ENSONIQ ASR-X PRO, Руководство пользователя

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Insert Effect Parameters
ENSONIQ ASR-X Pro UserÕs Guide 49
ADSR Sustain Off, -49.5dB to 0.0dB Sets the sustain level for the ADSR envelope shape.
ADSR Release 50us to 10.0s Sets the release time for the ADSR envelope shape.
ADSR Env Amt -99% to +99% Determines the degree to which the envelope modifies
the cutoff frequency of the VCF.
ADSR TrigMode Single or Multi Determines whether the envelope which controls the
VCF will retrigger with each key-event (Multi) or not
(Single).
Dly1 Time 1/1 Sys to 1/32 Sys, 0ms to
630ms
Sets the amount of delay time for the first independent
delay.
Dly1 Level Off, -49.5dB to +12.0dB Adjusts the volume of the delayed signal against the
original dry signal.
Dly1 Feedback -99% to +99% Determines the amount of signal that will be fed from
the output back into the input, increasing the number of
repeats in the delay.
Dly1 Damping 100Hz to 21.2kHz Controls the cutoff of a low pass filter on the feedback
signal, which adjusts the amount of damping to the
feedback signals. The lower the number, the more the
signals are damped.
Dly1 Pan Full <L to Full >R Determines the location of the delay in the stereo
spectrum.
Dly2 Time 1/1 Sys to 1/32 Sys, 0ms to
630ms
Sets the amount of delay time for the second
independent delay.
Dly2 Level Off, -49.5dB to +12.0dB Adjusts the volume of the delayed signal against the
original dry signal.
Dly2 Feedback -99% to +99% Determines the amount of signal that will be fed from
the output back into the input, increasing the number of
repeats in the delay.
Dly2 Damping 100Hz to 21.2kHz Controls the cutoff of a low pass filter on the feedback
signal, which adjusts the amount of damping to the
feedback signals. The lower the number, the more the
signals are damped.
Dly2 Pan Full <L to Full >R Determines the location of the delay in the stereo
spectrum.
33
3 3000 0 D
D
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VVV
VC
C
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D D
D DD
D
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Dist
→
VCF
→
DDL combines a distortion, a voltage control filter and a digital delay.
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Dist LPF Fc 10Hz to 20.0kHz Filters out high frequencies prior to the distortion.
Dist Offset -99% to +99% Adjusts the balance of even-to-odd-generated
harmonics.
Dist Gain Off, -49.5dB to +48dB Controls the gain going into the distortion effect. This
will boost the signal level up to 48 dB. For more
distortion, use a high input level gain and turn the
distortion volume down to keep the volume under
control. For less distortion, use a low gain input level
and a higher output volume.
Dist Curve Soft, Medium 1, Medium 2,
Hard, Buzz
Selects the type of clipping produced by the distortion.
The curves range from tube-like distortion (Soft) to
nasty distortion (Buzz).
Dist Volume Off, -99dB to 0.0dB Controls the volume of the distortion effect. Generally, if
the distortion gain is set high, set this parameter lower.
Post VCF Fc 10Hz to 7.10kHz Determines the distortion filter cut off frequency. Higher
values have a brighter sound. This parameter can be
modulated by any continuous MIDI controller for a
wah-wah pedal effect.
Post VCF Q 1.0 to 40.0 Determines the level and width of the resonant peak at
the filter cutoff point. While the Fc (filter cutoff)
parameter determines where (at what frequency) this
peak will occur, the Q setting controls the sharpness of
the peak.