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The higher parameter is “MWheel speed mod”. In this case with a value of +10.
This parameter determines how the Mod Wheel effects the speed of the selected LFO. If this parameter is set to 0 there is no
change to the selected LFO’s speed. Negative values of this parameter will produce an increasing amount of negative modulation.
i.e. the selected LFO will slow down as the Modulation Wheel is moved forward & speed back up as it is brought back. Positive
values of this parameter will produce an increasing amount of positive modulation. i.e. the selected LFO will speed up as the
Modulation Wheel is moved forward & slow down as it is brought back. The range of this parameter is -64 to +63. This parameter
is memorised with a Program.
The lower parameter is “AT speed mod”. In this case with a value of +10.
This parameter determines how the Aftertouch effects the speed of the selected LFO. If this parameter is set to 0 there is no
change to the selected LFO’s speed. Negative values of this parameter will produce an increasing amount of negative modulation.
i.e. the selected LFO will slow down as the Aftertouch is applied & speed back up as it is disengaged. Positive values of this para-
meter will produce an increasing amount of positive modulation. i.e. the selected LFO will speed up as the Aftertouch is applied &
slow down as it is disengaged. The range of this parameter is -64 to +63. This parameter is memorised with a Program.
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The higher parameter is “Sync”. In this case with a value of 16the.
This parameter determines where the selected LFO get their Clock. Turning the upper Data knob fully anticlockwise selects the
“Off” option which means the selected LFO is running on its own clock & is not in sync with anything else. Turning the knob clock-
wise from this position makes the selected LFO sync to Internal or External MIDI Clock in various signatures ranging from 12 Bars
to 32nd Triplets. The range of this parameter is Off, 32 Triplet, 32nd, 16the Triplet, 16the, 8the Triplet, 16the Dotted, 8the, 4the
Triplet, 8the Dotted, 4the, 2nd Triplet, 4the Dotted, 2nd, 1 Bar Triplet, 2nd Dotted, 1 Bar, 2 Bar Triplet, 1 Bar Dotted, 2 Bars, 4 Bar
Triplet, 3 Bars, 5 Bar Triplet, 4 Bars, 3 Bar Dotted ( 4.5 Bars ), 7 Bar Triplet, 5 Bars, 8 Bar Triplet, 6 Bars, 7 Bars, 5 Bar Dotted (
7.5 Bars), 8 Bars, 6 Bar Dotted ( 9 Bars ), 7 Bar Dotted ( 10.5 Bars ) & 8 Bar Dotted ( 12 Bars ). This parameter is memorised with
a Program.
The lower parameter is “Triggering”. In this case with a value of Keysync.
This parameter determines how the selected LFO is triggered. Turning the lower Data knob anticlockwise selects the “Freewheel”
option which means all the LFOs of the “Voices” that are being played are not in phase or in sync. This is the most natural sound-
ing for vibrato effects etc. Turning the lower Data knob clockwise selects the “Keysynced” option which means all the LFOs of the
“Voices” that are being played are in phase & the cycles of the LFOs are reset to start from the beginning when a new note is
struck. The range of this parameter is Freewheel & Keysynced. This parameter is memorised with a Program.
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The higher parameter is “Delay fade”. In this case with a value of In.
This parameter determines how the selected LFOs Delay parameter behaves. Turning the higher Data knob anticlockwise selects
the “In” option which means if a Delay is set using the LFO Delay Knob then no modulation will be present a the start of the note
but LFO modulation will “Fade in” over the Delay period. Turning the lower Data knob clockwise selects the “Out” option which
Delay fade In
Delay trigger Multi
Sync Off
Triggering Keysync
MWh speed mod +10
AT speed mod +10
LFO SECTION
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Summary of Contents for Supernova II
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