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ESI-32 Operation Manual
C o n t r o l l e r
E f f e c t o n P a n P o s i t i o n
P i t c h C o n t r o l
M o d C o n t r o l
P e d a l C o n t r o l
M I D I A C o n t r o l
M I D I B C o n t r o l
( + ) V e l o c i t y
( - ) V e l o c i t y
M o v e s p o s i t i o n L e f t o r R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n L e f t
As an example, suppose you want the pedal to have full control of pan
position. The pedal control can only move the sound to the right of its
initial position. Therefore, you must set the initial pan position (Dy-
namic Processing, 2. VCA) to the extreme left. With the pedal fully up,
the sound will appear at the extreme left. With the pedal centered, the
sound will appear centered, and fully depressed, the sound will appear
at the extreme right.
8. Attack:
This destination controls the VCA and VCF attack rate.
When assigned to the mod control, rotating the wheel away from
you increases the attack time. This effect is useful when changing
from legato to percussive effects, especially with sustained sounds
such as strings.
9. Crossfade:
This destination fades the primary sample(s) out while
fading the secondary sample(s) in, or vice-versa. When assigned to
the pitch control, this function also provides for realtime mix
changes between two separate sounds (e.g., strings can fade out
while brass fades in). This function must also be enabled under
Preset Definition, 5. Crossfade/Switch.
Summary of Contents for ESI-32
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