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Tutorial

ENSONIQ ASR-X Pro UserÕs Guide

17

2.

Play the lowest pad. The display shows:

The pad youÕve selected

The currently selected track

l

n

padC2 ¦03 RAM00:002
*CUSTOM : SMPL1_01

i

The sound being played by the pad

As you might expect, this padÑthe first pad to which you sent your wavesÑis playing the first copy
of SMPL1: SMPL1_01.

3.

Hit the other two pads to which you sent wavesÑthey play SMPL1_02 and SMPL1_03.

4.

You can check out the sounds being played by the other pads in DanceKit_01, if you like.

EE

E

Edd

d

diiiittttiiiinn

n

nggg

g P

P

P

Paaa

add

d

d SSS

Soo

o

ouu

u

unn

n

ndd

d

dssss

1.

Hit the lowest padÑweÕre going to edit SMPL1_01.

2.

Locate and press the Pad Edit button.

3.

Turn the Parameter knob until the display shows:

The pad whose sound youÕre editing

The sound being edited

m

m

C2 WAVE SMPL1_01
PlayMode=OnceForward

The PlayMode parameter determines how the selected soundÑin this case, SMPL1_01Ñwill play
the waves on which itÕs based. It can be set to:
¥

OnceForwardÑso that the wave will play through once and stop.

¥

OnceBackwrdÑso that the wave will play backwards once and stop.

¥

LoopForwardÑso that the wave will play forwards over and over again.

¥

LoopFwd&BwdÑso that the wave will play once forward, then play backwards, then forward
again, over and over.

4.

Turn the Value knob clockwise to set PlayMode to LoopForward.

5.

Turn the Parameter knob clockwise one tick so that the display shows the Start/Loop parameter. On
this single page, you can dial in a coarse setting for the:
¥

sample startÑthe location from which the wave will play when you strike a pad.

¥

loop startÑthe location from which the wave will start playing again when it loops around if
PlayMode is set to LoopForward or LoopFwd&Bwd.

¥

loop endÑthe point at which the wave will return to loop start when PlayMode is set to
LoopForward or LoopFwd&Bwd. When the wave is not set to loop, loop end functions as
sample end, determining where the wave will stop playing.

All of the above are expressed on this display as percentages of the entire wave.

T

T

T

Tiiiip

p

p

p::::

Though you donÕt need them for this tutorial, sample start, loop start and loop end all have

fine adjustments that you can use to find perfect loop settings when working on your music.

Sound

Edit

Process

Stomp !

Pad

Loop

/

Filter

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Содержание ASR-X PRO

Страница 1: ...TM LEADINGTHEWORLDINSOUNDINNOVATION U s e r s G u i d e...

Страница 2: ...er the product is properly grounded Do not modify the plug provided with this product if it will not fit the outlet have a proper outlet installed by a qualified electrician RISK OF ELECTRIC SHOCK DO...

Страница 3: ...TM U U U Us s s se e e er r r r s s s s G G G Gu u u uii i id d d de e e e V V V Ve e e er r r rs s s sii i io o o on n n n 3 3 3 3 0 0 0 00 0 0 0...

Страница 4: ...photocopied reproduced translated or reduced to any electronic medium or machine readable form without prior written consent from ENSONIQ Corp The ASR X Pro software firmware is copyrighted and all r...

Страница 5: ...mation on the disk Keep disks away from speaker cabinets tape decks power cables airline x ray equipment power amplifiers TV sets and any other sources of magnetic energy Don t eject the disk while th...

Страница 6: ......

Страница 7: ...T T T Tu u u ut t t to o o or r r rii i ia a a all l l 1 1 1 1 L L L Lii i is s s st t t t o o o of f f f R R R RO O O OM M M M S S S So o o ou u u un n n nd d d ds s s s 2 2 2 23 3 3 3 II I In n n ns...

Страница 8: ......

Страница 9: ...th h h he e e e A A A AS S S SR R R R X X X X P P P Pr r r ro o o o B B B Bo o o ox x x x The following items are included with every ASR X Pro shipped from the ENSONIQ factory ENSONIQ X Audio Samplin...

Страница 10: ...ou ve sampled or loaded into the ASR X Pro Standard sounds based on ROM waves can have up to 16 layers sounds that play sampled waves use one layer for mono waves or two layers for stereo waves kit so...

Страница 11: ...Se e e et t t tt t t tii i in n n ng g g g L L L Le e e ev v v ve e e ell l ls s s s W W W Wh h h he e e en n n n C C C Co o o on n n nn n n ne e e ec c c ct t t te e e ed d d d t t t to o o o a a a...

Страница 12: ...knob to pick an individual demo from the selected category and press the Yes button S S S Se e e ell l le e e ec c c ct t t tii i in n n ng g g g T T T Tr r r ra a a ac c c ck k k ks s s s The ASR X...

Страница 13: ...button to go back to Track 1 S S S Se e e ell l le e e ec c c ct t t tii i in n n ng g g g T T T Tr r r ra a a ac c c ck k k k S S S So o o ou u u un n n nd d d ds s s s Each track can play any of the...

Страница 14: ...r type The selected sound Sounds are stored in groups called banks Each bank can contain up to 127 sounds each of which is numbered This system allows you to select sounds via MIDI since each bank s n...

Страница 15: ...o o oc c c ce e e ee e e ed d d dii i in n n ng g g g 1 Press the left Octave Transpose button to bring the pads down to Octave 0 N N N No o o ot t t te e e e If you see Kit Mapper on the display pre...

Страница 16: ...g ii i in n n n t t t th h h he e e e A A A AS S S SR R R R X X X X P P P Pr r r ro o o o The ASR X Pro contains a recording device called a sequencer that is both powerful and easy to use A sequence...

Страница 17: ...d over this default sequence setting can be changed see Chapter 6 in the ASR X Pro Reference Manual 3 Press the Stop button to end playback U U U Un n n nd d d do o o o For situations in which you ve...

Страница 18: ...track you ve recorded contains 1 4 notes not 1 16th notes 5 Turn the Value knob counter clockwise to select the Strict 1 4 template 6 Press the Yes button 7 Play back your track the timing of the quar...

Страница 19: ...satisfied with your performance quantize the track using the Strict 1 4 quantization template 5 Play back your bass and drums sequence and press the Stop button when you re done listening B B B Be e e...

Страница 20: ...htReverb i The currently selected effect bus The FX Bus parameter assigns the selected track to an effect bus and therefore an effect The values available for this parameter vary slightly depending on...

Страница 21: ...s Edit button selecting the appropriate question and pressing the Yes button Effect selection and editing is described in Chapter 4 of the ASR X Pro Reference Manual For a listing of the insert effect...

Страница 22: ...to cause the ASR X Pro to begin sampling This is referred to as the trigger threshold 6 Turn the Value knob counter clockwise to move the level indicator as far leftward as it will go The farther to t...

Страница 23: ...sampled on the three pads you selected and other elements of Dance Kit on the other pads W W W Wh h h ha a a at t t t H H H Ha a a ap p p pp p p pe e e en n n ne e e ed d d d W W W Wh h h he e e en n...

Страница 24: ...f SMPL1 retain its name and are numbered T T T Tii i ip p p p You can use the Memory Manager to rename sounds in RAM See Chapter 7 of the ASR X Pro Reference Manual B B B Be e e ef f f fo o o or r r r...

Страница 25: ...ce and stop OnceBackwrd so that the wave will play backwards once and stop LoopForward so that the wave will play forwards over and over again LoopFwd Bwd so that the wave will play once forward then...

Страница 26: ...mple start to half the setting of loop end 15 Hit and hold down the middle pad the wave now starts playing halfway through when the bass comes in and then starts over again from the beginning You ve t...

Страница 27: ...RAM and all of your sequences they even save your System MIDI Resampling Setup and sequencer Click settings and be automatically loaded when you power up ASR X Pro floppy and SCSI disk operations are...

Страница 28: ...obal Save button 2 If necessary turn the Parameter knob until the display shows Save to disk ALL SESSION SESSION i i The type of file to be saved The name of the file to be saved By turning the Parame...

Страница 29: ...Sound button select the CUSTOM SoundFinder category and look for your sounds or press the Transport Play button to play the sequence to verify this there s nothing there Let s load it all back in 1 Lo...

Страница 30: ......

Страница 31: ...Classic Snr ROM08 031 909 Snare ROM08 032 808 Snare ROM08 033 Brush Slap ROM08 034 Clean Snare ROM08 035 Cosmo Snare ROM08 036 House Snr 1 ROM08 037 House Snr 2 ROM08 038 House Snr 3 ROM08 039 Bang S...

Страница 32: ...09 002 Clavinot ROM09 003 Orgcussion ROM09 004 NewOrgleans ROM09 005 Snare Imba ROM09 006 NaturalBass ROM09 007 Less Frets ROM09 008 SlapYo Self ROM09 009 BuzzSawBass ROM09 010 Sweep Bass ROM09 011 Sn...

Страница 33: ...llow Pad ROM11 036 Brassy Saw ROM11 037 Poly Pad ROM11 038 Hol O Lead ROM11 039 PS Harm Sqr ROM11 040 PS HarmMono ROM11 041 Sigh o Nara ROM11 042 WHL Swept ROM11 043 Padly ROM11 044 Sync2Wheel ROM11 0...

Страница 34: ......

Страница 35: ...Mid 2 Q 1 0 to 40 0 Identical to the Mid 1 Q parameter and is used to control different bandwidths within the mid range Mid 2 Gain Off 49 5dB to 24dB Identical to the Mid 1 Gain parameter used to cont...

Страница 36: ...d Some sounds may require very low values while others sound more natural with higher values PreDelay 0 to 36ms Controls the amount of time it takes for the original signal to be presented to the reve...

Страница 37: ...values tend to increase the smear making the echoes less apparent Diffusion 2 0 to 100 This diffuser similar to and in series with the previous one offers control over lower frequency ranges Plate re...

Страница 38: ...Diffusion 1 but offers control of lower frequencies In general a setting of 50 can be considered an equal mix of dry diffused sound This setting is a good starting point Density 1 0 to 100 Density 1 c...

Страница 39: ...release The Gate Hold time will begin again if retriggered Decay 0sec to 10 0sec Sets the decay rate In general the decay rate is set very high HF Damping 100Hz to 21 2kHz Controls the rate of attenua...

Страница 40: ...to any of the chorused voices P P P Pa a a ar r r ra a a am m m me e e et t t te e e er r r r R R R Ra a a an n n ng g g ge e e e D D D De e e es s s sc c c cr r r rii i ip p p pt t t tii i io o o on...

Страница 41: ...density is increased with time Setting this parameter too high can cause the echo density to build at a rate which exceeds the decay rate Chorus Mix Full Dry to Full Wet Controls the dry wet mix of t...

Страница 42: ...Controls the amount of feedback applied to the flanger Positive or negative values will impart a different tonality to the flange effect either accenting the peaks or the notches System Feedback 99 t...

Страница 43: ...g g ge e e e D D D De e e es s s sc c c cr r r rii i ip p p pt t t tii i io o o on n n n LFO Rate 1 1 Sys to 1 32 Sys 0 0Hz to 20 0Hz Controls the rate of the modulation applied to the delay time of t...

Страница 44: ...trols the amount of feedback applied to the flanger Positive or negative values will impart a different tonality to the flange effect either accenting the peaks or the notches Rev Mix Full Dry to Full...

Страница 45: ...dampen more and more high frequency energy HF Bandwidth 100Hz to 21 2kHz The high frequency bandwidth acts as a low pass filter on the signal going into the reverb controlling the amount of high freq...

Страница 46: ...settings of 50 for starters Diffusion 2 0 to 100 This parameter similar to and in series with Diffusion 1 controls lower frequency ranges Definition 0 to 100 Controls the rate at which echo density i...

Страница 47: ...independent delay Dly1 Level Off 49 5dB to 12 0dB Adjusts the volume of the delayed signal against the original dry signal Dly1 Feedback 99 to 99 Determines the amount of signal that will be fed from...

Страница 48: ...l dry signal Dly1 Feedback 99 to 99 Determines the amount of signal that will be fed from the output back into the input increasing the number of repeats in the delay Dly1 Damping 100Hz to 21 2kHz Con...

Страница 49: ...ines the amount of signal that will be fed from the output back into the input increasing the number of repeats in the delay Dly1 Damping 100Hz to 21 2kHz Controls the cutoff of a low pass filter on t...

Страница 50: ...to 21 2kHz Controls the cutoff of a low pass filter on the feedback signal which adjusts the amount of damping to the feedback signals The lower the number the more the signals are damped Dly1 Pan Fu...

Страница 51: ...0 to 40 0 This parameter is a bandwidth control that determines the width of the resonant peak at the center frequency band This parameter is equal to the cutoff frequency divided by the bandwidth By...

Страница 52: ...ter cutoff frequency Higher values have a brighter sound This parameter can be modulated by any continuous MIDI controller for a wah wah pedal effect Post VCF Q 1 0 to 40 0 Determines the level and wi...

Страница 53: ...48dB Controls the gain going into the distortion effect This will boost the signal level up to 48 dB For more distortion use a high input level gain and turn the distortion volume down to keep the vol...

Страница 54: ...peaks or the notches 2 2 2 27 7 7 7 D D D Dii i is s s st t t t P P P Ph h h ha a a as s s se e e er r r r This insert effect combines a raspy distortion with a phase shifter P P P Pa a a ar r r ra a...

Страница 55: ...modulation Phaser Depth 0 to 100 Controls the amount of modulation applied to the phaser Phaser Center 0 to 100 This parameter controls the mid point of the phaser Notch Depth 0 to 100 Controls the de...

Страница 56: ...s how much the amplitude of the incoming signal will modify the distortion filter cutoff frequency When set to 0 no modification will occur When set to mid positive values the Pre VCF Fc will go high...

Страница 57: ...hich adjusts the amount of damping to the feedback signals The lower the number the more the signals are damped Dly2 Pan Full L to Full R Determines the location of the delay in the stereo spectrum 3...

Страница 58: ...lope shape ADSR Release 50us to 10 0s Sets the release time for the ADSR envelope shape ADSR Env Amt 99 to 99 Determines the degree to which the envelope modifies the cutoff frequency of the VCF ADSR...

Страница 59: ...tuner back into the input This allows you to create special effects with ascending descending delays Voice2 Width 1ms to 185ms Controls the splice width of voice 2 Select the width that sounds best to...

Страница 60: ...at will be fed from the output back into the input increasing the number of repeats in the delay Dly1 Damping 100Hz to 21 2kHz Controls the cutoff of a low pass filter on the feedback signal which adj...

Страница 61: ...2 A E I O U AA AE AH AO EH ER IH IY UH UW B D F G J K L M N P R S T V Z Selects the shape of the second formant filter FormantWarp 12 to 12 semi Shifts all formant frequencies up or down warping the s...

Страница 62: ...is parameter can be modulated by any continuous MIDI controller for a wah wah pedal effect Post VCF Q 1 0 to 40 0 Determines the level and width of the resonant peak at the filter cutoff point While t...

Страница 63: ...r is set to Fast Broader ranges between Hi AM Max and Hi AM Min will create a deeper rotating speaker effect Lo Inertia 100ms to 10 0s Determines how long it will take for the woofer simulator rotor S...

Страница 64: ...t the input level before the EQs to eliminate the possibility of clipping boosted signals Mid 1 Fc 10Hz to 20 0kHz Sets the center of the mid frequency parametric Mid 1 Q 1 0 to 40 0 This parameter is...

Страница 65: ...mp gains approximately 0 dB this parameter controls the emphasis of even to odd harmonics which determines the tone of the amp Mid values emphasize even harmonics and offer a warmer glowing tube sound...

Страница 66: ...econd independent delay Dly2 Level Off 49 5dB to 12 0dB Adjusts the volume of the delayed signal against the original dry signal Dly2 Pan Full L to Full R Determines the location of the delay in the s...

Страница 67: ...9 5dB to 12 0dB Adjusts the volume of the delayed signal against the original dry signal Dly1 Feedback 99 to 99 Determines the amount of signal that will be fed from the output back into the input inc...

Страница 68: ...djusts the balance of even to odd generated harmonics Dist Gain Off 49 5dB to 48dB Controls the gain going into the distortion effect This will boost the signal level up to 48 dB For more distortion u...

Страница 69: ...Comp Gate combines an EQ with a full feature stereo compressor When using high compressor ratios this insert effect functions as a limiter This effect operates by compressing attenuating signals above...

Страница 70: ...rmines how long the gate will last 4 4 4 40 0 0 0 E E E EQ Q Q Q C C C Ch h h ho o o or r r ru u u us s s s D D D DD D D DL L L L An effect chain that features a four band parametric EQ chorus and fou...

Страница 71: ...e 1 1 Sys to 1 32 Sys 0ms to 630ms Sets the amount of delay time for the second independent delay Dly2 Level Off 49 5dB to 12 0dB Adjusts the volume of the delayed signal against the original dry sign...

Страница 72: ......

Страница 73: ...ters or other products that produce heat 7 The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product 8 This product may be...

Страница 74: ...TM LEADINGTHEWORLDINSOUNDINNOVATION...

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