Chapter 28: Beat Detective
563
Separating Regions with
Beat Detective
(Audio Only)
Once beat triggers appear in your selection, they
can be used to define start and end points for
new regions that can be separated automati-
cally. The new regions can then be conformed
to the session’s existing tempo map, or to a
groove template.
If you want to clean up the timing for the selec-
tion, without affecting the tempo, make sure to
first calculate the tempo by generating Bar|Beat
Markers (see “Calculating Tempo with Beat De-
tective” on page 554).
To separate regions with Beat Detective:
1
In the Edit window, make an audio selection.
2
In the Beat Detective window, select
Region
Separation
.
3
Define or capture the selection as described in
“Defining a Beat Detective Selection” on
page 552.
4
Configure the Detection options so the selec-
tion’s peak transients are accurately detected
(see “Generating Beat Triggers” on page 554).
5
Click
Separate
.
Regions are separated based on the detected beat
triggers.
Trigger Pad
When separating regions, the Beat Detective
window displays an option called Trigger Pad.
Type a value (0–50 ms) in this field to pad region
start points—where the point of separation is lo-
cated in relation to the beat trigger (transient).
This creates a space between the region start
point and the region sync point, thereby ensur-
ing that the attack portion of the material re-
mains intact.
When conforming separated regions, the region
sync point, not the region start point, deter-
mines where the region is placed.
Detection settings, Region Separation mode
Separated region with 20 ms Trigger Pad
For more information on region sync points,
see “Sync Points” on page 728.
Region start
Sync point
(point of separation)
20 ms
(beat trigger)
Содержание Digidesign Pro Tools 8.0
Страница 1: ...Reference Guide Pro Tools 8 0 ...
Страница 18: ...Pro Tools Reference Guide xviii ...
Страница 19: ...1 Part I Introduction ...
Страница 20: ...2 ...
Страница 24: ...Pro Tools Reference Guide 6 ...
Страница 40: ...Pro Tools Reference Guide 22 ...
Страница 45: ...27 Part II System Configuration ...
Страница 46: ...28 ...
Страница 58: ...Pro Tools Reference Guide 40 ...
Страница 76: ...Pro Tools Reference Guide 58 ...
Страница 118: ...Pro Tools Reference Guide 100 ...
Страница 127: ...109 Part III Sessions Tracks ...
Страница 128: ...110 ...
Страница 144: ...Pro Tools Reference Guide 126 ...
Страница 170: ...Pro Tools Reference Guide 152 ...
Страница 228: ...Pro Tools Reference Guide 210 ...
Страница 292: ...Pro Tools Reference Guide 274 ...
Страница 343: ...325 Part IV Playback and Recording ...
Страница 344: ...326 ...
Страница 386: ...Pro Tools Reference Guide 368 ...
Страница 442: ...Pro Tools Reference Guide 424 ...
Страница 443: ...425 Part V Editing ...
Страница 444: ...426 ...
Страница 490: ...Pro Tools Reference Guide 472 ...
Страница 528: ...Pro Tools Reference Guide 510 ...
Страница 566: ...Pro Tools Reference Guide 548 ...
Страница 590: ...Pro Tools Reference Guide 572 ...
Страница 591: ...573 Part VI MIDI ...
Страница 592: ...574 ...
Страница 648: ...Pro Tools Reference Guide 630 ...
Страница 670: ...Pro Tools Reference Guide 652 ...
Страница 679: ...661 Part VII Arranging ...
Страница 680: ...662 ...
Страница 756: ...Pro Tools Reference Guide 738 ...
Страница 769: ...751 Part VIII Processing ...
Страница 770: ...752 ...
Страница 780: ...Pro Tools Reference Guide 762 ...
Страница 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Страница 814: ...Pro Tools Reference Guide 796 ...
Страница 842: ...Pro Tools Reference Guide 824 ...
Страница 843: ...825 Part IX Mixing ...
Страница 844: ...826 ...
Страница 976: ...Pro Tools Reference Guide 958 ...
Страница 991: ...973 Part X Surround ...
Страница 992: ...974 ...
Страница 1000: ...Pro Tools Reference Guide 982 ...
Страница 1025: ...1007 Part XI Sync and Video ...
Страница 1026: ...1008 ...
Страница 1080: ...Pro Tools Reference Guide 1062 ...
Страница 1111: ......