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Korg TRITON Le, Parameter Manual

Introducing the Korg TRITON Le, a versatile and dynamic synthesizer designed for musicians of all levels. With its user-friendly interface and comprehensive "Easy Start" manual, you'll be able to dive right into creating amazing sounds and melodies. Download your free user manual today from manualshive.com and unleash your musical potential.

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PROG

 1.1

 2.1

2.2

3.1

4.1

4.2

5.1

5.2

5.3

6.1

7.1

7.2

PROG

 1.1

 2.1

2.2

3.1

4.1

4.2

5.1

5.2

5.3

6.1

7.1

7.2

13

AMS2 (Level Mod. AMS2)

[Off, (KT, EXT)]

I (AMS2 Intensity)

[–99…+99]

S (AMS2 SW Start)

[–, 0, +]

A (AMS2 SW Attack)

[–, 0, +]

Refer to the preceding paragraphs “AMS1 (Level Mod. 
AMS1)”–“A (AMS1 SW Attack).”

3.1–5c: Time Mod. (Time Modulation)

These parameters let you use alternate modulation to con-
trol the “T (Time)” parameters of the pitch EG.

AMS (Time Mod. AMS)

[Off, (KT, EXT)]

Indicates the source that will control the “T (Time)” parame-
ters of the pitch EG (

☞

p.212 “AMS List”).

I (AMS Intensity)

[–99…+99]

Specifies the depth and direction of the effect that “AMS 
(Time Mod. AMS)” will have.
With a setting of 0, the pitch EG times will be just as speci-
fied by the “Pitch EG” (3.1–5a) settings.
The alternate modulation value at the moment that the EG 
reaches each point will determine the actual value of the EG 
time that comes next.
For example, the decay time will be determined by the alter-
nate modulation value at the moment that the attack level is 
reached.
When this parameter is set to values of 16, 33, 49, 66, 82, or 
99

, the specified EG times will speed up as much as 2, 4, 8, 

16, 32, or 64 times respectively (or slowed down to 1/2, 1/4, 
1/8, 1/16, 1/32, or 1/64 of the original time).
For example if “AMS (Time Mod. AMS)” is set to Velocity, 
increasing the absolute value of “I (AMS Intensity)” will 
allow strongly-played notes to increase the changes in pitch 
EG “T (Time)” values. The direction of the change is speci-
fied by “A (AMS SW Attack)” and “D (AMS SW Decay).” As 
you play more softly, the pitch EG times will more closely 
approach the actual settings of the pitch EG.

A (AMS SW Attack)

[–, 0, +]

Specifies the direction in which “AMS (Time Mod. AMS)” 
will affect the “A (Attack Time).” With positive (+) values of 
“I (AMS Intensity),” a setting of + will cause the time to be 
lengthened, and a setting of – will cause the time to be short-
ened. With a setting of 0 there will be no change.

D (AMS SW Decay)

[–, 0, +]

Specifies the direction in which “AMS (Time Mod. AMS)” 
will affect the “D (Decay Time).” With positive (+) values of 
“I (AMS Intensity),” a setting of + will cause the time to be 
lengthened, and a setting of – will cause the time to be short-
ened. With a setting of 0 there will be no change.

■

 3.1–5d: UTILITY

☞

“Write Program” (1.1–1c), “Copy Oscillator,” “Swap 
Oscillator” (2.1–1d)

Indicates settings for filter 1, which controls the tone of oscil-
lator 1. You can select either a 24 dB/oct low pass filter with 
resonance, or a 12 dB/oct low pass filter and 12 dB/oct high 
pass filter connected in series.
When “Mode (Oscillator Mode)” (2.1–1a) is Single, Drums 
you can use filter 1. When it is Double, you can use filters 1 
and 2. In the case of Single and Drums, the filter 2 pages 
cannot be selected.

4.1–1: Basic

Here you can specify the basic filter type used by oscillator 
1, and set the cutoff frequency and resonance.

4.1–1a: Filter1

Type (Filter1 Type)

[Low Pass Resonance, Low Pass & High Pass]

Indicates the type of filter 1.

Trim

[00…99]

Adjusts the level at which the audio signal output from 
OSC1 is input to filter 1A.

If the trim value is set too high, the sound may be dis-
torted if the Resonance is set to a high value or when 
you play a chord.

4.1–1b: A (Filter A)

This filter cuts the high-frequency range above the cutoff fre-
quency. This is the most common type of filter, which cuts 
the overtone structure to make a bright (sharp) tone darker 
(mellow).
When “Type (Filter1 Type)” is Low Pass Resonance, the cut 
will have a steeper curve.

Frequency (A Frequency)

[00…99]

Specifies the cutoff frequency of filter 1A.

Resonance (A Resonance)

[00…99]

This emphasizes the overtone components that lie in the 
region of the cutoff frequency specified by “Frequency (A 
Frequency),” producing a more distinctive sound. Increas-
ing this value will produce a stronger effect.

Pitch EG changes (Time) (AMS = Velocity, Intensity = positive (+) value)

Note-on

Note-off

Note-on

Note-off

Note-on

Note-off

A note played softly with “A” 
set to + and “D” set to + 
(settings of 3.1–5a: Pitch EG)

A note played strongly with 
“A” set to + and “D” set to +

A note played strongly with 
“A” set to – and “D” set to –

PROG 4.1: Ed–Filter1

4.1–1a

4.1–1b

4.1–1d

4.1–1c

Low Pass Resonance: 24 dB/octave 
low pass filter with resonance

Low Pass & High Pass: 12 dB/octave 
low pass filter and 12 dB/octave high 
pass filter in series

Frequency

Level

Low Pass

12dB/oct

24dB/oct

Summary of Contents for TRITON Le

Page 1: ...2 E ...

Page 2: ...nction Example screen displays The values of the parameters shown in the example screens of this manual are only for explanatory purposes and may not necessary match the values that appear in the LCD screen of your instrument MIDI related explanations CC is an abbreviation for Control Change Number In explanations of MIDI messages numbers in square brackets always indicate hexadecimal numbers How ...

Page 3: ... 5 1 3 EG Amp1 EG 20 PROG 5 2 Ed Amp2 22 5 2 1 Lvl Pan Level Pan 22 5 2 2 Mod Amp2 Modulation 22 5 2 3 EG Amp2 EG 22 PROG 5 3 Ed LFOs 22 5 3 1 OS1LFO1 OSC1 LFO1 22 5 3 2 1LFO2 OSC1 LFO2 23 5 3 3 2LFO1 OSC2 LFO1 23 5 3 4 2LFO2 OSC2 LFO2 24 PROG 6 1 Ed Arp Arpeggiator 24 6 1 1 Setup Arpeg Setup 24 6 1 2 Zone Scan Zone 25 PROG 7 1 Ed InserFX 26 7 1 1 BUS 26 7 1 2 Setup 27 7 1 3 IFX Insert Effect 27 P...

Page 4: ...6 SEQ 1 2 Loop 57 1 2 1 Loop 8 Track Play Loop T01 08 57 1 2 2 Loop 16 Track Play Loop T09 16 57 SEQ 2 1 Cue List 58 2 1 1 Cue List 58 SEQ 2 2 Controller 61 2 2 1 Ctrls Controls 61 SEQ 3 1 Param1 62 3 1 1 MIDI 8 MIDI T01 08 62 3 1 2 MIDI 16 MIDI T09 16 62 3 1 3 OSC 8 OSC T01 08 62 3 1 4 OSC 16 OSC T09 16 62 3 1 5 Ptch 8 Pitch T01 08 63 3 1 6 Ptch 16 Pitch T09 16 63 SEQ 3 2 Param2 64 3 2 1 Othr 8 O...

Page 5: ...t1 98 2 1 2 Edit2 98 SMPL 3 1 Loop Edit 106 3 1 1 Edit1 106 3 1 2 Edit2 107 SMPL 4 1 Multisample 116 4 1 1 Edit1 116 4 1 2 Edit2 116 4 1 3 Pref Preference 117 SMPL 5 1 Memory 118 5 1 1 Memory Free Memory 118 5 1 2 No Free Number 118 SMPL 5 2 Controller 118 5 2 1 Ctrls Controls 118 SMPL 7 1 Insert Effect 119 7 1 1 Setup 119 7 1 2 IFX 119 5 Global mode 121 GLOBAL PAGE MENU 121 GLOBAL 1 1 System 121 ...

Page 6: ...od Stereo Biphase Modulation 178 27 St Vibrato Stereo Vibrato 178 28 St AutoFd Mod Stereo Auto Fade Modulation 179 29 2Voice Reso 2Voice Resonator 179 30 Doppler 180 31 Scratch 181 Mod P Shift 182 32 St Tremolo Stereo Tremolo 182 33 St Env Tremlo Stereo Envelope Tremolo 182 34 St Auto Pan Stereo Auto Pan 183 35 St Phasr Trml Stereo Phaser Tremolo 183 36 St Ring Mod Stereo Ring Modulator 184 37 Det...

Page 7: ...bout Alternate Modulation Sources 211 AMS Alternate Modulation Source List 212 Alternate Modulation settings 214 The effect of alternate modulation on various parameters and example applications 214 Dynamic Modulation Source Dmod 217 Dynamic Modulation Source List 217 About the BPM MIDI SYNC function 219 SW1 2 Assign 220 SW1 SW2 Assign List 220 Knob 1 4 B Assign 221 Realtime Control Knobs B Assign...

Page 8: ... TRITON Le provides rewritable banks A B C and D each containing 128 programs total 512 As for non rewrit able program areas it provides banks G capital programs for GM and bank g d drums For a list of the factory set programs refer to the separate VNL PROG PAGE MENU Play 1 1 Play Select and play programs Use the Per formance Editor for easy editing and to do simple editing of arpeggio patterns p ...

Page 9: ...C DEC keys or the VALUE dial to select the program 5 To execute press the F8 OK key To cancel without executing press the F7 Cancel key 10 s HOLD 1 Press the HOLD key twice to display The first digit of the program number will be held fixed 2 When you press a numeric key 0 9 the second digit of the program number will be input with a single action 3 You can use the INC DEC keys to change the first...

Page 10: ... instrument corresponding to the received message will be modified Octave 03 00 03 An adjustment of 01 will raise the pitch one octave An adjustment of 01 will lower the pitch one octave This setting cannot adjust the pitch higher than 4 feet or lower than 32 feet Stretch Pitch Stretch 12 00 12 This simultaneously adjusts the Transpose and Tune of the oscillator This lets you produce a variety of ...

Page 11: ... of 10 the setting will be 127 maxi mum Negative settings will lower the return levels below the program setting With an adjustment of 10 the setting will be 0 1 1 2c UTILITY Write Program Select by Category 1 1 1c 1 1 3 Arp Arp Play While arpeggiator parameters are for the most part edited in PROG 6 1 Ed Arp Some major parameters can be edited here as well When you are playing in PROG 1 1 Play yo...

Page 12: ...hen legato is on multiple note on message will not retrig ger the voice If one note is already on and another note is turned on the oscillator sound envelope and LFO will not be reset and only the pitch of the oscillator will be updated This setting is effective for wind instrument sounds and analog synth type sounds Off unchecked Legato is off Notes will always be retrig gered when note on occurs...

Page 13: ...rent multisamples pre set multisamples and 33 drum kits RAM multisamples can be created in Sampling mode if the EXB SMPL option sold separately is installed or you can use multisamples that were loaded in using the Media mode The following illustration shows a LCD screen where Mode Oscillator Mode 2 1 1a has been set to Double If this is set to Single the OSC2 page parameter will not appear and ca...

Page 14: ... sound when the velocity is less than the Velocity SW L H 2 1 2a setting Low MS Bank ROM RAM Low Multisample 000 424 000 999 S Ofs Low Start Offset Off On Rev Low Reverse Off On Level Low Level 000 127 Refer to the corresponding item in High 2 1 2c Octave Transpose Tune Delay Octave 2 32 1 16 0 8 1 4 Adjusts the pitch in octave units The normal octave of the multisample is 8 feet Transpose 12 12 A...

Page 15: ...is adjustment will be added to the value specified for Res onance 4 1 1b 4 2 1 of Filter 1 and 2 Pitch Adjusts the playback pitch in one cent steps A set ting of 12 00 raises the pitch one octave and a setting of 12 00 will lower the pitch one octave This parameter is linked with the parameter Pitch SMPL 4 1 2a The value that was specified in Sampling mode will be dis played here Attack Adjust sth...

Page 16: ... mode of the REALTIME CONTROLS knobs 1 4 p 221 Realtime Control Knobs B Assign List The functions you set here will take effect when you operate the REALTIME CONTROLS knobs 1 4 in B mode Knob1 B Knob1 B Assign Off MIDI CC 95 Knob2 B Knob2 B Assign Off MIDI CC 95 Knob3 B Knob3 B Assign Off MIDI CC 95 Knob4 B Knob4 B Assign Off MIDI CC 95 2 2 1b SW1 2 Assign These settings assign functions to SW1 an...

Page 17: ...tarists JS X 60 12 Specifies how the pitch will change when the joystick is moved all the way to the right A setting of 12 produces 1 octave of change For example if you set this to 12 and move the joystick all the way to the right the pitch will rise one octave above the original pitch JS X 60 12 Specifies how the pitch will change when the joystick is moved all the way to the left A setting of 1...

Page 18: ...nt in the Y direction away from yourself will have on the pitch modulation applied by the OSC1 LFO1 As this value is increased moving the joystick in the Y direction will cause the OSC1 LFO1 to produce deeper pitch modulation With a setting of 12 00 a maximum of 1 octave of pitch modulation will be applied Negative values will invert the LFO waveform AMS LFO1 AMS Off PEG FEG AEG KT EXT Indicates t...

Page 19: ...ifies the depth and direction of the effect applied by AMS1 Level Mod AMS1 With a setting of 0 the levels specified by Pitch EG 3 1 5a will be used For example if AMS1 Level Mod AMS1 is SW1 80 pressing the SW1 key to turn it on will change the Level parameters of the Pitch EG SW1 2 Assign 2 2 1b to SW1 Mod CC 80 As the absolute value of I AMS1 Intensity is increased the pitch EG levels will change...

Page 20: ...he time to be lengthened and a setting of will cause the time to be short ened With a setting of 0 there will be no change 3 1 5d UTILITY Write Program 1 1 1c Copy Oscillator Swap Oscillator 2 1 1d Indicates settings for filter 1 which controls the tone of oscil lator 1 You can select either a 24 dB oct low pass filter with resonance or a 12 dB oct low pass filter and 12 dB oct high pass filter co...

Page 21: ...ied and set the Int to A and Int to B parameters to specify the depth and direction of the change applied to filter 1 A and B For the range of notes between Low KBDTrk Key Low and High KBDTrk Key High the cutoff frequency will change according to the key location pitch You can also input a value by playing a note on the key board while you hold down the ENTER key Low KBDTrk Key Low C 1 G9 Keyboard...

Page 22: ...12 AMS List Int to A AMS Int to A 99 99 Specifies the depth and direction of the effect that AMS Filter EG AMS will have on filter 1A For details on how this will apply refer to Int to A Inten sity to A Int to B AMS Int to B 99 99 Specifies the depth and direction of the effect that AMS Filter EG AMS will have on filter 1B Int to A Inten sity to A The sum of the settings for Int to A B Vel to A B ...

Page 23: ...to be applied to OSC1 LFO1 when you apply pressure to the keyboard Int to B LFO1 AMS Int to B 99 99 Specifies the depth and direction of the effect that AMS LFO1 AMS will have on filter 1B Int to A LFO1 AMS Int to A 4 1 4b Filter LFO2 Modulation Adjusts the depth of the cyclic modulation applied by OSC1 LFO2 set by OSC1 LFO 2 5 3 2 to the cutoff frequency of filters 1A and 1B Filter LFO 1 Modulati...

Page 24: ...wer the EG level With a setting of 0 there will be no change 4 1 5c Time Mod Time Modulation These settings let you use alternate modulation to control the T Time parameters of the filter 1 EG AMS1 Time Mod AMS1 Off KT EXT Indicates the source that will control the T Time parame ters of the filter 1 EG p 212 AMS List I AMS1 Intensity 99 99 Specifies the depth and direction of the effect that AMS1 ...

Page 25: ...r a 24 dB oct low pass filter with resonance or a 12 dB oct low pass filter and 12 dB oct high pass filter connected in series Filter 2 can be used when Mode Oscillator Mode 2 1 1a is Double PROG 4 1 Ed Filter 1 Indicates settings for amp 1 which controls the volume of oscillator 1 Pan settings are also made here 5 1 1 Lvl Pan Level Pan These parameters control the volume and pan of oscillator 1 5...

Page 26: ... the volume 5 1 2a Keyboard Track These parameters let you use keyboard tracking to adjust the volume of oscillator 1 Use the Key and Ramp parameters to specify how the volume will be affected by the position on the keyboard of the note that you play Key Keyboard Track Key Specifies the note number at which keyboard tracking will begin to apply The volume will not change between Low KBDTrk Key Low...

Page 27: ...1 will modulate the volume of oscillator 1 p 212 AMS List Int AMS Intensity 99 99 Specifies the depth and direction of the effect that OSC1 LFO1 will have on the volume of oscillator 1 Negative values will invert the LFO waveform AMS LFO2 AMS Off PEG FEG AEG KT EXT Indicates the source that will control the depth by which OSC1 LFO2 5 3 2 will modulate the volume of oscillator 1 p 212 AMS List Int ...

Page 28: ... effect that AMS1 Time Mod AMS1 will have For example if AMS1 Time Mod AMS1 is Amp KT the Amp Keyboard Track settings 5 1 2a will control the EG Time parameters With positive values of this parameter positive values of Ramp Ramp Setting will cause EG times to be lengthened and negative val ues of Ramp Ramp Setting will cause EG times to be shortened The direction of the change is specified by A AM...

Page 29: ... For example with a setting of 0 as shown in the following diagram the vibrato that is applied will be centered on the note on pitch With a setting of 99 the vibrato will only raise the pitch above the note on pitch in the way in which vibrato is applied on a guitar When Waveform is set to Guitar the modulation will occur only in the positive direction even if you set Off set to 0 Offset settings ...

Page 30: ...e LFO speed by approximately 64 times AMS2 Freq AMS2 Off PEG FEG AEG LFO2 KT EXT Int AMS2 Intensity 99 99 Indicates settings for a second alternate modulation source that will adjust the frequency of the oscillator 1 LFO1 AMS1 Freq AMS1 Int AMS1 Intensity 5 3 1c MIDI Tempo Sync Frequency MIDI Tempo Sync Sync MIDI Tempo Sync Off On On checked The LFO frequency will synchronize to the tempo MIDI Clo...

Page 31: ... length gate time of each note in the arpeggio 000 100 Each note will be played with the specified gate time Step This is available when an user arpeggio pattern U000 INT U215 User is selected for Pattern When this is selected the gate time specified for each step will be used The gate time can also be controlled by the REALTIME CONTROLS C mode ARP GATE knob Rotating the knob toward the left will ...

Page 32: ... heard These parameters can also be set in 1 1 3 Arp 6 1 1b Arpeggiator Tempo Tempo 040 240 EXT Sets the tempo This can also be set by the REALTIME CONTROLS C mode TEMPO knob When MIDI Clock GLOBAL 2 1 1a is either External this will indicate EXT and the arpeggiator will synchronize to MIDI Clock messages received from an external MIDI device 6 1 1c UTILITY Write Program 1 1 1c For details on how ...

Page 33: ...nt to master effects 1 and 2 These parameters will be valid when Mode Oscillator Mode 2 1 1a is set to Double and BUS Select is set to L R or Off OSC1 Send1 CC 93 will control the Send 1 level for OSC 1 and 2 and control change 91 will control the Send 2 level for OSC 1 and 2 These are controlled on the global MIDI channel MIDI Channel GLOBAL 2 1 1a The actual send level is determined by summing t...

Page 34: ...158 CC 8 will control the pan amount BUS Select L R 1 2 1 2 Off Specifies the bus to which the sound will be sent after pass ing through the insert effect Normally you will set this to L R If you wish to output to AUDIO OUTPUT INDIVID UAL set this to 1 2 or 1 2 The Off setting is used when you wish to use S1 Send1 MFX1 and S2 Send2 MFX2 and in addition connect to the master effects in series S1 Se...

Page 35: ...FX2 MFX2 MFX1 Connect from MFX2 to MFX1 Signal Chain Signal L R Mix L Only R Only When chain is On this parameter specifies how the stereo output signal of the first master effect will be connected to the input mono of the next master effect L R Mix The stereo output L R of the first master effect will be mixed before being input to the next master effect L Only R Only Only the left or right chann...

Page 36: ... Indicates effect parameter settings for the MFX1 and 2 effects that were selected in the Setup page p 164 Effect dynamic modulation Dmod is controlled on the global MIDI channel MIDI Channel GLOBAL 2 1 1a p 217 Dynamic Modulation Source Dmod 7 2 2 3 a UTILITY Write Program 1 1 1c 7 2 4 MEQ Master EQ The master EQ is a three band stereo EQ It is used to adjust the overall tonality of the sound imm...

Page 37: ...30 ...

Page 38: ...foot switch p 125 Foot SW Assign GLO BAL 1 1 3a p 222 Foot Switch Assign List COMBI PAGE MENU Play 1 1 Play Select and play combinations Select a program for each timbre and set sta tus pan and level Select an arpeggio pattern and make settings p 31 P M 2 1 Ed Prog Mix Select a program for each timbre and set pan and level Same as the 1 1 Play parameters can be edited from either page p 35 Ctrl 2 ...

Page 39: ...rite any combi nation that you wish to keep If the power is turned off or a different combination selected before you write an edited combination your edits cannot be recovered For the procedure refer to Write Program PROG 1 1 1c If you use Category to specify a category for the combina tion that you are writing you will be able to select it by cate gory when selecting combinations in COMBI 1 1 Pl...

Page 40: ...se Status is EXT or EX2 will transmit the same messages on their own MIDI channel If bank select and program change messages are received on a MIDI channel that matches the MIDI channel of a timbre whose Status 3 1 1a is INT the program of that timbre will change However if the MIDI channel of the incoming message matches the global MIDI channel MIDI Channel then the combi nation will change If yo...

Page 41: ...ume value with the MIDI volume CC 7 and expression CC 11 If Status 3 1 1a has been set to INT incoming MIDI CC 7 or CC 11 messages will con trol the volume of a timbre However these messages will not affect the setting of this parameter If Status is EXT or EX2 the value of this parameter will be transmitted as MIDI CC 7 when the combina tion is changed However this will not be transmitted by a tim...

Page 42: ...rpeggiators A and B are assigned This can be set in Assign 6 1 1b 1 1 4 5 b Arpeggiator A B Pattern P000 P004 U000 INT U215 User Reso Resolution Octave 1 2 3 4 Sort Off On Latch Off On Key Sync Off On Keyboard Off On Sets the various parameters of the combination arpeggiator PROG Ed Arp These parameters can also be set in COMBI 6 1 Ed Arp 1 1 4 5 c UTILITY Write Combination Solo Selected Timbre Se...

Page 43: ...f MIDI and the internal tone generator for each timbre INT When you play this instrument the internal tone gen erator will sound and will also sound in respond to MIDI messages received from an external MIDI device Off The program will not sound Nor will MIDI data be transmitted EXT Playing this instrument will not cause it to sound but it will transmit data via MIDI to control external MIDI devic...

Page 44: ...1 1c 3 1 3 Pitch Here you can make pitch related settings for each timbre 3 1 3a Transpose Detune Bend Range Transpose 24 24 Adjusts the pitch of each timbre in semitone steps 12 units equal one octave When Status 3 1 1a is INT this parameter will affect the pitches sounded by the TRITON Le When Status is EXT this parameter will affect the note numbers of the MIDI note messages that are transmit t...

Page 45: ... For example if you execute From 60bpm To 120bpm and then execute From 120bpm To 60bpm this will not return the original result Rather this will set Detune 1200 which is one octave down This command is valid when Detune 3 1 3a is selected 3 2 1 Other Specifies the delay from note on until sound is produced for each timbre Also specifies the scale 3 2 1a Delay ms Use Prog s Scale Delay ms 0000 5000...

Page 46: ...op and bottom slopes to overlap How volume will change according to keyboard location 3 3 1c UTILITY Write Combination Solo Selected Timbre 1 1 1c 3 3 2 Slope Key Slope 3 3 2a Top Slope Bottom Slope Top Slope 00 72 Specifies the range of keys 12 is one octave over which the maximum programmed volume level will be reached start ing from the top key 0 The volume will be at the original level from th...

Page 47: ... a note It is not possible to set the bottom velocity greater than the top velocity for the same timbre Nor can the top slope and the bottom slope overlap 3 4 1c UTILITY Write Combination Solo Selected Timbre 1 1 1c 3 4 2 Slope Velocity Slope 3 4 2a Top Slope Bottom Slope Top Slope 0 120 Specifies the number of velocity steps over which the origi nal volume will be reached starting from the Top Ve...

Page 48: ...ed to two or more controllers in the MIDI Filter 3 and MIDI Filter 4 pages checking any one of them will enable that control change Off unchecked Transmission and reception of MIDI data is disabled 4 1 1 MIDI 1 1 MIDI Filter 1 1 4 1 1a Program Change After Touch Program Change Off On Specifies whether or not MIDI program change messages will be transmitted and received After Touch Off On Specify w...

Page 49: ...ode of knob 1 will be transmitted and received Knob2 Off On Specifies whether MIDI control change message 71 inter nal low pass filter resonance or high pass filter cutoff fre quency for the A mode of knob 2 and the MIDI control change message assigned to the B mode of knob 2 will be transmitted and received 4 3 2a Real time Control Knob 3 4 Knob3 Off On Specifies whether MIDI control change messa...

Page 50: ...ings in the Arp B page to select the arpeggio pattern and set parameters If the Status 3 1 1a of the timbre is INT each timbre 1 8 to which arpeggiator A or B is assigned will be sounded by the note data generated by the arpeggiator regardless of the MIDI Channel 3 1 1a setting of the timbre If a timbre is set to EXT or EX2 MIDI note data will be transmitted on the MIDI Channel of each tim bre In ...

Page 51: ...om select the copy source mode bank number arpeggiator If you are copying from Combination or Song select either A or B to if you wish to copy settings from only one arpeggiator or select A B if you wish to copy the settings of both arpeggiators 3 If you are copying from a Program or are copying either A or B from Combination or Song select either A or B as the To copy destination 4 To execute the...

Page 52: ...et tings are being made is a drum program Mode Oscillator Mode Drums PROG 2 1 1a With a setting of DKit the BUS Select GLOBAL 5 1 3a setting made for each key of the drum kit will be used For example if you have made BUS Select settings for each key of a drum kit so that the Snare sounds are sent to IFX and the other sounds are sent to L R selecting Dkit will send the Snare sounds to IFX and the o...

Page 53: ...fect turn it on off etc 7 1 2a Ed InsertFX Setup IFX On Off Off ON Insert Effect 00 89 name Pan CC 8 L000 C064 R127 BUS Select L R 1 2 1 2 Off S1 Send1 MFX1 000 127 S2 Send2 MFX2 000 127 These parameters are the same as in Program mode PROG 7 1 2 However dynamic modulation Dmod of the insert effect and the Pan CC 8 Send1 MFX1 and Send2 MFX2 that follow the insert effect will be controlled on the C...

Page 54: ...ings With the exception of MFX1 Control Ch MFX2 Control Ch and MEQ Control Ch this is the same as in Program mode PROG 7 2 Ed MasterFX 7 2 1a MasterFX Setup MFX1 On Off MFX2 On Off Off ON Master Effect 1 2 00 89 name Rtn 1 2 Return 1 2 000 127 These are the same as in Program mode Refer to PROG 7 2 1 Setup However the master effects will be controlled on the MFX 1 2 Control Ch MIDI channel unlike ...

Page 55: ...hat is specified by MFX1 2 Control Ch 7 2 1a will not be swapped 7 2 2 MFX1 Master Effect1 7 2 3 MFX2 Master Effect2 Here you can set the parameters of the Master Effect1 and Master Effect2 effects that were selected in the Setup page p 164 7 2 2 3 a UTILITY Write Combination 1 1 1c 7 2 4 MEQ Master EQ The master EQ is a three band stereo EQ It is located imme diately before the AUDIO OUTPUT MAIN ...

Page 56: ...data from the SmartMedia or receive a MIDI bulk data dump from an external MIDI sequencer p 130 For details on how to select pages in Sequencer mode refer to p 1 SEQ PAGE MENU P R 1 1 Play REC Make settings for song playback record ing select a program for track and make pan and level settings p 50 Loop 1 2 Loop Make settings for track play loop function p 57 Cue 2 1 Cue List Play create and make ...

Page 57: ... Track Select 1 1 1c to specify the Master Track or any Track01 16 which contains data and use Event Edit 5 2 1b to modify the time sig nature of the Bar event If the number of beats in a measure increases when you modify the time signature rests will be inserted in the por tion that was added Conversely if the number of beats decreases that portion will not be played However if you return to the ...

Page 58: ...f the keyboard so that the pattern will playback or be recorded when you press the appropriate key On checked The RPPR function will be on If a pattern has been assigned to each key in the 5 1 2 RPPR Setup page pressing that key will perform the assigned pattern 5 1 2 RPPR Setup Track Select T01 T16 name Master Track T01 T16 Select the track s that will record or play song data The track name can ...

Page 59: ...eset tem plate songs P00 15 that contain preset settings for pro grams and effects appropriate for various musical styles You are also free to create your own favorite settings for pro grams track parameters and effects and save them as one of sixteen user template songs U00 15 Save as User Template Song 1 Select Load Template Song to access the dialog box 2 In From specify the template song that ...

Page 60: ...lected pattern press the START STOP key If you wish to adjust the tempo use the TEMPO knob For this example select P01 Pop Balad 2 Std 6 Set To Track to 01 and Measure to 001 7 Press the F6 Copy key once The eight measure pre set pattern P01 Pop Balad 2 Std has now been copied to the song Measure will count up automatically By repeating steps 5 and 7 you can continue to copy other patterns When yo...

Page 61: ...abbreviated category name of the selected program are displayed above Program Select By holding down the TIMBRE TRACK key and pressing a F1 T1 T9 F8 T8 T16 key you can move to the corresponding track T1 T16 The program bank can also be selected directly by using the BANK A GM keys When this parameter is selected you can use the Utility menu command Select by Category to select a pro gram by catego...

Page 62: ... take priority To turn the solo mode off in this case you must use the utility menu command 1 1 1d to deselect it When you press SOLO On Off or a parameter of another track only that selected track will be soloed and will be heard 1 1 2 3 c UTILITY Memory Status Solo Selected Track Rename Song Delete Song Copy From Song Copy From Combi Load Template Song Save Template Song FF REW Speed Set Locatio...

Page 63: ... re record selected portions of a previously recorded track If you select Auto Punch In the display will indicate M M Auto P Start Meas Auto P End Meas at the right allowing you to specify the range of measures that will be rewritten Press the REC WRITE key and then the START STOP key and playback will occur until the specified measure is reached Then recording will occur only over the specified a...

Page 64: ...nked to SEQ 5 1 RPPR Pattern Metro nome Sound 5 1 1b Precount 0 2 Specifies the pre count that will occur before recording begins With a setting of 0 recording will begin the instant you press the START STOP key after first pressing the REC WRITE key Level 000 127 Sets the volume of the metronome BUS BUS Select L R L R 1 2 1 2 Select the output destination of the metronome sound L R L R Output fro...

Page 65: ... this page will cause a Song Select message corresponding to the cue list number and Song Position Pointer message to be transmitted When MIDI Clock is External a Song Select message from the specified source will switch cue lists Track Select T01 T16 name Indicates the track that you wish to play manually from the keyboard along with the playback While a cue list is play ing you can play along us...

Page 66: ... when FX is not checked there may be a time lag in the transition from one song to the next depend ing on the musical data in the song There may also be cases in which the musical data at the transition between songs does not play at the correct timing To fix this you can edit the musical data of the song or convert the cue list to a single song If you use Convert to Song 2 1 1e to convert the cue...

Page 67: ...list may not be reproduced when the cue list is converted into a song Converting Track Play Loop SEQ 1 2 Loop Track Play loop page If Loop On is on the area from Loop Start Meas to Loop End Meas will be expanded as far as the last mea sure in the master track Example If Track Play Loop is M005 M008 and the master track contains 10 measures the data will be expanded from the beginning of the track ...

Page 68: ... list 6 To execute the Copy Song operation press the F8 OK key To cancel press the F7 Cancel key 2 2 1 Ctrls Controls Here you can set the B mode functions that the REALTIME CONTROL knobs 1 4 and the SW1 key SW2 key will have in Sequencer mode When these switches or knobs are operated during recording the MIDI messages that you assign here will be recorded 2 2 1b Knob B Assign Here you can set the...

Page 69: ...on this instrument the bank number you specify here will be transmitted In other respects this is the same as EXT MIDI data is transmitted and received on the MIDI channel that is specified separately for each track by MIDI Channel MIDI Channel 01 16 Specifies the MIDI channel that the track will use to transmit and receive musical data The MIDI channel you specify here will be the receive channel...

Page 70: ...PM Adjust 3 1 5 6 b page menu command to make a calculation in BPM units and set Detune automatically Transpose and Detune settings do not affect the note data that is transmitted via MIDI Transpose and Detune are controlled by received MIDI RPN mes sages The Oscillator Mode PROG 2 1 1a of the pro grams selected for tracks 1 16 will be controlled as follows If Oscillator Mode is Single or Double M...

Page 71: ...ate Song FF REW Speed Set Location 1 1 1d Here you can specify the range of keys that will be sounded by each track Top Bottom Key settings specify the range of notes that will be sounded by tracks 1 8 9 16 and Top Bottom Slope set tings specify the range from the top bottom key until the original volume is reached These settings do not affect MIDI transmission recep tion All note data that is rec...

Page 72: ...and 9 16 and Top Bottom Slope specify the range over which the volume will be adjusted These settings do not affect MIDI transmission recep tion All note data that is received will be recorded into the internal sequencer and all note data from the inter nal sequencer or from the keyboard will be transmitted 3 4 1 Vel 8 Vel T01 08 3 4 2 Vel 16 Vel T09 16 3 4 1 2 a Velocity Zone Map 1 This shows the...

Page 73: ...messages that are trans mitted when you adjust program pan volume porta mento and send 1 2 parameters of a track whose Status 3 1 1 2 a is set to BTH EXT or EX2 On checked Reception of MIDI data is enabled Tracks whose Status 3 1 1 2 a is INT or BTH will receive MIDI messages whose channel matches and whose types are checked The types of effect that are checked will be applied to the program of ea...

Page 74: ...IME CONTROL knobs 1 4 will be received JS Y CC 02 Off On Specifies whether or not MIDI control message 2 the Y axis of this instrument s joystick or assigned to B mode of the REALTIME CONTROL knobs 1 4 will be received 4 2 1 2 b UTILITY Memory Status Solo Selected Track Rename Song Delete Song Copy From Song Copy From Combi Load Template Song Save Template Song FF REW Speed Set Location 1 1 1d 4 2...

Page 75: ... 4 3 1 2 b 4 3 3 4 b UTILITY Memory Status Solo Selected Track Rename Song Delete Song Copy From Song Copy From Combi Load Template Song Save Template Song FF REW Speed Set Location 1 1 1d 4 4 1 M4 1 8 MIDI Filter4 1 T01 08 4 4 2 4 2 16 MIDI Filter4 1 T09 16 4 4 1 2 a SW1 SW2 SW1 SW2 Off On Specifies whether or not the effect of the SW1 and SW2 keys will be received The function of these keys can ...

Page 76: ...e units Song Select 000 199 name Selects the song that you wish to use 1 1 1b Track Select T01 T16 name Selects the track that will record play the pattern data 1 1 1c The program bank number and name of the selected track will be displayed at the right 5 1 1b Pattern Metro Metronome Pattern Pattern Pattern Bank Preset User Indicates the type of pattern If you select Preset recording will not be p...

Page 77: ...only the pattern speci fied in 1 will be erased 4 To execute the Erase Pattern command press the F8 OK key To cancel press the F7 Cancel key Copy Pattern This command copies the settings and musical data of the selected pattern to another pattern User patterns belong to a particular song but you can use the Copy Pattern command to use a pattern in another song While preset patterns cannot be edite...

Page 78: ...he control data into the pattern BG p 81 To delete a pattern that has been placed in a track you can use Erase Measure 5 2 1b specifying the area in which the pattern was put and setting Kind to All 1 Select Put to Track to access the dialog box 2 In Pattern Bank and Pattern Select select the put source pattern By default this will be the pattern selected in page 3 In To Track select the put desti...

Page 79: ...C8 Indicates the key that you wish to edit The following parameters will apply to the key that you select here The key can also be selected by holding down the ENTER key and playing a note on the keyboard Assign Off On On checked When you play the key specified by KEY the pattern selected in Pat Pattern Bank Pattern Select will be triggered Off unchecked That key will sound the currently selected ...

Page 80: ...KEY Example Using RPPR to assign preset patterns P00 P01 and P02 to keys Before you begin assign a drum program such as A036 to track 1 1 Select C 2 as the KEY Check Assign and set Pat Pattern Bank Pattern Select and Track 2 Select D2 as the KEY 3 Press the F4 REVERT key and the Pat Pattern Bank Pattern Select Pat Pre P00 Pop Balad 1 Std and Track T01 Drums that you selected in step 1 will be copi...

Page 81: ...ed at the right of the note type indicates the length of the note The note type can be selected from a range of whole note 32nd note If you set Triplet Normal Dot to 3 Triplet triplets of the specified note value will be used as the step time If you select Normal the specified note value will be used without change If you select Dot the specified note will be dotted The following table shows the n...

Page 82: ...y its value s By modifying the value of the Bt Beat Tick location within the measure you can move the event within the measure You can edit each event by modifying its data value s When you select a note event it will sound 6 You can press the keys located at the function of the dia log box to edit events as follows Inserting an event Select the Bt location where you wish to insert an event and pr...

Page 83: ...cified in the Track Edit page 4 In Kind specify the type of data that will be erased All will erase all types of data from the track Note will erase note data Ctl C will erase control change data AftT will erase both channel pressure and polyphonic key pressure data BEND will erase pitch bend data and PROG will erase program change data 5 If you check All Tracks the specified type of data will be ...

Page 84: ... will be moved back ward by the number of measures that were inserted However the time signature and tempo will not move 7 To execute the Insert Measure command press the F8 OK key To cancel press the F7 Cancel key Repeat Measure This command repeatedly inserts the specified measures for the specified number of times When you execute the Repeat Measure command the measures will be inserted followi...

Page 85: ...K key To cancel press the F7 Cancel key Create Ers Ctrl Create Erase Control Data This command inserts creates or erases data such as con trol changes aftertouch pitch bend or tempo in the speci fied region Create Ctrl Data Create Control Data Here s how you can insert create various types of data in the region you specify 1 In Track Select specify the track in which you wish to create control dat...

Page 86: ...rocessed so that two or more data events of an identical type existing at a single interval of the timing resolution will be combined into a single event thus conserving memory Similarly two or more data events of an identical type existing at the identical timing will be combined into one also conserving memory 1 In Track Select specify the track 2 Select Quantize to access the dialog box 3 Speci...

Page 87: ... press the F8 OK key To cancel without executing press the F7 Cancel key Modify Velocity This command modifies the velocity values of notes in the specified area so that they will change over time according to a selected curve 1 In Track Select specify the track whose velocity will be modified 2 Select Modify Velocity to access the dialog box 3 Specify the range in which note velocity will be modi...

Page 88: ...f the arpeggiator and the sequencer independently When MIDI Clock GLOBAL 2 1 1a is Internal the arpeggiator can be synchronized to the start timing of the internal sequencer When you turn on the arpeggiator and press the START STOP key the arpeggiator will synchronize to the timing of the sequencer When you press the START STOP key the arpeggiator and sequencer will both stop If you wish to stop o...

Page 89: ... to 01 and Status 3 1 1 2 a to INT Assign arpeggiator A to track 1 and arpeggiator B to track 2 and check Arpeg giator Run A B 6 1 1a In Track Select 1 1 1c choose Track01 With the front panel ARP ON OFF key OFF play the keyboard and tracks 1 and 2 will sound simultaneously When you turn on the front panel ARP ON OFF key and play the keyboard arpeggiator A will operate for track 1 and arpeggiator ...

Page 90: ...of notes and velocities that will trigger each arpeggiator A and B 6 1 5a Scan Zone A B Zone Map This shows the Scan Zone settings for arpeggiators A and B COMBI 6 1 4a A Key Btm A Bottom Key C 1 G9 Top A Top Key C 1 G9 Specifies the range of notes keys that will trigger arpeggia tor A Top is the upper limit and Btm is the lower limit A Vel Velocity Btm A Bottom Velocity 001 127 Top A Top Velocity...

Page 91: ... summing the value of these parameters with the send level settings of the oscillator s of the program used by the track S1 Send1 MFX1 and S2 Send2 MFX2 PROG 7 1 2a 7 1 1 2 b UTILITY Memory Status Solo Selected Track 1 1 1d DKit IFX Patch COMBI 7 1 1b FF REW Speed Set Loca tion 1 1 1d For details on how to select the desired utility function refer to PROG 1 1 1c UTILITY Copy Insert Effect PROG 7 1...

Page 92: ...Use the cursor keys to select the track and use the INC DEC keys or the VALUE dial to set BUS Select 7 1 1 2 a This setting can also be made in BUS Select 7 1 3a 7 1 3d UTILITY Memory Status Solo Selected Track 1 1 1d Copy Insert Effect PROG 7 1 1c 7 1 1b 2b DKit IFX Patch COMBI 7 1 1b FF REW Speed Set Location 1 1 1d Select by Category PROG 7 1 2c 7 1 4 IFX Insert Effect Sets the parameters for t...

Page 93: ... PROG 7 2 1d For details on how to select the desired utility function refer to PROG 1 1 1c UTILITY Copy Master Effect p 28 PROG 7 2 1d Note the MIDI control channel specified in Control Chan nel of the MFX 1 and 2 pages will not be copied Swap Master Effect p 29 PROG 7 2 1d Note the MIDI control channel specified in Control Chan nel of the MFX 1 and 2 pages will not be swapped 7 2 2 MFX1 Master E...

Page 94: ...e function that allows you to restore edited data to the state before it was edited If you wish to preserve the unedited state of the data use Copy MS or Copy SMPL 1 1 3f etc to make a copy of the multisample or sample before you begin editing For some of the utility menu commands in 2 1 Sample Edit or 3 1 Loop Edit executing the command without checking Overwrite in the dialog box allows you to s...

Page 95: ...within a multisample is called an index For example on the 61 note keyboard if a multisample is divided into zones of one octave 12 notes there will be six zones Each of these zones is called an index and you can assign a sample to each index xxx The selected index Choose the desired index yyy The total number of indexes in the multisample To select an index hold down the ENTER key and play a note...

Page 96: ...he L and R samples to differing sampling rates they will not be handled as a stereo sample Keyboard Index This shows the zones and original key locations of the cur rently selected multisample The white triangle indicates the C4 key The note numbers at left and right are the range of notes displayed The key displayed in gray is called the base key and functions as follows In the 2 1 Sample Edit2 p...

Page 97: ... new index according to the Create Create Zone Preference settings the following dialog box will appear This dialog box will also appear if you execute INSERT when it is not possible to create a new index with the contents of the CUT or COPY 4 1 1c Reset the Range Zone Range 1 1 3b 4 1 3a and press the F8 OK key 1 1 1d UTILITY Delete SMPL Copy SMPL Move SMPL Rename SMPL SMPL To Stereo Delete MS Co...

Page 98: ...er sampling standby mode 2 Use the Recording Level 1 1 2c 1 1 3e slider to adjust the sampling level Be careful of changes in the monitoring volume level Recording Level 3 Sampling will begin when you press the START STOP key If you use the Count Down function pressing the START STOP key will cause sampling to begin after the metronome sounds a count down 4 To stop sampling press the START STOP ke...

Page 99: ...dby mode and you will be able to adjust the sig nal level Initially you should set this to 0 0 and make adjustments so that the level of the bar is as high as possible without exceeding 0 dB If 0 dB is exceeded CLIP will be dis played This indicates that the sampling signal level is exces sive Adjust the level so that CLIP does not appear In order to sample with the maximum dynamic range use the L...

Page 100: ... state of the indexes that are created when you press the F6 CREATE key 1 1 1c 4 1 1c Each new index will be created according to the settings you make here but you are free to modify the set tings later Pstn Position R L Specifies whether the new index will be created at the right or left of the selected index R Right The new index will be created at the right of the currently selected index L Le...

Page 101: ...mple If you do not check With Sample Data Executing the copy will not copy the sample data waveform data The newly created sample will share the sample data of the copy source sample For example you would use this when you wish to use 3 1 Loop Edit to create two or more versions of the same sample data with different loop addresses Sample memory area will not be con sumed by this type of copy If y...

Page 102: ...e name Also if the selected multisample is mono it will change to stereo The last two characters of the multisample name will be overwritten as L A new multisample will be created with the same name but whose last two characters are R The stereo sample that was created will be assigned automatically Delete MS Delete Multisample This command deletes the currently selected multisample or all multisa...

Page 103: ...OK key If you decide not to execute click the F7 Cancel key Example If data already exists at the move destination multisam ple number the multisample will not be overwritten instead all subsequent multisamples will be renumbered upward Example If there is no empty multisample number and forward movement is not possible multisamples will be renum bered downward Rename MS Rename Multisample This co...

Page 104: ... of the remaining program parameters The sound that you hear in Sampling mode will be accurately reproduced by the program A monaural multisample will be converted into a pro gram with an Mode Oscillator Mode PROG 2 1 1a of Single and a stereo multisample will be converted into a Double program If Use Destination Program Parameters is checked Executing this command will replace the multisample of ...

Page 105: ...ntire sample waveform that is currently shown in the screen As you zoom in on the time axis you will see that a smaller proportion of the waveform is shown in the screen 2 1 2b Edit Audition Plays Zero Grid Tempo S Edit Range Start 0000000 E Edit Range End 0000000 This specifies the range start address and end address of the sample that will be edited by UTILITY menu commands This is shown in samp...

Page 106: ... If you wish to preserve the unedited sample uncheck the Over write 1 item in the dialog box of each UITLITY menu command before you execute For stereo samples the L channel and R channel sam ples are edited simultaneously If you wish to edit only the L channel or R channel select a mono multisample and select either the L channel or R channel sample for editing If you Copy a mono sample into the ...

Page 107: ...forward 1 Use SMPL 2 1 1a to select the sample that you wish to edit and use S Edit Range Start and E Edit Range End 2 1 2b to specify the editing range You can press the START STOP key to hear the por tion that will be deleted by the Cut command 2 Select Cut to open the following dialog box 3 The range to be edited is shown by Range Start and End 4 In Save to No specify the save destination sampl...

Page 108: ...ereo sample Save to No L and R will be displayed Specify the save destination sample number for the L channel and R channel respectively 5 If you wish to delete the original sample data and over write it with the edited sample data check Overwrite Normally you will leave Save to No at its default set ting and execute without checking Overwrite p 99 About Overwrite 6 To execute the Insert command p...

Page 109: ...mmand a vacant sample number will be selected automatically The S Edit Range Start and E Edit Range End 2 1 2b settings will be ignored and will have no effect The beginning of the sample will be placed at address 0 2 Select Paste to open the following dialog box 3 In Save to No specify the save destination sample number If you wish to change it re specify the desired number If the sample data loa...

Page 110: ...this cannot be set For a stereo sample Save to No L and R will be displayed Specify the save destination sample number for the L channel and R channel respectively 6 If you wish to delete the original sample data and over write it with the edited sample data check Overwrite Normally you will leave Save to No at its default set ting and execute without checking Overwrite p 99 1 About Overwrite 7 To...

Page 111: ...ave Save to No at its default set ting and execute without checking Overwrite p 99 1 About Overwrite 6 To execute the Insert Zero command press the F8 OK key To cancel press the F7 Cancel key This command cannot be executed on a sample whose sampling rate is less than 11 025 kHz Stereo samples must have the same sampling rate Although it is possible to select mono multisamples for L and R and conv...

Page 112: ...stop after the length specified by Crossfade Length If you do not wish to crossfade set this to 0 After selecting a sample in step 1 you can set S Edit Range Start and specify the beginning of the crossfade while viewing the waveform Set E Edit Range End to the end of the sample If you specify these Crossfade Length will indicate the length determined by S Edit Range Start and E Edit Range End 6 I...

Page 113: ...u played will be selected The specified key will be the base key and will be displayed in gray in Keyboard Index Keyboard Index 1 1 1a 3 1 1b SMPL Lp Tune Rev SMPL Sample Select No Assign 0000 3999 This shows the sample number and name and the range of the selected index If you change SMPL the sample you specify will be assigned to this index The sample you select here will appear in the sample wa...

Page 114: ... vertical dotted lines in the sample waveform display to indicate the resolution and tempo Use this when you wish to cut or edit the sample data based on a BPM value or beat The grid will be displayed if you check and execute the Grid 2 1 2e 3 1 2e utility command The spacing of the grid is determined by the Resolution setting of the Grid page menu command relative to the playback pitch of the bas...

Page 115: ...nding to the divided samples will also be created so that in Sequencer mode you can adjust the tempo of the song to change only the tempo of the rhythm loop without affecting the pitch The performance data that is created will use notes D2 and above corre sponding to the newly created samples of individual percus sion instruments In addition to changing only the tempo of the rhythm loop without af...

Page 116: ...y Index Source C2 xxx 001 090 zzz D2 G9 yyy 001 090 Select the sample index If this is set to Source the original waveform before time slicing will be selected By selecting xxx zzz yyy you can specify individual samples that were sliced xxx indicates the selected sam ple and yyy indicates the total number of samples that were sliced zzz indicates the number of notes that are assigned to the select...

Page 117: ...ustments so that the noise at the end of the kick sample is as inconspicuous as possible and also that the hi hat attack is heard cleanly Pay attention to these points as you adjust Sensitivity If necessary use the methods described above to edit each sample The noise occurring at the end of the sample in C will be automatically reduced when you execute steps 8 and following You should adjust Sens...

Page 118: ...Play Intro will be turned off Loop Start Meas Loop Start Measure will be set to 000 and Loop End Meas Loop End Measure will be calculated according to Meter and Src BPM Source BPM and set accord ingly You can hear the results immediately by selecting and playing the song in Sequencer mode Normally you will leave both checked A If you wish to save press the F8 Save key If you decide not to save pre...

Page 119: ... would cause Ratio to exceed the range of 50 00 200 00 Depending on the sample the length may not be exactly as you specify due to limitations in processing accuracy 7 To execute the Time Stretch operation press the F8 OK key To cancel without executing press the F7 Cancel key When you press the F8 OK key the Time Stretch dialog box will appear 8 Audition the sample that was created by Time Stretc...

Page 120: ...ill cause the BPM to be calculated automatically The settings here are also used as the refer ence values when detecting the attacks at which the sam ple is divided Beat Specify the number of quarter note beats When you change Beat the Source BPM will indicate the BPM value for playback at the original key This BPM value is automatically calculated according to the length from the start address to...

Page 121: ...this will also affect the result of Time Stretch For details on setting the slice locations refer to Time Slice steps 6 and 7 A Save the sample you created Press the F6 Save key and the Save dialog box will appear In Save To No specify the save destination sample number By default an unused sample number will be selected If Overwrite is checked this cannot be set If you wish to delete the original...

Page 122: ...to 50 crossfade will be per formed on the second half of the region between loop start and loop end If the length from the beginning of the sample to the loop start is shorter than the length from the loop start to the loop end Crossfade Length can be set only up to the length from the beginning of the sample to the loop start In this case a setting of 100 will not be pos sible 4 Set Curve to spec...

Page 123: ... possible to create a new index when you exe cute CREATE or INSERT a dialog box will appear If this occurs refer to CREATE 1 1 1c If you have not yet executed CUT or COPY such as immediately after power on the new index will be cre ated according to the Create Create Zone Preference settings 1 1 3b 4 1 3a Position Zone Range and Orig K Position as same as CREATE CUT When you press the F4 CUT key t...

Page 124: ...to edit 2 From the Edit2 page UTILITY choose Pitch BPM Adj to open the following dialog box 3 Specify Beat This is specified in quarter note beats 4 Current BPM will show the BPM value at the base key displayed in gray This BPM value is calculated auto matically from the start address to the end address of the sample if looping is off or from the loop start address to the end address if looping is...

Page 125: ...y various types of control change for the front panel REALTIME CONTROLS knobs 1 4 p 221 Realtime Control Knobs B Assign List The functions you specify here will operate when the front panel REALTIME CONTROLS knobs 1 4 are operated in B mode Knob1 B Knob1 B Assign Off MIDI CC 95 Knob2 B Knob2 B Assign Off MIDI CC 95 Knob3 B Knob3 B Assign Off MIDI CC 95 Knob4 B Knob4 B Assign Off MIDI CC 95 Example...

Page 126: ... you wish to keep the insertion effect settings you can use Copy Insert Effect 7 1 1a For example you can copy the insertion effect settings of Sampling mode to a program or combination in order save them When you write the program or com bination the settings will be saved in internal memory In Sampling mode you can use Copy Insert Effect 7 1 1a to copy these effect settings from the program or c...

Page 127: ...120 ...

Page 128: ...specified by Convert Position 2 1 1a Master Tune can be controlled by the MIDI universal system exclusive message Master Fine Tuning F0 7F nn 04 03 vv mm F7 nn MIDI channel vv mm value Key Transpose can be controlled by the MIDI univer sal system exclusive message Master Coarse Tuning F0 7F nn 04 04 vv mm F7 nn MIDI channel vv mm value These messages are received on the global MIDI chan nel specif...

Page 129: ...in the left hand dia gram below Incoming data will automatically use the after touch curve number 3 shown in the right hand diagram With a setting of PostMIDI variations in after touch pres sure and in the value of incoming after touch data will create change as shown in the right hand diagram For the trans mitted data the after touch curve number 3 shown in the left hand diagram will automaticall...

Page 130: ...e Drum Kits 6 1 1d Write Arpeggio Patterns Load Preload Demo Data This command loads the preloaded data and demo song data into internal memory VNL Before loading this data you must uncheck the Mem ory Protect 1 1 2b setting for the data that you want to load If the setting is still checked when you attempt to load the data a dialog box will indicate Memory Protected and it will not be possible to...

Page 131: ...btained or adjustment may not be possible After Touch Calibration If the aftertouch effect depth does not function appropri ately you can adjust the sensitivity Perform the following adjustment if the sensitivity of the aftertouch effect is not correct such as when aftertouch fails to reach the maximum value 1 Select After Touch Calibration to access the dialog box 2 Press down a single key for wh...

Page 132: ...cted and the following write operations cannot be performed Recording to the sequencer Receiving song data via MIDI data dump Loading song data from SmartMedia Saving template songs in Sequencer mode Off unchecked Data can be written to internal song mem ory Drum Kit Off On This setting protects the internal drum kit memory On checked Internal drum kit memory will be protected and the following wr...

Page 133: ... the external audio source that is input from AUDIO INPUT 1 and 2 The master effects and master EQ cannot be used 1 1 4a Input1 1 1 4b Input2 Level Input Level 0 127 The analog audio signal from AUDIO INPUT 1 and 2 is con verted by an AD converter from an analog signal to a digital signal This parameter sets the signal level immediately after the sound has been converted into a digital signal Norm...

Page 134: ... leave this set to All Even Even numbered notes C D E F G A will sound Odd Odd numbered notes C D F G A B will sound This setting has no effect on the MIDI data that is received MIDI Clock Internal External Set this parameter when you wish to synchronize an exter nal MIDI device sequencer or rhythm machine etc with the TRITON Le s internal arpeggiator or sequencer Internal The internal arpeggiator...

Page 135: ...switched When a program change is received on the channel specified for each timbre by MIDI Channel COMBI 3 1 1a the program of that timbre will be switched However the program changes for each timbre will be affected by the setting of the Program Change parameter COMBI 4 1 1a When you switch combinations a program change message will be transmitted on the global MIDI channel and also transmitted ...

Page 136: ... bank and number of the data to be dumped and press F8 OK key Transmission Do not touch this instrument s switches or turn off the power while data is being transmitted Data dump transmission procedure 1 Connect this instrument to the device that will receive the data dump If you are using a computer that is able to receive MIDI exclusive data connect the computer s MIDI interface connected to the...

Page 137: ... this instrument p 229 If you are using a MIDI data filer connect the MIDI OUT connector of the data filer to the MIDI IN connector of this instrument 2 Set the MIDI channel of the MIDI device to match the global MIDI channel MIDI Channel 2 1 1a of this instrument If data that was previously transmitted to the MIDI device is now going to be received again by this instrument set the global MIDI cha...

Page 138: ...cale you can select Stretch in the Utility menu command Copy Scale 3 1 1b Use the cursor keys to select the key that you wish to set You can also select the key by holding down the ENTER key and playing a note on the keyboard Key Select C 1 G9 This indicates the location of the key displayed in Tune You can use the cursor keys to move in one octave steps 3 1 2b UTILITY Write Global Setting 1 1 1d ...

Page 139: ... the Update Drum Kits dialog box and press the F8 OK key to write the edited settings For details on creating a drum kit refer to BG p 93 5 1 1 High High Sample Here you can select a drum kit assign High and Low drum samples to each key and set parameters for the High and Low drumsamples 5 1 1a Drum Kit Key Assign Level H Level L Vel SW L H Drum Kit 00 INT 23 User Selects the drum kit that you wis...

Page 140: ... will playback in one shot reverse The location at which the reverse play back will start and end is pre determined for each drum sample If the drumsample is already preset for reverse play back or reverse loop playback checking this setting will not change its playback direction In the case of a drum sample from the RAM bank the sample will play in reverse from E End SMPL 3 1 2b to S Start This p...

Page 141: ...M Specifies the bank of the Low drumsample Drumsample Bank 5 1 1b Drumsample 0000 name Selects the Low drumsample This will be sounded by veloc ities lower than the value set for Vel SW L H 5 1 1a For details on each drumsample refer to VNL The drumsample can be selected using the utility menu command Select by Category 5 1 1d S Ofs Start Offset Off On Rev Reverse Off On Trans Transpose 64 63 Tune...

Page 142: ...ff it can be turned on by the ARP ON OFF key However it is not possible to turn on an arpeggiator for which the A or B parameter is unchecked in Arpeggiator Run COMBI 1 1 4 5 a COMBI 6 1 1a Also the arpeggia tor will not run unless it has been assigned to a timbre in Assign COMBI 6 1 1b If you moved here from Sequencer mode Your editing will apply to the arpeggio pattern specified for the selected...

Page 143: ...when Oct is set to 2 4 octaves Up Notes will repeatedly ascend within the specified range of octaves Down Notes will repeatedly descend within the specified number of octaves Both Notes will repeatedly ascend and descend within the specified number of octaves Parallel The notes of the specified octaves will sound simul taneously 6 1 1d Fixed Note Mode Tone No Fixed Note No Fixed Note Off On Specif...

Page 144: ...ll correspond in ascending order of pitch to Tones 0 1 etc If Sort 6 1 1b is unchecked the notes that were pressed will correspond to Tones 0 1 etc in the order in which they were pressed These parameters are not valid for preset patterns P000 P004 6 2a Step Ptch Gt Vel Flam Step Step No 01 48 Select the step that you wish to edit and set reset each Tone When the Step is selected use the numeric k...

Page 145: ...her 1 Select Copy Step to access the dialog box 2 Select the range of steps that you wish to copy From Step 3 Select the copy destination step To Step If you selected more than one step in From Step the steps will be copied starting at To Step and continuing through the steps to the right 4 To execute the Copy Step command press the F8 OK key To cancel without executing press the F7 Cancel key Del...

Page 146: ... contents of a file whether it is a file or a directory are indicated not only by the name but also graphically by an icon Files and directories have differently shaped icons On the TRITON Le files and directories that can be recog nized by MS DOS i e read by an MS DOS computer are referred to as DOS files and DOS directories Various types of DOS files are distinguished by the exten sion that is a...

Page 147: ...wn as day month year hours and min utes However since the TRITON Le does not contain an internal calendar or clock you must use Set Date Time 1 1 3a to set the date and time before saving the file 1 1 1c Media select Selects the device SmartMedia slot or hard disk etc that will be used for loading and saving When you press the MEDIA key or a function key to make the TRITON Le recognize the media t...

Page 148: ...PCG or SNG files 2 Press the F8 Select key to resume loading If you press the F7 Cancel key loading will be halted If you press the F3 Skip key the specified files will be skipped and the next file will be loaded Except for special cases in which the media containing the specified file has been damaged or is unavailable press the F8 Select key to continue loading 1 Load PCG selected icon All data ...

Page 149: ...ng press the F7 Cancel key 7 Load a Combination selected icon The combination you select will be loaded into the loading destination combination number you specify 1 If desired use From to re select the combination to be loaded 2 In To select the bank and combination into which the data will be loaded 3 To load the data press the F8 OK key To cancel without loading press the F7 Cancel key 8 Load D...

Page 150: ...n the current directory you can select the Load PCG too and Load KSC too check boxes 1 Load PCG 1 2 If you checked Load KSC too set KSC Alloca tion to specify how the multisamples and samples in the KSC file will be loaded 1 Load PCG 2 3 To load the data press the F8 OK key To cancel without loading press the F7 Cancel key 16 Load Cue Lists selected icon The cue list data in the SNG file will be l...

Page 151: ...s into the sample data RAM of the TRITON Le if the EXB SMPL option and or sample data RAM is installed About the sample data RAM One 16 Mbyte sample data RAM module SIMM module is included with the EXB SMPL option sold separately When you install the EXB SMPL you must also install sam ple data RAM into a sample data RAM slot 72 pin SIMM slot inside the TRITON Le The TRITON Le has two slots for sam...

Page 152: ...how the multi samples and samples in the KSC file will be loaded Append The data will be loaded into the numbers after the last multisample or sample number currently existing in sample data RAM i e that were previously sampled or loaded In this case only the valid multisamples and samples will be loaded p 141 Load KSC too KSC Allocation diagram If Load PCG too is checked when you load the data pr...

Page 153: ...irectory p 145 26 Load WAV selected icon The selected WAVE file will be loaded as a sample 1 To load the data press the F8 OK key To cancel without loading press the F7 Cancel key The data will be loaded into the numbers that follow the last sample number currently existing in sample data RAM i e that were previously sampled or loaded Append load Files with an extension of other than AIF WAV canno...

Page 154: ...of the multisample name When you load two multisamples whose multisample names are identical except for ending in L and R they will be recognized in Sampling mode as a stereo multisample You can load multiple files within the directory p 145 Parameter AKAI S1000 S3000 format TRITON Le format after loading Loop points Multiple settings possible Of the multiple loop points the settings for the first...

Page 155: ... etc and press the F8 OK key Saving will begin 2 When the media is full the following dialog box will appear Remove the SmartMedia from the slot insert another SmartMedia and press the MEDIA key or function key to make the TRITON Le recognize the media If you want to specify a different SCSI device if the EXB SMPL option is installed use Media Select 1 1 1c to specify it 3 Use the INC DEC keys etc...

Page 156: ...ectory is a DOS directory 1 Select Save SEQ to access the following dialog box 2 Use the F5 Name key to move to the text dialog box and specify the filename For example if you specify NEWFILE and execute the save command a file named NEWFILE SNG will be saved to the media 3 To save the data press the F8 OK key To cancel without saving press the F7 Cancel key Save Sampling Data Multisamples and Sam...

Page 157: ...nal memory and saves the data to media as an EXL file The remaining amount of internal memory depends on how much data is used in Sequencer mode This command is valid only when the current directory is a DOS directory 1 When you select Save Exclusive this instrument will be ready to receive exclusive data The following dialog box will appear 2 Transmit the exclusive data that you wish to save to t...

Page 158: ...cting you to specify the next media p 148 If the data does not fit on the media when saving However at this time if a single sample is larger than the capacity of the media the sample can not be exported Either specify media with a larger capacity or press Skip to omit exporting that sample and proceed to exporting the next sample 5 To export the data press the F8 OK key To cancel without exportin...

Page 159: ...be deleted you can use the or characters as wildcards This allows you to simulta neously delete multiple files with identical filenames and different extensions or files whose names are partially identical Copy 1 1 3a When wildcards are used only files will be subject to deletion Directories will not be deleted 3 To delete the selected file or directory press the F8 OK key To cancel without deleti...

Page 160: ...SCSI device connected via the EXB SMPL sold sepa rately 1 1 4a Media Media select This displays information on the media that is selected by Media Select 1 1 1c Media select Vol Label Volume Label The volume label of the media SCSI ID The specified SCSI ID If the TRITON Le s internal Smart Media slot is selected will be displayed Dev Type Device Type The type of media Product ID The vendor ID prod...

Page 161: ...154 ...

Page 162: ...When you apply effects to the external audio signal from AUDIO INPUT 1 and 2 oscillation may be heard depending on the effect type and the parameter set tings If this occurs adjust the input level output level and effect parameters In particular please exercise cau tion when using high gain effects 2 Dynamic modulation Dmod Dynamic modulation Dmod is a function that lets you use the controllers of...

Page 163: ...he global MIDI channel MIDI Channel GLOBAL 2 1 1a 2 Routing 2 1 Program mode Use BUS Select PROG 7 1 1a to set the destination bus of the oscillator output L R The signal is not sent to the Insert Effects Instead it is sent to AUDIO OUTPUT MAIN L MONO and R after the Master EQ IFX The signal is sent to Insert Effect IFX 1 2 1 2 The signal is sent to AUDIO OUTPUT INDIVID UAL 1 2 p 162 Individual Ou...

Page 164: ...trol change CC 93 and send level 2 by MIDI control change CC 91 At this time the actual send level will be the send level 1 or 2 of the program oscillator used by the timbre track multiplied by the send level 1 or 2 that is set via MIDI Send Level p 159 The following illustration is an example in Combination mode BUS Select settings have been made to send the output of timbre 1 to IFX and the othe...

Page 165: ...e use 7 1 Ed InsertFX or Insert FX Setup page parameters Pan CC 8 BUS Select S1 Send1 MFX1 and S2 Send2 MFX2 to specify the pan bus select and the send levels to master effects MFX1 and MFX2 for the signals that have passed through the insert effect In Sampling mode if the separately sold EXB SMPL option is installed you cannot use the Master Effects or route signals to INDIVIDUAL 1and 2 You can s...

Page 166: ... Ch01 16 that have a mark for the timbres that are routed to the corresponding Insert Effect 4 3 Sequencer mode Use Setup page Control Channel to set up the control channel for IFX Select an appropriate option from Ch01 16 and All Rt Ch01 16 Select one of these settings when you want to use a single channel for control An asterisk will be displayed at the right of the channel number of timbres rou...

Page 167: ...s used the S1 Send1 MFX1 and S2 Send2 MFX2 PROG 7 1 2a after passing through IFX will be used If this is not checked the Send 1 and Send 2 PROG 7 1 1a MFX Send settings or the S1 Send1 MFX1 and S2 Send2 MFX2 PROG 7 1 2a settings after passing through IFX will be used for all drum instruments This is the same as when Oscillator Mode is Single or Double 2 2 Combination Sequencer mode Use S1 Send1 MF...

Page 168: ... Mixer The send levels determine the input levels of oscillators Program timbres Combination tracks Sequencer that are routed to the Master Effects The 7 2 Ed MasterFX or Master FX in all modes enable you to set the output levels and Master EQ gain values and connect the Master Effects in series chain 3 1 Rtn Return1 Return2 These specify the output levels from MFX1 and MFX2 respectively The left ...

Page 169: ... 209 The TRITON Le is equipped with two individual AUDIO OUTPUTs INDIVIDUALs You can route the oscillator Program timbre Combination and track Sequencer output or the post IFX signals to these two individual out puts Use BUS Select 7 1 1a in Program Combination or Sequencer mode to route the oscillators Program timbres Combination or tracks Sequencer to AUDIO OUTPUTs INDIVIDUAL If you are using th...

Page 170: ... BUS stereo mono x 2 mono x 2 BUS Select 1 BUS Select IFX stereo stereo Chain Effect Mixer Block Diagram in Combination Sequencer Mode COMBI SEQ 7 1 Insert Effect Post IFX Send1 2 COMBI SEQ 7 2 Master Effect AUDIO INPUT 1 AUDIO INPUT 2 BUS Select L R BUS Select IFX GLOBAL 1 1 System Audio In 1 Send1 2 on Input1 2 GLOBAL 1 1 System Audio In 1 Input1 2 1 Sold separately EXB SMPL option is installed ...

Page 171: ...r You can link left and right channels or use each chan nel individually Filter Dynamic a Amplifier Type Select between three types of guitar amp simula tors SS EL84 6L6 b W D Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 a Envelope Env...

Page 172: ...dB Sets the level above which the compressor is applied d Attack Sets the attack time 1 100 e Release Sets the release time 1 100 f Side PEQ Insert Toggles between on off of the trigger signal s EQ Off On g Trigger Monitor Off On Switches between effect output monitor and trigger signal monitor h EQ Side PEQ Cutoff 20 12 00kHz Sets the EQ center frequency for the trigger signal Q Sets the EQ bandw...

Page 173: ...or tion sounds This effect is suitable for guitar and organ sounds i W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 a Envelope Envelope Select Dmod L R Mix L Only R Only Selects from Control via the modulation source mixing the left ...

Page 174: ... 18 18dB g M1 Mid1 Cutoff 300 10 00kHz Sets the center frequency for Mid High EQ 1 peaking type Q Sets the band width of Mid High EQ 1 0 5 10 0 G Gain Sets the gain of Mid High EQ 1 18 18dB h M2 Mid2 Cutoff 500 20 00kHz Sets the center frequency for Mid High EQ 2 peaking type Q Sets the band width of Mid High EQ 2 0 5 10 0 G Gain Sets the gain of Mid High EQ 2 18 18dB i Direct Mix 0 50 Sets the am...

Page 175: ... dB 6 0 Band2 Dynamic Gain Amt dB 9 0 D mod 0dB 6dB 9dB Band2 Gain dB 6 0 Band2 Dynamic Gain Amt dB 15 0 D mod Parametric 4EQ Band2 Dynamic Gain Control Left Right Wet Dry Wet Dry Stereo In Stereo Out Band1 Band2 Band3 Band4 Trim Trim Band5 Band6 Band7 Band1 Band2 Band3 Band4 Band5 Band6 Band7 a FreqBottm Frequency Bottom Sets the lower limit of the wah center frequency 0 100 FreqTop Frequency Top...

Page 176: ... 75 Higher Max Zero Higher D mod Frequency Bottom 60 Top 30 Higher Max Zero Higher D mod Sweep Mode D mod Frequency Bottom 25 Top 75 Higher Frequency Bottom 75 Top 25 Higher Sweep Mode Auto Envelope Envelope Time Wah Woo Woo Woo Envelope Wah Wah Time Woo Woo Wah Wah Time Level Envelope value 0 100 value 0 100 Envelope Shape a LFO Wave LFO Waveform Selects LFO Waveform Step Tri Random b LFO Phase 1...

Page 177: ...nt 100 100 Sets the modulation amount of the Exciter intensity b Point Emphatic Point Sets the frequency to be emphasized 0 70 Source Off Tempo Selects the modulation source of the frequency to be emphasized Amount 70 70 Sets the amount of modulation of the frequency to be emphasized c Enh Dly L Enhancer Delay L Sets the delay time for the Enhancer left channel 0 0 50 0ms d Enh Dly R Enhancer Dela...

Page 178: ...s the sensitivity with which very low harmonics are added g Envelope Shape Sets the oscillator s volume envelope curve 100 100 h W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 a Sweep Mode Dmod LFO Switches between modulation source ...

Page 179: ...elects the modulation source for the output level Off Tempo Amount Sets the modulation amount of the output level 100 100 f lfoF LFO Frequency Sets the LFO speed 0 02 20 00Hz Source Selects the modulation source of LFO speed Off Tempo Amount 20 00 20 00Hz Sets the modulation amount of LFO speed g Depth 0 100 Sets the depth of the sampling frequency LFO modulation Source Off Tempo Selects the LFO m...

Page 180: ...EQ Gain Sets the gain of High EQ 15 0 15 0dB i W D Wet Dly Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds Fx 10 Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Chorus Chorus Left Right LFO Phase Wet Dry Wet Dry Stereo In Stereo Out EQ Trim EQ Trim LEQ HEQ LEQ HEQ LFO Tri Sine a LFO Wave L...

Page 181: ...p3 output level 0 30 P Pan L6 L1 C R1 R6 Sets the Tap3 stereo image e T4 270 Tap4 Delay 0 570ms Sets the Tap4 LFO phase 270 degrees delay time D Depth Sets the Tap4 chorus depth 0 30 L Level Sets the Tap4 output level 0 30 P Pan L6 L1 C R1 R6 Sets the Tap4 stereo image f T1 Fb Tap1 Feedback Sets the Tap1 feedback amount 100 100 Source Off Tempo Selects the modulation source of Tap1 feedback amount...

Page 182: ...100 Sets the feedback damping amount in the high range i W D Wet Dly Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds Fx 10 Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Flanger Flanger Left Right Feedback LFO Shape LFO Phase LFO Tri Sine Wet Dry Wet Dry High Damp Stereo In Stereo Out LFO...

Page 183: ...he delay time on the right channel Fx 09 e Swp Mode Sweep Mode EG Dmod Determines whether the flanger is controlled by the envelope gener ator or by the modulation source Src Source Off Tempo Selects the modulation source that triggers the EG when EG is selected for Swp Mode or modulation source that causes the flanger to sweep when Dmod is selected for Swp Mode f EG Attack Sets the EG attack spee...

Page 184: ... Sets the resonance damping amount in the high range Fx 23 i W D Wet Dly Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds Fx 10 23 Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 LFO Step Tri Random Left Right Resonance LFO Phase Wet Dry Wet Dry High Damp Stereo In Stereo Out Phaser Phaser ...

Page 185: ...modulation 0 100 Amount 100 100 Sets the modulation amount of LFO2 modulation depth i Feedback Sets the feedback amount 100 100 Fx 17 HiDamp High Damp Sets the damping amount in the high range 0 100 j W D Wet Dly Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds Fx 10 Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of th...

Page 186: ...c Gate1 LFO Frequency Hz 1 00 LFO Freq Mod AUTOFADE Amt 3 00 LFO Frequency 1 0 3 0 4 0Hz LFO Frequency 1 0Hz Gate1 Signal AUTOFADE Fade In Dealy AutoFade LFO Frequency Wet Dry Delay Delay Left Right Feedback LFO Shape LFO Phase LFO Tri Sine Wet Dry Wet Dry High Damp Stereo In Stereo Out i W D Mod Wet Dry Mod D mod AUTOFADE Switches between D mod and AUTOFADE for the effect balance modulation Fx 27...

Page 187: ...ue is 64 or higher The Doppler effect is triggered when the value changes from 63 or smaller to 64 or higher e Pitch Dep With the Doppler effect the pitch is raised when the sound approaches and the pitch is lowered when the sound goes away This parameter sets this pitch variation f Pan Dep This parameter sets the width of the stereo image of the effect sound With larger values the sound seems to ...

Page 188: ...With Always Off dry sounds are not output With Cross Fade a dry sound is usually output and it is muted only when scratching Set W D to Wet to use this parameter effectively a Scratch Source Off Tempo Selects the modulation source for simulation control b Response Scratch 0 100 Sets the speed of the response to the Scratch Source c Envelope Envelope Select Dmod Input Selects whether the start and ...

Page 189: ...z Sets the modulation amount of LFO speed d BPM MIDI Sync Off On Switches between using the frequency of the LFO speed and using the tempo and notes Fx 09 BPM Selects MIDI Clock and assigns tempo MIDI 40 240 Fx 09 Note Base Note Selects the type of notes that specify the LFO speed Fx 09 Times 1 16 Sets the number of notes that specify the LFO speed Fx 09 e Depth Sets the depth of LFO modulation 0 ...

Page 190: ...f the depth of modulation Amount Sets the modulation amount of the depth of mod ulation 100 100 f W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Stereo In Stereo Out LFO Phase LFO Shape Pan Pan LFO Tri Sin ...

Page 191: ... Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 a Pre LPF 0 100 Sets the damping amount of the high range input to the ring modula tor b OSC Mode Fixed Note Key Follow Switching between specifying the oscillator frequency and using a note number c F Fixed Fre...

Page 192: ... Off Tempo Amount Sets the modulation amount of the pitch shift 100 100cent b Delay Delay Time Sets the delay time 0 1000ms c Feedback Sets the feedback amount 100 100 d High Damp Sets the damping amount in the high range 0 100 e InLvl Mod Input Level Dmod Sets the modulation amount of the input level 100 100 Src Source Selects the modulation source for the input level Off Tempo f W D Wet Dly Dry ...

Page 193: ...ely g W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out LFO Tri Sqr Pitch Shifter Pan Pitch Higher Pitch Shift Mod Pitch Shift Depth Lower Original Pitch Pitch S...

Page 194: ...which the rotation is accelerated or decelerated f MicDistance f Spread This is a simulation of stereo microphone settings Early reflection and delay effects 41 Early Reflect Early Reflections This effect is only the early reflection part of a reverberation sound and adds presence to the sound You can select one of the four decay curves a Type This parameter selects the decay curve for the early r...

Page 195: ... controlled via the modulation source or the input signal level Src Source Off Tempo Selects the modulation source that controls recording when Enve lope is set to Dmod d Threshold 0 100 Sets the recording start level when Envelope is set to Input e Response 0 100 Sets the speed of the response to the end of recording Fx 31 f Direct Mix Always On Always Off Cross Fade Selects how a dry sound is mi...

Page 196: ... 50 50 Sets the width of the stereo image of the effect sound Fx 43 j W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Delay Delay Stereo Cross Left Right Feedback Wet Dry Wet Dry Stereo In Stereo Out Input Level D mod Input Level D mo...

Page 197: ...00Hz e LFO Sync Switches LFO reset off on Off On Src Source Off Tempo Selects the modulation source that resets the LFO f L Phase L LFO Phase 180 180 Sets the phase obtained when the left LFO is reset R Phase R LFO Phase 180 180 Sets the phase obtained when the right LFO is reset g L Depth Sets the depth of the left LFO modulation 0 200 R Depth Sets the depth of the right LFO modulation 0 200 h L ...

Page 198: ...4 h Pan Freq Panning Frequency Sets the panning speed 0 02 20 00Hz Dynamic Delay Threshold Dry Envelope Wet Control Target Out Polarity Wet Control Target Out Polarity Delay Time Time Ducking Delay Release Attack Level Left Right Wet Dry Wet Dry Stereo In Stereo Out LFO Phase LFO Shape Pan Pan LFO Tri Sin Depth Delay Delay High Damp Low Damp High Damp Low Damp Feedback i Pan Dep Panning Depth Sets...

Page 199: ... Adj Adjust Fine adjust the right channel delay time 2 50 2 50 d L Fb L Feedback Sets the feedback amount for the left channel 100 100 Source Off Tempo Selects the modulation source of feedback amount Amount L 100 100 Sets the modulation amount of the left channel feedback e R Fb R Feedback Sets the feedback amount for the right channel 100 100 Amount R 100 100 Sets the modulation amount of the ri...

Page 200: ...wing you to control spaciousness h InLvl Mod Input Level Mod 100 100 Sets the modulation amount of the input level Fx 37 Src Source Selects the modulation source for the input level Off Tempo Fx 37 i W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect ba...

Page 201: ...igh Damp Sets the damping amount in the high range 0 100 c Pre Delay Sets the delay time from the dry sound 0 200ms Fx 52 d Pre Delay Thru Sets the mix ratio of non delay sound 0 100 Fx 52 e Pre EQ Trim Sets the EQ input level 0 100 f LoEQ Pre Low EQ Gain Sets the gain of Low EQ 15 15dB HiEQ Pre High EQ Gain Sets the gain of High EQ 15 15dB g ER Level Sets the level of early reflections 0 100 h Re...

Page 202: ...r Parametric 4Band EQ Exciter a PEQ Trim Sets the parametric EQ input level 0 100 b B1 Band1 Cutoff Sets the center frequency of Band 1 20 1 00kHz Q Sets the bandwidth of Band 1 0 5 10 0 Fx 06 G Gain Sets the gain of Band 1 18 18dB c B2 Band2 Cutoff Sets the center frequency of Band 2 50 5 00kHz Q Sets the bandwidth of Band 2 0 5 10 0 Fx 06 G Gain Sets the gain of Band 2 18 18dB d B3 Band3 Cutoff ...

Page 203: ...Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Trim Parametric 4Band EQ Chorus Flanger Wet Dry Chorus Flanger Feedback LFO Tri Sine Cho Flng Wet Dry Normal Wet Invert Output Mode...

Page 204: ...elects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Trim Parametric 4Band EQ Multitap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry a CMP Sensitivity Sets the sensitivity 1 100 Fx 02 b Attack Sets the attack level 1 100 Fx 02 Level Output Level Sets the compre...

Page 205: ...o Out Dry Stereo In Stereo Out Routing Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdrive Hi Gain Drive Driver Compressor Output Level Envelope Control Comp d Level Output Level 0 50 Sets the overdrive output level Fx 06 Source Off Tempo Selects the modulation source for the overdrive output level Amount 50 50 Sets the modulation amount of the overdrive output level e Lo Low Cutoff 20 1 00kH...

Page 206: ...Flng W D Wet 2 98 Dry 2 98 Wet Sets the effect balance of the chorus flanger Fx 10 20 Out Output Mode Normal Wet Inv Selects the output mode for the chorus flanger h Routing CMP CF FL CH FL CMP Switches the order of the compressor and chorus flanger connection i W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the ef...

Page 207: ...y Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Output Level Envelope Control Multitap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry Comp a LMT Ratio 1 0 1 50 0 1 Inf 1 Sets the signal compression ratio Fx 03 b Threshld Threshold 40 0dB Sets the level above which the compressor is applied Fx 03 G Adj Gain Adjust Sets the limiter output gain Inf 38 24dB Fx 03 c Attack Sets the attack ...

Page 208: ...s the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Chorus Flanger Feedback Cho Flng Wet Dry Normal Wet Invert Output Mode Limiter Limiter Gain Adjust Envelope Control LEQ HEQ EQ Trim Chorus Flanger LFO Tri Sine a LMT Ratio 1 0 1 50 0 1 Inf 1 Sets the signal ...

Page 209: ...ly Wet Dry Limiter Limiter Gain Adjust Envelope Control Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Comp Output Level Envelope Control Exciter Exciter c Pre EQ Trim Sets the EQ input level 0 100 d LoEQ Pre Low EQ Gain Sets the gain of Low EQ 15 15dB HiEQ Pre High EQ Gain Sets the gain of High EQ 15 15dB e CMP Sensitivity Sets the sens...

Page 210: ...Stereo Out LEQ HEQ EQ Trim Exciter Exciter Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode d LoEQ Pre Low EQ Gain Sets the gain of Low EQ 15 15dB HiEQ Pre High EQ Gain Sets the gain of High EQ 15 15dB e PHS LFO LFO Waveform Selects the LFO waveform of the phaser Tri Sine F LFO Frequency Sets the LFO speed 0 02 20 00Hz f Manu Manual Sets the frequency to which the ...

Page 211: ... PEQ Output Level Mode Overdrive Hi Gain Drive Driver a OD Mode Drive Mode OverD Hi Gain Switches between overdrive and high gain distortion Drive Sets the degree of distortion 1 100 Fx 06 b Level Output Level 0 50 Sets the overdrive output level Fx 06 Source Off Tempo Selects the modulation source for the overdrive output level Amount 50 50 Sets the modulation amount of the overdrive output level...

Page 212: ...lects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdrive Hi Gain Drive Driver Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode a OD Mode Drive Mode OverD Hi Gain Switches...

Page 213: ...t length 4 24 Fx 14 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Amp Simulation Amp Simulation Filter Wah Auto Wah Wah D mod Envelope Sweep Mode D mod Auto LFO LFO Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Decimator Routing Amp Simulation Amp Simulation Filter Pre LPF High Damp Output Level Decimator Resolution e Level Output Level...

Page 214: ...ts the LFO speed 0 02 20 00Hz b Dly Delay Time Sets the delay time 0 0 50 0ms Dep Depth Sets the depth of LFO modulation 0 100 Fb Feedback Sets the feedback amount 100 100 Fx 20 c Pre EQ Trim Sets the EQ input level 0 100 d LoEQ Pre Low EQ Gain Sets the gain of Low EQ 15 15dB HiEQ Pre High EQ Gain Sets the gain of High EQ 15 15dB e C F W D Cho Flng Wet Dry Wet 2 98 Dry 2 98 Wet Sets the effect bal...

Page 215: ...ger Fx 10 20 Out Output Mode Normal Wet Inv Selects the output mode for the chorus flanger Fx 60 i W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Chorus Flang...

Page 216: ...ange from 18dB to 18dB during perfor mance using the REALTIME CONTROLS knob At this time set Knob 2 B to Knob Mod2 CC 19 for Knob B Assign Program Combination Sequencer 2 2 1a The 12 o clock position of the knob corresponds to the High Gain value here Master EQ a Low Cutoff 20 1 00KHz Sets the cutoff frequency of Low EQ shelving type Gain 18 0 18 0 0 5step dB Sets the gain of Low EQ b Mid Cutoff 3...

Page 217: ...210 ...

Page 218: ...ion to each of the specified destinations Frequently used assignments such as using the joystick X to control pitch are provided as special parameters so it is not necessary to use Alternate Modulation to accomplish this Alternate Modulation Source AMS OSC1 Filter1 A Filter1 B Amp 1 Pitch EG Level Mod 1 Level Mod 2 Time Mod Intensity Mod Filter1 EG Intensity Mod to A Intensity Mod to B Level Mod T...

Page 219: ... sequence data EXT AfterT After Touch after touch channel after touch EXT JS X Joy Stick X joystick X horizontal axis EXT JS Y 01 Joy Stick Y CC 01 joystick Y vertical upward direction CC 01 EXT JS Y 02 Joy Stick Y CC 02 joystick Y vertical downward direction CC 02 EXT JS Y AT 2 Joy Stick Y After Touch 2 joystick Y vertical upward direction and after touch p 213 EXT JS Y AT 2 Joy Stick Y After Tou...

Page 220: ...C 19 Knob3 B to Knob Mod 3 CC 20 or Knob4 B to Knob Mod 4 CC 21 p 221 Knob 1 4 B Assign When you set REALTIME CONTROLS to B mode and oper ate knobs 1 4 the specified modulation will apply If AMS intensity is set to a positive value moving the knob to the 12 o clock position will produce an AMS effect of 0 Rotating the knob toward the right will produce a positive change in the effect and rotating ...

Page 221: ...G 3 1 1a Pitch can be controlled by the filter amp EG controllers or tempo etc If you select Filter EG or Amp EG as the AMS Pitch AMS and set Intensity AMS Intensity to 12 00 the pitch will change up to 1 octave in synchronization with the EG If you select Tempo as the AMS Pitch AMS and set Intensity AMS Intensity to 12 00 doubling the tempo based on 120 will raise the pitch one octave and halving...

Page 222: ... the intensity for Filter A and B If you select EG as the AMS LFO1 2 AMS the auto wah effect produced by LFO modulation will be controlled by the changes in EG level If you set Int to A LFO1 2 AMS Int to A Int to B LFO1 2 AMS Int to B to a positive value the wah effect will deepen as the EG level rises and will lessen as the EG level falls With negative values of Int to A LFO1 2 AMS Int to A Int t...

Page 223: ...ity to 66 S to 0 A to and B to Set all Amp EG levels to 00 As you play with increasing velocity the EG levels will change more greatly At the maximum velocity the Start Level will stay at 00 but the Attack Level will change to 99 and the Break Level will change to 99 EG Time Pitch EG PROG 3 1 5c Filter EG PROG 4 1 5c Amp EG PROG 5 1 3c EG times can be controlled by keyboard tracking control lers o...

Page 224: ...ion Source Dmod Wet Dry Max Zero Higher D mod Dry Wet 60 40 10 90 Dynamic Modulation Example Wet Dry 10 90 Amt 50 Wet Dry 60 40 Amt 50 Source name Explanation Off dynamic modulation is not used Gate1 note on off p 218 G1 Dmp Gate1 Damper note on damper on off p 218 Gate2 note on off retrigger p 218 G2 Dmp Gate2 Damper note on damper on off retrigger p 218 Note No Note Number note number Vel Veloci...

Page 225: ...ROLS to B mode and oper ate knobs 1 4 the effect will be controlled Moving the knob to the 12 o clock position will produce a effect of 0 as the dynamic modulation source If Amount is a positive value rotating the knob toward the right will produce a positive change in the effect and rotating it toward the left will produce a negative change With nega tive values the opposite effect will result Kb...

Page 226: ...chronize to the tempo of the arpeggiator or sequencer or to an external MIDI clock If BPM is in the range of 40 240 the specified value will be used Example 2 Delay Time L Bs Base Note Times 1 R Bs Base Note Times 3 In this case the delay time of the left channel will be the duration of an eighth note and the delay time of the right channel will be the duration of a sixteenth note triplet When BPM...

Page 227: ... then turn Lock on the operation produced by the joystick Y will be locked held at that position Even if you return the joystick to its original posi tion the modulation will continue to apply At this time you can even move the joystick in the Y direction to apply both types of modulation joystick Y and Y simultaneously When you Lock the joystick or after touch MIDI trans mission of the correspond...

Page 228: ...d Src to FX2 13 Simultaneously CC 13 will be transmitted Flt Cutoff CC 74 Control the cutoff frequency of the Filter low pass filter Simultaneously CC 74 will be transmitted Flt Reso CC 71 Control the resonance of the Filter or the cutoff frequency of the high pass filter If the program s Type Filter1 2 Type is Low Pass Resonance the resonance level will be controlled If it is Low Pass High Pass t...

Page 229: ...en portamento will be applied to the OSC whose setting is Enable when the switch is turned on and portamento will be applied to neither OSC when the switch is turned off Foot Switch Assign Off The connected foot switch will not function Foot SW CC 82 Alternate Modulation or Effect Dynamic Modulation can be controlled To control these select Foot SW 82 for AMS or FSW 82 for Dmod Src Portamento SW C...

Page 230: ...volume of a Program of a timbre in a Combination or of a track in Sequencer mode Post IFX Pan CC 08 Control the pan after passing through the insertion effect Pan CC 10 Control the pan of a Program of a timbre in a Combination or of a track in Sequencer mode Expression CC 11 Control the volume of a Program of a timbre in a Combination or of a track in Sequencer mode Expression is multiplied with t...

Page 231: ... Combination mode When one of the TRITON Le s controllers is operated a con trol change message will be transmitted on the global MIDI channel Simultaneously the message will also be transmitted on the MIDI channel MIDI Channel COMBI 3 1 1a of any tim bre whose Status COMBI 3 1 1a is EXT or EX2 When one of the TRITON Le s controllers is operated its effect will apply to any timbre whose Status is ...

Page 232: ...When checked the operations effective for a Status of INT or BTH will be enabled Tracks whose Status is EXT EX2 or BTH will transmit control changes regardless of this setting Effect dynamic modulation can be controlled when the Control Ch Control Channel SEQ 7 1 1b 7 2 1a 7 2 1c setting for IFX MFX1 2 or MEQ matches the MIDI channel of the track selected by Track Select In the case of All Rt cont...

Page 233: ...226 ...

Page 234: ...amento On Off 66 Sostenuto On Off 67 Soft 68 69 70 Sustain level 71 Filter resonance level High pass filter cutoff frequency Knob2 72 Release time Knob4 73 Attack time 74 Low pass filter cutoff frequency Knob1 75 Decay time 76 LFO1 speed 77 LFO1 depth pitch 78 LFO1 delay 79 Filter EG intensity Knob3 80 SW1 modulation On Off SW1 81 SW2 modulation On Off SW2 82 Foot switch On Off 83 Controller CC 83...

Page 235: ... 127 LSB of RPN or NRPN data 2 64 Damper 0 127 damper effect 65 Portamento On Off 0 63 Off 64 127 On turn the portamento effect on off 66 Sostenuto On Off 0 63 Off 64 127 On turn the sostenuto effect on off 67 Soft 0 127 soft pedal effect 70 Sustain level 0 127 sustain levels of the filter EG and amp EG 4 71 Filter resonance level High pass filter cutoff frequency 0 127 resonance level of the filt...

Page 236: ...s Resonance the filter resonance level will be con trolled If the filter type is Low Pass High Pass the cutoff frequency of the high pass filter will be controlled 4 5 CC 70 79 correspond to the following program parame ters of the TRITON Le In Program mode when CC 70 79 is received on the global MIDI channel MIDI Channel GLOBAL 2 1 1a or when a REALTIME CONTROLS 1 4 knob is operated in A mode or ...

Page 237: ...1 Intensity PROG 3 1 Ed Pitch OSC1LFO page CC 78 LFO1 delay Corresponds to LFO1 Delay PROG 5 3 Ed LFOs OSC1 2 LFO1 page CC 79 Filter EG intensity Corresponds to Filter EG Intensity to A B PROG 4 1 2 Ed Filter1 2 Mod 1 page 6 Controlled on the global MIDI channel 7 NRPN Non Registered Parameter Number and Data Entry can be used to control the following parameters Arpeggiator on off Bn 63 00 Bn 62 0...

Page 238: ... on the MIDI data that is transmitted and received will depend on Convert Position GLOBAL 2 1 1a setting p 127 When controlling an external MIDI tone generator from the TRITON Le select Pre MIDI The above listed settings will affect the MIDI data that is transmitted These settings will also affect the data that is recorded on the internal sequencer Incoming MIDI data will be handled with settings ...

Page 239: ...ive MIDI data for each timbre The MIDI channel specified for the insert effect and master effects in MIDI channel Control Ch control Channel COMBI 7 1 2b 7 2 1a 7 2 1c is used to control dynamic modulation and to control the pan and send 1 2 after the sound has passed through the insert effects When you operate the keyboard or controllers of the TRITON Le messages will be transmitted on the global...

Page 240: ... Change GLOBAL 2 1 1b is unchecked bank select messages will not be transmitted or received p 128 MIDI Filter After touch Channel after touch Dn vv n channel vv value When you apply pressure to the keyboard after playing a note an after touch effect will be applied and Channel After Touch messages will be transmitted When these messages are received an after touch effect will be applied After touc...

Page 241: ...the result will be the same as when the controller is operated The volume of the TRITON Le is determined by summing the value of the Volume message with the value of the Expression message If adjusting the Volume message does not increase the vol ume as you expect or if there is no sound transmit MIDI messages from an external device to reset the value of the Expression message set vv to 127 In Se...

Page 242: ...al MIDI channel p 27 p 28 FX On Off These messages are defined simply for use in adjusting the effect levels and may not have the same function on another instrument connected to the TRITON Le Using various controllers for control Foot controller CC 04 Bn 04 vv If the above CC is assigned as the ASSIGNABLE PEDAL function this message will be transmitted when the control ler is operated In Combinat...

Page 243: ...uencer modes transmission reception can be turned on off independently for each timbre track Realtime Control Knob1 2 3 4 COMBI 4 3 1a SEQ 4 3 In Program mode the corresponding program parame ters will be temporarily edited by these messages You can Write the program to save the modified state except for certain parameters The Write operation can also be performed by a MIDI exclusive Program Write...

Page 244: ... knob REALTIME CONTROLS 2 knob in C mode and the arpeggiator gate will change The same effect will be applied when this message is received NRPN arpeggiator velocity control Bn 63 00 Bn 62 0B Bn 06 mm This message will be transmitted when you operate the ARP VELOCITY knob REALTIME CONTROLS 3 knob in C mode and the arpeggiator velocity will change The same effect will be applied when this message i...

Page 245: ...smitted and received When you change modes on the TRITON Le a mode change message will transmitted When you change programs or combina tions the parameters for one program or one combination will be transmitted together with the program change When you edit individual parameters parameter change drum kit parameter change or user arpeggio pattern param eter change messages will be transmitted When ...

Page 246: ...n which you can play back an external sequencer and record its playback on this instrument Set MIDI Clock GLOBAL 2 1 1a to Internal begin recording and then start the external sequencer With this method the MIDI messages will be recorded without the two devices being synchronized Since the incoming musical data will simply be recorded this method allows the performance to be reproduced faithfully ...

Page 247: ... TRITON Le automatically converts the GS XG sound maps to the GM sound map and supports some of their messages In Sequencer mode etc GS XG music data can be played back Since the TRITON Le does not support all of the GS XG sound maps or messages some data may not be played back correctly If you wish to play music data from an external GM GS XG compatible sequencer or to load it into a pattern mult...

Page 248: ... configuration may be different than it was before being saved This is because tracks that contain no musical data are omitted and the remaining tracks are moved into the unused tracks This will not affect the playback itself If song data that was saved by another device as a format 1 SMF file is loaded into this instrument the track configuration may be different than it was before being saved Th...

Page 249: ...ck or pattern that contains musical data Meaning The measure that was specified as the destination contains no data Action Specify a destination measure that contains data Meaning A multisample already exists at the destination save location multisample Action Either delete the multisample at the destination save location or change the save destination multisample number Meaning The same multisamp...

Page 250: ...e utility menu command Copy and you used a wild card to specify the copy file name the specified file was not found Alternatively the length of the copy source path name exceeded 76 characters Meaning In Media mode when you used the F6 Open key to open a directory the path length including the selected directory name exceeded 76 charac ters Action Check the file or directory Meaning When executing...

Page 251: ...ation save location L and R mul tisample numbers are the same the editing opera tion could not be executed Action Select a different multisample number for the L and R of the destination save location Meaning When loading a Standard MIDI File the file con tained no events Meaning When you executed Export Samples as AIFF WAVE for Samples in One Multisample there were no samples Action Create sample...

Page 252: ...onversion destination program If converting a monaural multisample select Single If converting a stereo multisample select Double Meaning It was not possible to execute the Bounce opera tion because one of the tracks contained a pattern and the same measure of the other track contained events or a pattern Action Open the pattern Meaning When moving a measure the edit operation could not be execute...

Page 253: ...Alternatively the data is damaged etc and cannot be loaded or accessed Meaning You attempted to create a directory that would exceed the maximum pathname length 76 charac ters for the full pathname Meaning When executing the Media mode utility menu command Copy the copy destination path length exceeded 76 characters Meaning When saving a file in Media mode the save desti nation path exceeded 76 ch...

Page 254: ...ameters of the data will be converted as follows when loaded Program combination drum kit global settings song TRITON keyboard models and multi TRITON Rack data within a PCG or SNG file 3 Program combination drum kit and arpeggio pattern bank number structure The following tables show the bank number structure for the programs combinations drum kits and arpeggio patterns of the TRITON keyboard mod...

Page 255: ...valid on the TRITON Le 1 Combination Multi and Global mode parameters of the TRITON Rack The following parameters are invalid on the TRITON Rack but are saved as internal data and the loaded val ues or the default values will be output when saved This means that if a TRITON Rack PCG file is loaded these settings may be changed Combination and Multi modes MIDI Filter Enable Foot Pedal Switch Global...

Page 256: ...o channels are supported Sample sizes of 1 16 bits are supported If the sample data is 8 bits or less it will be loaded as 16 bit data with the lower 8 bits always at 0 Sample Chunk Only the loop data is referenced If there is multiple loop data the loop with the greatest number of loop playback times Play Count will be used Even if the Type is Alternat ing or Backward it will be handled as Forwar...

Page 257: ...mple Number chunk SMP1 SMD1 SMF1 SNO1 The latter structure is in the case where the sample data of the Sample chunk is empty and uses the sample data of the KSF file specified by the Sample Filename chunk shared sample data When saving to a SmartMedia and a single media cannot accommodate all of the data it is possible to automatically divide the file and continue the save operation When a KSF fil...

Page 258: ...7 12000 11905 11127 11025 10667 10582 10417 9891 9800 9481 9406 9259 8711 8000 7937 7813 7418 7350 7111 7055 6945 6534 6000 5953 5564 5513 5333 5291 5208 4945 4900 4741 4703 4630 4356 4000 3968 3906 3709 3675 3556 3527 3472 3267 3000 2976 2782 2756 2667 2646 2604 2473 2450 2370 2352 2315 2178 2000 1984 1855 1838 Hz Attributes 1 byte Loop tune 99 99 cents 1 byte Number of channels 1 1 byte Sample s...

Page 259: ...252 ...

Page 260: ...he AUDIO INPUT 1 and 2 jacks such as a mic or audio device When the included 16 Mbyte DRAM SIMM module is installed in the TRITON Le s SIMM slot you will be able to sample for approximately 2 minutes 54 seconds in monau ral or approximately 1 minute 27 seconds in stereo In modes other than Sampling mode the analog audio sig nal from a mic or instrument connected to the AUDIO INPUT jacks can be pro...

Page 261: ...rd is inserted correctly into the connector or slot After installation be sure to check that the board is installed correctly If the board is not inserted all the way faulty contact or power supply shorts can occur making the unit malfunction Be careful not to drop parts or the option board into the inside of the instrument If you are unable to retrieve a screw or part that was dropped inside the ...

Page 262: ...crews and washers are attached to two corners of the board 4 Lightly bend the flat cable as shown in the diagram below 5 From the rear panel of the TRITON Le remove the three screws from the cover of the EXB SMPL installation opening and remove the EXB SMPL cover The cover EXB SMPL and the three screws you removed will not be used Do not leave them inside the TRITON Le 6 Place the EXB SMPL so that...

Page 263: ...r B re attach the cover 7 When all steps have been completed turn on the power and make sure that the DRAM SIMM has been installed correctly 4 Checking after installation 3 3 Installing additional DRAM SIMM s A maximum of two memory modules can be installed If you want to use two 32 Mbyte DRAM SIMM mod ules the 16 Mbyte DRAM SIMM that you installed when installing the EXB SMPL must be removed as d...

Page 264: ...ption board memory that you installed is displayed in the LCD screen If it is not displayed the installation may not have been performed correctly Check once again that the board is installed correctly If you have any questions regarding installation please contact your local Korg distributor EXB SMPL EXB SMPL is installed SIMM Slot1 If a SIMM is installed in SIMM slot 1 the capacity of the SIMM M...

Page 265: ...oad 123 Program 1 Multisample 7 RAM bank 97 Sampling 91 Memory bank 90 Save 148 Sequencer Bank Select message 51 Bank EX2 MSB LSB 62 Program bank 54 Base key 87 89 106 Bend Range Combination 37 Sequencer 63 Bottom Key 39 64 65 147 Bottom Velocity 40 65 66 Bounce Bounce Pattern 70 Bounce Track 76 BPM BPM MIDI Sync function 155 219 Detune BPM Adj 37 63 Detune BPM Adjust 38 63 Grid 107 Pitch BPM Adj ...

Page 266: ...m 138 Foot Switch Polarity 126 Force OSC Mode Combination 37 Sequencer 62 Format 152 153 Free Number 118 Free Sample Memory 118 Full Format 153 G Gain MEQ 28 161 209 Gate 24 44 83 137 Gate time 24 Global MIDI channel 26 27 28 29 33 34 36 37 47 86 121 127 128 130 218 224 227 228 230 231 236 Global Setting 143 GM Initialize Parameters 54 GM System On message 54 239 Grid 107 GS 124 238 H High pass fi...

Page 267: ...121 MIDI universal system exclusive message 121 MIDI Tempo Sync 23 Modulation 214 215 216 219 220 232 MS 88 MS To Mono 97 MS To Stereo 97 Multi REC 57 Multisample 5 6 7 8 38 63 88 98 106 116 132 139 141 144 145 146 147 148 149 240 242 243 247 248 249 Multi track recording 55 57 82 N Normalize 103 O Octave Arpeggiator 4 24 35 44 136 Combination 37 Program 3 4 7 24 Sampling 117 Sequencer 63 Ofs Offs...

Page 268: ...egory IFX 27 MFX 29 Multisample 7 Program 2 Send 84 AUDIO INPUT 126 Set Song Length 81 Single track recording 55 57 Single Trigger Drum Kit 134 Program 5 Slendro 5 SmartMedia 49 58 60 125 139 140 148 151 152 SMPL To Stereo 95 Solo SOLO On Off 55 Solo Selected Timbre 32 Solo Selected Track 51 Solo function Combination 32 Sequencer 51 55 Song data 49 123 125 128 239 Song Position Pointer message 51 ...

Page 269: ...ed location 127 Velocity SW Lo Hi DrumKit 132 Program 6 Velocity Switch 40 Velocity Zone Combination 40 Program 8 Sequencer 65 Velocity Zone Combination 40 Program 8 Volume Combination 34 Sequencer 56 W WAVE file 247 Write Combination 32 Drum Kits 133 Global Setting 123 Program 2 Write Protect 153 X XG 124 238 Z Zero cross 98 Zone Map Key Zone 39 64 65 Velocity Zone 40 65 66 Zone Range Sampling 93...

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