 FX A editing above Parameters PAGE 12 FX D EDITING This page contains the editing parameters for the D effect usually modulating effect for the Realtime...

Page 48: ...n pressed while pressing one of the selected track VOLUME VALUE buttons After you press the above button combination the Reset window appears Press ENTER YES to reset the currently selected track Keep...

Page 49: ...When you press the Damper pedal and release the keys the track s sound is kept sustained Off The Damper pedal is not active on any track set to this status E Expression This parameters allows you to s...

Page 50: ...ncluded in the harmoniza tion Mute This track only plays the Ensemble notes but not the original note E nsemble Harmonization type Duet Adds a single note to the melody Close Adds a closed position ch...

Page 51: ...and Variation 2 will be alternatively selected after the end of the Fill Up Down The next higher lower numbered Varia tion is selected in cycle After Variation 4 an Up command will select Variation 1...

Page 52: ...d ulating effect for each of the four Pad tracks PAGE 23 PREFERENCES LOCK You can lock various functions to avoid they can be changed when selecting a different Performance Style or Single Touch Setti...

Page 53: ...k key on the left for a Minor 7th Ex C3 B2 Bb2 Scale Mode This parameter determines which tracks will use the selected alternative scale see Scale on page 44 Realtime tracks The scale will only affect...

Page 54: ...Then depending on the selected Style Element it determines which Chord Variation CV should be played for the scanned chord Which Chord Variation corresponds to each scanned chord is a setting of the...

Page 55: ...default values Drum Map ping 0 Snare Kick Designation Off Program Original Keyboard Range Original This means that you can hear some differences between the Style in play and the same Style being edit...

Page 56: ...VALUE buttons or the TEMPO VALUE controls to select a different User Style loca tion in memory Note Only User locations are available Abort Select this command to delete any change to the Style LIST O...

Page 57: ...p recording modes Use one of the E VOL UME VALUE buttons and the F 3 function button to select this parameter Change its status using the E VOLUME VALUE buttons or the TEMPO VALUE controls RT Realtime...

Page 58: ...e you will record the Acc1 track in the AMajor key with notes that will comply with the A7th chord This is the pattern that will be recalled exactly as it was recorded when playing an A7th chord Copyi...

Page 59: ...f this section M Measure This is the position of the event note rest or chord to be inserted Meter Meter of the current measure This parameter can t be edited You can set the Meter in the Main page of...

Page 60: ...ime Record ing go on reading Realtime Record procedure below Otherwise if you prefer to do a Step Record jump to Step Record procedure on page 59 Realtime Record procedure 1 When still in the Main pag...

Page 61: ...ord page without any change Step Record procedure 1 When still in the Main page of the Style Record mode press one of the E VOLUME VALUE but tons to select the R parameter Use these but tons or the TE...

Page 62: ...age of the Style Record mode press RECORD to exit the Record mode You will be prompted to assign a new name to the Style and select a memory location where to save it See The Write window on page 54 f...

Page 63: ...ete to the other pages or vice versa the Style if in play is automatically stopped EDIT PAGE STRUCTURE Select an edit section from the Menu and or use the PAGE buttons to reach the desired page Press...

Page 64: ...hese parameters are available only when a Drum or Percussion track is selected PAGE 2 EDIT TRANSPOSE In this page you can transpose the selected track s Note After transposing please don t forget to r...

Page 65: ...selected PAGE 4 EVENT EDIT The Event Edit page allows you to edit each event in a single track See Event Edit procedure on page 65 for more information on the event editing procedure Trk Track Track i...

Page 66: ...t a measure then press ENTER to confirm or EXIT to abort INSERT Press the INSERT button to insert a new event at the current shown Position The default values are Type Note Pitch C4 Velocity 100 Lengt...

Page 67: ...information 6 Press PAGE to go back to the Event Edit page 7 Press the A VOLUME VALUE button Trk to select the track to edit The Go To Track window appears Use the TEMPO VALUE controls to select a tr...

Page 68: ...ory or one of the D VOLUME VALUE buttons Abort to delete any changes made in Style Record mode When the Are you sure message appears press ENTER to confirm or EXIT to go back to the Write Style page...

Page 69: ...Drum Acc5 Single track of the selected Style Style Ele ment or Chord Variation PAGE 8 EDIT COPY Here you can copy a track Chord Variation or Style Element inside the same Style or from a different on...

Page 70: ...button of the target Style Element Program Use the PROGRAM PERFORMANCE section to assign a Program to the selected track PAGE 10 STYLE ELEMENT CONTROLS EXPRESSION In this page you can modify the Expr...

Page 71: ...s page you can set the Retrigger mode for the Style tracks and activate deactivate the Tension for the Accompaniment tracks When in this page press the corresponding button on the control panel to sel...

Page 72: ...ssage gen erated by Sequencer 1 SWITCHING BETWEEN SEQUENCERS DURING EDITING When you enter Edit mode you can edit the selected sequencer s parameters Go to the main page of Song Play mode and select t...

Page 73: ...ime keyboard tracks When using both sequencers at the same time and the S2 FX Mode is set to C D Mode see page 80 Sequencer 1 uses the A B pair while Sequencer 2 uses the C D pair sharing it with the...

Page 74: ...all Songs a Reverb suitable for the venue where you are performing without having to modify any of the Songs This is true only for non microARRANGER 80 Songs Globally setting the Internal External st...

Page 75: ...elects Sequencer 1 Pressed a second time or with no Song selected it opens the Song Selection page see Song Select page on page 74 allowing for selection of a single Song or a Jukebox file for Sequenc...

Page 76: ...betical section G H Scroll Down Scroll the list down Keep SHIFT pressed and press one of these buttons to jump to the next alphabetical section F 1 SD Press this button after replacing a card in the c...

Page 77: ...U to open the Song Play edit menu This menu gives access to the various Song Play edit sections When in the menu select a section using the VOLUME VALUE buttons press PAGE to select a page or press EX...

Page 78: ...the TRACK SELECT button to switch between Song tracks 1 8 Song tracks 9 16 and back again Pan 64 Hard Left 00 Center 63 Hard Right Off The direct uneffected signal does not go to the outputs only the...

Page 79: ...4 FX A B SELECT This page lets you select the A and B effects Usually the A effect is a reverb while the B effect is a modulat ing effect Effects A and B are usually reserved to Sequencer 1 You can ho...

Page 80: ...ng or select a different Song the default effects are selected again You can however stop the Song change the effects then start the Song again Edit the Song in Song mode to permanently change the eff...

Page 81: ...as a normal Song In this page you can create edit and save a Jukebox file If a Jukebox file is already selected into a Sequencer you will enter this page with that file ready to be edited Otherwise yo...

Page 82: ...use the same Tempo Link modes Off The sequencers Tempo are not linked Each sequencer uses its own Tempo Link Measure The two sequencers Tempo are linked together The Tempo data written into the Songs...

Page 83: ...proportional character in your text editor Warning While the list may contain more than 9999 files you can t select Songs outside the 0001 9999 range when using the numeric keypad How to save a list o...

Page 84: ...R extension 3 Press PLAY STOP to start the playback 4 Press PLAY STOP again to stop the playback The playback is automatically stopped at the end of the Song REALTIME RECORDING MODE While in Backing S...

Page 85: ...ou can edit only Songs created on the microAR RANGER Pa50 Pa60 or Pa80 Backing Sequence mode provided that you have the same Styles in the same loca tions When saving a Song created in Backing Sequenc...

Page 86: ...down F 1 SD Press this button after replacing a card in the card slot The new card will be read and the file list shown on the display will be updated F 2 LOAD Load the Song at the first line of the...

Page 87: ...all notes are moved to the nearest 1 4 division Sel Tempo Select Tempo Select this parameter to use the TEMPO VALUE sec tion to select the Tempo When you select this parame ter the VALUE LED turns off...

Page 88: ...vent has been selected at the current position appears next to it press DELETE to delete the Tempo Change at the current position Note If the side arrow doesn t appear the event was not selected at th...

Page 89: ...VALUE buttons to select the Chord line Use the F 1 F 4 buttons to select the part of the chord you wish to edit Use the TEMPO VALUE controls to modify the selected parameter You can also play a chord...

Page 90: ...abort HOW TO DELETE A WHOLE SONG While in the Main page you can delete a whole Song with the simple SHIFT DELETE button sequence 1 Enter the Song mode You must be in the Main page of the mode If you...

Page 91: ...6 Programs Name of the Programs assigned to tracks 9 16 Use these buttons to select mute unmute or change the vol ume of the corresponding tracks SONG SELECT PAGE This page appears when you press PAGE...

Page 92: ...h the Song When saving a Song the Play Mute status is saved with the Song This status is preserved when playing back the same Song in Song Play mode Master Transpose saved with the Song When saving a...

Page 93: ...MENU page and select the various edit pages STEP RECORD PROCEDURE The Step Record allows you to create a new Song by entering the single notes or chords in each track This is very useful when transcr...

Page 94: ...ore information see the Chords and second voices in Step Record mode section on page 60 of the Style Record mode chapter SONG RECORD PAGE While in the Song mode press RECORD to enter the Song Record m...

Page 95: ...lue No Tempo change will be recorded This is very useful to record the Song much slower than its actual Tempo STEP RECORD PAGE Access this page from the Main page of the Song Record mode by selecting...

Page 96: ...ous Song edit sections When in the menu select an edit section using the VOLUME VALUE A H buttons select an edit page using PAGE or press EXIT to exit the menu When in an edit page press EXIT to go ba...

Page 97: ...th VOLUME VALUE button to mute unmute the corresponding track A muted track remains muted even when selecting a different Song Use the TRACK SELECT button to switch between Song tracks 1 8 Song tracks...

Page 98: ...ignals go to the outputs with the same level PAGE 5 TUNING DETUNE This page is where you can set the fine tuning for each track Use the TRACK SELECT button to switch between Song tracks 1 8 Song track...

Page 99: ...start the Song again Save the Song to permanently change the effects A B Effects assigned to the A and B effect processors Usu ally A is the reverb while B is the modulating effect chorus flanger del...

Page 100: ...main parameters of the Programs assigned to each track Note All values are relative to the value of the original Pro gram You can also change the volume for each class of Drums and Percussions if the...

Page 101: ...volume for each class of percussive instruments Page 14 Track Easy edit on page 98 Poly Tracks of this kind are polyphonic i e they can play more than one note at the same time Mono Tracks of this kin...

Page 102: ...ect a sin gle percussive instrument in a Drum track Note These parameters are available only when a Drum track is selected PAGE 18 EDIT TRANSPOSE Here you can transpose the Song a track or a part of a...

Page 103: ...0 32 CC127 Single Control Change events Double Control Change numbers like 00 32 are MSB LSB bundles S E Start End Use these parameters to set the starting S and ending E points of the range to delete...

Page 104: ...track See Event Edit procedure on page 104 for more information on the event editing procedure Trk Track Track in edit To select a different track press one of the A VOLUME VALUE buttons to open the G...

Page 105: ...values are Type Note Pitch C4 Velocity 100 Length 192 Note You can t insert new events in an empty non recorded Song To insert an event you must first insert some empty measures To use the Insert fun...

Page 106: ...VALUE buttons to select the Event line You may use the C VOLUME VALUE buttons or the TEMPO VALUE controls to change the event type Use the G VOLUME VALUE but tons and the F 3 and F 4 function keys to...

Page 107: ...ws the value of the Program Change PC message for the selected Pro gram Values are in the standard 0 127 MIDI number ing format Note Some manufacturers could use the 1 128 numbering system when connec...

Page 108: ...of the available oscillators ERASE PROGRAM OSCILLATOR You can initialize any parameter value by using one of the following shortcuts While in the Basic page keep the SHIFT button pressed and press th...

Page 109: ...nvelope and LFO will be reset and retriggered according to the settings of the Program Note If Legato is On certain multisamples or keyboard locations may produce an incorrect pitch Priority This para...

Page 110: ...ll begin when note off occurs This is use ful to create sounds such as the click that is heard when a harpsichord note is released In this case set the Sustain Level parameter to 0 see page 115 Key Of...

Page 111: ...s assigned to the same Exclu sive Group Pan This parameter sets the position in the stereo panorama of the selected key Send FX1 This parameter sets the FX1 send level for of the selected key Send FX2...

Page 112: ...plied Portamento Time This parameter sets the portamento time Increasing the value will produce a slower change in pitch 000 127 Portamento time in MIDI value PAGE 4 PITCH LFO1 In this page you can se...

Page 113: ...hange from note off until it reaches the pitch specified as the release level Pitch EG Level modulation AMS1 2 L Alternate Modulation Source 1 2 These parameters select the source that will control th...

Page 114: ...ned With a setting of 0 there will be no change Decay Time Swing Specify the direction in which AMS will affect the Decay Time With positive values of Intensity a setting of will cause the time to be...

Page 115: ...lator The way in which the cutoff frequency is affected by the keyboard location you play can be specified by the Tracking Low Tracking High Ramp Low and Ramp High parameters C 1 G9 Lowest Highest not...

Page 116: ...and direction of the effect that AMS will have on filter A For details on how this will apply refer to EG Intensity to A Intensity to B Specifies the depth and direction of the effect that AMS will h...

Page 117: ...information on the parame ters see Page 9 Filter LFO1 on page 114 PAGE 11 FILTER EG Here you can make settings for the EG that will pro duce time varying changes in the cutoff frequency of filters A...

Page 118: ...e For example if AMS1 2 T is set to FltKTr the EG Time parameters will be controlled by the Keyboard Tracking settings With positive values of this parameter positive values of Ramp will lengthen the...

Page 119: ...to move toward the right as the note numbers increase beyond the C4 note i e as you play higher and toward the left as the note numbers decrease i e as you play lower Negative values of this parameter...

Page 120: ...ese parameters let you use LFO1 see Page 17 LFO1 on page 120 and LFO 2 see Page 18 LFO2 on page 122 to control the volume of the selected oscillator Selected Use this parameter to select an oscillator...

Page 121: ...S is Velocity setting Start Level Swing Attack Level Swing and Break Point Level Swing to and setting Intensity to a positive value will cause the amp EG volume levels to increase as you play more str...

Page 122: ...eter specifies the direction of the effect that AMS1 will have on Release Time With positive values of Intensity setting this parameter to will allow AMS1 to lengthen the time and setting it to will a...

Page 123: ...hat will be applied to it These parameters will determine the frequency of the LFO1 For example if Base Note is quarter note and Times is 04 the LFO will perform one cycle every four beats Even if you...

Page 124: ...l settings see Send FX1 and Send FX2 on page 109 Use this parameter to adjust the general offset of the Drum Pro gram 000 127 Effect level Chain 2 1 Use this parameter to send the output of effect 2 t...

Page 125: ...tracking within the same oscillator Flt KTrk 0 Filter Keyboard Track 0 Filter keyboard tracking within the same oscillator Amp KTrk Amp Keyboard Track Amp keyboard tracking within the same oscillator...

Page 126: ...ffect will be controlled by the joystick Y verti cally downward and by after touch data received via MIDI In this case the effect of after touch will be only half of the specified intensity Note Numbe...

Page 127: ...TROLS This page contains various general parameters setting the status of the keyboard the speakers and the metro nome Vel Curve Velocity Curve This parameter sets the sensitivity of the keyboard to y...

Page 128: ...n between the Scale and the Master Transpose Post KB When this option is selected notes will be transposed immediately after they leave the keyboard The Scale will be applied to the transposed notes F...

Page 129: ...send them back to the sound generator without overlapping See the MIDI chapter Clock This parameter selects the MIDI Clock source Note The Clock parameter is always set to Int each time you turn the...

Page 130: ...ll received velocity values are converted to the selected value PAGE 8 MIDI IN CONTROLS 2 This is another page containing various MIDI IN set tings like note transposition for the Realtime tracks The...

Page 131: ...Upper tracks Drum Drum track Perc Percussion track Bass Bass track Acc1 5 One of the Auto accompaniment tracks S1 T1 16 One of Sequencer 1 tracks S2 T1 16 One of Sequencer 2 tracks SQ Tr01 16 Use thes...

Page 132: ...precision parts Do not bend them drop them or subject them to physical shock Avoid using or storing SD MMC cards in locations of extremely high or low temperature such as in direct sunlight a closed...

Page 133: ...n the right shows the global structure of a microARRANGER card Note Style banks from 1 to 16 Factory Styles can be seen in Card mode only when the Factory Style Protect param eter is set to Off see pa...

Page 134: ...to execute an operation on the selected file or folder The symbol before a name identifies a folder i e a folder containing other files Page commands You can use these commands to browse through files...

Page 135: ...USER01 bank is overwritten while USER02 and USER03 banks are left unchanged As a result you will have a STYLE folder in memory containing the USER01 bank you just loaded and the old USER02 and USER03...

Page 136: ...itten 9 Scroll the available locations in memory using the E H Scroll buttons or the TEMPO VALUE con trols 10 When the target bank is selected i e it is in the first line of the display press F 2 LOAD...

Page 137: ...ration is completed the Wait indi cator disappears the source page comes back in the display and you may perform further loading operations PAGE 2 SAVE In this page you can save User data from the int...

Page 138: ...the target folder is selected press F 2 SAVE to save the files The Are you sure message will appear Press ENTER to confirm or EXIT to abort Warning After confirming all data in the target folder is d...

Page 139: ...separate banks 5 Use the E H Scroll buttons or the TEMPO VALUE controls to move the bank containing the file to save to the first line of the display 6 Once you have selected the bank press F 3 OPEN t...

Page 140: ...To preserve the data structure integrity during Copy operations you can t open a SET folder and copy one of its files You can only open generic folders Press SD CARD and use the MENU or PAGE buttons t...

Page 141: ...confirm its selection The window s header changes from Copy from to Copy to 7 Move the target folder to the first line in the dis play Press F 3 OPEN to open a folder F 4 CLOSE to close it 8 Once the...

Page 142: ...one of the A VOLUME VALUE buttons You are prompted to assign a name to the new folder Move the cursor using the DOWN and UP but tons Select a character using the DIAL Insert a character at the cursor...

Page 143: ...you not do a back up and your internal data is changed you can download the data from http www korgpa com or ask your local KORG dealer 1 Select the Backup Data command 2 The Are you sure message appe...

Page 144: ...When On this parameter protects the Factory Styles from the 8 BEAT 16 BEAT 1 to the TRAD bank from being overwritten when loading data from card Furthermore you can t access these banks when saving da...

Page 145: ...APPENDIX...

Page 146: ...1 Slow Rock 1 1 House 1 Open Rock 2 3 2 Slow Rock 2 2 Dream 2 Pop Rock 4 3 Unpl SlRock 3 Techno 3 Fire Rock 5 4 BigBnd Fox1 4 Underground 4 Hard Rock 6 5 Slow Waltz1 5 Progressive 5 Heavy Rock 7 6 Sl...

Page 147: ...e 1 4 JazzWaltz 1 4 BigBnd Fox4 6 5 Merengue 2 5 JazzWaltz 2 5 Dixieland 7 6 Cumbia 6 5 4 Swing 6 Hollywood 8 7 Latin Dance 7 Mood Swing 7 Broadway 9 8 Batucada 8 Be Bop 8 Acid Jazz 10 9 Rumba 9 Unpl...

Page 148: ...32 PC Bank Direct SD Page 1 2 3 4 5 6 1 0 19 0 Soul 2 0 29 31 0 15 SET 2 1 Boston Boy 3 2 6 8 JazzPop 4 3 J Pop 5 4 HipHopFunk2 6 5 Schuffle 7 6 Jazz Funk 2 8 7 Blues 9 8 6 8 Swing 10 9 The Avalon 11...

Page 149: ...tudio EP 121 7 4 StereoDigEP 121 6 5 ClassDigiEP 121 7 5 EP Phase 121 4 5 Hybrid EP 121 8 5 Class Tines 121 9 5 PhantomTine 121 10 5 Sweeping EP 121 12 5 WhitePad EP 121 13 5 ThinElPiano 121 9 4 DW800...

Page 150: ...121 1 25 Club J Gtr1 121 2 26 CleanGuitar 121 0 27 MutedGuitar 121 0 28 Name CC00 CC32 PC DistortionG 121 0 30 Nylon Bossa 121 4 24 NylonKeyOff 121 2 24 Steel Gtr 2 121 4 25 AcGtrKeyOff 121 5 24 Club...

Page 151: ...52 String Bras 121 1 48 Dbl Strings 121 3 45 ArabStrings 121 13 48 SynStrings1 121 0 50 SynStrings2 121 0 51 Name CC00 CC32 PC Odissey 121 4 50 Grand Choir 121 11 52 Slow Choir 121 10 52 Symph Bows 1...

Page 152: ...Sax 121 0 65 Soprano Sax 121 0 64 BaritoneSax 121 0 67 TenorBreath 121 3 66 Tenor Growl 121 4 66 BreathyAlto 121 3 65 AltSaxGrowl 121 4 65 Name CC00 CC32 PC Bank Woodwind Jazz Flute 121 1 73 Old Shaku...

Page 153: ...1 Sync Kron 121 3 84 Fire Wave 121 10 81 Dig PolySix 121 7 90 Pop Syn Pad 121 4 91 Noisy Stabb 121 8 90 Name CC00 CC32 PC Mega Synth 121 9 90 TecnoPhonic 121 10 90 DarkElement 121 3 95 Band Passed 121...

Page 154: ...t4 120 0 29 Jazz Kit 120 0 32 Brush Kit1 120 0 40 Brush V S 2 120 0 41 OrchestraK 120 0 48 Bdrum Sdrum 120 0 50 Name CC00 CC32 PC SFX Kit 120 0 56 Percus Kit1 120 0 64 Latin P Kit 120 0 65 TRI Per KIT...

Page 155: ...5 Burst Noise 121 9 125 Laughing 121 1 126 Screaming 121 2 126 Punch 121 3 126 Heart Beat 121 4 126 Footsteps 121 5 126 Machine Gun 121 1 127 Lasergun 121 2 127 Explosion 121 3 127 Ice Rain 121 0 96 J...

Page 156: ...iano 121 12 5 Sweeping EP E Piano 121 13 5 WhitePad EP E Piano 121 0 6 Harpsichord Piano 121 1 6 Harpsi Oct Piano 121 2 6 Harpsi Wide Piano 121 3 6 HarpsiK Off Piano 121 4 6 Harpsi Korg Piano 121 0 7...

Page 157: ...26 Jazz Guitar Guitar 121 1 26 PedSteelGtr Guitar 121 2 26 Club J Gtr1 Guitar 121 3 26 Club J Gtr2 Guitar 121 4 26 Ped Steel 2 Guitar CC00 CC32 PC Name microARRANGER Bank GM2 121 0 27 CleanGuitar Gui...

Page 158: ...13 48 ArabStrings Strings Vocals CC00 CC32 PC Name microARRANGER Bank GM2 121 0 49 StringsEns2 Strings Vocals 121 1 49 SweeperStr Strings Vocals 121 0 50 SynStrings1 Strings Vocals 121 1 50 SynString...

Page 159: ...21 1 66 Tenor Noise Sax 121 2 66 Soft Tenor Sax CC00 CC32 PC Name microARRANGER Bank GM2 121 3 66 TenorBreath Sax 121 4 66 Tenor Growl Sax 121 5 66 Folk Sax Sax 121 0 67 BaritoneSax Sax 121 1 67 Barit...

Page 160: ...ynth 1 121 10 90 TecnoPhonic Synth 1 121 11 90 Farluce Synth 1 121 0 91 Choir Pad Synth 1 CC00 CC32 PC Name microARRANGER Bank GM2 121 1 91 Itopia Pad Synth 1 121 2 91 Fresh Air Strings Vocals 121 3 9...

Page 161: ...BoxTom Drum Perc 121 2 118 Electr Drum Drum Perc 121 3 118 Rev Snare Drum Perc 121 0 119 Reverse Cym Drum Perc 121 1 119 Dragon Gong Drum Perc 121 0 120 GtFretNoise SFX 121 1 120 GtrCutNoise SFX 121 2...

Page 162: ...Kit2 120 0 13 HipHop Kit2 120 0 14 Techno Kit2 120 0 15 Techno Kit3 120 0 16 Power Kit1 120 0 17 Power Kit2 120 0 18 23 remap to 16 120 0 24 Electro Kit 120 0 25 Analog Kit 120 0 26 House Kit1 120 0 2...

Page 163: ...D 3 113 Ride Edge 2 Off 113 Ride Edge 2 Off 113 Ride Edge 2 Off 52 E3 106 China Cymbal Off 106 China Cymbal Off 106 China Cymbal Off 53 F3 114 Ride Jazz Off 114 Ride Jazz Off 114 Ride Jazz Off 54 F 3...

Page 164: ...2 Hi Off 75 Tom 1 Hi Off 49 C 3 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 77 Tom 2 Hi Off 77 Tom 2 Hi Off 77 Tom 2 Hi Off 75 Tom 1 Hi Off 51 D...

Page 165: ...i Off 49 C 3 132 88 Crash Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 75 Tom 1 Hi Off 139 Real El Tom Off 75 Tom 1 Hi Off 75 Tom 1 Hi Off 51 D 3 113 Ride Edge 2 Off...

Page 166: ...om Processed Off 82 Tom Processed Off 49 C 3 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 133 88 Tom Off 139 Real El Tom Off 82 Tom Processed Off 8...

Page 167: ...Real El Tom Off 77 Tom 2 Hi Off 49 C 3 104 Crash Cymbal 1 Off 132 88 Crash Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 139 Real El Tom Off 133 88 Tom Off 139 Real El Tom Off 77 Tom 2 Hi Of...

Page 168: ...Tom Off 83 Tom Jazz Hi Off 85 Tom Brush Hi Off 49 C 3 104 Crash Cymbal 1 Off 132 88 Crash Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 139 Real El Tom Off 139 Real El Tom Off 83 Tom Jazz Hi...

Page 169: ...Off 118 Timpani Off 104 Crash Cymbal 1 Off 104 Crash Cymbal 1 Off 50 D3 85 Tom Brush Hi Off 118 Timpani Off 77 Tom 2 Hi Off 77 Tom 2 Hi Off 51 D 3 112 Ride Edge 1 Off 118 Timpani Off 113 Ride Edge 2...

Page 170: ...Excl Sample Excl Sample Excl Sample Excl 89 F6 356 Ramazan DVL1 3 175 Djembe Open 3 90 F 6 358 Ramazan DVL3 3 301 Dbk Tky Open 3 91 G6 355 Kup 2 5 312 Bells Open 5 92 G 6 83 Tom Jazz Hi 5 323 Sagat Ha...

Page 171: ...Off 184 Baya Open Off 161 CongaHi Open Off 46 A 2 0 BD Dry 1 Off 224 Agogo Bell Off 219 Cabasa Up Off 214 Triangle Mute 2 47 B2 3 BD Normal Off 289 Fret Noise Off 190 Tabla Open Off 213 Triangle Open...

Page 172: ...iHop Off 258 GunShot 1 Off 155 Orchestra Hit Off 216 Cuica Lo Off 96 C7 54 SD Hip 1 Off 266 Train Off 155 Orchestra Hit Off 199 Claves Off 97 C 7 62 SD Vintage1 Off 155 Orchestra Hit Off 234 SambaWhis...

Page 173: ...uiro Long 2 184 Baya Open Off 46 A 2 181 Guiro Short 2 219 Cabasa Up Off 47 B2 180 Guiro Long 2 190 Tabla Open Off 48 C3 198 Vibraslap Off 192 Tabla Mute1 Off 49 C 3 199 Claves Off 198 Vibraslap Off 5...

Page 174: ...it Off 95 B6 234 SambaWhistle 4 155 Orchestra Hit Off 96 C7 234 SambaWhistle 4 155 Orchestra Hit Off 97 C 7 229 RapSleighBell Off 155 Orchestra Hit Off 98 D7 234 SambaWhistle 4 155 Orchestra Hit Off 9...

Page 175: ...k 5 CC 0 CC 32 PC Bank 6 CC 0 CC 32 PC Bank 7 CC 0 CC 32 PC Bank 8 1 1 4 0 1 5 0 1 6 0 1 7 0 2 1 1 1 1 3 2 2 2 2 4 3 3 3 3 5 4 4 4 4 6 5 5 5 5 7 6 6 6 6 8 7 7 7 7 CC 0 CC 32 PC Bank 9 CC 0 CC 32 PC Ba...

Page 176: ..._Tr 15 Acc4 Acc4 Acc4 S1_Tr 15 16 S1_Tr 16 S1_Tr 16 S2_Tr 16 Acc5 Acc5 Acc5 S1_Tr 16 MIDI OUT Channel 1 1 Upp1 Upp1 S1_Tr 1 S2_Tr 1 Upp1 S1_Tr 1 S2_Tr 1 Upp 1 2 Upp2 Upp2 S1_Tr 2 S2_Tr 2 Upp2 S1_Tr 2...

Page 177: ...s muted 001 Amp Simulat Stereo Amp Simulation This effect simulates the frequency response character istics of guitar amplifiers It is also effective for organ and drum sounds Modulation source Note O...

Page 178: ...el 0 100 e Pre LEQ Gain dB Sets the gain of Low EQ 15 0 15 0dB Pre HEQ Gain dB Sets the gain of High EQ 15 0 15 0dB f Output Level Sets the output level of the compressor 0 100 Src Off Tempo Selects t...

Page 179: ...vel In this way the high range limiter will not respond and compression will not be applied Input Level Output Level Threshold Ratio 1 0 1 Ratio 2 0 1 Ratio 4 0 1 Ration Inf 1 Louder Louder Time Level...

Page 180: ...nly Selects from Control via the modulation source mixing the left and right sig nals Only left and Only right Src Off Gate2 Dmpr Selects the modulation source that controls the gate when Envelope Sel...

Page 181: ...gh EQ 1 peaking type Q Sets the band width of Mid High EQ 1 0 5 10 0 Gain dB Sets the gain of Mid High EQ 1 18 18dB h Mid2 Cutoff Hz 500 20 00kHz Sets the center frequency for Mid High EQ 2 peaking ty...

Page 182: ...tion amount of the effect bal ance on page 175 100 100 Band2 Cutoff Band2 Cutoff 0dB 6dB 15dB Band2 Gain dB 6 0 Band2 Dynamic Gain Amt dB 9 0 D mod 0dB 6dB 9dB Band2 Gain dB 6 0 Band2 Dynamic Gain Amt...

Page 183: ...rameter enables you to adjust the width of the steps Frequency Bottom 25 Top 75 Higher Max Zero Higher D mod Frequency Bottom 60 Top 30 Higher Max Zero Higher D mod Sweep Mode D mod Frequency Bottom 2...

Page 184: ...d width to the sound Random Filter LFO LFO Step Freq LFO Frequency LFO Step Freq Step Tri Random LFO Phase 0 90 180 degree 0 degree 90 180 a Exciter Blend Sets the intensity depth of the Exciter effec...

Page 185: ...ncy modulation amount when OSC Mode Fixed d Envelope Pre LPF 1 100 Sets the upper limit of the frequency range for which very low harmonics are added e Envelope Sens Envelope Sensitivity 0 100 Sets th...

Page 186: ...Top U I A A O E JS X Ribbon JS Y JS Y etc Zero Max Talking Modulator Control a Pre LPF Off On Selects whether the harmonic noise caused by a decrease in sampling fre quency is generated or not High Da...

Page 187: ...lance between the effect and dry sounds on page 175 Src Off Tempo Table Selects the modulation source of the effect balance on page 175 Amt Table Sets the modulation amount of the effect bal ance on p...

Page 188: ...block 100 100 High Damp 0 100 Sets the high range damping amount of the chorus block i Low Level Sets the low range output level 0 100 High Level Sets the high range chorus output level 0 100 j Wet Dr...

Page 189: ...175 Src Off Tempo Table Selects the modulation source of the effect balance on page 175 Amt Table Sets the modulation amount of the effect bal ance on page 175 100 100 Left Right Wet Dry Wet Dry Wet...

Page 190: ...s between using the frequency of the LFO speed and using the tempo and notes Fx 009 BPM Selects MIDI Clock and assigns tempo MIDI 40 240 Fx 009 010 Base Note Selects the type of notes that specify the...

Page 191: ...gh Damp 0 100 Sets the resonance damping amount in the high range h Wet Dry Wet 1 99 Dry 1 99 Wet Table Sets the balance between the effect and dry sounds on page 175 Fx 010 Src Off Tempo Table Select...

Page 192: ...he effect and dry sounds on page 175 Fx 010 023 Src Off Tempo Table Selects the modulation source of the effect balance on page 175 Amt Table Sets the modulation amount of the effect bal ance on page...

Page 193: ...c LFO Waveform Selects LFO Waveform Triangle Sine LFO Shape 100 100 Determines how much the LFO waveform is changed Fx 020 d LFO Frequency Mod D mod AUTOFADE Switches between D mod and AUTOFADE for th...

Page 194: ...lance modulation Fx 027 j Wet Dry Wet 1 99 Dry 1 99 Wet Table Sets the balance between the effect and dry sounds on page 175 Fx 010 020 Src Off Tempo Table Selects the modulation source of the effect...

Page 195: ...t is on when the value is 64 or higher The Doppler effect is triggered when the value changes from 63 or smaller to 64 or higher e Pitch Depth With the Doppler effect the pitch is raised when the soun...

Page 196: ...ys Off dry sounds are not output With Cross Fade a dry sound is usually output and it is muted only when scratching Set Wet Dry to Wet to use this parameter effectively a Scratch Source Off Tempo Sele...

Page 197: ...Off Tempo Amt 20 00 20 00Hz Sets the modulation amount of LFO speed d BPM MIDI Sync Off On Switches between using the frequency of the LFO speed and using the tempo and notes Fx 009 BPM Selects MIDI...

Page 198: ...t 20 00 20 00Hz Sets the modulation amount of LFO speed d BPM MIDI Sync Off On Switches between using the frequency of the LFO speed and using the tempo and notes Fx 009 BPM Selects MIDI Clock and ass...

Page 199: ...alance between the phaser effect and dry sounds g Tremolo Shape Sets the degree of the tremolo LFO shaping 100 100 Fx 020 h Tremolo Depth Sets the tremolo modulation depth 0 100 Src Off Tempo Selects...

Page 200: ...of the input level h Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 175 Src Off Tempo Table Selects the modulation source of the effect balance on page 175...

Page 201: ...eated If Feedback Position is set to Post the feedback signal will not pass through the pitch shifter again Even if you specify a higher value for the Feedback parameter the pitch shifted sound will b...

Page 202: ...t sound and dry sound separately g Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 175 Src Off Tempo Table Selects the modulation source of the effect balanc...

Page 203: ...ation source is less than 64 slow speed is selected and when the value is 64 or higher fast is selected c Manual Speed Ctrl If you wish to control the speaker rotation speed manually not switching bet...

Page 204: ...6 15 0 15 0dB Pre HEQ Gain dB Table Sets the gain of High EQ on page 176 15 0 15 0dB f Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 175 Src Off Tempo Tabl...

Page 205: ...Level Dmod 100 100 Sets the modulation amount of the input level Fx 037 Src Selects the modulation source for the input level Off Tempo Fx 037 g Spread 0 50 Sets the width of the stereo image of the...

Page 206: ...d Fx 043 Src Off Tempo Selects the modulation source of the effect sound s stereo image width Amt 100 100 Sets the modulation amount of the effect sound s stereo image width j Wet Dry Dry 1 99 99 1 We...

Page 207: ...ceeds the threshold When Polarity is negative Control Target value equals the parameter value if the input level is below the threshold or is obtained by multiplying the parameter value by the Offset...

Page 208: ...Dry Stereo In Stereo Out LFO Phase LFO Shape Pan Pan LFO Tri Sin Depth Delay Delay High Damp Low Damp High Damp Low Damp Feedback a BPM Selects MIDI Clock and assigns tempo MIDI 40 240 b L Delay Base...

Page 209: ...the right channel 100 100 Amt R 100 100 Sets the modulation amount of the right channel feedback f High Damp Sets the damping amount in the high range 0 100 Fx 043 g Low Damp Sets the damping amount...

Page 210: ...delay sound 0 100 c EQ Trim Table Sets the EQ input level on page 176 0 100 d Pre LEQ Gain dB Table Sets the gain of Low EQ on page 176 15 15dB Pre HEQ Gain dB Table Sets the gain of High EQ on page 1...

Page 211: ...reo In Stereo Out Trim Exciter Parametric 4Band EQ Exciter a E Trim Sets the parametric EQ input level 0 100 b E Band1 Cutoff Hz Sets the center frequency of Band 1 20 1 00kHz Q Sets the bandwidth of...

Page 212: ...balance between the effect and dry sounds on page 175 Src Off Tempo Table Selects the modulation source of the effect balance on page 175 Amt Table Sets the modulation amount of the effect bal ance on...

Page 213: ...ffect balance on page 175 Amt Table Sets the modulation amount of the effect balance on page 175 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Trim Parametric 4Band...

Page 214: ...sensitivity 1 100 Fx 002 b C Attack Table Sets the attack level on page 176 1 100 Fx 002 Output Level Sets the compressor output level 0 100 Fx 002 c O Drive Mode Overdrive Hi Gain Switches between o...

Page 215: ...e compressor and parametric EQ connection i Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 175 Src Off Tempo Table Selects the modulation source of the effe...

Page 216: ...Amt Table Sets the modulation amount of the effect bal ance on page 175 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Comp Outp...

Page 217: ...nce on page 175 Amt Table Sets the modulation amount of the effect bal ance on page 175 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Limiter Trim Parametric...

Page 218: ...175 Amt Table Sets the modulation amount of the effect bal ance on page 175 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Limiter Limiter Gain Adjust Enve...

Page 219: ...bal ance on page 175 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Comp Output Level Envelope Control Exciter Exciter a X Exciter...

Page 220: ...page 175 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Chorus Flanger Chorus Flanger Feedback LFO Tri Sine Cho Flng Wet Dry Normal Wet Invert Output Mode LEQ HEQ...

Page 221: ...titap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry LEQ HEQ EQ Trim Exciter Exciter a O Drive Mode Overdrive Hi Gain Switches between overdrive and high gain distortion Drive Sets the degree of di...

Page 222: ...n amount of the effect bal ance on page 175 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Chorus Flanger Chorus Flanger Feedback LFO Tri Sine Cho Flng Wet...

Page 223: ...fect balance High Damp Sets the damping amount in the high range 0 100 Fx 043 i Wet Dry Dry 1 99 99 1 Wet Table Sets the balance between the effect and dry sounds on page 175 Src Off Tempo Table Selec...

Page 224: ...ency 1 00k 48 00kHz Resolution Sets the data bit length 4 24 Fx 014 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Decimator Routing Pre LPF High Damp Output Level Decimator...

Page 225: ...Out Dry Stereo In Stereo Out LEQ HEQ EQ Trim Multitap Delay Feedback High Damp Delay 2 1 Chorus Flanger Cho Flng Wet Dry Mt Dly Wet Dry Chorus Flanger Feedback LFO Tri Sine a P LFO Frequency Hz Sets t...

Page 226: ...im Table Sets the EQ input level on page 176 0 100 d R Pre LEQ Gain dB Table Sets the gain of Low EQ on page 176 15 15dB Pre HEQ Gain dB Table Sets the gain of High EQ on page 176 15 15dB e R Reverb B...

Page 227: ...Selects the previous Style Perform Up Selects the next Performance Perform Down Selects the previous Performance Program Up Selects the next Program Program Down Selects the previous Program STS Up S...

Page 228: ...43 Sh Guiro 78 Darbuka8 113 Car Stop 9 Splash 44 LongGuiro 79 DoufRimAk 114 Car Pass 10 RevCymbal 45 Cuica 1 80 Tef 1 115 Car Crash 11 DragonGng 46 Cuica 2 81 Tef 2 116 Crickets 12 OrchCymb1 47 Triang...

Page 229: ...are tuned as in the Equal tuning Stretch Simulates the stretched tuning of an acoustic piano Basically an equal tuning the lowest notes are slightly lower while the highest notes are slightly higher...

Page 230: ...and are changed according to their MSB counterparts 64 Damper Damper pedal 65 Portamento 66 Sostenuto Sostenuto pedal 67 Soft pedal Soft pedal 68 Legato 69 Hold 2 70 Sustin level 71 F Res Hp Filter r...

Page 231: ...lease Attack A 74 75 O O Brightness Decay Time A 76 77 78 O O Vibrato Rate Depth Delay A 98 99 O O NRPN LSB MSB A 100 101 O O RPN LSB MSB A 1 120 121 X O All sounds off Reset all controllers A Program...

Page 232: ...ning Keyboard Mode Style Change Perf Program Program Change Separate tracks Octave Transpose Master Transpose General parameters Tempo Display Hold Style Play Mode Main Program Separate tracks Play Mu...

Page 233: ...rs Master Tune Scale Key Speakers On Off Set to On at startup Metronome Volume General parameters 2 Master Transpose on Style Realtime tracks Seq 1 2 Midi In Scale Transpose Position 3 Pedal Switch Fu...

Page 234: ...rams b b For this Program to be used in a Style the Prog parameter should be set to Orig in the Style Play mode See Prog Program on page 49 Note On Off Pitch Bend After Touch Control Change c c Not al...

Page 235: ...rds may vary with a differ ent Chord Recognition modes 2 note T T T T 3 note T T T T T Major 2 note 4 note T T Major 6th 3 note T 4 note T T Major 7th 2 note T T constituent notes of the chord can be...

Page 236: ...7th 3 note T 4 note T T Minor Major 7th 3 note T 3 note T T Diminished 4 note T T Diminished Major 7th 4 note T T T Minor 7th 5 3 note T T Augmented 4 note T T T T Augmented 7th 4 note T T T T Augment...

Page 237: ...croARRANGER was not able to complete the Save operation Style Select Failed Press Exit microARRANGER was not able to complete the selec tion SMF Import Failed Press Exit There was an error while readi...

Page 238: ...current card The card has probably been replaced before finishing the card opera tion Insert the card again and try again Card Full Press Exit The selected medium card is full Delete files you are no...

Page 239: ...tting the card Not a Pa series or Corrupted File The file you are trying to load is not compatible with microARRANGER or Pa series instruments Not Enough Space on Media There is no more space to load...

Page 240: ...USER Drum Kits been modified Load the appropriate Drum Kits 133 Have the Styles or Performances been modified Load the appropriate data Styles or Performances 133 Sound does not stop Make sure that t...

Page 241: ...e with old i Series Styles Style Record with Edit functions Step Edit Event Edit Single Touch Settings STS 4 304 memorize Realtime tracks Style controls 4 Variations 2 Fills 2 Intros 2 Endings Counter...

Page 242: ...F 4 buttons 16 19 Fade LFO 121 Fill 14 Filter Cutoff Frequency 113 Filter Type 112 Low Pass High Pass 112 Low Pass Resonance 112 Footswitch 126 Polarity 126 Format 140 G General MIDI 35 Global 125 12...

Page 243: ...6 Standard MIDI File 35 70 88 Style Ending 14 Fill 14 Intro 14 Recording 52 69 Selecting 13 26 Style Performance 40 Variation 14 Style Change 25 Style Play mode 40 51 Sync Key Sync LFO 121 MIDI Tempo...

Page 244: ...2011 KORG INC 4015 2 Yanokuchi Inagi city Tokyo 206 0812 Japan...

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