ARPEGGIATOR SECTION
Page 4 looks like so:
The higher parameter is “Fill in”, in this case with a value of On - Played.
This parameter applies only to Monophonic patterns, it has no affect on polyphonic patterns. Use the upper Data knob to adjust the
value. In fact, this parameter can be thought of as two different parameters combined. The first Part (always “On” or “Off”) deter-
mines how the Arpeggiator behaves when you play more or less notes than the Arpeggiator pattern was written to cope with.
When this Part of the parameter is set to “Off”, if you play less notes than the pattern is expecting, the highest note you have
played will be used for all the notes in the pattern data which are greater than your highest played note. If however, you have
played more notes than the pattern was written to cope with, then played notes which are higher than the highest note in the pat-
tern data are never sounded. When this Part of the parameter is set to “On”, if you play less notes than the pattern is expecting,
your played notes will be used intelligently for all the notes in the pattern data which are greater than your highest played note. If
however, you have played more notes than the pattern was written to cope with, then played notes which are higher than the high-
est note in the pattern data are used, replacing their corresponding lower notes, every other time the pattern cycles around.
Perhaps the best way to understand how this works is by experimentation - altering the values & number of notes played while a
mono arpeggiation is running. The second Part of the parameter (“Up”, “Down” or “Played”) determines which note ordering system
is used for the monophonic pattern. When set to “Up”, note 1 in the pattern data will refer to the lowest note played, note 2 the next
note up & so on. When set to “Down”, note 1 in the pattern data will refer to the highest note played, note 2 the next note down &
so on. When set to “Played”, note 1 in the pattern data will refer to the earliest note played, note 2 the next note to be played & so
on. By adjusting this value, you can in effect, treble the number of available monophonic patterns you have access to !
The most musical setting for this parameter are any of the “On” options. The range of this parameter is Off - Up, On - Up, Off -
Down, On - Down, Off - Played & On - Played. This parameter is memorised with a Program.
When the Arpeggiator is using one of the standard Up / Down patterns (Mono patterns 000 to 003), Fill-in can be used to deter-
mine how the pattern sweeps through the number of octaves selected. When the Fill-in parameter is set to any of the "On" set-
tings, the pattern will sweep through all of the available in octaves in a single pass of the pattern. When the Fill-in parameter is set
to any of the "Off" settings, the pattern will use each octave in turn for a single pass of the pattern.
The Note Ordering part of the Fill-in parameter is ignored by Mono Patterns 000 to 010 which generate arpeggios by algorithms
rather than fixed pattern data.
The lower parameter is “Sync”. In this case with a value of 16ths
This parameter determines the time signature at which the Arpeggiator runs from the Internal or External MIDI Clock.
Use the lower Data knob to adjust the value of this parameter. The range of this parameter is 32nd Triplet, 32nd, 16the Triplet,
16the, 8the Triplet, 16the Dotted, 8the, 4the Triplet, 8the Dotted, 4the, 2nd Triplet, 4the Dotted, 2nd, 1 Bar Triplet, 2nd Dotted, 1
Bar, 2 Bar Triplet, 1 Bar Dotted, 2 Bars, 4 Bar Triplet, 3 Bars, 5 Bar Triplet, 4 Bars, 3 Bar Dotted ( 4.5 Bars ), 7 Bar Triplet, 5 Bars,
8 Bar Triplet, 6 Bars, 7 Bars, 5 Bar Dotted ( 7.5 Bars ), 8 Bars, 6 Bar Dotted ( 9 Bars ), 7 Bar Dotted ( 10.5 bars ) & 8 Bar Dotted (
12 Bars ). This parameter is memorised with a Program.
Page 5 looks like so:
The higher parameter is "Real time trans", in this example with a value of Off.
This parameter is used to determine whether the Arpeggiator can be transposed in real-time.Use the higher Data knob to adjust
the value If set to "On" then the whole arpeggio can be transposed in real-time either by a note played inside the real-time trans-
Real time trans Off
NOTE:
NOTE:
NOTE:
NOTE:
Fill in On-played
Sync 16th
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Summary of Contents for Supernova II
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