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S Y N C H R O N I Z A T I O N W I T H T H E A V
118
CHOOSING A MASTER SYNC MODE
In any synchronization scenario, there is a master,
and there are slaves. With the MIDI Timepiece AV,
you can, in most situations, choose which device
will be the master. And you can even choose
different, independent master sources for
transport control, time base, and address.
For example, you could choose house sync (video
blackburst) as the time base master, choose the
MIDI Timepiece AV itself as the address (SMTPE
time code) master, and manipulate the transport
controls of everything (ADATs, Pro Tools, any
MMC device, and your sequencer) from your
computer.
Advice about choosing a time base master
In general, you should try to set things up in your
studio so that the master time base is either the
MIDI Timepiece AV itself or video house sync.
Both are especially designed to provide an
extremely accurate, stable time base—more stable
than SMPTE time code (LTC and, especially,
MTC). When you set things up in this fashion,
SMPTE time code (either LTC or MTC) is used just
as an address source, while timing stability is
handled entirely by the MIDI Timepiece AV.
Finding the MIDI Timepiece AV sync controls
The MIDI Timepiece AV synchronization controls
are in the SYNC menu in its front panel LCD. You
can get to this menu by turning the WINDOW
knob on the front panel. Then use the CURSOR
knob to proceed through the menu. The first
setting, MASTER SYNC, is explained in the next
section. You can find corresponding settings in the
MTP AV Console software, as described in “Sync
window” on page 94.
SUMMARY OF SYNCHRONIZATION MODES
In total, the MIDI Timepiece AV offers seven
synchronization modes for its MASTER SYNC
setting. Each mode provides a different
combination of sources for a time base master and
an address (SMPTE time code) master. The seven
modes are as follows:
Below is a brief explanation of each mode.
LTC QuikLock
When the MIDI Timepiece AV locks to SMPTE
time code (LTC), it employs a digital audio phase-
lock loop to accurately synchronize ADATs and
other digital audio devices connected to its Word
Sync Out port. The MIDI Timepiece AV’s lock-up
time (approximately 4-5 seconds) is quite favorable
compared to other similar digital audio synchroni-
zation devices. As of this writing, we know of no
other
digital audio
synchronizer that can lock to
LTC as quickly as a MIDI Timepiece AV.
LTC QuikLock, on the other hand, is specifically
meant to be used in situations where you are not
synchronizing any digital audio or gen-locking to
video. In QuikLock mode, the MIDI Timepiece AV
temporarily disables its digital audio phase-lock
loop, allowing the AV to serve as a SMPTE-to-
MIDI converter only. With the digital audio
features “switched-off,” lock-up time (the time it
takes the MIDI Timepiece AV to lock up to
incoming time code when it is first received) is
reduced to less than one second.
Master Sync mode
Address source
Time base
LTC QuikLock
SMPTE (LTC)
SMPTE (LTC)
INTERNAL
MTP AV
MTP AV
MTC
MIDI Time Code
MIDI Time Code
LTC
SMPTE (LTC)
SMPTE (LTC)
INTERN/VIDEO
MTP AV
Video
MTC/VIDEO
MIDI Time Code
Video
LTC/VIDEO
SMPTE (LTC)
Video
!USB Interfaces Manual Book Page 118 Tuesday, October 10, 2000 12:43 PM
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