
702T User Guide and Technical Information
66
v. 2.67
Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.
#
Setup Name
Setup Description
Setup Options
11
Rec: Pre-Roll Time
Selects the amount of pre-roll time the 702T
will add to the beginning of each file.
0–10 sec. @ 48 kHz
0–5 sec. @ 88.2–96.096 kHz
0–2 sec. @ >96.096–192 kHz
12
Rec: Dither
Selects whether to dither is added to 24 bit
digital signals while recording 16 bit files.
• Off
• On (16 bit only)
13
Rec: Timer Start
Sets a specific start time/date for unattended
recording. Unit must be powered.
<enter time, date>
14
Rec: Timer Stop
Set a specific time/date to stop recording.
May be used with or without the Rec: Timer
Start. May be set before the Timer Start time
to temporarily stop recording and then resume
recording with Timer Start.
<enter time, date>
15
Rec: Record Indicator
Sets how the large display looks when the unit
enters record.
• Normal Numbers
• Reverse Numbers
• Flash Numbers
16
Rec: Record Pause
Allows a recording to be stopped then
continued without creating a new take or file.
Time Code Mode must be set to Off to enable
Record Pause.
• Disabled
• Enabled
17
Input: Routing
Allows the user to setup their routing matrix
among all available inputs and tracks. There
are preset routings and three custom routings
available. Pressing the input select key repeat-
edly will cycle through all preset routings.
Primarily accessible from the Input Select Key.
• 1
A
• 1
A / 2
B
• 1
A / 1
B
• 1
A,B / 2
A,B
• Custom Route 1
• Custom Route 2
• Custom Route 3
18
19
Input 1: 48V Phantom
Input 2: 48V Phantom
Enables or disables 48 V phantom power on
inputs 1 and 2.
• Off
• On - Mic
• On - Mic and Line
20
Mic Inputs: Limiter
Enables or disables the analog input limiter on
input 1 and 2 mic preamps.
• Disabled
• Enabled
21
22
Mic Input 1: Low Cut
Mic Input 2: Low Cut
Enables the high-pass (low cut) filter to reduce
sensitivity to low frequencies.
• Disabled
• Enabled
23
24
Mic Input 1: Low Cut Freq
Mic Input 2: Low Cut Freq
Selection of twelve high-pass filter frequency
and slope combinations for microphone inputs.
• 40, • 80, • 160, • 240 Hz @ 12 dB/oct
• 40, • 80, • 160, • 240 Hz @ 18 dB/oct
• 40, • 80, • 160, • 240 Hz @ 24 dB/oct
25
26
Mic Input 1: Gain Range
Mic Input 2: Gain Range
Selects the sensitivity of the microphone input.
Low sensitivity is used for very loud and/or
very hot microphones.
• Normal
• Low
• Normal, fades to off
• Low, fades to off
27
Input 1, 2: Source
Forces the inputs to analog or digital mode.
Default is auto-select.
• Auto-select
• Analog
• Digital (S/PDIF/AES)
• Disabled (Power Save)
28
Input 1,2: Linking, MS
Selects whether the input 1 & 2 levels are
controlled independently or grouped as a pair
with or without mid-side decoding.
• Unlinked
Inputs 1 and 2 operate independently
• Linked 1/2
Inputs are linked, channel 1 pot controls level, chan-
nel 2 pot controls pan
• Linked 1/2 and MS
Inputs are linked, channel. 1 pot controls level,
channel. 2 pot controls pan and are decoded for MS
stereo.
29
Line Input 1,2: Gain Control
When inputs 1 and 2 are in LINE input mode,
selects whether the gain setting is controlled
by the front panel knobs or by the menu
sensitivity settings below.
• Use front panel knobs
• Use sensitivity settings